Track Of The Day: Dott – ‘Extra Introvert’

A tender, buoyant guitar tune that helps to playfully shake off feelings of social anxiety; Dott have shared their latest single, ‘Extra Introvert’. Self-described as a “sombre summer bop”, the track confronts the “Lockdown Anxiety” many of us have been dealing with during the Covid-19 pandemic.

Galway-based dream-poppers Dott were in the middle of recording their third album, the follow up to 2018’s Heart Swell, when the pandemic put an abrupt stop to proceedings. ‘Extra Introvert’ was recorded in a cottage in Leitrim with Frankie Pollard (Oh Boland) and mastered by Steve Fallone (The Breeders, Alvvays), and provides a breath of fresh air for anyone who’s been feeling apprehensive about re-joining their social circles.

The accompanying video features the band’s vocalist Anna using her smart phone to interact with friends again, and by “friends” we mean some very, very cute dogs. Most people have been extra reliant on their devices to help them socialise during the lockdown period, so the video is shot vertically and best appreciated on a phone screen. The visuals compliment the upbeat nature of the track perfectly, proving there’s still space for joy and distraction even when you’re not feeling your best.

Watch the video for ‘Extra Introvert’ below and follow Dott on Facebook & Spotify for more updates.

Photo Credit: Kim McCafferty

Kate Crudgington
@KCBobCut

Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.

(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…

PLAYLIST: September 2018

Summer’s over and so is festival season, but fear not! Our brand new September playlist is here to to brighten up your day. This month is shaping up to be something special sound-wise, and we’re excited to share our track selections with you. Take some time to scroll through our words, and hit play on the Spotify link at the bottom of the page…

 

Noga Erez – ‘Cash Out’ (feat. SAMMUS)
The idiosyncratic voices of Tel Aviv’s Noga Erez and Philadelphia rapper SAMMUS combine in superb style on this new track, which is the perfect follow up to Erez’s previous knockout single ‘Bad Habits’. Together, the pair “call out the contradicting and chauvinistic pressures piled on women through consumerist society” with defiant, seething flair. I cannot stop listening to this total T.U.N.E. (Kate Crudgington)

Basement Revolver – ‘Heavy Eyes’
‘Heavy Eyes’ is the new single from Canadian indie-rock trio Basement Revolver taken from the debut album (also called Heavy Eyes) which was released in August via Fear of Missing Out Records. The track is about feeling tired and how hard life is when you’re in that tired state…PREACH. I love the track’s rhythmic percussion with those distant vocals pushing me into that hypnotic hazy state. (Tash Walker)

Twist Helix – ‘Graphite’
Taken from their upcoming debut album, Twist Helix’s new single ‘Graphite’ is a song about the artist feeling frustration as she cannot articulate an authentic vision of her city. A sweeping, cinematic offering, it juxtaposes dynamic, synth-heavy beats with a twinkling musicality and the soaring impassioned vocals of front woman Bea Garcia. Ouseburn, the upcoming album from Twist Helix, is out 5th October. (Mari Lane)

Fears – ‘Blood’
Flitting between Belfast and Dublin, Irish musician Fears (aka Constance Keane) creates sublime electronic-based soundscapes. I first heard ‘Blood’ on The Irish Jam, and I’ve been haunted by her melancholy soundscapes ever since. I’ll definitely be keeping tabs on this talented newcomer. (KC)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on Ah! Kosmos’ new single. The track is taken from her upcoming second album Beautiful Swamp, which is set for release on October 5th via Compost Records. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist. She sweeps listeners up in to a rapture with her intense soundscapes filled with rhythmic guitar melodies, and her collaboration with guitarist Özgür Yılmaz on ‘Wide’ is another stunning example of this. (KC)

Koschka – ‘The Flood’
The new single from Berlin-based Koschka, ‘The Flood’ oozes a sweeping grandeur and haunting, majestic power. Inspired by themes of ephemeral love, acceptance and regret, it flows with twinkling keys as the impressive range of Koschka’s resonating vocals soar across a luscious soundscape with an effervescent grace. Truly spellbinding. (ML)

Okay Kaya – ‘Habitual Love’
Okay Kaya who hails from Norway has only recently popped up on my radar, but I’m so glad she did. Currently in the process of releasing a series of loosely-connected, slightly disconcerting music videos for her album Both – manifesting themes such as love, voyeurism and trauma as another physical body. This is my favourite of the releases so far – ‘Habitual Love’ whose gentle beats and Sade like melodies take on a life of their own when you watch the video. However you consume this…it’s fantastic. (TW)

The Menstrual Cramps – ‘The Smash’
Raw, righteous, and a rallying cry against pervasive capitalist and patriarchal oppression: The Menstrual Cramps’ released their sophomore album Free Bleedin’ at the end of August, and it drips with irrepressible anarchy and wit. ‘The Smash’ is the second track on the record, calling for a political and personal revolution. The lyric “Theresa May don’t even masturbate” is a personal fave here. (KC)

Peach Club – ‘Boy In A Band’
A gritty, raging attack on those ‘boys in bands’ that we’ve all come across – those disgusting guys who use their self-proclaimed ‘fame’ to take advantage of young women – ‘Boy In A Band’ rages with a raw ferocity, thrashing hooks and driving beats, building with a frenzied energy to a riotous anthem, blasting into the ears with a racing sense of urgency. And rightly so. We need voices like Peach Club’s now more than ever; a voice that gives motivation and inspiration to girls and women to speak out and be heard in order to prevent the damaging actions of certain boys in bands continuing to be swept under the carpet within the music industry. And we cannot wait for Peach Club to headline our Blogtober event at The Finsbury on 12th October! (RSVP here(ML)

Fightmilk – ‘Four Star Hotel’
Fightmilk have now signed to Reckless Yes and announced the release of their truly fantastic debut album Not With That Attitude (due November 2nd). Taken from the album, new single ‘Four Star Hotel’ is a scuzzy, sparkling anti-love song spiced with a tongue in cheek wit and refreshing cynicism. Another immensely catchy, instant smile-inducing slice of luscious punk-infused indie-pop at its finest. And we cannot wait for Fightmilk to play for us again at The Finsbury on 14th December! (RSVP here). (ML)

Dolls – ‘Sugar Free’
Prepare to have your bubble well and truly popped by the sound of DOLLS’ latest single ‘Sugar Free’. The London-based duo have delivered another catchy slice of grunge-pop glory, alongside the news they’ll be releasing their debut EP Pop The Bubble on September 21st. (KC)

Value Void – ‘Babeland’
I just think this is such a tune. ‘Babeland’ by London trio Value Void is taken from their upcoming debut album set for release on 26th October via Tough Love, which they’ve described as “a luxuriantly deep, shag pile-warm, analogue proto punk collection”. This particular song is about one night in a pub when everything looked grim except for two very attractive men kissing. I love the hazy dreamlike sound which for me was the perfect accompaniment to the hazy warmth of this London Summer. (TW)

Dott – ‘Wedding Song’
Taken from their recent album Heart Swell, Dott’s ‘Wedding Song’ is a poignant ode to love in all its forms, and a celebration of Ireland’s vote to legalise Same Sex Marriage in 2015. The Galway-based band will be headlining our first Get In Her Ears Night at The Five Bells on October 26th (RSVP here). (KC)

IDER – ‘Body Love’
I could listen to this song over and over and over. Such beautifully intricate harmonies, carefully weaved together over the course of ‘Body Love’, I’m left wrapped in the song’s self-affirming message each and every time. I’ve picked this track because I’m going to be seeing IDER play at The Village Underground on 2nd October, and I cannot wait. (TW)

Tirzah – ‘Gladly’
Beautifully understated, gently hypnotic and lyrically touching. I cannot get enough of Tirzah right now, and you know what, it’s not just this track…but the whole album Devotion. What can I say…I am hopelessly devoted. Cringe statements aside, please go listen if you haven’t already, your life will be better for it. (TW)

WATCH: Dott – ‘Wedding Song’

On the third anniversary of band members Anna and Evan’s wedding day, Galway’s Dott have shared a new video for their track ‘Wedding Song’, taken from their recent album Heart Swell. It’s a poignant ode to love in all its forms, and a celebration of Ireland’s vote to legalise Same Sex Marriage in 2015.

The video, shot by Madra Dana, shows footage of ‘traditional’ weddings before the Marriage Referendum, as Anna’s lyrics systematically strip away the expectations that come with wedding ceremonies, revealing the only thing that truly matters when you consider spending the rest of your life with someone: Love.

Anna explains the track further: “It’s three years since Evan and I tied the knot, and it has been so beautiful to see all of the people who have been able to legally marry the person they want to be with. For me, getting married had nothing to do with a big white dress, a trip to the church and a Priest’s blessing. It was about announcing that I intend to spend the rest of my life with someone I love, and celebrating that with all of our friends and family. Since 2015, everyone in Ireland can do just that too.”

Dott will be playing for Get In Her Ears on October 26th at our first gig at The Five Bells (RSVP here), so make sure you head down to hear ‘Wedding Song’ in all its live glory. Watch the video for the track below and follow Dott on Facebook for more updates.

Order your copy of Dott’s Heart Swell here.

Photo Credit: Alison MW

Kate Crudgington
@KCBobCut