Track Of The Day: Talking Violet – ‘Caterpillar’ / ‘Superego’

After taking listeners on an audible odyssey with their ethereal extended play, 2018’s Round Dreams – and following last year’s singles, ‘Bloom’ and ‘Indigo’ – Ontario four-piece Talking Violet have returned with ‘Caterpillar’ and ‘Superego’; two solid tracks of dreamy distortion and angsty lyricism which secure the band’s place as alt-rock scientists of dream-pop.

Self-described as “the loudest sleepy band you’ve ever heard”, Talking Violet have wasted no time pushing the boundaries of alternative rock with a cacophony of sonically sound elements; slowing down only to gaze at their guitar pedals. In their laboratory/studio, the Canadian quartet have cultivated their sound, crafting shimmering soundscapes that transcend genre.

First, guitarist Jay Turnbull provides lead vocals on the anxiety-driven ‘Caterpillar’, a hopeful song of self-discovery, and an ode to those of us that feel unsure of ourselves and the journey ahead: “It describes going through a time in my life where I was dealing with intense daily anxiety and felt unsure of how I was going to achieve the goals I set for myself.” From Jay’s strummed guitar melodies to the hazily picked shoe-gaze tones of guitarist Jill Goyeau, ‘Caterpillar’ is seething with emotion; further elevated by bassist Nate Blackton and Jill’s vocal harmonisation.

Next, Talking Violet tackle unhealthy friendships with ‘Superego’; a brooding performance from Jay, who reflects upon his own hesitation to end a close friendship, and accept that it was time to move forward. Jay’s haunting lyrics (“So if you stop and ask why I’m not around / Hope it doesn’t take long to figure it out”) are juxtaposed against a fuzzy soft/loud/soft dynamic reminiscent of The Smashing Pumpkins, building to a crescendo of distorted guitars, pulsating basslines, and Jeremie Brousseau’s crashing percussion.

Through the experimental use of guitar effects, Talking Violet have developed a dense, atmospheric sound that captures the feeling of dreams. So, grab your dream-pop mixtape, add ‘Caterpillar’ and ‘Superego’ to the tracklist, close your eyes, and press play.

Ken Wynne
@Ken_Wynne

Photo Credit: Kamryn Cusumano

PLAYLIST: St. Patrick’s Day 2021

We know the option to publicly celebrate St Patrick’s Day in Ireland and here in the UK is currently not an option, but the Get In Her Ears team would like to help keep the virtual party going by spotlighting tunes from some of our favourite Irish artists on this epic playlist!

From slick rap verses, to dream-pop choruses, to post-punk bangers; our track choices provide a snapshot of just some of the talented Irish women and non-binary artists creating eclectic and exciting music right now. Happy St. Patrick’s Day to all of our Irish friends!

Take some time to scroll through the tracks below and make sure you hit play on the Spotify playlist at the end of this post.

 

HAVVK – ‘Home’
The first single to be taken from the new album (produced by Rocky O’Reilly) from GIHE faves, Dublin-based HAVVK, ‘Home’ is a stirring reflection on appreciating those closest to you. Propelled by a shimmering ethereal fuzz, the track showcases the soaring celestial majesty of front woman Julie’s vocals, as they float with an impassioned splendour over scuzzy hooks and a gritty, driving energy. Oozing the band’s own unique poignant grace, it’s a truly captivating soundscape. (Mari Lane)

Bitch Falcon – ‘Gaslight’
Is it even a GIHE playlist if I don’t include a Bitch Falcon track? The Dublin trio shared their immense debut album Staring At Clocks via Small Pond Records last year, and ‘Gaslight’ is my favourite track on the record. (Kate Crudgington)

New Pagans – ‘Yellow Room’
Inspired by the short-story The Yellow Wallpaper, by American feminist author Charlotte Perkins Gilman, Belfast’s New Pagans penned this track to highlight the need for a specialised parent-and-baby mental health unit in Northern Ireland. Through the medium of Gilmans’ text, the band channel their frustrations via clear, cathartic vocals, crashing percussion and charged, powerful riffs. I’m so excited to hear New Pagans’ debut album, The Seed, The Vessel, The Roots and All, when it’s released on 19th March. (KC)

M(h)aol – ‘Laundries’
A brooding reflection on the grim realities that “fallen women” faced in Ireland’s infamous Magdalene Laundries, this track from inter-sectional feminist post-punk band M(h)aol is a poignant reminder to Ireland and to the rest of the world that challenging oppression and misogyny is a collective responsibility. (KC)

Grave Goods – ‘Juice’
Sarah, Lois and Phil aka Grave Goods were kind enough to speak to me on our GIHE radio show last year about this track ‘Juice’, which features on an incredible compilation album of Irish artists called A Litany Of Failures: Vol. IIIDefinitely check it out. (KC)

Percolator – ‘Freshin’
Some serious noisy, shoegazey, alternative goodness from Dublin trio Percolator here. ‘Freshin’ is also featured on A Litany Of Failures: Vol. III. I should’ve just added the whole album tbh. (KC)

Pretty Happy – ‘Salami’
A raucous, wise-cracking anthem about the complexities of processed meat, ‘Salami’ is the latest single from Cork art-punk trio Pretty Happy. Full of sardonic lyrics, gutsy vocals and crashing percussion, it’s a ridiculously good off-kilter banger that rambles through the band’s many absurd thoughts and feelings about the pork-based snack. (KC)

Sprints – ‘Swimming’
Big thanks to The Irish Jam team for introducing me to Sprints! This is the latest single from the Dublin four-piece and I love its thumping beats, no nonsense vocals and raucous riffs. (KC)

Problem Patterns – ‘TERFs Out’
Mari & I absolutely love Belfast’s Problem Patterns, who happen to be some of the cutest and most ferocious punks we know. They’re dedicated to raging against inequality for all women and gender non-conforming people, and ‘TERFs Out’ is one many anthemic tracks showcasing their passion for this. When it’s safe to do so, we’re definitely going to book them for a GIHE gig! (KC)

Gender Chores – ‘Fuck The Patriarchy’
With a swirling, grunge-infused twang, this track from Belfast’s Gender Chores reminds me of DIY Riot Grrrl cassettes of the ‘90s, which is no bad thing. Taken from 2019’s immense, and fantastically entitled EP Womansplain, it’s short and sweet, but explicitly clear in its snarling, unashamed message to ‘Fuck The Patriarchy’. This track features on The Fight Is Not Over, a collaborative record addressing the need to continue pushing for more inclusive and diverse spaces in Northern Ireland. (ML)

Strange New Places – ‘Mr Gumble’
Propelled by a quirky, playful energy, ‘Mr Gumble’ addresses issues of gender dysphoria and the misconceptions that often surround sexuality. A catchy slice of power-punk from the Belfast band, they explain: “Mr Gumble is a uniquely transgender-tinted track, riffing on gender dysphoria and how it stops the narrator from having the confidence to pursue romantic relationships. This track also features on The Fight Is Not Over, a collaborative record addressing the need to continue pushing for more inclusive and diverse spaces in Northern Ireland. (ML)

Vulpynes – ‘Sister’
Having shared a stage with the likes of Sleaford Mods, Dublin duo Molly and Kaz – aka Vulpynes – have been firm favourites for a few years now. Last year’s ‘Sister’ is driven by swirling, reverb-strewn hooks, pounding primal beats and a raging energy; a fantastically fierce, empowered slice of ferocious rock magnificence. (ML)

Sister Ghost – ‘Bruised Fruit’
Previous winners of ‘Best Live Act’ at Northern Ireland’s Music Prize, Sister Ghost excel in creating scuzzy riffs with an impassioned, seething energy. With an underlying gritty power and the soaring raw power of the vocals, ‘Bruised Fruit’ is a wonderfully raucous example of what this band do best. This track features on The Fight Is Not Over, a collaborative record addressing the need to continue pushing for more inclusive and diverse spaces in Northern Ireland. (ML)

REWS – ‘Today We’re Warriors’
REWS’ Shauna Tohill was one of the first people I met when I started working in London six years ago. I was blown away by her incredible voice when she performed live on the first GIHE radio show I co-hosted, and I’ve been an avid REWS follower and friend of hers since then. Shauna is one of the kindest, most passionate people I know and I feel very lucky to have her in my life. Go and listen to her second album, We Are Warriors, it’s a cathartic burst of energetic pop-rock. (KC)

Kynsy – ‘The Elephant In The Room’
This is one of the four superb tracks that make up Dublin-based multi-instrumentalist Kynsy’s debut EP. Her succinct lyricism and jagged riffs offer fresh perspectives on everything from heartbreak, to pushing yourself out of your comfort zone, to partying too hard. I had a lovely chat with her for GIHE earlier this year and I was so impressed by her humble and direct approach to making music. (KC)

NewDad – ‘Slowly’
Galway-based dream-poppers NewDad are gearing up to release their debut EP Waves on the 26th March and I’m excited to flood my ears with their lush vocals and lucid guitar riffs. (KC)

Smoothboi Ezra – ‘My Own Person’
Smoothboi Ezra is an 18 year old songwriter, multi-instrumentalist and producer from Greystones. This song is about “not being happy but not being able to do anything about it” which is the over-riding sentiment for most of 2020/21. (KC)

Dott – ‘Extra Introvert’
A tender, buoyant guitar tune designed to playfully shake off the “Lockdown Anxiety” many of us have been dealing with throughout the Covid-19 pandemic, Galway-based dream-poppers Dott provide a breath of fresh air on ‘Extra Introvert’. (KC)

Big Daisy – ‘Bee Mine’
A fuzzy guitar ode to those who embrace emotional labour in a relationship without hesitation, this track by Belfast four-piece Big Daisy features on charity compilation album Bangers & Breakups. It’s is a lo-fi appreciation of the selfless acts of love and support we receive in a relationship, even if past trauma makes us feel like we don’t deserve them. (KC)

PowPig – ‘Pretty Woman’
PowPig are Irish DIY at its best, I was totally blown away when I found out that they were still at school. ‘Pretty Woman’ is jam packed with indie harmonies and grizzly guitars. Loving it. Here’s to hearing more from them in the future. (Tash Walker)

Ailbhe Reddy – ‘Between Your Teeth’
A tentative rumination on the struggle to communicate your true feelings in a relationship, I love this track from Dublin alt-folk artist Ailbhe Reddy. Lifted from her beautiful debut album Personal History, she blends soft vocals with atmospheric guitars to overcome feelings of frustration and sadness on ‘Between Your Teeth’. (KC)

Aislinn Logan – ‘Never Stay Low’
An a lush little pop gem from Belfast-born, London-based artist Aislinn Logan here. ‘Never Stay Low’ is a breezy offering full of smooth vocals and shimmering synth sounds, designed to gently dismiss the weight of unfair expectations. (KC)

SPIDER – ‘Water Sign’
Dublin-born, London-based twenty-one year old SPIDER blends sultry electronics and brooding guitar riffs with her distinctive vocals to create her evocative sounds. Her focus is on how a track makes you feel – whether that’s a feeling of power, fluidity or chaos – and on ‘Water Sign’ she weaves these emotions into a cohesive, stirring electronic soundscape. Filled with atmospheric synth textures and heady beats, the track is inspired by the Goddess Olokun of the Nigerian bini tribe, who presides over the darkest depths of the ocean. (KC)

Elaine Malone – ‘You’ (1000 Beasts Remix)
A blissful lo-fi offering from two of Cork’s freshest talents, ‘You’ is a beaut collaboration between songwriter & multi-instrumentalist Elaine Malone and electronic artist & producer 1000 Beasts. Led by Malone’s original beguiling vocals and lullaby-esque lyrics, 1000 Beasts has tentatively transformed the track with his distinctive percussion, and the result is a magnetic soundscape that acts as an aural tonic. (KC)

Loah, Bantum – ‘NGLA’
A collaboration between Irish-Sierra Leonean songwriter Loah and Cork-based producer Bantum, ‘NGLA’ flows with sweeping rich vocals and a twinkling uplifting energy. Featuring on last year’s EP Sweet Sorrow, it fuses together elements of hip-hop, scuzzy electronica, and funk-fuelled neo-soul, creating an enlivening, smooth groove. (ML)

Cosha – ‘Do You Wanna Dance’
A previous favourite of mine Bonzai, now known as Cosha, teamed up with producer Rostam for this single ‘Do You Wanna Dance’. I’ve been keeping my ears and eyes peeled for their new music ever since. (TW)

Malibu Shark Attack – ‘Better Off As Friends’
An oldie but a goody, I just couldn’t not mention this completely infectious track from one of my favourite ever albums when thinking about the Irish music scene. A side project of Rocky O’Reilly’s, Malibu Shark Attack are a real ‘super group’ offering their own unique brand of transatlantic indie-rap. Consisting of Rocky, American rapper Tribe One, Belfast-based Bee Mick See and vocalist Yellowbridge, they’re responsible for one of the most joyous and memorable nights of live music I’ve ever had at The Windmill back in 2014.
Rocky O’Reilly has helped produce and elevate so many of our faves (including HAVVK, Problem Patterns, Queen Zee), offering a special space to record in his Belfast-based Start Together Studios, and is a real legend in the DIY Irish community. (ML)

Æ MAK – ‘Hey Driver (!)’
I love this single from Queen of lockdown kitsch-pop bangerz Æ MAK. ‘Hey Driver (!)’ is a vibrant, catchy tune made with “100% childsplay and solo belly laughs” with a dance routine that’s a joy to mimic. (KC)

CMAT – ‘Another Day (KFC)’
I think I fell in love with CMAT when she declared “I’d rather drink piss than drink Pepsi Max” during an Instagram Live challenge where she consumed 80 pieces of popcorn chicken. She’s released banger after banger over the last year, and I’m praying it’ll be safe to go and see her live at The Troubadour in November with Mel from The Irish Jam! (KC)

Denise Chaila – ‘Anseo’
Since falling in love with Denise Chaila’s unique style of hip-hop last year with the eclectic sounds of her debut album GO Bravely (which has since been nominated for Ireland’s Choice Music Prize), I have been pretty-much addicted. With flowing keys accompanied by her distinctive spoken-word vocal, ‘Anseo’ oozes a completely infectious groove and vibrant empowering energy, with an additional healthy serving of playful wit. The Zambian-born Limerick-based artist reflects on identity, borders and misogyny in her work, and – having recently been featured as ‘One To Watch’ by The Guardian – looks set for further success in 2021. (ML)

CAMI x LEEM – ‘Inside Out’
Working alongside producer LEEM, Dublin-based rapper CAMI has crafted this super trippy, laid back tune. Tash & I love this track and recommend that you check out CAMI’s latest single ‘Tipsy’ too. (KC)

Celaviedmai – ‘Reckless’
This BANGER from rapper Celaviedmai sets my ears on FIRE, it’s such an ANTHEM! I heard it for the first on The Irish Jam when Mel was interviewing Celaviedmai about her involvement with the Black Lives Matter movement in Galway last year. She’s an incredible artist and activist, and I can’t wait to hear more from her in the future. (KC)

YINYANG – ‘Bloodhound/Earthbound’
With her previous single ‘Black Mamba’ being awarded the title ‘Best Song In The World’ from Across The Line with BBC Radio Ulster last year, Irish hip-hop artist Lauren Hannan – aka YINYANG- has now blasted into our ears with immense new tune ‘Bloodhound/Earthbound’. With shades of GIHE fave Noga Erez, the track oozes a gritty energy as the angst-driven power of Hannan’s vocals seethe alongside attitude-fuelled glitchy beats, building with a soulful, soaring splendour. (ML)

Rachael Lavelle – ‘Perpetual Party’
Like many of the artists on this playlist, I discovered composer & Rachael Lavelle through listening to The Irish Jam radio show. ‘Perpetual Party’ sends shivers down my spine every time I listen to it. (KC)

Rising Damp – ‘Cannibal’
A creator of brutal yet captivating soundscapes, Dublin based artist Rising Damp contributed this track ‘Cannibal’ to A Litany Of Failures: Vol. III. Her dystopian visions are fleshed out with hypnotic electronics, dense drum beats and deadpan vocal delivery. (KC)

Hilary Woods – ‘Orange Tree’
I’m a big fan of everything Hilary Woods releases and was moved to distraction when I saw her perform live at St Pancras Old Church in London in 2018. This track ‘Orange Tree’ is taken from her incredible second album Birthmarks, which she released last year via Sacred Bones. (KC)

Fears – ‘vines’
Another poignant meditation on some of her darkest hours, Dublin-born London-based musician Fears aka Constance Keane penned her latest single ‘vines’ before she experienced a breakdown. Through her tentative beats and soft vocals, Fears taps into her pain and offers listeners a chance empathise and heal alongside her. I can’t wait to hear her debut album Oíche when it’s released on 7th May via her own label, TULLE. (KC)

Sive feat. Dowry – ‘Storybook Moon’
A collaboration between songwriter Sadhbh O’Sullivan – Sive – and string musician Éna Brennan – Dowry – ‘Storybook Moon’ is a twinkling slice of alt-folk. Written during a time when Sadhbh was suffering with insomnia, it’s a stirring offering that’ll captivate the ears with its delicate exquisite grace and deep, shimmering melancholy. (ML)

Maija Sofia – ‘Flowers’
Taken from a split 7” with Kerry Devine (The Baby Seals) that was released via Trapped Animal, ‘Flowers’ oozes an uplifting sparkling energy. With a nostalgic, lilting musicality it’s a truly enchanting listen propelled by beautiful folk-strewn melodies and Sofia’s rich, luscious vocals. (ML)

Tolü Makay – ‘Don’t Let Go’
This is an understated, beautifully soothing listen from Tolü Makay. The Nigerian-born, Ireland-based artist gently reassures her listeners to let go of their fears through her smooth vocals, tender lyricism and jazz inspired instrumentation. (KC)

Clara Byrne – ‘Conflict Bound’
A poignant reflection on the pressures and contradictions we encounter living under capitalism, ‘Conflict Bound’ is the debut single from Bray songwriter Clara Byrne. Lifted from her upcoming debut album Handstitched, Byrne finds refuge from these overwhelming thoughts via her atmospheric alt-folk guitar sounds and patient vocal delivery. (KC)

Party Fears – ‘Time In Space’
A gentle, hazy musing on trying to stay afloat in an unpredictable time, Northern Irish born, Berlin-based artist Party Fears aka Maggie Devlin is a firm favourite here at GIHE. Released via Babywoman Records, ‘Time in Space’ is an other-worldly offering that stretches the boundaries of self-perception, but in true Party Fears style it remains charmingly optimistic. (KC)

The Cranberries – ‘Dreams’
I couldn’t really not include The Cranberries on an Irish-themed playlist… In addition to being consistently moved by the heart-breaking, crystalline vocals of the late Dolores O’Riordan, throughout the past year’s many lockdowns, I have sought comfort in watching Derry Girls for the umpteenth time, which is perfectly soundtracked by the majority of The Cranberries’ back catalogue! (ML)

LISTEN: CIEL – ‘Pretty Face’

A hazy dream-pop tune inspired by an unusual type of unrequited love, Brighton trio CIEL have shared their latest single ‘Pretty Face’. Produced by Jack Wolter of Penelope Isles and mixed by Austin Tufts from BRAIDS, the track is a poetic rumination on the true story of a man who lost his wife to a cult.

“I really got into watching documentaries about all sorts of cults during lockdown 2.0, the psychology behind it really fascinates me,” explains CIEL’s vocalist & guitarist Michelle Hindricks. “This one story really struck me, about a man who lost his wife to a cult and now ten years later he’s continuing life, knowing that she’s still somewhere out there having to let go of her.” Through her soft vocals and hazy guitar riffs, Hindricks gently considers what it would be like to move on from this trauma.

“Most people probably can’t directly relate to something as extreme as losing someone to a cult,” she continues, “[but] a lot more people can relate to the experience of choosing to care for themselves, even if that is a very tough decision.” Through polished production and their dream-pop melodies, CIEL transport listeners away to a world of pleasant distractions on their latest single.

Listen to ‘Pretty Face’ below.

Follow CIEL on InstagramTwitterFacebook & Spotify for more updates.

Photo Credit: Julia Nala

Kate Crudgington
@KCBobCut

PLAYLIST: January 2021

2021 hasn’t got off to the best of starts, but while we’ve been in another version of Lockdown here in the UK, the GIHE team have been busy unearthing some new music gems to help you get through the cold winter days. We’ve put together a stellar mix of alt-pop gems, atmospheric electronics, imaginative cover songs and gritty guitar tunes on our January playlist. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow Get In Her Ears on Spotify to hear all of our previous playlists too.

 

Noga Erez – ‘End of the Road’
Noga Erez is single-handedly saving 2021 with this new track & her upcoming second album KIDS, which is set for release on 26th March via City Slang. Exploring the thrill of the unknown through commanding beats and defiant lyrics, the Tel-Aviv based musician shrugs off the tight grip of mortality on this catchy, slickly produced new offering. I cannot wait to hear the record in full. Watch the fab accompanying video for ‘End of the Road’ here.
(Kate Crudgington)

Nilufer Yanya – ‘Same Damn Luck’
I’m loving Nilufer Yanya’s latest three-song EP, Feeling Lucky?, which is basically about losing and finding good luck. This particular track ‘Same Damn Luck’ deals with resentment and anger, all swept up in 80s guitar vibes. (Tash Walker)

NewDad – ‘Blue’
Another find courtesy of The Irish Jam radio show and recommended to me by Lizzie from Dublin trio Bitch Falcon, Galway-based dream-poppers NewDad create lucid guitar tunes that will melt the ears right off the side of your head. (KC)

Miss Grit – ‘Impostor’
‘Impostor’ is the title track from Miss Grit’s new EP, which is set for release on 5th Feb. The multi-instrumentalist is a genre-defying artist who has spent much of her life feeling out of place in rooms full of people, and this EP helped her overcome unwanted feelings of self doubt. The Korean-American musician has a sound that ricochets between atmospheric, angular and anthemic and I’m a big fan of her turbulent sounds. Read our interview with her here. (KC)

all cats are beautiful – ‘lucky cloud’
Not only do they have the best band name, but indie-pop duo all cats are beautiful create some really exquisite musical offerings. Latest single ‘lucky cloud’ pays homage to songwriter, cellist and queer icon Arthur Russell. Flowing with dreamy, twinkling hooks and serene harmonies, it maintains all the psychedelic grace of the original, whilst adding a unique uplifting charm and shimmering musicality. A ray of glistening sunshine (or indeed a ‘lucky cloud’) at a time when the rest of the horizon may be looking a little grey. ‘lucky cloud’ is available on bandcamp, with all proceeds split equally between Act Up New York and the Terrence Higgins Trust – supporting people living with HIV/AIDS. (Mari Lane)

Fears – ‘tonnta’
A delicate rumination on her relationship with her late Grandmother who suffered with dementia, ‘tonnta’ – meaning ‘waves’ in Irish – is one of fears’ most poignant singles to date. The Dublin based multi-instrumentalist released the track to celebrate the launch of her new label TULLE, which you can read more about here. (KC)

SLUGS – ‘Super Sane’
LA alt-rockers SLUGS have released this intensely relatable, bittersweet guitar tune that navigates life’s many contradictions. It’s a welcome tonic for the ears in these weird and confusing times we’re living through. (KC)

Lauren Lakis – ‘Sail Away’
I love this hazy, heavy offering from dark dream-rock artist Lauren Lakis. The track explores the idea of running away with your inner child, protecting and nurturing it into a capable adult. Moody reverb and Lakis’ clear, emotive vocals make this a captivating listen. (KC)

Maya Lakhani – ‘The Line’
The driving new single from Maya Lakhani, ‘The Line’ is a soaring alt-rock anthem. Oozing a fierce energy as grunge-fuelled hooks blast out alongside Lakhani’s impassioned, soaring vocals, it’s a compelling offering with shades of the likes of noughties rockers Evanescence. (ML)

The Nova Hawks – ‘Redemption’
Black country band The Nova Hawks are set to release their debut album next month and have now shared a taste of what’s to come with its title track. An immense slice of rock ‘n’ roll, ‘Redemption’ blasts into the ears with soaring, gritty vocals and fuzzed out bluesy hooks, all delivered with a raging, soulful energy. Redemption, the debut album from The Nova Hawks, is out 12th February via Frontiers Records. (ML)

Table Scraps – ‘Doom Generation’
The latest single from Birmingham trio Table Scraps, ‘Doom Generation’ and its post-apocalyptic theme couldn’t be more resonant right now. Immediately hitting the ears with a disconcerting sound of an air-raid siren, the track builds with immense thrashing riffs and a searing sense of urgency. As the seething, angst-driven power of the vocals rage, ‘Doom Generation’ provides a fierce, riotous commentary on the state of society at the moment. ‘Doom Generation’ is taken from Table Scraps’ upcoming album Coffin Face. Watch the animated video for the single here. (ML)

Kermes – ‘Peeling Off The The Rind’
The latest raucous single from Leicester queercore outfit Kermes, ‘Peeling Off The Rind’ forms part of a double A-side, found exclusively on bandcamp. Propelled by scuzzy, swirling hooks and a shimmering, angst-driven energy, front-person Emily’s raw, seething vocals provide a much needed slice of uplifting catharsis. ‘Peeling Off The Rind’ and accompanying track ‘Terms’ are available digitally and on limited edition cassette via Amateur Pop Incorporated on Kermes’ bandcamp page now. Another recent single from the band ‘Like A Sister (Again)’ is available on Spotify, which is what we’ve put on our playlist!
(ML)

 

BLAB – ‘Casual Sex’
Described as an “ode to the dilemmas of single life,” Southend-based musician BLAB has shared her latest single ‘Casual Sex’ via indie label Cool Thing Records. Full of angsty guitar licks and savage lyrics, the track riotously takes down those who only want your company for a disappointing twenty minutes. (KC)

Graywave – ‘Like Heaven’
An atmospheric guitar tune that tackles the urge to self-sabotage, Graywave’s anthemic single is inspired by the sounds of Men I Trust and Slowdive. ‘Like Heaven’ is taken from Graywave’s upcoming EP Planetary Shift, set for release later this year. You can also listen to their new single ‘Before’ here. (KC)

Okay Kaya – ‘You’re Still The One’
I’m vibing the covers this month, and have been listening to this one a lot. ‘You’re Still The One’ by Okay Kaya, who was the last person I saw live in February 2020 at SET in Dalston, London. I’ve thought about that show so much throughout this last year, the tenderness, the raw goosebump nature of hearing their voice live. God I miss gigs. (TW)

Mary Lou Lord & Mikaela Davis – ‘Some Song’ (Elliott Smith Cover)
Iconic riot grrrl label Kill Rock Stars turns 30 this year! To celebrate, they’re releasing a string of cover singles under the title Stars Rock Kill (Rock Stars), where several artists from around the world will cover tracks from the label’s expansive back catalogue. This is the first single from the series – a dreamy cover of Elliott Smith’s ‘Some Song’ by Mary Lou Lord and Mikaela Davis. (KC)

Maria BC – ‘Adelaide’
An ambient reflection on finding your way back to the world after feeling disconnected from it, Brooklyn-based musician Maria BC’s debut single ‘Adelaide’ is a blissful lo-fi gem. The track is taken from their upcoming EP Devil’s Rain, which is set for release on 5th February via Fear of Missing Out Records. (KC)

Vagabon feat. Courtney Barnett – ‘Reason To Believe’
A perfect combination of two of my favourites, Vagabon and Courtney Barnett, covering ‘Reason to Believe’. Of the track Vagabon says: “The decision to have Courtney sing it with me came after we performed it together live at the Palace Theatre in Los Angeles on Valentine’s Day 2020, a month before lockdown. It was fresh in our brains then, so not long after the show, Courtney came over and we recorded her parts.” Barnett added: “I’m a huge fan of Vagabon and Karen Dalton so this was a dream. They both have a voice that absolutely knocks the wind out of me. I really admire Lætitia and am constantly inspired by her songwriting, production, and our sporadic FaceTime chats.” (TW)

Laura Guarch – ‘Náufrags (Castaways)’
Following previous single ‘Fleeting Light’, Spanish born, London-based artist Laura Guarch has now has now shared her latest single ‘Nàufrags (Castaways)’. It flows with an anthemic, emotion-strewn musicality, propelled by Guarch’s rich crystalline vocals in her native language of Catalan. A truly captivating, ethereal soundscape with shades of the other-wordly majesty of Björk. (ML)

Catgod – ‘Sometimes I Care For You’
The first of three singles to be taken from Oxford band Catgod’s upcoming album, ‘Sometimes I Care For You’ is an ode to the isolation we feel when we cannot express ourselves. Flowing with a stirring, heartfelt emotion, it’s propelled by the rich power of Cat’s soaring vocals alongside Robin’s twinkling harmonies, creating a truly captivating soundscape. ‘Sometimes I Care For You’ is out now, and Born Again, the upcoming album from Catgod, is set for release in Spring. (ML)

Chuck SJ – ‘Sink Your Teeth In’
Taken from their upcoming debut album Resist.Recharge.Revolt, this is the latest single from DIY musician & multi-instrumentalist Chuck SJ. Full of atmospheric guitar riffs, sparse beats and glitchy electronics, the track is an industrial-tinged rumination on the forces that construct, influence and sometimes dismantle our ways of thinking. (KC)

Little Dragon & Moses Sumney – ‘The Other Lover’
Another perfect collaboration, this time coming from Little Dragon and Moses Summer, who have recreated an old Little Dragon song in the form of ‘The Other Lover’. Speaking about the partnership Little Dragon said: “When we reached out to Moses we didn’t know what to expect. What we received was very stripped down, with his beautiful voice. We jammed along and sent it back. It bounced back from his end with added horns and sounded beautiful to our ears. We are very proud of this.” (TW)

Alex Loveless – ‘Phone Keys Wallet’
Hackney-based independent musician Alex Loveless has shared this sultry new single and I’m 100% into it. Recorded, mixed and produced by Loveless themselves, the track is lifted from their upcoming debut EP which is set for release on 14th February. (KC)

Nuha Ruby Ra – ‘Sparky’
One of our ‘Ones To Watch’ for this year, Nuha Ruby Ra shared ‘Sparky’ at the end of 2020, and it’s a gritty slice of electro-tinged alt-pop. With her raw, no-frills spoken word vocals, alongside catchy hooks and a scuzzed-out playful groove, it’s an honest, majestic offering luring us into the unique world of Sparky and Nuha Ruby Ra’s bewitchingly unique sound. (ML)

S.A.A.R.A – ‘Grace Jones’
London-based musician S.A.A.R.A has one ambition – to make people dance – and with her funky beats and catchy refrains on ‘Grace Jones’ she achieves just that. I love her retro-infused sounds and look forward to hearing more from her this year. (KC)

Black Gold Buffalo – ‘Lay It Down’
Throwing it back to 2018 with this atmospheric alt-pop gem from Black Gold Buffalo. I’ve been busy diving into the GIHE radio archives recently for our #ThrowbackThursday sessions, as we’ve been unable to get into the Hoxton Radio studio to broadcast our weekly live show due to Lockdown 3.0/Covid-19. I rediscovered this show we recorded with Black Gold Buffalo back in March 2018, and I’ve been listening to their debut self-titled album ever since. ‘Lay It Down’ reminds me of being 28, living in London, falling in love and making the most of my evenings by going to gigs or being on air with Tash and Mari. I took it all for granted at the time, but I’m really looking forward to getting back out there and doing it all again once it’s safe. (KC)