LISTEN: Mealtime – ‘Denim’

Manchester band Mealtime have shared their debut single ‘Denim’ and it’s a sultry synth-pop gem. Released via Someone Great Records/PIAS, the six-piece have a refreshingly melodic approach to songwriting, culminating in an upbeat and well produced new track.

‘Denim’ is about the relationship between distorted body image and modern beauty standards, but this heavy context is hidden behind buoyant riffs, catchy beats and smooth vocals. Speaking about the track, the band explain: “’Denim’ is a polite introduction to the six of us, and it’s only going to get weirder. With our sound, we’re interested in making something that’s equally as melodic and sweet as it is chaotic, abrasive and challenging.”

Following their sold out debut headline show at Manchester’s YES in March, the band played a free single release live show on 3rd May at Manchester’s Fairfield Social Club alongside Dream Wife and The Ninth Wave. Keep your eyes peeled for more of Mealtime’s live dates, and listen to ‘Denim’ below.

Follow Mealtime on Facebook for more updates.

Kate Crudgington
@KCBobCut

Albums Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our favourite albums of 2018. But, from luscious indie-pop to thumping electro-punk and eerily dystopian soundscapes, here they are… 

Fightmilk – Not With That Attitude
Following utterly infectious singles such as ‘Pity Party’ and ‘Bank Of Mum And Dad’, this year GIHE faves Fightmilk signed to Reckless Yes and released their truly fantastic debut album Not With That Attitude. Delving deep into subject matter such as the end of relationships, summer crushes and the general feelings of anxiety that come with everyday living, each and every offering on Not With That Attitude is an angst-driven gem; a perfect antidote to life, with a nostalgic nod to the emotions of our younger selves.

I can safely say, although the album was only released last month, it’s been one of my most listened-to of 2018; I just can’t get enough of its luscious, punk-infused indie-pop gems. From the scuzzy tongue in cheek wit of anti-love song ‘4 Star Hotel’, and the jangly riffs and immensely catchy, silky smooth refrains of pop anthem ‘Dream Phone’, to the twinkling heartfelt splendour of personal favourite ‘Solving Crimes In Sweden’, there isn’t a dull moment to be found.

An utterly life-affirming, and completely addictive, collection, Not With That Attitude is not only one of my favourites of 2018, but will hold a special place in my heart for years to come.
(Mari Lane – Managing Editor/Co-Founder)

Gazelle Twin – Pastoral
A unique artist with razor sharp vision and uncompromising creativity; Gazelle Twin (aka Elizabeth Bernholz) combined glitchy beats, menacing samples and an uncanny new costume on her new album, Pastoral. Released via her own label Anti-Ghost Moon Ray, the record marked another transformation for the performer; this time she exhumed England’s “rotten past” and questioned its uncertain future.

I’ve been following Bernholz since the release of her sophomore record Unflesh in 2014, and between Motherhood and curating another two atmospheric records (2016’s Out Of Body & 2017’s audio/visual project Kingdom Come), she eventually released Pastoral – and it was totally worth the wait. Her altruistic style is one that can’t be mimicked – even though she herself is a master at adopting the traits of others, and transforming in to a new species of performer who offers brutality and intrigue in equal measure.
(Kate Crudgington – Features Editor/Co-Founder)

Anna Calvi – Hunter
Along with already being a massive fan of Anna Calvi’s music and eager to hear the follow up to One Breath, I wasn’t prepared for just how much I would love the new record. I’d like to say it’s just a personal thing. Mostly because I’m a writer and there’s a branch of us who only speak about how things make us feel (of which I’m one) but also because Hunter was, at its core, a queer and feminist record.

Hunter is the kind of album I would have given into l’appel du vide for as a teenager: a queer album by a queer artist I love, full of tracks bathed in the queer beauty of art. Of course, queerness is far from all the record is, but every track drips in it and its adjacence to the power of love and of sex and of raw, integral passion untouched by any hand and only feelings.

Because of that and the magnificence of tracks like “Wish” and “As a Man”, Hunter is undoubtedly my record of the year.
(Em Burfitt – Contributor)

Sink Ya Teeth – Sink Ya Teeth
Having marked them out as ‘Ones To Watch’ last year, it certainly seems that Maria Uzor and Gemma Cullinford – aka Sink Ya Teeth – have proved us right throughout 2018; this year has seen the Norwich duo receive acclaim from BBC 6 Music’s Steve LaMacq and The Guardian, support big names such as Chk Chk Chk and Eton Crop, and release their banger-filled debut album.

Filled with addictive, pulsating beats and ‘80s-inspired dance-pop hooks throughout, the album is an epic sonic journey from start to finish. From the pounding energy and funk-fused bass hooks of singles such as ‘Pushin’ and ‘If You See Me’, to the swirling, whirring soundscapes of ‘Glass’ and ‘Complicated’, each track is an utterly infectious slice of thumping electro-punk. And add Uzor’s smooth, soaring vocals to the mix, and what you have is something completely unique and truly exquisite.
(ML)

Haiku Salut – There Is No Elsewhere
For many it will be hard to imagine how an instrumental album can so clearly communicate a message, not just a feeling evoked by sound but a clarion call. On their third album Haiku Salut manage just this though – their most cohesive work to date There Is No Elsewhere is beautiful in sound and theme, as it reflects the dramatic landscape of their Derbyshire home and combats the societal narrative of division with a love-letter to togetherness.

The album moves their intricate and fascinating music on. Here we get a more deliberate and incredibly thoughtful play between analogue and electronic, a blurring of the line between musician and instrument as organic and digital interlock. Community is roused through the clever use of brass bands, while rhythms incite and encircle swells of feeling.

There Is No Elsewhere is a remarkable work from a band who should be considered a national treasure.
(Sarah Lay – Contributor)

TAYNE – Breathe
With a sound as distracting as the shade of pink that creator Matthew Sutton paints his lips with for their live shows; TAYNE’s debut album is a vital, abrasive, cathartic listen fuelled by abrasive synths and explosive pay-offs. TAYNE’s music is some of the most interesting and altruistic I’ve heard all year; blurring the lines between industrial, synth-pop, shoe-gaze and alternative; a visceral cacophony of synth textures and drum patterns, alongside Sutton’s hair-raising screams. It’s an emotional exorcism with a pop sheen, and I’m very glad it dropped in to my inbox at the beginning of this year.
(KC)

First Aid Kit – Ruins
It’s easy to dismiss ‘break-up albums’ as being forty minutes of wallowing in self-pity, however Ruins deals with the whole spectrum of emotions which comes with grieving a relationship without any of the bitterness – demonstrating a gentle strength which we can all relate to. Personal favourite ‘Rebel Heart’ introduces us to the darkness, before the uplifting harmonies of ‘It’s A Shame’ show the empowerment which comes with self-reflection, whilst the twinkling melodies of ‘Fireworks’ convey that common nostalgic, rose-tinted outlook with a chorus worthy of belting out in the shower.

If music reflects the journeys we all embark on in life then Ruins beautifully encapsulates the complexities of relationships. It reassures us that it is normal to feel a wide-range of emotions all at once – that it is okay to be vulnerable.
(Nicky Lee-Delisle – Contributor)

Hilary Woods – Colt
A contemplative, carefully crafted record which schools listeners in how to come undone: Hilary Woods’ debut album is an exquisitely painful exploration of grief, separation, and abandonment. The Dublin-based artist signed to altruistic label Sacred Bones to release her first full-length record, and the partnership is one I wholly approve of. Comfortably overlapping both acoustic and electronic genres, underneath all of Woods’ melancholy sounds there lurks a quiet power: a power that comes from being honest about genuine pain. When I saw her perform live at St. Pancras Old Church earlier this year, I was overwhelmed with emotion and felt too shy to approach her after the gig at the merch stand, where I bought a copy of her album. If I had, I definitely would’ve thanked her for making such a beautiful, rewarding record.
(KC)

Dream Wife – Dream Wife
It’s hard to find a band who have been as consistently brilliant in 2018 as Dream Wife, and their self-titled debut is a case in point. From Fall meets ESG psycho-drama ‘FUU’, high-school Stooges ‘Let’s Make Out’ and Toni Basil gone garage ‘Hey Heartbreaker’, you might think it’s all a blast. But the group can emote too – ‘Love Without Reason’, ‘Somebody’ and ‘Fire’ showing off their pop qualities. It’s all kept simple, and that’s Dream Wife’s genius.
(John McGovern – Contributor)

The Lovely Eggs – This Is Eggland
Ever since being completely blown away by The Lovely Eggs at Indietracks Festival this summer, I’ve been more or less obsessed with the Lancaster duo. Lucky enough to catch their utterly immersive set for a second time at The Scala this Autumn, I’ve had their This Is Eggland album pretty much on loop throughout 2018.

From the swirling, psychedelic cacophony of tracks such as ‘I Shouldn’t Have Said That’, to the uplifting lo-fi fuzz and anthemically catchy spirit of ‘Hello I Am Your Sun’ and ‘Wiggy Giggy’, the album oozes a frenzied, riotous energy and spiralling sense of urgency throughout. With Holly Ross’ blunt realism and scathing retorts to all the dickheads out there, The Lovely Eggs stand out as one of the most relevant bands around – echoing the feelings of the many, with their subtle social commentary and refreshing cynicism providing an apt accompaniment to the eccentric musicality of This Is Eggland.
(ML)

The Soft Moon – Criminal
The second Sacred Bones album to make my list this year is The Soft Moon’s Criminal. It’s a gripping, teeth-grinding, ultra-cathartic affair; and when heard live it’s a different beast entirely. I have all the time in the world for men who explore their mental states through the medium of music, and listening to Criminal feels like an exploration of this kind. The Soft Moon (aka Luis Vasquez) takes memories of childhood trauma, misplaced guilt and self-hatred, and allows himself to “cross the line” and produce a truly breath-taking collection of industrial, electronic soundscapes here. I’ve had ‘Burn’ on repeat all year long.
(KC)

Chorusgirl – Shimmer and Spin
Following 2015’s wonderful self-titled debut, this year GIHE faves Chorusgirl released their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the new album is the result of immense hard work and dedication from Silvi, Faith, Udo and Michael. Of the writing process, Silvi explains: “There was barely a month without bad news on a personal and wider level, and at the end of that year, my anxiety started to spike badly. The album became a very important anchor. Every note and lyric were raked over and looked at twice; we were hacking and honing away at the songs for months, trying to craft some sort of sculpture of our state of mind.”

Despite oozing a darker undercurrent than previous offerings, Shimmer And Spin showcases Silvi’s distinctive, lush vocals throughout, as effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. From the sparkling garage-pop of tracks such as ‘No Goodbye’ and ‘In Dreams’ to the simply spine-tingling soaring emotion of personal highlight ‘Stuck’, this album – and the determination that went into creating it – showcases exactly why Chorusgirl are one of my favourite bands of the last few years.
(ML)

The Tuts and Dream Nails to play Solidarity Not Silence Benefit Show

If you’re not familiar with The Solidarity Not Silence case, it’s an ongoing case in which a group of women are defending themselves against a defamation claim made by an abusive, unnamed well-known male musician (referred to as ‘A’) for statements that they made concerning his treatment of women.

The group includes one of A’s ex-girlfriends, one of several of his former partners who are facing a libel claim, and feminist musicians who spoke out in support of these women. Legal papers have been served against all of them. By coming together as a group, they have managed to personally fund their legal defence through the various stages up until the claim was finally served against them in court on 2nd August 2017. Not only has this lengthy process been very expensive, there has also been tremendous emotional and psychological impact. Most of the women have suffered severely with their mental health as a result, but they refuse to give up.

To raise money for their cause, a big benefit show is being held on 5th December at Oslo, Hackney. With live music from GIHE faves The Tuts and Dream Nails, there will also be DJ sets from GIRLI and Dream Wife‘s Alice Go and Bella Pod. A night of fantastic music, and all for an extremely worthy cause.

Tickets for the Solidarity Not Silence Benefit Gig are £12 and can be found here.

Find out more information about the campaign, and what you can do to help, here.

 

LIVE: Indietracks Festival 27/07/18 – 29/02/18 (PART 2)

(Part 2 of our Indietracks Festival review – read Part 1 here….)

Continuing a completely joyous Saturday, queens Dream Wife take to the outdoor stage. Having not seen them for about three years when they completely blew me away at Visions Festival, they do not disappoint. Oozing their trademark empowering force, Rakel and co. take my breath away once more; such is their immense liberating power. Sparkling with her vibrant charisma, Rakel is the perfect, engaging front woman as Alice and Bella deliver frenzied, defiant hooks. With shout outs to Alice’s super cool grandma (who I was standing next to in the crowd), and a truly stirring performance of ‘Somebody’ (“this one’s about smashing gender roles that need to be smashed”), Dream Wife prove they’re an unstoppable force to be reckoned with.

After unsuccessfully attempting to get into the church to catch Spanish band Melenas (they sounded good from the door though!), we chill out for the rest of Saturday evening – preparing ourselves for a Sunday jam-packed full of some of the best new music.

Despite a rainy start, all the lush live music on Sunday certainly brightens the mood. The first example being Brighton band Just Blankets who bring their dreamy harmonies to the indoor stage; the perfect start to the day.

And the rain doesn’t stop us heading to see personal faves Wolf Girl. Alongside many “wet jokes”, they deliver their immensely infectious, thoroughly engaging indie-pop to perfection. As the crowd unites in a buoyant, albeit damp, cheer, I find that singing along to the uplifting hooks and exquisite harmonies of tracks such as ‘Middlesexy’ causes me to complete forget the weather and drift away on waves of Wolf Girl’s sunny energy.

Heading back to shelter for our favourite Feminist Punk Witches Dream Nails on the indoor stage, the DIY spirit and wonderful music continues. Despite having seen them live many times, Dream Nails never fail to totally inspire me. Treating us to a range of songs, new and old, they deliver their message as loud and as clear as ever to an adoring crowd of near 700. With her truly captivating intense energy, Janey leads the way in raging against sexual violence, misogyny and Facism, as guitarist Anya delivers impressive racing riffs, and Mimi and Lucy complete the punk-filled power of this unique band. As they deliver riotous impassioned lyrics such as “Hey mister, get your hands off my sister”, and express solidarity with those coming out as queer with uplifting offerings like ‘Swimming Pool’, a wonderful aura of unity sweeps throughout the crowd – as girls, women and non-binary people of all ages (in front of me a mother bops with her head-phoned baby in arms) dance and sing in solidarity – and I’m reminded once again why these strong-spirited wonder-women are so essential in our lives right now.

After sticking around to dance in buoyant joy to the utterly uplifting and twinkling calypso-like musicality of Tigercats, the empowering mood continues with (yet another GIHE fave), The Baby Seals in the church. With their uplifting charisma and triumphant wit, they champion autonomy and body positivity with wonderfully tongue-in-cheek (and amazingly entitled) offerings such as ‘My Labia’s Lopsided But I Don’t Mind’ and ‘Nipple Hair’, as well as mighty tracks celebrating Masturbation Month. Apologising for mentioning “tits” in a church, The Baby Seals celebrate all things female and break gender boundaries in all the right ways with their superb insightful humour and catchy musical prowess.

Sticking around in the intimate setting of The Church, we’re welcomed by another band who’ve wowed us at one of our nights at The Finsbury – the immensely impressive Sink Ya Teeth. Oozing their addictive, pulsating beats and ‘80s-inspired dance-pop hooks, they continue to prove themselves to be one of the most exciting bands around. As Maria Uzor’s smooth, intoxicating vocals soar, Gemma Cullinford’s pounding, funk-fused bass-lines provide a perfect, groove-ridden soundscape.

As the sun shines once more, we head back to the outdoor stage for North London’s Girl Ray. With their sweet, sunny charisma, each offering is a truly uplifting delight. Flowing with smooth, swooning vocals and catchy jangly melodies, they deliver their dreamy slices of gentle garage-rock with a sparkling grace, and – despite appearing to miss my personal favourite ‘Stupid Things’ – continue to cement their place firmly in our hearts.

After another welcome interlude with the owls and parrots (still not over how amazing this festival was!), final band of the weekend, Scotland’s Honeyblood, soothe our ears as the sun goes down. With a shimmering grace combined with their scuzzy garage-rock anthems and subtle empowering energy, the duo draw an end to the live music with all the perfect uplifting colour and fiery finesse we could have hoped for.

And that’s it; after spending a few more blissful hours dancing away in The Marquee, my first Indietracks is over. The most refreshing and enjoyable of weekends; one which exceeded all expectations. It was simply so wonderful to be a part of an event that so triumphantly champions DIY bands and artists of all genders and genres, in a beautiful location that’s not only family friendly, but a safe space for all, however you may identify.

Unfortunately, it still seems to be unusual to attend bigger festivals these days and not encounter ingrained misogyny or disrespect of some kind, but Indietracks felt like a different world; a safe, joy-filled world, and one jam-packed with all the best music (Also, did I mention there are owls and parrots?!). So, huge thanks to the organisers for creating something so beautiful, and I can only hope that more events start to take a leaf out of your book very soon!

Until next year, Indietracks…

Mari Lane
@marimindles

LIVE (Photos): The Great Escape Festival 2018

The Great Escape kicked off UK festival season in sun-soaked style last weekend, and it’s taken us a few days to gather our thoughts on the prolific 3-day event, renowned for championing new music. Spread across multiple venues in Brighton, we managed to catch some of the brightest talents in between sunbathing on the beach, and consuming our body weight in fish & chips.

Irish beauts Pillow Queens kicked off proceedings with their packed set at The Prince Albert on Thursday afternoon, setting a high standard for the rest of the weekend, before Scottish alt-rockers The Ninth Wave blew us away at Horatios at the end of the Pier. They had three shows by the sea, so they definitely made waves.

Soccer Mommy

Gracing the brand new Beach House stage were Snail Mail and Soccer Mommy, both of whom performed to big crowds with their understated, catchy slacker-anthems. We saw out Thursday in spectacular style at The Hope and Ruin with our favourites, Queen Zee. Their packed set included a cover of Dizzee Rascal’s ‘Bonkers’ and their usual crowd-pleasers ‘Boy’ and ‘Sass Or Die’.

Queen Zee

We partied a little too hard post Queen Zee, so Friday was pretty hazy until our favourite rock-pop duo REWS blew our hangovers away with their set at the Beach House. We caught this duo in 2016 at The Speigltent, and since then they’ve signed to Marshall Records, released their debut album Pyro, and have started sharing their singles in America! These girls are exceptionally talented and always entertaining to see live.

REWS

We had high hopes of catching Bodega, but the queue outside The Haunt was longer than the equator, so we took off in search of venues supporting The Alternative Escape. We caught some of psych-rockers Strange Cages before calling it a night.

Saturday started off with Canada’s Partner, who were a complete joy to watch live at The Walrus. We caught some final rays of sunshine and had our last portion of chips before heading over to Sticky Mikes Frog Bar to catch Copenhagen’s Nelson Can, who were ultra-cool all clad in white. We spotted Brighton’s ARRX on the barrier watching them too. Electronic one-woman-wonder Elsa Hewitt was the last act we caught in Komedia before the festival was over. She hypnotised us with her well-crafted electronic beats.

Our photographer Jon Mo was arguably the most productive man in Britain over The Great Escape weekend, and he managed to catch all the bands we didn’t (aside from Dream Wife, who unsurprisingly packed out The Beach stage to capacity). Check out his incredible shots below. Brighton, we’ll see you again in 2019!

Audiobooks

Brooke Bentham

Chroma

Hatchie

Jealous Of The Birds

Stella Donelly

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut

GUIDE & PLAYLIST: The Great Escape 2018

The Great Escape Festival kicks off in just 7 days time (17th-19th May), and we’re ready to tread Brighton’s pebble beach, chomp on some chips, and trek around town trying to catch the best new music acts.

The prolific 3-day event is renowned for championing new music from all genres, and their female-friendly line-up (which Mari celebrated in her recent article about women & festival lineups for Trash) features some of our all time favourite bands. Dream Wife, Queen Zee, REWS, Pillow Queens & Amaroun will all be strutting their stuff by the seaside over the course of the weekend, but we’re excited to discover some brand new talent too.

In alphabetical order, these are the artists we’re keen to catch at 2018’s Great Escape Festival. Scroll down to our Spotify playlist to get better acquainted with them, and make a note of their stage times too…

Audiobooks
Playing at: HORATIOS – 3:30pm Friday 18th

Art School Girlfriend
Playing at: THE WALRUS – 8:15pm Friday 18th

Amaroun
Playing at: THE WALRUS – 8:15pm, Thursday 17th

Amyl & The Sniffers
Playing at: PRINCE ALBERT 11:10pm – Friday 18th & BEACH HOUSE 12:50pm – Saturday 19th

Benin City
Playing at: PAGANINI BALLROOM (THE OLD SHIP) – 11:15pm Saturday 19th

Brooke Bentham
Playing at: PATTERNS (UPSTAIRS) – 6:15pm Friday 18th

CHROMA
Playing at: LATEST MUSIC BAR – 12:45pm Thursday 17th

Deep Throat Choir
Playing at: SALLIS BENNEY THEATRE – 10:15pm Saturday 19th

Dream Wife
Playing at: BEACH CLUB – 8:45pm Thursday 17th

Elsa Hewitt
Playing at: KOMEDIA STUDIO BAR – 11:45pm Saturday 19th

Flohio
Playing at: EAST WING (BRIGHTON CENTRE) – 6:15pm Thursday 17th
KOMEDIA STUDIO BAR – 3:30pm Saturday 19th
SHOOSHH – 9:30pm Saturday 19th

Girlhood
Playing at: DR. MARTENS STAGE – 12:45pm Thursday 17th
THE HAUNT – 7:30pm Thursday 17th

Goat Girl
Playing at: THE ARCH – 9:15pm Thursday 17th

Hatchie
Playing at: KOMEDIA – 12:50pm Thursday 17th
HORATIOS – 1:00pm Friday 18th
THE ARCH – 6:00pm Friday 18th

Hero Fisher
Playing at: QUEENS HOTEL – 1:30pm Saturday 18th

Japanese Breakfast
Playing at: KOMEDIA – 11:15pm Thursday 17th

Jealous Of The Birds
Playing at: BAU WOW – 9:15pm Thursday 17th
JUBILEE SQUARE – 2:00pm Friday 18th

Men I Trust
Playing at: KOMEDIA – 7:15pm Thursday 17th

Nao
Playing at: BEACH CLUB – 10:00pm Friday 18th

Nelson Can
Playing at: DR. MARTENS STAGE – 1:00pm Friday 18th
STICKY MIKE’S FROG BAR – 10:30pm Saturday 19th

The Orielles
Playing at: BEACH HOUSE – 2:30pm Thursday 17th
HORATIOS – 9:00pm Thursday 17th

Phoebe Bridgers
Playing at: KOMEDIA – 9:15pm Friday 18th

Pillow Queens
Playing at: PRINCE ALBERT – 1:00pm Thursday 17th

Partner
Playing at: GREEN DOOR STORE – 1:30pm Thursday 17th
GREEN DOOR STORE – 7:15pm Thursday 17th
THE WALRUS – 2:15pm Saturday 18th

Queen Zee
Playing at: THE HOPE AND RUIN – 10:45pm Thursday 17th

REWS
Playing at: BEACH HOUSE – 9:15pm Friday 18th

The Regrettes
Playing at: HORATIOS 11:15pm Saturday

Soccer Mommy
Playing at: BEACH CLUB – 7:30pm Thursday 17th

Snail Mail
Playing at: BEACH CLUB – 6:30pm Thursday 17th

Stella Donnelly
Playing at: KOMEDIA – 8:15pm Thursday 17th
UNITARIAN CHURCH – 7:45pm Friday 18th
DR. MARTENS STAGE – 1:20pm Saturday 19th

The Ninth Wave
Playing at: HORATIOS – 3:30pm Thursday 17th
THE HAUNT – 9:30pm Friday 18th
MARINE ROOM (HARBOUR HOTEL) – 10:15pm Saturday 19th

The Vegan Leather
Playing at: HORATIOS – 1:45pm Thursday 17th
STICKY MIKE’S FROG BAR – 8:15pm Friday 18th

 

Get your tickets for The Great Escape here.

Kate Crudgington
@KCBobCut

PLAYLIST: February 2018

February might be the shortest month of the year, but it’s been a near impossible task for us GIHEs girls to scale down our choices for this month’s playlist. We’ve been overwhelmed by the sheer volume of new music that’s been flooding our inboxes, and we’re excited to finally share some of our favourites with you. Have a listen, head down to some of the gigs we’ve mentioned, and hold tight for another month of marvelous new music.

La Lune – ‘He Breathes Colour When I Feel So Grey’
‘He Breathes Colour When I Feel So Grey’ is such a beautiful sentiment and such a visual image. La Lune’s email popped into my inbox and within a couple of clicks I was listening… melting into my ears with its slow electronica and gentle murmuring vocals. A big slice of me. It’s taken from La Lune’s debut EP Bliss which is out NOW. (Tash Walker)

Complicated Animals – ‘Show Me’
If you dig 80s music, David Lynch films, and “dreamy synth-pop songs” – you’re going to love Complicated Animals latest single. The Brazilian-American duo’s track is a lush electronic exploration of the magic that happens when we experience pure, genuine human emotion in a world where most of our interactions are dictated by technology. (FYI – If you’re heading to see Greta Gerwig’s Lady Bird in a UK cinema this month, listen out for Monica da Silva’s song ‘Back To His Girl’, which is featured in the scene where Lady Bird is trying on prom dresses) (Kate Crudgington)

Sink Ya Teeth – ‘Pushin’
Having blown us away with their completely captivating live performance at The Finsbury last year, Norwich duo Sink Ya Teeth are fast becoming one of our favourite bands. Following the completely addictive sounds of ‘If You See Me’ and ‘Glass’, new release ‘Pushin’ is propelled by pounding beats and funk-fused bass hooks. Add Maria Uzor’s smooth, soaring vocals into the mix and the result is an utterly infectious, whirring soundscape that’ll have you up on the floor in no time. (Mari Lane)

Olivia Nelson – ‘Hideaway’ (K, Le Maestro Remix)
‘Hideaway’ came out in the dwindling days of 2017 and now it’s been freshened up by producer K, Le Maestro. Always one to go weak at the knees at the slightest hint of a remix, I have fellow GIHEs gal Kate to thank for giving me the heads up on this one. Strong beats, strong vocals and strong samples. Needless to say we’re stoked to have Olivia as a guest on Get In Her Ears Radio Show on the 8th February, so be sure to tune into that! (TW)

Black Gold Buffalo – ‘Lay It Down’
“Your mind will fester and your head will roll” sings Black Gold Buffalo‘s front woman Keziah Stillwell on new single ‘Lay It Down,’ a song she wrote about overcoming anxiety. It’s a well-crafted, slow-burning, beautiful track that I can’t wait to hear live at The Waiting Room on February 7th (gig details here). (KC)

After London – ‘Bitter Man’
If you’re looking for a slice of anthemic, alternative indie-rock, look no further than After London’s ‘Bitter Man’. The five-piece released their eponymous debut EP last month, and it’s a record that proves they’re well-rehearsed, wickedly talented, and ready for their launch party at Hoxton Square Bar & Kitchen on 7th February (RSVP here). (KC)

Soccer Mommy – ‘Cool’
I’m trying (and failing) to play it cool whenever I hear one of Soccer Mommy’s new tunes. She released the brilliant ‘Your Dog’ a few weeks ago, and she’s followed it up with the equally impressive ‘Cool’. I can’t wait to listen to her debut album Clean in full (released via Fat Possum Records on March 2nd) and hopefully hear a few of the tracks lives when she performs at Moth Club on March 6th. (KC)

Carolyn’s Fingers – ‘Her Howl’
‘Her Howl’ is the first official release from experimental pop band Carolyn’s Fingers and I just love it’s unexpected twists and turns with the vocals & samples plucking their way throughout the track. Carolyn’s Fingers sing about love, mental health, mythology and queer and social politics – this track in particular is about depression in what they describe as a weird but hopeful way. ‘Her Howl’ is 100% DIY, recorded and produced by themselves. Enough said. Get listening. (TW)

Partner – ‘Everybody Knows’
The latest single from our favourite Canadian duo, ‘Everybody Knows’ tells of the paranoia following one too many bong hits. Filled with a jangly guitar fuzz and delightful, sparkling harmonies, it gives a nostalgic nod to ’90s punk-pop whilst maintaining its own refreshing wit and sunny energy. Complete with impressive, racing licks, it’s a wonderfully infectious offering that’ll leave you longing for another hit of Partner’s playful, uplifting sounds. (ML)

Dream Wife – ‘Act My Age’
“Do I amuse you? Do I confuse you?” – Dream Wife’s vocalist Rakel confronts her listeners in trademark sweet & shouty style on this superb new track, taken from the band’s self-titled debut album (released via Lucky Number last month). Fearless on stage and now on record; Dream Wife’s debut is a joyful declaration of defiance and self-autonomy, designed to motivate listeners in to embracing life, love, and the fires that spark when you overcome adversity. (KC)

Blue Crime – ‘TYR’
I’m a bit late to the game on this one but as they say better late than never. Born in an Amsterdam bunker, Blue Crime are an experimental doom-pop/new wave four-piece self-described as a “trip from the disarming to the wrenching”. This track is taken from their debut EP TYR, released back in 2015 on their very own Meduse MagiQ label – an all female arts/music collective. ‘TYR’ draws you in with its hazy guitar and atmospheric vocals, like slowly falling into an endless kaleidoscope of music mist. Bliss. (TW)

The Nyx – ‘Patience’
Our favourite London rockers have released another new single to coincide with the appearance of another full moon, and we’re hooked on their powerful riffs and affecting vocals. We’re 99.9% sure The Nyx will be appearing on our monthly playlists for the remainder of 2018. #sorrynotsorry (KC)

Suggested Friends – ‘Mother Fucking Tree’
Taken from their fantastic self-titled album, this track oozes the band’s uptempo, ‘tweemo’ punk-pop and twinkling charm, showcasing the band’s infectious melodies and luscious harmonies as they tell frank, witty everyday life stories. Also, with amazing lyrics like “I thought you had a halo, but it was just the backlight from your iPhone…”, what is there not to love? We cannot wait to see them live next Friday, 9th February, at The Finsbury along with LIINES, Bugeye and Duck (RSVP here). (ML)

Kesha – ‘Praying’
Though I couldn’t bring myself to watch the whole of the Grammys last week, I did watch the full performance of Kesha performing ‘Praying’, taken from last year’s Rainbow. Though this song appallingly lost out to Ed Sheeran in the awards, her incredible, emotive performance of the track is the clear winner in my opinion. Surrounded by a mass of women dressed in white (including Cyndi Lauper and Camila Cabello), it was an exceptional, empowering moment in the face of all Kesha has had to go through with Dr Luke, and the challenges women in the music industry face in general (highlighted by the lack of women winning awards at the ceremony!). (ML)

Lady Gaga – ‘John Wayne’
Lady Gaga had to cancel 10 of her upcoming tour dates last week, after announcing that she was in chronic pain due to suffering from fibromyalgia (a condition which can cause pain all over the body). I’m gutted I’ll have to wait even longer to see The Grammy award-winning singer, but I’ve got good company and good gin lined up to drink the pain away. I’ll be raising a glass to her swift recovery whilst simultaneously belting out the lyrics to this Joanne track. (KC)

EMA – ‘Breathalyzer Instrumental’
This epic track is taken from EMA’s recent EP Outtakes From Exile, and I can’t get it out of my head. It’s twenty minutes of intriguing noise which broods somewhere between intense awareness, and a need to be aurally anesthetised. An intoxicating sonic assault that should not be skipped! (KC)