Introducing Interview: BITCH

With her epic new album, Bitchcraft, released today via legendary label Kill Rock Stars, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Having shared stages with the likes of Ani DiFranco and Indigo Girls, Bitch has now moved from the hustle and bustle of New York City to a log cabin in the woods, where she’s found time to properly delve into her art and write the songs for the new album.

Fusing together a driving, gritty energy and sizzling synths, alongside soulful, emotion-strewn vocals, we’re huge fans of the empowering sounds of Bitch and the poignant messages reflected in her writing. So, we caught up with her to find out more about the album, what inspires her, her thoughts on the music industry today and what’s next for Bitch…

Hi Bitch! Welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hi!  Thank you so much!  I’m a violinist, singer, poet and popstress. I love to wear wild clothes and express myself visually as well as sonically.  

Are you able to tell us a bit about how you initially started creating music?
I grew up tap dancing since I was three (my Mom ran a tap dancing school in our basement). I saw the violin on Sesame Street when I was four and begged my parents for one, and have played ever since. I was a very shy kid, but looked up to very wild and performative artists, like Prince and Cyndi Lauper. I started writing poetry at age eleven, and at some point my musical world collided with my lyrical world and I started writing my own songs. 

I love the fizzing electro-punk energy of your tracks, but who would you say are your main musical influences? 
Thank you!  For this album, I would say early Sinead O’Connor, early Cyndi Lauper, Peaches, and Imogen Heap. 

Your wonderfully titled album Bitchcraft is out today! Are you able to tell us a bit about it? Are there any particular themes running throughout the album?
I’m super excited about Bitchcraft and can’t believe it took me nine albums to find an album title that is so PERFECT! Bitchcraft definitely has themes of climate change, being a woman in this male-dominated world, and good old-fashioned heartbreak. 

Do you have a favourite track on the album? And if so, why?
Lately, my favourite track is ‘Pages’. I think it’s because I re-wrote it, after I chose it for the album. I really crafted it – I pushed myself to a new place on a writing level and I still get excited when I hear it. 

How have you found recording and promoting an album during these strange times?
A lot of work, and also very joyous.  I feel like a lot of us realized during the pandemic how much we need art. So I have felt the process of it has been very celebrated by my friends, family and fans in a way that I have not felt before. 

How do you feel the industry is for new artists at the moment? And, as a queer artist, do you feel much has changed over the last few years in its treatment of female and LGBTQIA+ artists?
I can’t imagine being a new artist now, in the days of streaming and social media. I feel so lucky that I had the life experience of being a road dog, gaining fans by coming through their towns and giving them a good show. I do think things have changed for queerness in music lately. I have always been an out musician, but it feels way more accepted and normalized now and, dare I say, even sometimes an advantage? I still feel like women in music are subject to a TONNE of misogyny, within the gay community too, and it feels like there is still so much work to be done in giving women the spotlight, the mic, more women on lineups, etc. If I had a nickel for queer events that have NO women on the line-up I’d be as rich as Oprah. 

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
I love my label mate Logan Lynn’s new album! Also: Be Steadwell, Shaylee, Tubafresh, Ry Lucia, Gustaf.  

In addition to the album release, what does the rest of the year have in store for Bitch?
I will be touring all year, have written a one-woman show of sorts. And will hopefully be planning a trip to the UK – my family is there and I love touring there!!

Bitchcraft, the new album from Bitch, is out now via Kill Rock Stars.

Photo Credit: Dana Lynn Pleasant 

Premiere: LORI – ‘I’m Still Here’

Known to us as the magnificent front-woman of rockers Weekend Recovery, songwriter LORI has now announced her debut solo EP, set for release next month via Criminal Records.

The second single to be taken from the EP, and the collection’s title track, ‘I’m Still Here’ offers a reflection on LORI’s recent mental health journey. Propelled by swirling, electro-infused hooks, LORI’s emotion-strewn crystalline vocals soar throughout with an empowering sentiment. Oozing a sweeping subtle power and shimmering emotive energy, it’s a perfectly heartfelt alt-pop gem; a much-needed stirring message of resilience and self-love. A huge step away from the ferocious punk-pop of Weekend Recovery, ‘I’m Still Here’ channels LORI’s distinctive impassioned spirit in a sparkling new direction.

As LORI reiterates the refrain “I’m still here. I survived”, I can’t help but feel extremely grateful that she got through everything to be where she is today; offering this deeply moving, and instantly catchy, survivor anthem.

Listen to ‘I’m Still Here’, for the first time:


‘I’m Still Here’ is out tomorrow, 27th August. LORI’s solo EP of the same name is set for release on 3rd September via Criminal Records. Catch LORI live:

6th Sept: Sidney & Matilda, Sheffield
7th Sept: Hope and Anchor, London
8th Sept: The Prince Albert, Brighton
9th Sept: Dead Wax Digbeth, Birmingham
10th Sept: Chameleon Arts Cafe, Nottingham
11th Sept: Santiagos, Leeds
12th Sept: Retro, Manchester

Mari Lane
@marimindles

Photo Credit: Keira Anee

PREMIERE: Bellatrix – ‘Bad Love’

With previous support from the likes of Clash and Wonderland magazine, former beat-box world champion (what a feat!) and proudly queer artist Bellatrix has now announced the release of a new EP. Taken from the EP, today they have shared a brand new single.

Propelled by glitchy hooks and a gritty, sensuous energy, ‘Bad Love’ showcases Bellatrix’s sweeping, impassioned vocals whilst oozing shimmering, blissful vibes with shades of pop legend SOPHIE. A scuzzed-out slice of infectious electro-pop reflecting on self-discovery and emotional growth, it sparkles with a fierce empowering drive, instantly demanding multiple listens. Of the inspiration behind the track, Bellatrix explains:

“‘Bad Love’ is a realisation, and really I think it does what it says on the tin. I remember being sat in circle with my women’s group – a candle lit circle of 15 witches – and saying ‘I’ve realised that I’m in an abusive relationship, and at the moment I can’t see the way out…’ There was a calmness in finally being able to be completely honest with myself about my situation. I knew that the storm would have to come, but for the minute I could just look at things as they were, and see them. Wow what a mess I had found myself in.

Listen to ‘Bad Love’, for the first time, here:


‘Bad Love’ is out tomorrow 1st July, And I Was An Aphid, the upcoming new EP from Bellatrix, is set for release later this year.

Mari Lane
@marimindles

Track Of The Day: Aiko – ‘Daughter Of The Sun’

A magnificent storm fills the sky in AIKO’s swirling track ‘Daughter of The Sun‘. With a myriad of sounds too grand to contain, the London-based artist stretches her dark pop anthem beyond a “pop” script, creating an all-encompassing soundscape that is equally as heavy as it is liberating.

Borrowing cinematic elements of electronic music and art-pop, ‘Daughter of the Sun’ allows individual moments to be themselves, sinking low when needed, and soaring up in celebration during others. The dynamics are reminiscent of the Loud-Quiet-Loud songwriting approach made popular in the nineties by bands like Pixies and Nirvana, but in a way that is sonically unique to AIKO and is grounded in the fluctuation of dense synth sounds.

Paired with an emotive arrangement, AIKO’s lyrics revolving around the saturation of love makes for a warm experience. Throughout the track, she shares earnest confessions delicately illustrating vivid moments of profound infatuation. She is “completely submerged into” the sun with what feels like no control, but does not forget her awareness as she paces herself throughout this process: “Breathe in, breathe out, breathe in, and let things happen”.

The percussion throughout ‘Daughter of the Sun’ relentlessly strikes until the track’s finale, where AIKO’s voice and its surrounding instruments come to a cathartic climax that feels like a sunbath. A truly captivating offering that beams emotion down from the sky, gently caressing your face with its twinkling splendour.

Jillian Goyeau
@jillybxxn