LISTEN: GIHE on Soho Radio with Maria Uzor 22.09.21

Tash, Mari & Kate were back on Soho Radio‘s airwaves playing a few golden oldies – including an iconic 90s banger from Sweet Female Attitude – and loads of new music tunes from some of their favourite women, non-binary and LGBTQ+ artists.

Mutant electro artist Maria Uzor also joined them to talk about her latest EP, Innocence and Worldliness, vegan donuts and the importance of taking your time to process and create your own art.

Listen back below:

Tracklist
The Sugarcubes – Hit
Elsa Hewitt – Inhaler
Julia-Sophie – And You Know It
Evil House Party – Keep Going On
Bestfriend – Hannah In The City
Halsey – i am not a woman, i’m a god
Tei Shi – Basically (acoustic)
of all living things – If I Go
Barrie – Dig
Okay Kaya – If I Can Help Somebody
Aisha Badru – The Way Back Home
Self Esteem – How Can I Help You
LIINES – Keep On Going
Krakow Loves Adana – Follow The Voice
Maria Uzor – Now Is The Core
**Interview with Maria Uzor**
Kilamanzego – Black Weirdo
Lilith Ai – Bare Radical
Liyv – Let Me Know
Pretty Happy – Sea Sea Sea
Fraulein – Belly
Sleigh Bells – Justine Go Genesis
Grandmas House – Girl
Planningtorock – Girl You’ve Got My Heart
Hand Habits – No Difference
Sweet Female Attitude – Flowers

Introducing Interview: Alice Hubble

Set to release her new album Hexentanzplatz this Friday, innovative London based artist Alice Hubble has previously captivated us with poignant singles such as ‘Power Play‘ and ‘My Dear Friend‘. With her distinctive euphoric, synth-driven energy and glitchy ‘80s-inspired musicality, we’re already huge fans of the soaring, ethereal soundscapes she creates.

Ahead of the release on Friday, we caught up with Alice to find out more about the album, what inspires her and her thoughts on the treatment of women and non-binary people in music at the moment… Have a read!

Hi Alice, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello! Thank you, it’s great to be here! I’m Alice Hubble, an electronic pop musician, based in London, originally from Leeds. I make music with my collection of vintage synthesisers, which combines pastoral instrumentals and budget pop in equal measure. My first LP came out in 2019 and the second is coming out this month via Happy Robots.

What initially inspired you to start creating music?
It’s hard to think what initially inspired me to create music cause it feels like it’s always been there. I was one of those music nerd kids, always singing and playing in music groups. In my 20s and a lot of my 30s I was in various bands, albeit to very limited successes. In mid 2018 I decided to focus on my own solo musical creation and Alice Hubble as we know it was born. I’m very inspired by creating ‘otherly’ worlds in music, recreating my imagined worlds sonically. As a person, I’m always pushing to contradict expectations and I attempt to do this in my music. Writing lyrics can be a form of therapy for me to unpack my lived experiences, but I also write about things that matter to me – particularly a highly inclusive form of feminism.

You’re about to release your new album Hexentanzplatz at the end of this week – are you able to tell us a bit about this? Are there any particular themes running throughout the album? 
The album was recorded in October 2020, with half of the songs written during the lockdown in 2020. Though I chose to stay away from writing about the lockdown, I feel the unease and anxieties of the time are very present in the music. The album is called Hexentanzplatz, named after the German mountain. The mountain is steeped in magic and legend and is famous for its Walpurligsnacht celebrations. The name translates literally to mean Witches’ Dance Floor, which really is too perfect. Recurring themes on the LP are illusion, feminism and protest. Illusion creeps into my songs a lot, whether it’s a projected myth of an unbeknown subject of my affections, the illusions we create on social media or your re-imagination of a place in your head. I’ve always been fascinated about how a real place or moment can exist so differently in two people’s minds. 

And how have you found recording and promoting an album during these strange times? 
It’s definitely been strange, I’ve been lucky that the pandemic gave me more space to focus on my music – I was on furlough with my day job, so I had time to spend writing and recording at home. I got to travel to Germany and visit the Harz mountains and learn about Hexentanzplatz and then to Ramsgate in October to record the LP. I also got to play a gig in May just after things started to lift which was really great. I spent 2019 being so busy that I was burnt out, so spending a lot of 2020 focusing on my mental health and having a quiet time was really good for me. It also gave me the chance to record a collaborative EP with Bradford based musician Andy Abbott (under the name ADRA Hubble) and do things I thought I’d never have the confidence to do like host a Facebook chat show and start my radio show. It was disappointing to have things cancelled, but it wasn’t something I dwelled on too much, there were bigger tragedies of the pandemic. I very much see myself as one of the fortunate ones over the last year and feel grateful for what I achieved in this time.

We love your shimmering, euphoric electro soundscapes, but who would you say are your main musical influences?
Thank you! Oh my, it’s hard to narrow down. The bands that have always been with me are the classic synth pop bands – Kraftwerk, OMD, New Order. The Beach Boys have also been such an influence to me. For Alice Hubble, sonically I’ve been inspired by Sally Oldfield, School of Seven Bells, Goldfrapp, Book of Love, Susan Sundfor, to name a few.

We have been particular fans of your recent single ‘Power Play’ – described as the closest thing you’ve written to a protest song, it’s inspired by the #MeToo movement. Are you able to tell us a bit more about this? And, in relation to this, how do you feel the music industry is for women/non-binary people at the moment – do you feel that things have improved over the last few years
Thank you! It means a lot to have people respond to the song. ‘Power Play’ is a track that was, on the whole, written in lockdown 1. I feel like a lot of anger and frustration that came out of that time was channeled into the track. At the time I’d looked at Twitter and seen that one of the musicians whose hideous behaviour had been a focus in the #metoo movement was back Tweeting and interacting with fans as normal. And it got me thinking “have things really changed? Do people move on to different things once the moment has passed?” It all started with the menacing synths and, as the track was so angry sonically, I wanted the lyrics to be a call to arms of some sorts. The mass hex of Brock Turner as an act of resistance and resilience (to quote the song) always really intrigued me as a form of activism and I read a lot around this to inform the lyrics. With the subject matter being so triggering, it was a song that needed careful consideration to get just right. It’s definitely getting better for women/non-binary people in the industry but there is still a long way to go. There is better representation generally – I just came back from Green Man where there were so many amazing women/non- binary performers at the festival. There’s also a greater understanding of mental health awareness, and discussions taking place about what behaviours in the industry are not helpful for women/non-binary people. The male ego power-trip that was accepted as the norm for years is now being recognised for what it is, and there are people in the industry trying to make changes. My brother is trans, so naturally trans rights is an issue close to my heart. I have noticed there is more awareness in the general public of trans and non-binary people compared to twenty years ago, which is great. But I feel there is still a long way to go, and a lot of educating still to do, particularly with how polarised society is. I find all the ‘anti-woke’ and TERF rhetoric very disturbing, particularly in the way that they present themselves as reasonable people (when they clearly aren’t!).

How have you been connecting with your audience and other musicians during the pandemic?
I played a few online shows including a Zoom show, the shows went ok but I’m not sure I’d rush to do them again as it’s so hard to connect with an audience that way. I’m also not sure how long people’s attention span is for a Zoom gig these days. It’s great to use digital to connect with audiences in different ways than the typical live performance. I really enjoyed doing the Hubble’s House Party chat show, partly as it felt like such an achievement and we had a great crowd watching. I also did an Instagram DJ set for Divine Schism which was great.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
Hexentanzplatz and music making in general helped give me a purpose during this time. I think 2020 would have been a lot harder for me if I hadn’t had a creative project to throw myself into. I also consumed a lot of TV and books. My partner and I have done a lot of travelling through culture to take us outside of our reality. We got really into watching travel shows like Race Across the World. I also went on a bit of a deep-dive reading about the ’60s hippy trail trekkers after watching The Serpent, and found Rodham by Curtis Sittenfeld a bit silly but a welcome break from real life politics.

As we’re a new music focused site, are there any other upcoming artists or bands that you’d recommend we check out?
Sister Wives from Sheffield are awesome!

Finally, in addition to the release of your album, what does the rest of 2021 have in store for you?
Alongside the album there’s a fantastic video which will be out soon, created by illustrator Katherina Rival. I’m going on a mini tour in October which, fingers crossed, will happen as expected. It would be great to see you there!

Massive thanks to Alice for answering our questions!

Hexentanzplatz, the upcoming new album from Alice Hubble, is set for release this Friday 10th September via Happy Robots. Catch Alice on her UK tour:

7th October – Folklore, London
8th October – The Cold Store, Nottingham
15th October – Wharf Chambers, Leeds
23rd October – West Hill Hall, Brighton (supporting Laetitia Sadier)
31st October – The Moon, Cardiff

Photo Credit: Tom Hilverkus

PLAYLIST: August 2021

The GIHE team have unearthed some more new music gems for you to listen to on our August Playlist! There’s an eclectic mix of electronic bangers, swirling shoegaze tunes, gritty guitar tracks and alternative alt-pop sounds. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Golden’
The GIHE team collectively ADORE this single from Bristol queer punk trio Grandmas House. Taken from their upcoming self-titled debut EP, which is set for release on 15th October via Brace Yourself Records, ‘Golden’ is a gritty, thundering reflection on the apathetic outlook of the organisations that profit from the suffering of others. (Kate Crudgington)

ARXX – ‘Not Alone But Not With You’
The latest single from our total faves, ‘Not Alone But Not With You’ continues to cement ARXX as consistently exciting and forever honing their sound to become even more amazing. A gritty, yet reflective, and unapologetically honest offering, I just love this track’s driving emotion and anthemic singalong energy. Another swirling slice of rousing power-pop from the impressive Brighton duo. There’s also a fab Comic Review of this track up now, courtesy of illustrator Sally-Anne Hickman. (Mari Lane)

HighSchool – ‘Sirens’
Full of moody vocals, buzzing bass lines and playful riffs, Melbourne trio HighSchool have shared this sultry lo-fi banger accompanied by a very cool music video. Check out their previous single ‘De Facto‘ too. (KC)

Basement Revolver – ‘Skin’
Inspired by guitarist & vocalist Chrisy Hurn-Morrison’s thoughts and struggles about her own body image, Basement Revolver’s ‘Skin’ is a swirling, reassuring ode to self-acceptance. The track is taken from the band’s upcoming album Embody, which is set for release later this year. (KC)

Slow Crush – ‘Hush’
Hazy guitars, lush vocals and heavy beats combine on this beaut new single from Belgian shoegaze outfit Slow Crush. ‘Hush’ is also the title of their upcoming album, which is set for release on 22nd October via Quiet Panic. (KC)

Lost In Your Mind – ‘Restless’
Dublin-based newcomers Lost In Your Mind have shared this new single today, along with an accompanying video. Inspired by their love of Riot Grrrl, post punk and dark wave, Aoife McMahon, Tracey McEvoy, Elisa Kuhl and Andrea Lambe make music that makes them feel good, and latest single ‘Restless’ does exactly that. (KC)

Berries – ‘The Expert’
The latest single from GIHE faves, London trio Berries, ‘The Expert’ takes down all those patronising know-it-alls with a spiky punk energy. Tackling imposter syndrome with a ferocious, grunge-fuelled drive, Holly Carter’s distinctive sweeping vocals ring out with a rippling power alongside frenzied riffs, showcasing the band’s trademark raw passion. (ML)

Barry – ‘Neolithic Homosex’
Following their eponymous 2019 album, South London based Barry have now shared a new double A-side release. First of the tracks, ‘Neolithic Homosex’, ponders the all-important issue of what gay sex was like in ancient times. Propelled by breezy beats and joyously jangly hooks, whirring keys flow alongside brazen vocals and added cheering hand claps, oozing an uplifting, sunny energy with a fizzing, playful charisma. ‘Neolithic Homosex’, alongside double a-side ‘No More Boys’, is out now. Download from bandcamp. (ML)

Beorma – ‘Her’
I love this track from Birmingham-based duo Beorma. Mixing R&B and indie pop sensibilities with a Prince inspired guitar solo, ‘Her’ is a smooth, melancholy-tinged reflection on absent love. (KC)

Sans Soucis – ‘On Time For Her’
London based artist and one of our faves Sans Soucis has released ‘On Time For Her’ as the lead single from their highly anticipated EP of the same name. Speaking of the track, Sans Soucis says it’s a life changing statement: “It means that I am finally here for myself and I’m ready to seek happiness in life rather than being stuck in my past trauma.” (Tash Walker)

Emma Bradley – ‘I’ll Be Outside’
22 year old Emma Bradley’s ‘I’ll Be Outside’ is a song I find incredibly calming, written about being the person who shows up for yourself. Of the track, she explains “I hope that when people hear my songs, they can feel less alone in their own experiences and also empowered in some way. I think sensitivity gets a bit of a bad reputation, but everything that we feel someone else somewhere has also felt.” (TW)

Bleach Lab – ‘Real Thing’
This Bleach Lab melts me every time I listen to it. Definitely check out their recent EP A Calm Sense Of Surrounding if ‘Real Thing’ makes you a big ball of feelings too. (KC)

Anna B Savage – ‘Since We Broke Up’
Lifted from her upcoming EP These Dreams which is set for release on 24th September via City Slang, Anna B Savage’s latest single ‘Since We Broke Up’ tentatively celebrates the joy she experienced after an emotional break up. If you like the sound of this, you should definitely check out her debut album A Common Turn. (KC)

Aisha Badru – ‘The Way Back Home’
The latest single from Aisha Badru, ‘The Way Back Home’ offers an endearing reflection on relationships and the age-old realisation of “if you love something, set it free”. Propelled by a lilting energy and shimmering grace, it’s a beautifully stirring ballad, with a poignant lyricism swirling throughout. A simply exquisite, evocative creation that’ll soothe the ears with its resplendent, uplifting allure. The Way Back Home, the upcoming EP from Aisha Badru, is set for release on 3rd December. (ML)

Olivia Dean – ‘Slowly’
‘Slowly’ is a lovely piano ballad from Olivia Dean showcasing a different, more intimate side to the London artist. Taken from her recently released EP, Growth. (TW)

Siv Disa – ‘Toxic’ (Britney Spears Cover)
Having recently announced the release of her upcoming debut album, Siv Disa has now shared a wonderfully unique cover of a Britney Spears classic. Propelled by a shimmering musicality and chiming beats, Disa’s rendition of the 2001 anthem oozes its own majestic ethereal haze as the bewitching, sweeping allure of her vocals flows throughout. A beautifully captivating ode to our favourite pop queen. Siv Disa comments on her decision to release this cover: “Now that the abuse of Britney’s conservatorship has been exposed I hope we’re all taking a minute to think about how she was publicly judged ten years ago, and how that played into the nightmare she had to live in. I hope she gets back everything that was taken from her. We love you, Britney!!” (ML)

Alex Loveless – ‘Brixton’
East London based musician Alex Loveless’ new single ‘Brixton’ captures a moment of romantic indecision with its lo-fi beats and strung out vocals. This is Loveless’ first release that features a guitar, which they managed to borrow from a friend. (KC)

BEBELUNA – ‘Drunk’
BEBELUNA is an artist I’ve played before on our radio show and I’ve been following them ever since. This track ‘Drunk’ is a very enjoyable mash up of jungle and electroclash. My only criticism of is that it is TOO SHORT, but there’s nothing wrong with being left wanting for more. (TW)

CREATRX – ‘experience’
Non-binary, LA based rebel CREATRX declares they are “Not a boy / not a girl / baby I’m an experience” on this savage new single. “This song is a reflection of how I view my gender,” CREATRX explains. “I feel that my spirit (and many others) transcends the limited ideas of gender in Western society and this is a song celebrating that – encouraging us all to take up space, explore and push more.” This single is taken from their upcoming EP dirt. honey. glitter. water, which is an exploration of “what it means to be Black, young, ratchet and spiritual” in today’s world. (KC)

DROWND – ‘Sinner’ (KANGA Remix)
I’m a big fan of KANGA’s industrial, pop-tinged sounds and I am obsessed with her remix of DROWND’s new track ‘Sinner’. Full disclosure – DROWND is the new project of my older brother Joe – and I am thrilled that she’s remixed this track for him as he is also a big fan of her work. You can check out the slick visuals for the original track here. (KC)

Nilufer Yanya – ‘Day 7.05093’ (keiyaA Remix)
I can’t get enough of this track with its synthy sizzles, insect tapping beats and of course Nilufer Yanya’s dreamy vocals. So good. Check out their recently released Feeling Lucky? Remix EP out now. (TW)

John Glacier – ‘Icing’
This song comes in at under 2 minutes and leaves me gagging…gasping for more! It comes from elusive East London vocalist John Glacier, taken from her recently released 12-track project SHILOH: Lost For Words. You can all send me your thanks for the recommendation later, but for now enjoy ‘Icing’ because this track is over almost as soon as it starts. (TW)

BABii – ‘Shadow’
As is always my want, I’m going to slip a little bit of UK garage influenced music into this playlist. ‘Shadow’ from BABii nods to those club sounds we’re all desperate to be immersed in right now, with an edge of electronics. (TW)

JOON – ‘Just Can’t Get Enough’ (Depeche Mode Cover)
A cover of the Depeche Mode classic, JOON’s rendition of ‘Just Can’t Get Enough’ offers a playful, twinkling soundscape, whilst maintaining all the colourful energy of the original. Joon is Yasmin Kuymizakis, a Maltese musician and producer who ten years ago survived a life-changing car accident, and since then has seen making music as a necessary part of recovery. She’s recently released her beautiful album Dream Again and is also co-founder of the Maltese Sound Women’s Network – an organisation connecting, supporting, mentoring, promoting and educating women and girls in electronic music and sound. Find out more about her in a recent interview we had with her. (ML)

YAY MARIA ft. Franx – ‘Template’
Having previously captivated our ears as the front person of Grawl!x, Trans and queer artist YAY MARIA has now announced the release of her debut solo album, Oyez. The first of three tracks to be shared from the album, ‘Template’ is an empowering slice of poignant power-pop. Made in collaboration with Nottingham based queer artist and musician Franx, it’s a blissfully euphoric anthem celebrating being your true self in the face of adversity. You can buy ‘Template’ on bandcamp now – and all proceeds are going to the QTIBIPOC Therapy Fund; an initiative of the Radical Therapist Network, to create access for Queer & Trans People of Colour to safe therapeutic spaces & services. (ML)

Jenny Moore’s Mystic Business – ‘He Earns Enough’
Featuring members of Trash Kit, F*Choir and Bamboo, six-piece choral punk ensemble Jenny Moore’s Mystic Business have been captivating our ears for some time. Latest single ‘He Earns Enough’ reflects on shamelessly money-grabbing men who increased their fortunes to the tune of billions during the pandemic, while millions around the world struggled and suffered. As the swirling layers of vocals trickle alongside each other and grow with an empowering energy, a sweeping, celestial splendour is created. And, ending with a sea of voices exclaiming “Enough!” in unison, it perfectly captures the rage and sense of hopelessness of living with the continuing injustices of a patriarchal capitalist society. He Earns Enough, the upcoming new EP from Jenny Moore’s Mystic Business, is set for release 8th October via Lost Map Records. (ML)

Bas Jan – ‘You Have Bewitched Me’
Formed of songwriter, vocalist and multi-instrumentalist Serafina Steer, alongside Rachel Horwood (Trash Kit, Bamboo, Jenny Moore’s Mystic Business), Emma Smith (the Elysian Quartet, Jarv Is, Seamus Fogarty) and Charlie Stock, London experimental collective Bas Jan have now shared their first music in three years. Propelled a swirling ethereal majesty, ‘You Have Bewitched Me‘ offers an effervescent reflection on the mesmerising power of first attraction and new love. With the delicate grace of its sparkling harmonies, ‘You Have Bewitched Me’ showcases the subtle power of crystalline voices coming together in unity to create a truly euphoric soundscape. (ML)

MEI – ‘Let Dusk Welcome Me’
Taken from London artist MEI’s latest EP, ‘Let Dusk Welcome Me’ provides a welcome pool of tranquility. Reflecting on a refreshing evening walk she took after having been ill with COVID, it interweaves a lilting jazz-infused groove and funk-fused beats, rippling with the smooth allure of MEI’s lush, soulful vocals and a gently empowering spirit. The Hard Way Around The Sun, the new EP from MEI, was created with an all-female team and is out now. (ML)

Blonde Maze – ‘Being Pulled’
The latest single from total favourite, New York based artist Blonde Maze, ‘Being Pulled’ is inspired by “the conflicting feelings of wanting to move forward while being pulled backwards by your memories”. Bathing the ears in shimmering ripples of dreamy reflection and oozing a woozy, hypnotic splendour, Amanda’s vocals flow with a blissful haze, creating the perfect soothing tonic. A beautifully calming and delicately uplifting soundtrack that I so desperately need right now. (ML)

LISTEN: GIHE on Soho Radio with BLAB 25.08.21

Tash & Kate were back on Soho Radio‘s airwaves playing a mix of golden oldies – including an iconic 90s rager from Alanis Morissette – and new music tunes from some of their favourite women, non-binary and LGBTQ+ artists.

Southend-based musician BLAB aka Frances Murray also joined them to talk about the release of her new single ‘Insurance’ on Cool Thing Records, what it’s like recording in the studio with Sam Duckworth (Get Cape. Wear Cape. Fly), being inspired by Bikini Kill/The Punk Singer & re-defining what it means to be an Essex Girl.

Listen back below:

 

Tracklist
Alanis Morissette – You Oughta Know
Little Annie – I think of you
Lion Babe – Frida Kahlo
Beorma – Her
ARXX – Not Alone But Not With You
Serena Isioma – Really, Really
Emma Bradley – I’ll Be Outside
Mumble Tide – Good 4 Me
Bleach Lab – Real Thing
BABii – Shadow
Anna Prior – Thank You For Nothing
Flossing – Switch
Moor Mother ft. lojii – Shekere
BEBELUNA – Drunk
Nilufer Yanya – Day 7.05093 (keiyaa Remix)
BLAB – Insurance
**BLAB interview**
Jaz Beeson – Coffee Machine Sounds
Grandmas House – Golden
John Glacier – Icing
DROWND – Sinner (KANGA remix)
Meggie Brown – Dusty Smells
Joon – Just Can’t Get Enough
Yay Maria ft. Franx – Template
Tinashe ft. Ms Banks – Die A Little Bit
Olivia Dean – Slowly
Lizzo ft. Cardi B – Rumors