PREMIERE: Party Fears – ‘Sun King II’

DIY disco punks Party Fears have shared their new single ‘Sun King II’ taken from their upcoming EP Just Friends, and we’re delighted to be premiering it here on Get In Her Ears!

Recorded at Start Together Studios in Belfast by Ryan McGroarty and mixed by Robert Kelly, the track was first written in early 2016 during the run up to the US election and just before the Brexit vote *shudders*. It targets “toxic masculinity, crash economics and rampant capitalism” but despite its turbulent context; ‘Sun King II’ is an upbeat, electro-disco anthem brought to life by forceful drum beats and defiant vocals.

Comprised of Northern Irish native Maggie Devlin and Adelaide’s Eilis Frawley, Party Fears’ music packs a glistening punch reminiscent of our faves Le Tigre, and ‘Sun King II’ is another example of the duo’s ability to take something negative and turn it in to a cathartic, dizzy antidote to the modern world.

Listen to the new single below ahead of its official release on December 14th, and follow Party Fears on Facebook for more updates.

Photo Credit: Curious Rose

Kate Crudgington

Track Of The Day: Hockeysmith – ‘Tears At My Age’

We’re pretty sure you’ll be able to identify with the sentiments expressed in the ambient new single from Hockeysmith, titled ‘Tears At My Age’. Taken from her upcoming EP of the same name (set for release Jan 25th via Ex-Local), the track is “one for the girls out there, and their tears for undeserving boys.”

Whilst she may have spent much time lamenting the actions of unworthy loves, Hockeysmith has reclaimed those hours through her shoe-gazey, lo-fi new release. She traveled frequently between Cornwall and Copenhagen whilst writing her new music over the last two years, with the aim of connecting the influences of two very different, yet exciting underground music communities.

The result is previous single ‘Holy War’, and now with ‘Tears At My Age’ she looks set to share a record’s worth of mesmerising, hazy electronics. Listen to the new track below, and follow Hockeysmith on Facebook for more updates.

Kate Crudgington

Track Of The Day: Ishani – ‘Stormy Emotions’

Lamenting the transition from heartbreak in to a new phase of independence; Ishani‘s latest single ‘Stormy Emotions’ fuses trip-hop beats and industrial-pop in sublime style. Brooding, hypnotic and sensual; the single is a cathartic electronic outpouring of personal relief.

Born and raised in Bangalore in India, Ishani later obtained a degree in TV, Film & Radio in Singapore before moving to London to study Audio Engineering at Alchemea & Point Blank. Her music often centers around difficult themes – single ‘Don’t Stop The Fight’ explores the horrific social effects of rape, whilst ‘Dark Angel’ was inspired by the loss of two of her friends to suicide. Despite these traumatic contexts, Ishani’s music breeds an atmosphere of strength and independence, and ‘Stormy Emotions’ is another example of her ability to shine a light on a truly dark situation.

Speaking about the track, Ishani explains: “This song is about the death of a relationship and the overwhelming pain that can come with that. It is also however about moving into a new phase of life.” Ishani’s musical efforts have not gone un-noticed this year; she was made a BBC Introducing artist by Bobby Friction, and she continues to impress bloggers and radio hosts (including us) across the web. Listen to ‘Stormy Emotions’ below and follow Ishani on Facebook for more updates.

Kate Crudgington

LISTEN: BABii – ‘Phantom’

Don’t be fooled by the name of youthful newcomer BABii; she’s a fully-fledged producer, songwriter and performer who crafts her own electro-pop beats and her new single ‘Phantom’ showcases her ability to do so.

Taken from her debut LP HiiDE, which is set for release in 2019 via Deathwaltz Originals, ‘Phantom’ is one of many tracks which  “focuses on the key themes of hiding and secrets”. BABii’s upbeat synths and gentle vocals mask the vulnerability in the lyrics to ‘Phantom’, making it a playful and easy listening experience.

With her upcoming tour dates supporting Miho Hatouri (listed below) and after receiving support from Iglooghost’s Diplo & Friends mix for BBC Radio 1, one thing’s for sure: it’ll be hard for BABii to hide from an exciting new career in electronic pop music. Listen to ‘Phantom’ below and follow BABii on Facebook for more updates.

BABii 2018/2019 Live Dates
10/12 – Shacklewell Arms, LONDON UK (supporting Miho Hatori)
12/12 – Green Door Store, Brighton UK (supporting Miho Hatori)
8-17/3 – SXSW Festival USA

Kate Crudgington

Get In Her Ears Live @ Notting Hill Arts Club w/ Alyss 01.12.18

Get In Her Ears returned to West London’s Notting Hill Arts Club on Saturday night to host another successful night full of alternative electronic music. For our second gig at the venue, we chose Alyss to headline; with support coming from the brilliant Elsa Hewitt, Temples of Youth and Varley.

First up were Berlin-based trio Varley, who played a beautiful stripped back set to an appreciative, respectfully quiet crowd. Vocalist Claire-Ann Varley’s gentle, clear voice was perfectly accompanied by the acoustic & electric guitar sounds of bandmates Matthias Heising & Joschka Bender. When she cautiously asked for a little audience participation during one particular song, she was rewarded with attempts to mimic her soft voice, and the trio left the stage to well deserved and rapturous applause.



Up next were our favourites, electronic duo Temples Of Youth, who (as always) performed a stunning set. Jo & Paul’s blend of old and new songs – including ‘Darker Places’, the title track from their latest EP – captivated the crowd with their ambient guitar sounds and Jo’s standout vocals. We never tire of seeing these two live, and we were thrilled to have them on the bill with other talented electronic artists.

Penultimate act Elsa Hewitt was a one woman music machine. She played a hypnotising set, which included her latest single ‘Invisible Threads’. It’s always a pleasure to watch artists lose themselves within their own sound, and watching Elsa perform her intricate tuning and triggering, whilst simultaneously performing her soft vocals so seamlessly was a genuine pleasure to witness. We were so caught up in her soundscapes we lost track of time, and as we gently ushered her set to a close, electro-pop Queen Alyss took centre stage.

Clad in a shiny cape and black-rimmed hat, headline act Alyss dominated the stage with her powerful vocals and uncompromising attitude. Performing as a one woman band, she had the room packed full of fans who were dancing along to her pop hooks and bouncing beats.

Huge thanks to the bands and to Notting Hill Arts Club, and extended thanks to all those who donated their spare change on the door to National AIDS Trust on #WorldAIDSday – we appreciate your generosity!

Keep your eyes peeled for more gig announcements from us soon.

Photo Credit: Jon Mo Photography

LIVE: The Soft Moon (w/ HIDE) – Scala, 28.11.18

Discomfort and insecurity found it’s niche on Scala’s stage on Wednesday night, as HIDE and The Soft Moon both flourished under the venue’s smoke and strobe lights. With a sound and a stage set-up reminiscent of the likes of Nine Inch Nails, The Cure & Fever Ray, both bands performed an intense and manic set, fueled by the attention of their captivated crowd.

Opening duo HIDE were a force to be reckoned with. Together, Seth Sher &
Heather Gabel create clear, vital, smothering waves of industrial electronic sound. Gabel’s warped but powerful vocals were accompanied by hair flicks and body spasms, which made for compelling viewing. She took barely a breath between songs, but the audience applauded anyway, as she stylishly staggered through the smoke and strobes with perilous purpose. Tracks like ‘Close Your Eyes’ – taken from HIDE’s debut album Castration Anxiety – echoed around the venue with angst-ridden intensity. Despite knowing only a handful of tracks, we were hooked from start to finish.

Headliner The Soft Moon (aka Luis Vasquez) delivered his most powerful set to date in the capital this year. His clear vocals, and the raw energy of his live band kept the set flowing seamlessly from track to track. Highlights included ‘Criminal’, the title track of his latest album, as well ‘Like A Father’ – the sound of which we can’t get out of our heads. Whilst his performance supporting My Bloody Valentine at Robert Smith’s Meltdown Festival earlier this year was compelling, The Soft Moon’s music is best appreciated in an intimate venue like Scala. The accompanying light show made it all the more fascinating; amidst flashes, spotlights, and strobes the crowd happily jumped around to ‘Burn’ and ‘Choke’, and Vasquez fed off their fire.

Despite the complex and often tortured nature of The Soft Moon’s songs, there was no self-flagellation in his delivery on stage. Vasquez performed tracks from his earlier records with the same energy as his latest work, and his confident, energetic performance removed the sense of insecurity that permeates his music. Whether he was face-to-face with his microphone, riffing on his guitar, or pounding the living hell out of a trash can – Vasquez looked entirely at home in his electronic world.

Together, HIDE and The Soft Moon gave primal, urgent, gripping sets on Wednesday night, and we’re eagerly anticipating their return to the UK in 2019.

Follow HIDE and The Soft Moon on Facebook for more updates.

Photo Credit: Marion Costentin

Kate Crudgington

Track Of The Day: KÁRYNN – ‘Segment & The Line’

Atmospheric, ambient, and sharply produced: multidisciplinary artist, composer and vocalist KÁRYYN has shared her latest single ‘Segment & The Line’. The track is part of Quanta 11:11, a double-A-side release comprised of this single, and ‘Today, I Read Your Life Story 11:11’. KÁRYYN has also announced her signing to Mute, and that she’ll be releasing her debut album in 2019.

Fueled by grief, self-discovery, love, quantum physics, and the impact humans have on each other – KÁRYYN’s music spans a variety of themes and genres, making it all the more interesting. Speaking about the new track, she explains: “When this song came out of me, it came out in one go. Like a crow flying deep into the forest in order to bring out the jewels, I had to enter that darkness to discover the truth.” ‘Segment & The Line’ muses on impermanence and the reality of facing the consequences of our actions – something we can all relate to.

We’re looking forward to hearing more of KÁRYYN’s altruistic sounds. Listen to ‘Segment & The Line’ below and follow her on Facebook for more updates.

Photo Credit: Derek Hutchison

Kate Crudgington