PLAYLIST: August 2019

Summer’s nearly over, but we’ve selected some of the finest new music tracks to see you through August’s final weeks of sunshine and unexpected showers.Take some time to scroll through our track choices and make sure you hit play on the Spotify playlist link at the bottom of the page…

Bones UK – ‘I’m Afraid Of Americans’ 
I have Anthony & Elis of Noise Noir to thank for this B.A.N.G.E.R. I heard it during their DJ set for Siren Calling Festival and I’ve been obsessed with it ever since. One of my favourite Bowie tracks covered in super cool style. I’m now an avid follower of Bones UK too. (Kate Crudgington)

Sui Zhen – ‘Matsudo City Life’
Inspired by the Japanese city of Matsudo – known by locals as a ‘sleeper town’ -, Sui Zhen’s latest single flows with infectious, ’80s inspired whirring hooks, alongside her luscious vocals. An utterly dreamy, synth-driven soundscape, it’s another slice of sparkling alt-pop from the Melbourne artist, and I cannot wait for the release of her upcoming new album, Losing, Linda, out 27th September. (Mari Lane)

Le Butcherettes – ‘Ever Fallen In Love (With Someone You Shouldn’t Have)’ 
My absolute faves Le Butcherettes have shared their brilliant cover of The Buzzcocks’ classic and I’m hooked on it. The Guadalajara-born and El Paso/L.A. based group shot a live video of the song as part of their collaboration with Fender for their Vintera Series of guitars before recording a studio version for the single release. (KC)

Cat Apostrophe – ‘January’ 
‘January’ by Yorkshire-based radically soft pop band Cat Apostrophe is taken from their debut LP Lifelong Amateurism, which is out now via Everything Sucks Music. You can catch them on their tour across the whole of the UK hitting London on 26th August at DIY Space for London. (Tash Walker)

Babeheaven – ‘Seabird’ 
Babeheaven’s cover of 70s classic ‘Seabird’ originally by the Alessi Brothers, is incredibly beautiful and has left me gazing dreamily out of many a window with it playing into my ears… so what better reason for wanting to share that with you all. It is quite simply, heart wrenchingly, sublime. (TW)

Suggested Friends – ‘Cygnet’
I’ve been completely addicted to Suggested Friends‘ eponymous debut release over the last couple of years, and so I couldn’t be more excited to hear that they have just announced the release of their second album. To coincide with the announcement, Suggested Friends have shared new single ‘Cygnets’. With totally dreamy harmonies and the distinctive heartfelt crystalline vocals of Faith Taylor, it’s filled with an infectious jangly scuzz and stirring raw emotion, complete with some impressive rollicking riffage. Turtle Taxi, the upcoming album from Suggested Friends, is out 4th October. (ML)

Wyldest – ‘Mind Over Body/Slowdance’ 
I caught two thirds of Wyldest live at Siren Calling Festival over the weekend, and their shoegazey guitars and smooth vocals melted my ears. (KC)

Hurtling – ‘Summer’
I just can’t get enough of London band Hurtling’s new single ‘Summer’. Starting off with gentle, finger-picked melodies and the luscious, delicate vocals of Jen Macro, it soon builds with sun-drenched whirring hooks and immense beats to a fuzz-filled noisepop anthem. A scuzzy dream of a track, it’s impossible not to get caught up in its sparkling, psychedelic haze.‘Summer’ is out now, whilst Hurtling’s debut album – Future From Here – is out 18th October, both via Onomatopoeia Records. (ML)

Hannah Stewart – ‘Glaze’
The new single from California based artist Hannah Glaze is propelled by throbbing beats and gritty bass-lines. Filled with the smooth allure of Hannah’s honey-sweet vocals and a driving energy, it oozes an infectious danceability and fuzzed-out groove that we can’t get enough of. (ML)

Hana Vu – ‘At The Party’ 
I am hooked on LA artist & producer Hana Vu’s down-beat disco banger ‘At The Party’. It’s a song about ““spite and how truly meaningless it is” and I can’t help but feel any sense of spite evaporate when I hear her sultry vocals. She’s set to release a new EP titled Nicole Kidman/Anne Hathaway on 25th October via Luminelle, and I can’t wait to hear more from this talented nineteen year old. (KC)

TONI&MASH – ‘LTGFU’ 
The debut electro-house banger ‘LTGFU’ by Berlin-based TONI&MASH out via Black Diamond Records. Absolute tune. (TW)

Nasty Cherry – ‘Live Forever’ 
Nasty Cherry co-wrote ‘Live Forever’ with Charli XCX & producer Justin Raisen (Angel Olsen, Kim Gordon), so it was destined to sound cool. In their own words “‘Live Forever’ is a song about being unconfined, unrefined and self-assured” – here’s to that! (KC)

Cozy Slippers – ‘A Million Pieces’
Formed at ‘Ladies Rock Camp’ – a weekend event that introduces women to rock instruments and playing in a band – Seattle band Cozy Slippers are back with a brand new single. Contrasting popular culture depictions of romance with lived reality, ‘A Million Pieces’ oozes shades of the jangly surf-pop of the likes of Real Estate or Best Coast, whilst adding its own dreamy air of romanticism. Flowing with luscious melodies, it’s filled with all the sparkling, uplifting summer vibes. We can’t wait for Cozy Slippers to come over to the UK and play for us at The Finsbury on 8th November! (ML)

Delacey – ‘Emily’  
The from LA singer-songwriter Delacey is an ode to her best friend. Shout out to her for representing the importance of female friendship, especially when it comes in the form of reverb heavy electro. (TW)

Intaya – ‘Guaguancó’ 
‘Guaguancó’ by Venezuelan born, London based Intaya is a potent amalgamation of cross-cultural music, described as a commute to an electric Latin Caribbean Island in a London Tube train. Their debut EP is due out later in the year. (TW)

Like A Villain – ‘My Hands’
The new single from New York artist Holland Andrews, aka Like A Villain, ‘My Hands’ is filled with glistening electronics and a hypnotic, haunting grace. Propelled by the emotion-strewn power of Andrews’ soulful vocals, it creates a poignant, ethereal soundscape.
Like A Villain’s upcoming album What Makes Vulnerability Good is out 20th September via Accidental Records. (ML)

BAD – ‘Sweat’ 
‘Sweat’ is a track so catchy it’s had me popping my shoulders all over London these last couple of weeks – the jury’s still out on those moves, but not on this track. Coming from NYC based duo BAD, described as Lizzo meets George Michael, this track is full of funk, soul and just enough of that throwback to Saved by the Bell that you need. (TW)

Roniit – ‘Foreign Tongues’
Self-proclaimed “Dark Queen” Roniit’s reimagination of Crywolf’s ‘Foreign Tongues’ is an ethereal, melancholy exploration of sound that gives me goosebumps. Roniit is a friend and frequent collaborator of Crywolf’s, working behind-the-scenes for the production of many of his photographs and videos. A true talent. (KC)

 

Get In Her Ears x Teenage Dreams 01.08.19

Tash & Kate were back in the studio this week with loads of new music from the likes of Palm Haze, Empara Mi, Junaco, Ora The Molecule & Arthur Moon.

They reminisced about some of their fave tracks from their teenage years too, which included songs by Alanis Morissette, Nirvana, Sugababes, Avril Lavigne & The Joy Formidable.

Listen back:

@getinherears
@maudeandtrevor
@KCBobCut

Tracklist
Kate Bush – Wuthering Heights
Intaya – Guaguancó
Karen Ilnm – This morning, yesterday’
Cat Apostrophe – January
Palm Haze – Almost Soon
Empara Mi – Ditch
Ora The Molecule – Salé
Giovanna – Young Heart Player
Charlie Strange – I follow
Laélia – Flatline
Nirvana – Smells Like Teen Spirit
The Joy Formidable – The Greatest Light Is The Greatest Shade
Alanis Morissette – You Oughta Know
No Doubt – Just A Girl
Sugababes – Overload
Avril Lavigne – Losing Grip
Linkin Park – Leave Out All The Rest
Sweat – BAD
RUNHA – Beings
Taobh – eile
Junaco – In Between (GIHE)
Arthur Moon – Reverse Conversion Therapy
BEA1991 – Loser Wins
JR – PAL
Lady Gaga – Applause
Sufjan Steves – Mystery Of Love

Get In Her Ears w/ Kate & Katie 25.07.19

Kate was back in the studio this week with journalist and music magpie Katie playing all the latest new music from the likes of Noga Erez, King Princess, Jemma Freeman and the Cosmic Something, BEA1991, Velvet Volume & TWEN.

Listen back:

@KCBobCut
@katiemux
@getinherears

Tracklist
Amy Winehouse – Tears Dry On Their Own
Noga Erez x Echo – Chin Chin
Ilgen Nur – Easy Way Out
Slaves – The Velvet Ditch
Fever Ray – Wanna Sip
Banks – Gimme
Taffy – Inner Nerd
Tokyo Tea Room – Always Tomorrow
Sam Fender – Will We Talk?
Velvet Volume – Pretty In Black
Free Love – Playing as Punks
Orville Peck – Dead of Night
Salvation Jayne – Jayne Doe
BEA1991 – Loser Wins
King Princess – Prophet
Jemma Freeman and The Cosmic Something – Find A Place
Shura – The Stage
Brittany Howard – Stay High
TWEN – Damsel
Luke Burr – what You Won’t Do For Love
Charlotte Carpenter – Follow You Down
Emily Breeze – Work
Mystic Braves – I can’t grow peaches on a cherry tree
Charli XCX & Christine & The Queens – Gone
Queen Zee – Boy
Lizzo – Boys
Amy Winehouse – Rehab
Tame Impala – Feels Like We Only Go Backwards
Wolf Alice – Yuk Foo

ALBUM: ZAMILSKA – ‘Uncovered’

A ruthless, beguiling take on the forces that influence and overwhelm us; ZAMILSKA‘s latest release Uncovered is a densely hypnotic record permeated by the artist’s fascination with levitation. The result is thirteen richly textured tracks that seethe with “the anxiety of what we want vs what we get”.

Following 2016’s Undone and 2014’s Untune, Uncovered is the third in a trilogy marking ZAMILSKA’s progression from an unknown artist in to an emerging talent that cannot be overlooked. At times chilling, at times enchanting, ZAMILSKA’s industrial-techno hybrid is ruled by the need to purge ones self of negativity: “It’s about getting something out, to be able to start again, to rise” she explains. That urge is evident in both the sound and the artwork on Uncovered (see image above), which is an apt visual metaphor for the way her music lifts and suspends at unexpected intervals.

Pounding beats, ticks, sporadic bells, inaudible voice samples and relentlessly jagged synths are carefully staggered throughout opening track ‘Message’. Second track ‘Dolls’ hosts lighter percussion, but the same unnerving feeling permeates this and following track ‘Hospital’. It’s a nightmarish affair that pre-empts brief interlude ‘Still’, before bleeding in to ‘Hollow’, which combines melodic and industrial elements in beautiful yet brutal fashion.

The aptly named ‘Gape’ is overshadowed by the quiet fury of ‘Alive’, on which ZAMILSKA intermittently seethes “She’s a girl who can eat you alive”. ‘Delusion’ teases with its lighter synth sounds providing a welcome respite from the harshness of previous tracks, before bleeding in to ‘Prisoner’. Its warped synths and slow, unsettling beats are reminiscent of The Downward Spiral era Nine Inch Nails – a band ZAMILSKA has openly confessed an obsession with, and who in turn have championed her on their own Spotify playlist.

The pulverizing beats on ‘Blind’ act as an audible purge, whilst final three tracks – ‘Back’,’Front’,’Done’- feel less weighty, like a sonic resurrection. ZAMILSKA’s ability to orchestrate a record about “floating upwards, not about falling down” whilst exploring the sonic space between feels effortless, and Uncovered is a stunning third offering from this promising Producer.

Buy your copy of ZAMILSKA’s new album Uncovered here.

ZAMILSKA UK Tour Dates 2019
02/08/19 – The Shacklewell Arms, London
03/08/19 – Visions Festival, London

Kate Crudgington
@KCBobCut

INTERVIEW: ZAMILSKA

Dense, rhythmic, hypnotic beats and a fascination with levitation permeate the tracks on Polish producer ZAMILSKA‘s latest album, UNCOVERED, which is set for physical release on 19th July. Her jagged soundscapes combine techno textures and intriguing vocal samples to reflect “the anxiety of what we want vs what we get”. With her enviable ability to create beats that ricochet around our skulls, we wanted to know more about ZAMILSKA. We caught up with the Producer to talk about the inspiration behind her new record, her upcoming live shows in London (The Shacklewell Arms on 2nd August & Visions Festival on 3rd August), and to find out the details of her previous collaboration with Gazelle Twin

How did you first get in to creating electronic music?
I didn’t choose this profession, it chose me. I cannot see myself doing anything else. I’ll skip the “I have always known I will deal with music” story. It’s all true but a bit of a cliche. I always wanted to be a Rockstar, play bass or drums, throw them into the audience and break them on stage. At fifteen I got my first computer. After stumbling upon Bjork’s Post album, I knew I would be making electronic music and somehow mixing in my inspirations for rock’n’roll and world music. It took many years of hard work to get here, there were moments when I didn’t have much to eat. But I am here, talking to you. Hard work pays off, and if you think something is impossible in life – maybe you just do not want it.

What’s the industrial/electronic music scene like in Poland where you’re from? Are there gig nights or venues who champion the genre?
Perhaps it will sound surprising, but I really do not part take in the “scene”. When I am home I like to stay in, enjoy the quiet. That, of course, doesn’t mean that I stay oblivious to what is happening musically in Poland. I love Resina, with all my heart – cellist, who is extremally talented. Also, I am a big fan of artists such as: Syny, Coals, and Księżyc. The Polish music scene is getting better. We just need to stop looking and trying to follow the West, create our own sound.

Your latest album UNCOVERED is about the concept of levitation. Talk us through this theme, it’s quite a unique concept.
The concept of levitation came up during the album cover design. It was as if a remaining piece of the puzzle fell in place and the entire story came together as whole. It’s about something malevolent that you want to leave your body, come out of you so you can start with a clean slate. Exorcisms, voodoo – all that is on the album. UNCOVERED is a story about cleansing, dropping weight off your shoulders. A fall with an attempt to rise. Ultimately, you do not know if the person is falling or rising.

Do you have a favourite track on the album? If so, why?
That’s a great question. I have never thought about it. When I was making the album, I had a different favorite track every day. The ending of ‘Done’ would almost make me cry. Perhaps ‘Hollow’. I’ve heard someone on the radio saying that it’s the biggest pop banger I have ever created. I like the entire album, it is a story that only makes sense as a whole. And you need to know that it is odd for me to like something in its entirety.

You’re coming over to the UK in August to play a headline show at The Shacklewell Arms. What Are your anticipations for this gig?
I am really excited to come back to London. Playing live shows is so rewarding after all the time spent in the studio. Finally, being able to perform in front of live audience. I try not to anticipate; each show is different. You can play in a large venue and something does not feel right and you can play the show of your life in front of a thirty people audience. People are most important. I really like London as a city, I’ve spent some time there. I hope people show up and enjoy the show.

You’re also going to be playing a set at Visions festival. How are you feeling about that? Any artists you’re aiming to catch on the day?
Unfortunately, I won’t be able to see anyone on the day of my show. But if you can you should see Shygirl. It is a very special show. I saw her in Poland, she is a very cheeky girl on stage.

You host your own radio show on Polish national digital radio. Talk us through what kind of music you play, and how you came to work in radio.
I was invited as a guest on one of the radio shows, we were talking about music, and I kind of took over as a host. Radio execs liked my voice and offered me my own show. However, I just resigned from hosting. I wanted to focus on my own work, with UNCOVERED coming out I didn’t want compromise the quality of the radio show. Becoming a radio host was my childhood dream, but it was getting harder to focus on my projects and sift through fifty albums weekly, in order to choose music for radio. And since I presented music from undefined electronics, from distant corners of the World, novelties and sounds of the 50’s, I couldn’t compromise, after two years, I had to resign. I’d like to return to Polish Radio, if they want me back, as soon as I settle all my present affairs.

You remixed Gazelle Twin’s track ‘Belly of the Beast’ which was featured in the ABC series How To Get Away With Murder. Talk us through the creative process for that – how did you make your mark on her already very unique sounding track? (we’re big fans so please give loads of detail)
You want the details? So you need the entire story. In 2014 my debut album Untune placed twelfth on The Quietus’ list of albums of the year. Gazelle Twin topped the chart with Unflesh. I’d never heard of her, but the title and cover got me curious. A woman charting that high – I thought that she must be wonderful, you know “girl power” – had to be noted. I instantly fell in love. I thought she was genius. Soon after a Glasgow promoter invited both of us to play and The Quietus got involved in promotion of the show – serendipity. I would finally be able to see how she really looked under the pantyhose mask. It turned out we shared a dressing room.

I was extremely nervous to meet her in person. To the point that my manager had to just usher me into the room. Elizabeth tuned out to be a wonderful woman. I admire her in every inch. She mentioned that she was releasing Unflesh remixed and offered cooperation. I asked if it would be ok if I remixed ‘Belly of the Beast’ and so it began. I never anticipated such good response to this track. In my opinion the original is brilliant, so it was very difficult to change anything. I decided not to add but rather strip it down. Kind of echoed the sound. Instead of reverb – just a hint of dirt and bass. Only a little, not to mess with the genius.

Nine Inch Nails also recommended one of your tracks on their official Spotify playlist. How did you feel about that?
NIN are the music of my youth. I admired them during every stage of their career. They were the best example of an innovative band. A combination of heavy sound with electronic, dirty hits. It is kind of as if Jesus came down from heaven. Only you never believed in God. I didn’t want this to get into my head. I suppressed it, didn’t want this to mess with my head and make me think that’s me done. You know, the idea that Nine Inch Nails know you exist!

Finally, If you had to describe your music in three words, what would they be?
Distracted and inspired by everything…

Huge thanks to ZAMILSKA for answering our questions!

Order your copy of Zamilska’s album UNCOVERED here.

ZAMILSKA UK Tour Dates 2019
02/08/19 – The Shacklewell Arms, London
03/08/19 – Visions Festival, London

Kate Crudgington
@KCBobCut

Get In Her Ears w/ ESYA (Ayse Hassan) 11.07.19

Kate & Mari were back in the studio this week with loads of new tunes from the likes of Grawl!x, Dude York, Life Is Better Blonde, ZAMILSKA, Grapefruit, Gauche & Planningtorock.

ESYA (Ayse Hassan of Savages, Kite Base, 180db) joined them for a chat about her recent EP Absurdity Of ATCG, and her upcoming gig supporting Bo Ningen at The Shacklewell Arms on 24th August.

Listen back here:

@KCBobCut
@marimindles
@getinherears

Tracklist
X Ray Spex – Oh Bondage, Up Yours!
Beckie Margaret – New York
NIMMO – The Power
Petite Meller – Aeroplane
Grawl!x – Epicene
Pongo – Quero Mais Anoraak
Deep Deep Water – Something In The Water
The Eyelids – Suffer
Duck – R*ck St*r
Grapefruit – Soak
Life Is Better Blonde – Winter (feat. Angus Dawson)
Dude York – Should’ve
Zamilska – Hollow
ESYA – Nothing
Giungla – Better Than Ever
Jenny Hval – Sabbath
Salad – Under The Wrapping Paper
Gauche – Flash
Smaller Hearts – Circuitry
Atelier Blue – Empty Lungs
Mauno – Take Care
Emma McGrath – Other Side
GEISTE – Ocean
HEALTH (feat. Soccer Mommy) – Mass Grave
Zola Jesus – Bound
Planningtorock – Beuhla Loves Dancing

Get In Her Ears w/ Kate & Katie 04.07.19

Kate was back in the studio this week with co-host Katie! They played loads of new tunes from the likes of Gold Baby, deux furieuses, Jackie Shane, Bleached, Lizzo & Kissing Party and chatted about the 2019 Glastonbury highlights.

Listen back here:

Tracklist
Lizzo – Good As Hell
Kissing Party – Jimmy Dean
HANDSOME – Delete You
Bleached – Rebound City
Something Leather – Velvet
Le Butcherettes – Give/up
Gazelle Twin – Glory
Damn Dirty Duke – Concrete
Sacred Paws – Brush Your Hair
Mark Ronson ft King Princess – Pieces of Us
Amy Studt – Sleepwalker
Amahla – The River
Deux furieuses – Year Of Rage
Temples – Hot Motion
Gold Baby – 500/1
Sam Fender – Dead Boys
The Drums – Try
Billie Ellish – When The Party’s Over
Mimi Bay – Really
IDLES – Mercedes Marxist
Fat White Family – Feet
Foals – Olympic Airways
Queen Zee – Boy
Years & Years – Sanctify
Diana Ross – I’m Coming Out
Chaka Kahn – I’m Every Woman
Jackie Shane – Any Other Way

@KCBobCut
@katiemux
@getinherears