GIHE: Albums & EPs of 2024

After sharing our Tracks Of 2024 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These eclectic offerings resonated with us and we’ll be talking about them long into the future. Huge thanks to all of the bands and artists who submitted music to us this year. 

In alphabetical order…here are our top Albums & EPs of 2024 (including multiple Honorable Mentions at the end because we hate leaving people out…)

ALBUMS

Beckon – Between the Bridge And The Tree

Having been a big fan of bands like Suggested Friends and Chorusgirl, I’ve been following songwriter and musician Faith MacNeil Taylor for a number of years now and always find myself completely immersed in each of their heartfelt creations. This year, with new project Beckon (FKA Athabaska), Faith has collaborated with a group of five other wonderful musicians to create queer alt-folk anthems. We were lucky enough to have them play for us at one of our gigs at The Shacklewell Arms back in March and I was utterly spellbound, so I knew I would like new album Between The Bridge and The Tree. But it really is quite something quite special. Alongside Faith’s distinctive exquisite emotion-rich vocals, lilting folk-strewn melodies flow throughout with a raw heartfelt grace; a truly stirring creation of resonant offerings. Between The Bridge And The Tree was released in October.
(Mari Lane – Managing Editor)

BERRIES – BERRIES

BERRIES’ much-anticipated album captures the electrifying energy of their live performances, with a set of well-crafted songs by some very skilled musicians. Their signature guitar riffs shine throughout, paired with pounding, energetic drums and commanding basslines that keep the tracks driving forward. The tracks combine catchy melodies, dynamic musicality and at times, a satisfying thick wall of sound, bringing to mind early 2000s indie bands like The Strokes and Yeah Yeah Yeahs as well as garage rock influences, resulting in a sound that feels both nostalgic and modern. The album is also balanced with some quieter and delicate moments like ‘Balance’ – the album’s single acoustic track. Overall, this is an album that expertly builds tension, keeping listeners captivated from start to finish.
(Ella Patenall – GIHE Contributor)

Brimheim – RATKING

Multi-instrumentalist Helena Heinesen Rebensdorff finds strength in self scrutiny on her excellent second album, RATKING. Released at the end of March, the LP is just as raw as the Danish-Faroese artist’s debut offering, can’t hate myself into a different shape (2022), but on RATKING, she vivaciously embraces remnants of shame, hyper-sensitivity and unrequited love and sets them to a more melodic, pop-tinged backdrop. The result is a witty, cathartic reflection on the contradictions of love, underscored by her audaciously dark humour.

Whether it’s the fully fleshed band sound and distinctive instrumentation on tracks like ‘Dancing In The Rubble’ and ‘Keep Bleeding Diamonds’, the infectious pop melodies on singles ‘Literally Everything’, ‘Brand New Woman’ and ‘Normies’, or the sonically more expansive tracks like ‘No Liver, No Lungs’ and ‘Surgeon’, Brimheim and esteemed producer Søren Buhl Lassen (Blaue Blume) have crafted an eclectic and exhilarating collection of lush alt-pop anthems. Watching Brimheim perform her new album at The Lexington earlier this year was a live highlight for me too. Her confidence in her artistic vision and revelation that she was almost ready to give up making music just a few years ago was truly inspiring.
(Kate Crudgington – Features Editor)

Elsa Hewitt – Chaos Emeralds

Written and recorded intermittently over the course of four years, electronic artist & producer Elsa Hewitt’s eighth album, Chaos Emeralds, is a deeply evocative listening experience. Her intuitive mix of lilting vocals, hypnotic synth loops and eclectic field recordings have helped reduce the cortisol levels in my body significantly this year.

Her improvisational writing style pulls you into a warm hypnosis, where notions such as ‘Unimaginable Pain’ are transformed into soothing electronic lullabies. Her lyrics were originally poems which she penned separately, blending them with her music at different intervals throughout the creative process. The album’s title – a nod to Sonic The Hedgehog – hints at the paradoxical way in which life presents us with difficulties in order to teach us resilience and recovery. This is something Elsa Hewitt has mastered on many of her previous records, but on this collection of tracks she truly achieves something special. She has been prolific this year and she is currently in the process of teasing her ninth album, Dominant Heartstrings, which is set for release in the near future. (KC)

Fightmilk – No Souvenirs

I’ve made no secret of my super fandom of Fightmilk over the years. I’ve been following them since they first played live for us back in 2018 and now – after having had the honour of them headlining many more of our gigs and being obsessed with their albums Not With That Attitude and Contender – my fandom has only continued to grow with the recent release of this year’s No Souvenirs. Reflecting on themes of getting older, particularly as a woman in music, the album exquisitely showcases the band’s ability to hone their sound, creating perfect punk-pop; angsty and uplifting in equal measure. Instantly catchy singalong anthems, combining their trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion.

From fuzzy sentimentality to fierce tirades against patriarchal society, No Souvenirs is a perfect culmination of how Fightmilk have continued to refine their sound. With shades of noughties punk-pop, combined with an injection of fresh queer joy and raging emotion, it’s at once cathartic, validating and empowering. But, most importantly, fun. A sound that’s uniquely Fightmilk; truly distinctive in its colourful charisma, but consistently evolving into something more. No Souvenirs was released in November via Fika Recordings/INH Records. (ML)

Happy Accidents – Edit Undo

I’ve been a mega fan of Happy Accidents since first falling in love with the South London based duo at the late, great Indietracks Festival in 2018, and have been an avid follower of the active roles that both Rich and Phoebe have continued to play in the DIY music scene over the years, including their other musical projects, ME REX and Cheerbleederz. This year, they released their first album in a few years, the gorgeous Edit Undo, which marked a really fantastic return form combining the band’s trademark jangly hooks and emotion-rich twinkling harmonies with additional experimental, electronic soundscapes. I was lucky enough to catch their first live show in five years at Paper Dress Vintage in September, and it was a really special evening. Plus, Phoebe is also responsible for one of my other highlights of the year – learning drums at a First Timers Festival workshop with GIHE pal Kate. She was a really wonderful teacher, and inspired me to continue learning! Edit Undo was out in September via Alcopop! Records. (ML)

HAVVK – To Fall Asleep

Inspired by the complicated nature of sleep and bassist & vocalist Julie Hawks’s own experiences of insomnia, HAVVK’s third album, To Fall Asleep (released via VETA Records) is an urgent, cathartic listen that beguiles the senses and rattles the nerves in equal measure. The Irish alt-rock trio have been favourites of ours since they played our debut GIHE gig at The Finsbury pub back in 2016, and it’s been a privilege to watch them develop as a band over the last eight years.

Formed of front person Julie, guitarist Matthew Harris and former Bitch Falcon drummer Nigel Kenny, on To Fall Asleep, HAVVK interrogate the things that keep us awake at night. Whether they’re charging ahead on tracks like ‘Expiry’ – a vital anthem about the gendered double standards of ageing – or ruminating on anxiety on ‘Waste Of Time’, they create stirring, emotionally charged tracks that resonate long after the record has stopped spinning. It was a real pleasure to hear the band play some of their new tracks live this year when they headlined our GIHE gig at The Shacklewell Arms in March. (KC)

Jæd – I Loved The Gauntlet And There Was No Other Way

London-based, Irish-Puerto Rican musician Jæd played a GIHE gig for us in October 2022 supporting Pixie Cut Rhythm Orchestra and we were all blown away by her unique talent. Her stage presence, dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. The record is an eclectic cacophony of guitar sounds inspired by the uncertainty and hardship that Jæd has lived through, and it’s a testament to the endurance of her creative spirit. ‘Very Fond’ is my personal favourite, but every song on the album is a gem. (KC)

Midwife – No Depression In Heaven

On her fourth LP, No Depression In Heaven, Colorado based musician and producer Madeline Johnston aka Midwife pays tribute to life on the road, reflecting on the eccentricities of a transient existence and the characters that colour the views between locations on the map. Her ambient shoegaze sounds pacify the pain of the grief that informed many of the tracks. Whether it’s an ode to her trusty tour vehicle on ‘Vanessa’ or a cover of ‘Better Off Alone’ which was originally released in 1999 by European popstar Alice Deejay, Midwife treats these things with equal parts grace and grit. No Depression in Heaven is a beautiful body of work full of her poetic lyrical motifs and hazy lullaby-like reverb. (KC)

Our Girl – The Good Kind

Having fallen completely in love with their 2018 debut, Stranger Today, my adoration of London trio Our Girl has only grown with the release of this year’s The Good Kind. Reflecting on poignant themes such as the heartbreak of seeing illness affect someone you love, challenges faced due to gender and sexuality, and the strength that can be found in community, the overarching feeling that permeates whilst listening is a gentle, comforting optimism. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, each track fizzes with a glistening heartfelt emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind was released in November via Bella Union. (ML)

Pink Suits – Dystopian Hellscape

Having released their blazing debut, Political Child, back in 2021, Margate duo pink suits released their second album, Dystopian Hellscape, this year. Inspired by the relentless over saturation of bleak news cycles, it loses none of the band’s politically aggressive, anti-Tory, anti-Fascist, Feminist Queer Energy. Exploring the effects that modern society and neoliberal politics can have on our mental health with the duo’s trademark tenacious spirit and raw musicality, it reflects on themes of self-care, grief, gender identity, sexuality and queer joy, showcasing pink suits’ ability to channel frustration into a perfect raging catharsis. In addition to creating these necessary punk anthems, throughout 2024 Lennie and Ray brought tonnes of queer joy performing as a country duo – on tour with Paisley James, at their own completely wonderful Queer Cuntry event at The Southbank Centre, and as part of our GIHE queer country night at Sebright Arms with Dolly Parton tribute band, The Dumb Blondes (more on this coming in our ‘Personal Highlights’ feature). Dystopian Hellscape was released in April. (ML)

Rubie – Seek Sisters

Having been fans of exquisite songstress Rubie for a while now, both as a solo artist and as part of the incredible F*Choir, we were delighted that she released a stunning new album this year. Flowing with a swirling majestic allure, Seek Sisters interweaves quirky jazz-tinged melodies with a soaring musicality and Rubie’s distinctive heartfelt vocals, creating something truly spellbinding; each and every note glistening with an empowering heartfelt grace. We were lucky enough to have Rubie perform the album in full for us at The Divine in November, and it really did feel like such a special night; accompanied by a full band and choir, she completely captivated us all with her shimmering joyous energy and stirring creations. Seek Sisters was released in September. (ML)

Schande – Once Around

Noise-pop-shoegaze-tinged legends and friends of GIHE, Schande, this year released their debut album, Once Around. Following 2019’s EP Pedigree, and having charmed our ears playing live for us a number of times over the last few years, this new release perfectly captures the band’s immersive, shimmering soundscapes. Flowing with a lilting twinkling grace, it truly is a thing of pure beauty as front-person Jen cements herself as a songwriter capable of exquisitely conveying the fragility of life with each rich sonic tapestry, as a resonant raw emotion ripples throughout. Such a dreamy collection of songs that I find impossible to listen to just once, but instead need to play at least twice, or even three times, around in a row! Once Around was released in April 2024 via Thurston and Eva Moore’s record label, The Daydream Library Series. (ML)

Whitelands – Night-bound Eyes Are Blind To The Day

Initially formed from DIY grassroots music initiatives like First Timers Fest and Decolonise Fest, Whitelands are gently dismantling the expectations and stereotypes surrounding the traditionally white-male oriented guitar music scene. Released via iconic shoegaze label Sonic Cathedral, their debut album, Night-Bound Eyes Are Blind To The Day, is a disarming reflection on everything from politics, philosophy (the album title is taken from the book ‘The Prophet’ by Kahlil Gibran) to ADHD, depression and heartbreak.

Vocalist and guitarist Etienne’s songwriting is deeply poetic, something which becomes more apparent when you read the accompanying lyric sheet on the album’s vinyl insert. His soft floating vocals are accompanied by lead guitarist Michael’s soaring riffs, drummer Jagun’s driving beats and Vanessa’s brooding bass lines, all of which intermittently push the record into both melancholic and euphoric territory. It was wonderful to have Whitelands with us in the studio for our Soho Radio show in February this year talking about their debut record. Having caught them live at Hammersmith Apollo and EARTH supporting Slowdive, as well as at Cro Cro Land and their album launch show at Rough Trade East, Whitelands have provided some of my favourite musical memories of 2024, both live and on record. (KC)

EPs

all cats are beautiful – Just Kids

In 2021, London based duo All Cats Are Beautiful released their gorgeous mini album The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally felt ready to share new music with their EP Just Kids; a heart achingly poignant reflection on love and loss. Delving into stark reflections on the pain that comes with losing someone that you love so intensely, the EP glistens with a raw vulnerability and emotion alongside its twinkling electro soundscapes, creating a truly beautifully cathartic and honest collection. The band perfectly summarise – “grief is just love with no place to go.” Just Kids was released in October via Peach Records. (ML)

Piney Gir – Cosmic Upside Down 

This year prolific artist (and self-proclaimed witch) Kansas-born Piney Gir released her new EP, Cosmic Upside Down. Propelled by a twinkling, lilting energy and Piney’s distinctive lush honeysweet vocals, each track on the EP oozes a sparkling immersive splendour. Whilst its spiritual roots remain evident throughout, it also touches on themes ranging from climate change to feminism; offering a stirring yet uplifting reflection on the world today. In addition to the EP release, 2024 also marked twenty years since Piney shared her first album, Peakahokahoo, and to celebrate we helped her promote a special 20th anniversary gig at The Lexington with a superstar line-up of Anat Ben-David (Chicks On Speed) and Psycho Delia (Robots In Disguise) – a really dreamy evening! Cosmic Upside Down was released in August via No Distance Records. (ML)

SPIDER – object of desire

I’ve been watching Irish alt-pop artist SPIDER grow since the release of her debut single ‘Water Sign’ in 2021, and it’s been a joy to see her talents recognised in the alternative rock scene this year. Her third EP, object of desire, is bursting with riotous, angst-ridden tunes about coming-of-age in an antagonistic world that tries to dictate this deeply personal process. The title track is a formidable anthem that perfectly outlines all that SPIDER is capable of as an artist; her clear intonation, candid lyricism and loud-and-quiet grunge and pop punk dynamics are showcased perfectly. It was a privilege to watch her perform AT her debut London headline show at The Camden Assembly earlier this year. Read my full review here. (KC)

Softcult – Heaven

Marking a heavier development in their sound, Heaven is the fourth EP from Canadian twin sibling duo Softcult. By blending shoegaze sensibilities with dream-pop melodies and Riot Grrrl politics, Mercedes and Phoenix Arn-Horn tackle the pressures of existing in patriarchal society, the breakdown of platonic and romantic relationships and the fluctuating nature of mental health. Heaven is a cohesive, considered record that offers respite through heavy reverb and gloomy vocals, which the pair have perfected on this latest offering. Guitarist & vocalist Mercedes spoke eloquently about the inspirations behind the EP in an interview with me earlier this year. Read the full feature here. (KC)

Queen Of Nothing – The Pull

Recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie) independent alt-folk artist Abi Crisp aka Queen Of Nothing released her debut EP, The Pull, in November this year. It’s an atmospheric, brooding reflection on what it feels like to let go of heartbreak, uncertainty and fear and emerge as a truer version of ones self. I love her blend of shimmering and gritty guitar tones, tender vocals and dramatic volume shifts, which are epitomised on my favourite track ‘How Does It Feel’. (KC)

Honourable Mentions

Alien Chicks – Indulging The Mobs (EP)
ARXX – Good Boy
The Baby Seals – Chaos
Charley Stone – Here Comes The Actual Band
Chelsea Wolfe – She Reaches Out To She Reaches Out To She
Cherym – Take It Or Leave It
Coolgirl – Road Closures
Fears – affinity
Fraulein – Sink Or Swim
Julia-Sophie – forgive too slow
King Hannah – Big Swimmer
Los Bitchos – Talkie Talkie
Mammoth Penguins – Here
NikNak – Ireti
PostLast – Pull Me Into The Open Sea (EP)
Sassyhiya – Take You Somewhere
SOPHIE – SOPHIE
WISP – Pandora (EP)

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ALBUM: Elsa Hewitt – ‘LUPA’

A captivating reflection on her own thought processes and an extended hand to those who are seeking a similar internal transformation, London-based experimental artist & producer Elsa Hewitt has shared her new album LUPA. Following on from her 2020 EP Ghostcats, the record shimmers with more of Hewitt’s magnetic synth loops and soft vocals, showcasing her truly eccentric spirit across nine fluid soundscapes.

“2020 forced me to look at myself on the inside and it helped me let go of some things and turn around negative patterns and understand how your thoughts and mind influence the way you feel,” Hewitt explains, echoing a sentiment many will be familiar with. For Hewitt though, this process of dismantling her own psyche began earlier in 2019 when she was asked to write a song in response to suicide, having lost a number of friends the same way. She confronted her own experiences of anxiety and depression in the process and channelled them into the ambient, reassuring sounds that form the backbone of LUPA.

“It was a long progression and a lot of other things had to happen at the same time and it really made me face things within myself that I hadn’t been willing to face before,” she confesses about the record’s conception. This compassionate nature permeates Hewitt’s album. Her reluctance to face these difficult emotions dissolves over the course of each track, soothing the stings of loss and confusion that informed them. As with many of her previous recordings, she improvised her way through vocals and synth textures on LUPA, often recording things in one continuous take. This method gives her music a lucid, dream-like quality, dipping in and out of consciousness but remaining rooted in the joy of the moment.

Her talent for reflecting mood fluctuations via breathy vocals and magnetic loops feels effortless, with ‘Howl’, ‘Lavender’ and ‘Squirrelx’ being prime examples of these skilled shifts – her delicate vocal delivery ripples with genuine emotion, underscored by ethereal electronics and tentative beats. Hewitt’s playful side emerges on ‘Car In The Sun’, ‘Inhaler’ and ‘Fuzzy Duck’, but these tracks are usually followed up with sentiments like the ones on ‘IFM’, which are underscored by compassion and a tender desire to absolve anxious thoughts.

On LUPA, Hewitt has constructed a woozy, poetic sublime headrush of comforting electronic sound that provides a pleasant distraction from the overwhelming nature of the world right now.

Follow Elsa Hewitt on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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PLAYLIST: March 2021

It’s been another long month of lockdown here in the UK, but the end is in sight with lighter evenings and the chance to see more than one friend in public on the horizon. The GIHE team have unearthed some more new music gems for you to listen to on our March Playlist. It’s an eclectic mix of indie anthems, alt-pop gems, intriguing electronics and raucous guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Small Talk’
This thumping new track from Bristol-based punk trio and GIHE faves Grandmas House speaks for itself. ‘Small Talk’ explores the times when you’ve had to unwillingly engage in idle conversations with strangers at the bar, when all you want to do is sit and have a pint with your friends. (Kate Crudgington)

ARXX – ‘Deep’
The new single from GIHE faves ARXX, ‘Deep’ offers an empowering ode to leaving behind all your anxieties and getting what you want. Propelled by a sweeping, impassioned energy, it interweaves an electro-infused, glitchy sound with the duo’s signature ferocious drive, instantly hitting you with its raw, anthemic rush and gritty, sensual prowess. A swirling slice of rousing power-pop. (Mari Lane)

CLAMM – ‘Liar’
Melbourne punk trio CLAMM are gearing up to release their debut album Beseech Me on 9th April, and single ‘Liar’ is a crash course in what to expect. “The song is about mental health,” the band explain. “It’s about wanting to break through a pattern of thinking that isn’t necessarily positive. It’s about dealing with an internal monologue that isn’t always telling the truth.” Through their thrashing guitars and relentless percussion, the band beat back their doubts on this raucous offering. (KC)

Gender Chores – ‘Night In The Woods’
A slice of fast-paced punk-pop, and inspired by a video game of the same name, ‘Night In The Woods’ reflects on slum landlords and the high costs of living in the city. As the Belfast band ooze a swirling, playful energy, the track builds to an immense whirring cacophony. A raging punk anthem, truly of our times; despite being coated in a buoyant, quirky charm, it’s no less powerful in its explicit enraged message. (ML)

CYNICS – ‘Idiots’
This high energy single from London-based four-piece CYNICS is lifted from their recent EP, restless in comfort. The band will be releasing a second EP in April, so keep your eyes peeled for that. (KC)

Du Blonde and Ezra Furman – ‘I’m Glad That We Broke Up’
Du Blonde joins forces with Ezra Furman on latest track ‘I’m Glad That We Broke Up’ which is an absolute tune released ahead of Du Blonde’s upcoming LP Homecoming, due on 2nd April. “It’s our take on a 60s girl group/glam rock explosion,” Du Blonde explains. “I feel like Ezra and I have been travelling towards a duet for years and we finally got our shit together.” (Tash Walker)

deep tan – ‘camelot’
Taken from their upcoming debut EP, deep tan’s ‘camelot’ is propelled by the majestic whirr of sparse hooks and throbbing beats, building with a quirky hypnotic splendour and fizzing tension. As swooning vocals glide across the angular soundscape, it creates another truly captivating sonic delight from the post-punk trio, leaving you longing for more of their exquisite stirring allure. (ML)

People Club – ‘Take Me Home’
The title track from their upcoming EP which is set for release on 7th May, this single from Berlin-based indie outfit People Club is about the realisation of mortality in old age. It’s an upbeat offering, but it explores the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. (KC)

ĠENN – ‘Mackerel’s Funky Mission’
Taken from their upcoming EP Liminal, ‘Mackerel’s Funky Mission’ is the latest single from Brighton-based ĠENN. Propelled by a quirky, playful energy and eccentric, colourful charisma reminiscent of the likes of The Orielles, it races with scuzzy hooks alongside the raw, gritty vocals of front woman Leona. Building to a fuzz-filled, psych-infused cacophony, it showcases all there is to love about ĠENN – a band set on continually developing their compelling sound and enrapturing our ears with their unique fantastical spirit. Liminal, the new EP from ĠENN, is out tomorrow 30th March via Everything Sucks Music. (ML)

45ACIDBABIES – ‘Mommy’s Favourite 1’
Following the success of last year’s ‘3 (Walk With Me)’, ‘Mommy’s Favourite 1’ is the latest single from Dutch band 45 ACIDBABIES. Propelled by a vibrant, playful energy, it races with swirling layers of sound creating an instantly infectious, danceable cacophony. As scuzzy, electro-driven hooks race alongside the soaring sultry power of Sophia De Geus’ vocals, a psychedelic haze ripples, creating an uplifting sonic fusion. (ML)

Boudicca’s Bass Service – ‘Egypt’s Over There’
This is the latest single from Somerset based 19-year-old Georgina Cotteril aka Boudicca’s Bass Service. I love her laid back vocals, trippy synths and the feel-good vibes of this track. Speaking about ‘Egypt’s Over There’, Georgina explains: “This song is about realising you’re doing fine, all things considered…this song brings with it the new growth of spring and provides a resting spot, a much needed escape, amongst the craziness of your mind – and the current world in which we live in.” (KC)

Notelle – ‘Doctor Sign’
Nashville-based, nightmare-pop artist Notelle’s latest single ‘Doctor Sign’ was heavily influenced by the intense, shadowy sounds of Nine Inch Nails. Writing the track was a form of emotional exorcism for Notelle, who gave herself permission to “lean into some unattractive emotions” on this new offering. (KC)

Debby Friday – ‘Runnin’
Vancouver-based audio-visual artist Debby Friday blends intoxicating rap verses, trippy beats and snaking rhythms together on this eccentric anthem about self-expression. Full of commanding rhythms and jagged synths, ‘Runnin’ marks a new musical direction for Friday, moving away from her abrasive earlier work into more sultry, effervescent territory. Dripping with unfazed confidence, Friday’s synth-rap tune smoulders with autonomous vibes. Love, love, love it. (KC)

Loraine James – ‘Simple Stuff’
This is the first single from Loraine James’ new album Reflection, which is set for release on 4th June. ‘Simple Stuff’ is a minimal, cathartic plea for equality and acceptance as a black, queer woman. I love the criss-crossing drums and Loraine’s straightforward vocals on this track. (KC)

Mykki Blanco – ‘Free Ride’
The latest single from queer pioneer and musician/rapper extraordinaire Mykki Blanco, ‘Free Ride’ was written back in 2018 after Blanco had just ended their first long-term relationship. Co-produced by FaltyDL and Hudson Mohawke, it oozes a funk-fuelled uptempo musicality and glistening soulful refrains alongside Blanco’s trademark flowing lyricism. Appearing less brash and perhaps more sentimental in sound than some of their previous offerings, it loses none of their distinctive wit and poignant spirit. The video for “Free Ride” was directed by Hannah Rosselin, produced by DIVISION, watch it here. (ML)

Ci Majr – ‘Guillotine’
This is the latest track from Atlanta-based, emerging non-binary artist Ci Majr. Taken from their upcoming debut EP Side Effects, set for release on 16th April, ‘Guillotine’ is a shimmering pop anthem about cutting off your own ego in order to grow in a new relationship. (KC)

Sofia Kourtesis – ‘La Perla’
One of my absolute favourite songs at the moment! Inspired by the sea and her father (written when he was dying of leukemia), the result is a kaleidoscope of synths and deep house. Kourtesis describes the song as about feelings that can’t be captured with words – ‘La Perla’. (TW)

Gemma Cullingford – ‘Wide Boys’
Known as one half of GIHE faves Sink Ya Teeth, musician and songwriter Gemma Cullingford has now announced the release of her debut album this summer. Taken from the album, ‘Wide Boys’ reflects on the need for us to wake up and take back control from those in power. Driven by a racing energy and interweaving immense hooks, including a fiercely flowing flute solo, it’s an instantly catchy funk-fuelled call to arms for these desperate times. (ML)

Elsa Hewitt – ‘Inhaler’
This new single from London-based, experimental electronic producer & GIHE favourite Elsa Hewitt soothes my tired mind. It’s taken from her upcoming album LUPA, which is set for release via Cargo Records on 30th April. (KC)

Fears – ‘vines’
Another poignant meditation on some of her darkest hours, Dublin-born London-based musician Fears aka Constance Keane penned her latest single ‘vines’ before she experienced a breakdown. Through her tentative beats and soft vocals, Fears taps into her pain and offers listeners a chance empathise and heal alongside her. I’m excited to hear her debut album Oíche when it’s released on 7th May via her own label, TULLE. (KC)

Penelope Trappes – ‘Nervous’
A graceful, evocative soundscape that tentatively traverses the inner thoughts of an anxious woman, this single from Australian-born Brighton-based artist Penelope Trappes is taken from her new album, Penelope Three. Set to be released on 28th May via Houndstooth, the track ripples with a sense of mystery and disquiet, both of which are beautifully reflected in the accompanying video. (KC)

Beckie Margaret – ‘FF’ 
Inspired by the Bob Marley quote “I don’t have that type of richness. My richness is life, forever,” ‘FF’ is the latest single from Essex songwriter Beckie Margaret, released via Cool Thing Records. Her voice melts me every time I hear it, and this lush, atmospheric new offering is no exception. (KC)

Ailbhe Reddy ft. Sacred Animals – ‘City Unfolds’
Dublin alt-folk artist Ailbhe Reddy and producer Darragh Nolan aka Sacred Animals have teamed up for this atmospheric new offering ‘City Unfolds’. Lyrically based on Ailbhe’s own experience of being close to a panic attack in the back of a taxi on her way to play a festival in Barcelona, the pair blend tentative keys and atmospheric beats to work through this heightened state of emotion. (KC)

Shamir – ‘DsharpG’ (Sharon Van Etten cover)
Shamir’s cover of Van Etten’s ‘DsharpG’ is just beautiful and will appear on Epic Ten, a special 10th anniversary edition of Van Etten’s second album, Epic. (TW)

Flock Of Dimes – ‘Hard Way’
Taken from her second solo album Head Of Roses, ‘Hard Way’ is the latest single from Wye Oak’s Jenn Wasner aka Flock Of Dimes. Reflecting on the power of the subconscious to hide truths from ourselves, it combines glitchy elements of modulated synths with a lilting musicality and the smooth, emotion-rich splendour of Wasner’s vocals, creating a truly exquisite enchanting soundscape. (ML)

Hanya – ‘Lydia’
Having previously captivated our ears playing for us live on more than one occasion, Brighton band Hanya have now shared a brand new single. Flowing with shimmering hooks and an effervescent, ethereal grace, ‘Lydia’ showcases the stirring emotion of Heather Sheret’s rich, glossy vocals alongside a swirling musicality, creating a beautifully dreamy slice of shoegaze-tinged indie; a soothing soundscape oozing a blissful tranquillity. (ML)

Thallo – ‘Mêl’
This is a lush offering from Welsh songwriter Thallo, sung in her native tongue. Of the track, she explains: “‘Mêl’ which is Welsh for ‘Honey’ is about fearing inevitable heartbreak, but only making a feeble attempt to avoid it and resist temptation.” Check out her latest single ‘The Water’ too. (KC)

Naz & Ella – ‘No (Doesn’t Mean Convince Me)’
Having just announced a new EP set for release this Spring, Naz & Ella have now shared a poignant new single. Reflecting on the all-too resonant theme of sexual harassment, ‘No (Doesn’t Mean Convince Me)’ oozes a gritty, grunge-infused aura alongside the duo’s traditional folk-inspired musicality. Tinged with an eerie majesty with shades of grunge pioneers Alice In Chains, it’s a beautifully stirring offering, exuding a subtle, stark power. Find out more in our recent interview with Naz & Ella. (ML)

Ayoni – ‘Unmoved (A Black Woman Truth)’
‘Unmoved (A Black Woman Truth)’ was released last year, but I only heard it for the first time recently. Described as her most vulnerable song to date, the song is about her journey and the struggles she’s endured as a Black woman growing up. In Ayoni’s words “This song is my every uttered whisper and prayer. It is every heartbreak, micro-aggression, breakdown in the bathroom, and every swallowed fit of rage. But most importantly it is every single moment I remembered the walking poems that are my Black sisters, the breathing reasons to continue fighting to forge a path forward. So here I remain unmovable and unmoved.” (TW)

Clever Girls – ‘Stonewall’
“I wrote ‘Stonewall’ about the distribution of emotional labour in relationships and what is often asked of us AFAB (assigned female at birth) individuals based on our perceived gender identities,” explains Clever Girls’ front person Diane Jean. “It’s really my own anthem of rebellion – against my own perfectionism and against the constant inner monologue that tells me to adapt to others’ needs and expectations.” I love this track, which is taken from the band’s recent album, Constellations. (KC)

Johanna Samuels – ‘Single File’ (Elliott Smith Cover)
Iconic riot grrrl label Kill Rock Stars turns 30 this year! To celebrate, they’re releasing a string of cover singles under the title Stars Rock Kill (Rock Stars), where several artists from around the world will cover tracks from the label’s expansive back catalogue. This dreamy cover of Elliott Smith’s ‘Single File’ by Johanna Samuels is their latest celebratory offering, full of lush vocals and soft guitars. (KC)

Amy Ellen – ‘This Life’
Dublin-based indie musician Amy Ellen says ‘This Life’ is about “loosing someone who meant something to you, but also appreciating those who come into your life and stick around.” She embraces life’s bittersweet nature via her clear vocals and rich guitar sounds on this single. (KC)

Vox Rea – ‘Dufferin Ave.’
Always a sucker for some silky sax, this latest track ‘Dufferin Ave.’ from Vancouver-based Vox Rea delivers with an abundance of ambience. As we look to warmer and lighter evenings, I’m looking forward to listening to this song glisten out over those hazy nights. (TW)

Nadine – ‘Hair Up’
An aspiring singer & rapper from Sudan who’s currently based in Cairo, Egypt, Nadine wrote this R&B-tinged offering after she spent a week living in sweatpants during quarantine. It’s a chilled tune that celebrates feeling confident in your natural state. (KC)

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EP: Elsa Hewitt – ‘Ghostcats’

Whatever your mood, electronic artist & producer Elsa Hewitt has a tune to diffuse it. What she achieves through improvisation many would struggle to create with the most calculated intentions and her dizzying blend of looped synths & vocals on new EP Ghostcats beautifully showcases her intuitive talent.

Described by Hewitt as an “opener” for her next release Lupa (due later this year), Ghostcats is a collection of minimal electronic compositions that have a soothing, almost translucent quality to them. Filled with celestial looping vocal harmonies, the ambient ‘Godly’ opens the EP, followed by the equally ethereal ‘Massive Charade’. It meanders in to brief but beautiful tracks ‘Wave State’ and ‘Mounting Up’. On each of her tracks, Hewitt’s breathy vocals and spacious synthesizers merge together to create a soothing, fuzzy atmosphere reminiscent of a lucid dream.

There’s a pleasantly jarring quality to tracks ‘Still’, ‘Kevlar’ and ‘Easy’, whilst ‘Raspberry’ is sweet and breezy. On ‘Velvet Scrunchy’, it feels like Hewitt is toying with the soft accessory the track is named after; gently opening and closing her palm around the garment. The twinkling sound of ‘Rebird’ closes the EP, which from the opening loop provides a soothing sonic head rush.

A much needed distraction in these strange times, Elsa Hewitt’s Ghostcats is a blissful electronic offering, designed to leave you reassuringly lightheaded.

 

Buy your limited edition Ghostcats cassette via Bandcamp here.

Kate Crudgington
@KCBobCut

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