PLAYLIST: January 2026

It’s our first Playlist of 2026! We’ve put together another eclectic mix of new music for your listening pleasure; featuring punk anthems, indie bangers, electronic musings, experimental sounds & shoegazey, dream-pop tunes. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify as our main playlist platform. We now have an account on TIDAL, so please follow us on there! You’ll see that we’ve copied all of our previous GIHE playlists over to TIDAL too. We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

 

CLICK HERE TO LISTEN ON TIDAL

 

YAKKIE – ‘He Sleeps Alone’
One of my Ones To Watch for 2026, mega super-group of faves Yakkie are set to release their debut album, Kill The Cop Inside Your Head, next month and I couldn’t be happier. I don’t think I’ve been this excited for a release for a long time. I just feel like it’s now more important than ever to have bands like them, not afraid to speak up for what’s right and use their platform as a real force for change, and since first seeing them live back in 2023, I’ve been desperate for more of all the rage, joy and unity that they offer. Ahead of the album’s release on 13th February, the band have shared an epic “anti fuck boy anthem” in the form of ‘He Sleeps Alone’ and I just cannot get enough of its fierce, seething energy and immense Pearl Jam reminiscent grunge-fuelled hooks.
(Mari Lane – Managing Editor)

congratulations – ‘Dr. Doctor’
Brighton art-punks congratulations blend chaotic tempos, intensely danceable beats and a foghorn sample on their latest single ‘Dr. Doctor’. Described as a song for “everyone trapped inside their own head, spiralling and catastrophising,” the track is a cacophonous, cathartic reflection on neurotic thought processes. It’s taken from congratulations’ upcoming debut album, Join Hands, which is set for release on 13th February via Bella Union.
(Kate Crudgington – Features Editor)

The Empty Page – ‘Death On Our Side’
A band who’ve played live for us more than once and continue to impress with their dark, shoegaze-tinged offerings, Manchester’s The Empty Page have previously covered topics ranging from climate emergency to house cats. Now, with their latest single that follows from their 2024 album, Imploding, they lament the woes of a generation of people with no pension plan other than to die before they need to rely on one. As ‘Death On Our Side’ ripples with a swirling reverb-strewn splendour, it offers a timely impassioned reflection on the stark reality of life in present day Britain. (ML)

Whitelands – ‘Blank Space’
It was such a bright start to the year having London-based shoegazers Whitelands in the studio with us on our January Soho Radio show (listen back here). Etienne, Jagun and Vanessa spoke to us about the deeply personal nature of the songwriting on their second record, Sunlight Echoes, set for release on 30th January via Sonic Cathedral. This track ‘Blank Space’ is a poignant reflection on grief and memory, buoyed by a seamless blend of soaring and melodic riffs. It’s further proof that Whitelands have expanded and developed their already distinctive sound on this new record. I can’t wait to have the vinyl in my collection. (KC)

deary – ‘Seabird’
I saw London-based deary perform at Sonic Cathedral’s 20th anniversary gig back in 2024, alongside fellow shoegaze icons Whitelands and Slowdive. I was really impressed by guitarist & vocalist Dottie’s diaphanous voice and the band’s lush, fluctuating melodies; both of which permeate their latest single ‘Seabird’. It’s lifted from deary’s upcoming debut album, Birding, which is set for release on 3rd April via Bella Union. (KC)

VERO – ‘100 Calls’
I am SO happy that Stockholm trio VERO are back with new music! ‘100 Calls’ is the follow up to their previous single ‘Calico’, both of which feature on the band’s upcoming second album, Razor Tongue, set for release on 20th March via PNKSLM Recordings. Their brooding, grunge-inspired riffs and sardonic vocals remind me a little bit of Sonic Youth and I feel like they’ve really lent into that influence on these new tracks. The band say that ‘100 Calls’ is the “saddest” song on the album, but it still has VERO’s trademark grit and defiance rumbling beneath the surface. (KC)

YELF. – ‘loud’
British-Swedish artist YELF. is a loyal follower of GIHE and involved in multiple musical outfits, including Aether Speaker and Pets and Doom and Gloom – so she’s a prolific talent! This track ‘loud’ is her debut solo offering; a shoegazey tune about “the electric, maddening feeling of liking someone, but being unsure whether they like you back.” Through her grunge infused guitars and yearning vocals, she personifies the feeling of being in romantic limbo perfectly. I’m really looking forward to hearing more from YELF. over the next 12 months. (KC)

Maria BC – ‘Marathon’
‘Marathon’ is the title track from Maria BC’s upcoming third album, which is set for release on 27th February via Sacred Bones – one of my favourite labels. The American artist dissects the spectrum of human emotion and how we endure and persevere through shifting moods throughout the LP, expanding their own sonic palette in the process. Maria’s distorted guitars and serene vocals on ‘Marathon’ help to communicate this experience, making it both a soothing and unsettling listen. I’m looking forward to hearing their new record in full. (KC)

Mi.el – ‘Grains Of Sand’
‘Grains Of Sand’ from London-based dream-pop band Mi.el is a lovely leftover from my December 2025 inbox. Full of atmospheric riffs and brooding vocals, the band say the track is about “positive nihilism, a reflection on finding freedom in insignificance” which hopefully provides listeners with a sense of liberation – an apt sentiment for the new year. (KC)

Alice Sloan – ‘Return The Ghost’
A brooding alt-folk contemplation on identity and people pleasing, ‘Return The Ghost’ is the debut single from Belfast queer singer-songwriter Alice Sloan. Her rich vocals and grungy ’90s inspired guitar sounds mesh together to make her first solo offering a moody and memorable affair. “‘Return The Ghost’ is trying to find yourself within the noise, when you stop trying to please everyone and realise you don’t know who you are beneath that,” she shares. “Dig deeper, you may discover the parts of yourself you tried to bury.” (KC)

Softcult – ‘Queen Of Nothing’
Since I began following Softcult in 2020, I’ve been consistently impressed with everything that the Toronto-based shoegaze sibling duo have released. They’ve shared multiple EPs over the past six years, but now they are gearing up to release their debut album, When A Flower Doesn’t Grow, on 30th January via Easy Life Records. When I interviewed guitarist and vocalist Mercedes Arn-Horn back in 2024, she hinted that Softcult had pushed their sonic boundaries whilst writing and recording their album, and this single ‘Queen Of Nothing’ beautifully showcases this development. Sharply produced and deeply resonant, the track tackles patriarchal double standards and feelings of inadequacy via dreamy vocals and hazy riffs. (KC)

Thee Soreheards – ‘I’m Not Your Fucking Sex Doll’
‘I’m Not Your Fucking Sex Doll’ is the title track from Montréal punks Thee Soreheads’ debut EP, which they released last year via Outhouse Records. It’s both a visceral and gleeful rejection of objectification and misogyny, fuelled by grinding riffs, intense beats and singer Maria’s Kathleen-Hanna-esque vocals. (KC)

HAWXX – ‘Resistance Is Justified’
Having been big fans of HAWXX since they played live for us back in 2018, I’m excited to hear that they’ve got a new album coming out this Spring. Ahead of the album, they’ve shared an immense and poignant tribute to their friend Jordan, who’s one of the ‘Filton 24’ and has been in prison for over a year without trial for allegedly destroying weapons in the Elbit Factory that were due to be sent to Israel. As they scream “Free, free Palestine!” with a fiercely impassioned grit and a raging energy that builds throughout, their message seems more necessary than ever. This song is a tapestry of collaborations from Ahmed Muin Abu Amsha, a talented music teacher in Gaza whose singing with children over drones circling above have gone viral on social media, members of the Greek Flotilla mission to Gaza (including my cousin Ploutarxos), Petrol Girls, Jasmine 4.t., Bekor, members of Choir Noir, Soren Bryce, Millie Manders, Orchestrated Discontent, Ruby Wednesday and more artists in support of the cause. There is also a sample of Jordan’s sister Brogan, giving a speech in the song. (ML)

Fightmilk – ‘Sounds Like A You Problem’
What’s been described as their heaviest song to date, Fightmilk’s new one is an absolutely perfect return to from one of my most favourite bands. As Lily’s gravelly vocals soar with a rich, sweeping power alongside Alex and Healey’s racing gritty hooks, and Nick’s thrashing beats blast consistently throughout, ‘Sounds Like A You Problem’ offers a proper “big angry song”. Reflecting on Lily’s own experiences with an abusive ex partner with a refreshing honesty, the all-too relatable and recognisable feelings of terror and frustration emanate through the song’s fierce energy, whilst a cathartic sense of empowerment comes at realising it was never your fault. A welcome new direction from a band continuing to hone their sound and show that they’re not afraid to address sensitive topics head on. (ML)

Junk Whale – ‘Lime n Soda’
Responsible for one of my favourite EPs of last year, Junk Whale have started 2026 by releasing more gorgeous new music. One half of their new double single, ‘Lime n Soda’ reflects on the contrasting feelings of being at a gig: “It can be an overwhelming sensory experience for me. It’s dark, it’s loud, it’s cramped with sweaty bodies…but as soon as the music starts, there’s nowhere else I’d rather be,” vocalist Josie explains. Offering all the gloriously scuzzy hooks and lilting indie-pop energy that we know and love from the band, I can’t get enough of its sparkling raw emotion and cannot wait to have Junk Whale headline for us at The Cavendish Arms on 19th February, along with twee queercore supergroup Tomboy Grandpa (featuring members of Fightmilk and adults) and First Timers alumni Pink Bucky. Tickets are on DICE now and cheaper in advance. (ML)

Me Rex – ‘Angel Hammer’
Another band who’ve played live for us and I’ve been very much in love with for a long time, Me Rex have continued to charm us with their previous five EPs and two albums, and have now shared the first new single to be released on their own label Pterodactyl Limited. Reflecting on vocalist Myles’ chaotic experiences that lead to him getting sober when he was 20, ‘Angel Hammer’ fizzes with an impassioned sense of vulnerability and raw immersive emotion, as the band’s trademark twinkling hooks and introspective lyricism are intertwined with a cathartic driving energy. (ML)

Scarebears – ‘Scapegoat’
“Brand new, fresh-out-of-the-oven, aggressive post-punk” is how Bristol trio Scarebears describe themselves, and I’m a big fan already. With debut single ‘Scapegoat’ they seethe against the rise of far-right rhetoric in the UK media and mainstream politics with a riotous sense of urgency, reflecting on the hypocrisy and danger of ignorant false narratives that are used to incite violence and discrimination. A fiercely defiant, brutally honest and instantly addictive slice of empowering punk, it’s the first taste from Scarebears’ upcoming EP, Worse for Everyone, which will be released in Spring 2026. I cannot wait to hear more! (ML)

 

Kim Gordon – ‘NOT TODAY’
I probably don’t need to write an intro for this exceptional new Kim Gordon track – but in case you missed it – the acclaimed Girl In A Band author is releasing her third solo album, PLAY ME, on 13th March via Matador Records. ‘NOT TODAY’ embodies the same potent conviction and self assurance that all of the former Sonic Youth bassist & vocalist’s solo offerings have radiated – only here it sounds fuller and more fluid. (KC)

Midori Jaeger – ‘exasperate’
Another of my Ones To Watch for this year, cellist and songwriter Midori Jaeger has now announced the release of her EP, (Un)planted, on 9th March. Having instantly caught my attention with their unique style of playing the cello and the soothing allure of her vocals while playing in Tanita Tikaram’s band back in October, the Japanese London-based artist creates immersive soundscapes that are truly her own, with latest single ‘exasperate’ being no exception. Swirling with angular yet beautifully smooth finger-picked hooks and Jaeger’s sumptuous vocals, it soars with an invigorating energy and I can’t wait to hear the full EP very soon. (ML)

TTSSFU – ‘Upstairs’
This stand alone single from Wigan-born, Manchester-based artist TTSSFU was released late last year, but it’s been swirling around my head ever since. Based on an unhealthy romantic infatuation, it’s a tender rumination on the disconnection and isolation that can fester with this kind of obsession. TTSSFU released one of my favourite EPs of 2025, titled Blown, so I’ll be keeping a keen eye on the new music she shares over the next 12 months. (KC)

Ailbhe Reddy – ‘That Girl’
Existing in the emotional ether of a breakup, Dublin-born artist Ailbhe Reddy’s upcoming third album, KISS BIG, is a wholehearted affair that continues to spotlight her talent for empathetic songwriting. Set for release on 30th January via Don Giovanni Records, ‘That Girl’ features on the record and is described by Ailbhe as the “emotional anchor” of her upcoming offering, full of her tender vocals and observational lyricism. She’ll be playing a London headline show at The Lexington on 21st April to celebrate her new album. Tickets are on sale now! (KC)

Tenderness – ‘The Salt Flats’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Ahead of the release of her debut album, True, on 13th March, ‘Salt Flats’ showcases Young’s gorgeously rich vocals as twinkling Americana-tinged hooks ripple throughout, reflecting with a stirring gentle melancholy on the fleeting nature of joy. I can’t wait to witness Tenderness’ beautiful offerings in the perfect setting of St Pancras Old Church on 18th March. (ML)

Charlotte Cornfield – ‘Hurts Like Hell’
Ahead of the release of her sixth album in March, Charlotte Cornfield has now shared the beautiful title track. A poignant rumination on addressing insecurities and putting yourself out there, ‘Hurts Like Hell’ flows with warm Americana-infused melodies alongside Cornfield’s distinctive rich vocals. Showcasing Cornfield’s ability for heartfelt lyrical storytelling and exposing an endearing vulnerability, its delicate grace shimmers throughout as we’re introduced to what promises to be an exquisite album. (ML)

Special Friend – ‘Breakfast’
Set to release their new album, Clipping, on 30th March, French-American Paris based duo Special Friend may be new to me but I’m already pretty obsessed with their fuzzy uptempo hooks, lilting energy and rich syrupy harmonies. A perfectly short but extremely sweet slice of sunny dream-pop, ‘Breakfast’ is our first taste of the upcoming album, and if that’s what’s on the menu, I can’t wait for lunch and dinner…(sorry) (ML)

Radhika ft. Gerard Love & Mitch Mitchell – ‘Starry Eyes’
A supergroup of sorts, featuring Gerard Love (Lightships, Ex Teenage Fanclub) and Mitch Mitchell (The Pastels) alongside vocalist Radhika Meera Dade, Radhika have started the year with an effervescent taste of their upcoming new album, Cine Pop. Interweaving a range of influences, from the films of David Lynch to her own Indian heritage, Radhika creates utterly dreamy, shimmering soundscapes rippling with a spellbinding allure. Reflecting on intergenerational connections and the passing of souls into the next realm, ‘Starry Eyes’ demands multiple listens and will draw you into the cosmic world of Radhika on first listen. (ML)

Hater – ‘Angel Cupid’
Malmö-based indie-pop band Hater said they weren’t expecting to write a bunch of love songs for their upcoming album, Mosquito – set for release on 6th March via Fire Records – but that’s what flowed from their fingertips after a long hiatus. This reluctant feeling is epitomised on the band’s latest single ‘Angel Cupid’, which sees them tenderly, yet disdainfully reject the omnipresent notion of traditional love and the archetype of Cupid, by seamlessly combining explicit lyrics and lush melodies together. (KC)

Sunflower Thieves – ‘Already Taken’
Leeds alt-folk duo Sunflower Thieves have returned with their new single ‘Already Taken’ – a poignant reflection on the emotional resilience that’s earned after enduring a difficult breakup. Full of their lush dual vocals and gentle acoustic riffs, Amy and Lily provide listeners with a calm resolution to a troubling period of time. The band will be touring the UK this year, including a London headline show at The Grace in Islington on 28th April. (KC)

Flip Top Head – ‘Porcelain Plugs’
Brighton art-rockers Flip Top Head draw inspiration from acclaimed poet Sylvia Plath on their latest offering ‘Porcelain Plugs’. Taken from their recent EP, Trilateral Machine, the track alludes to the restorative qualities of a hot bath, something which Plath notably mentioned in her 1963 novel, The Bell Jar. Flip Top Head are currently on tour across the UK in support of Independent Venue Week and they’ll be returning to London on 7th March to play one of their biggest headline shows to date at The Lexington. (KC)

Hannah Schneider – ‘In This Room’
Another artist who we’ve been fans of for a number of years now (and having played live for us as one half of the electronic duo AyOwA), Danish artist Hannah Schneider returns to grace our ears with a new album set for release on 7th February. Title track ‘In This Room’ swirls with a shimmering melancholy, reminiscent of the stirring grace of Beth Gibbons, as it offers a heartfelt meditation on the stories we tell and the memories we cherish. The upcoming album focuses on acoustic instrumentation and craftsmanship and was created in collaboration with a number of different musicians at a residency at Thorvaldsens Museum in Copenhagen. (ML)

Kee Avil – ‘itch’
Since the release of her debut album, Crease, in 2022, I have been intrigued by the glitchy, distinctive sounds of Montréal-based experimental artist and producer Vicky Mettler aka Kee Avil. Her appetite for exploring the human condition through her cell-tingling soundscapes seems to know no bounds, and these ambitions have been amplified by her upcoming project. Starting with this evocative offering ‘itch’, Kee Avil has teamed up with NNA Tapes and plans to write and record her new album, Vapor, in real time – releasing the songs in chronological order over the next 12 months. “My hope is that at the end, a natural cohesion appears, a concept reflecting a frozen moment in time, a process from start to finish,” she explains. I can’t wait to see what she comes up with. (KC)

Isabel Pine – ‘A Flickering Light’
This beautifully soothing piece of music is lifted from Fables, the upcoming debut album from British Columbia-based, classically trained musician Isabel Pine. Set for release on 20th February via kranky, Isabel recorded her new LP in a remote cabin, playing her instruments outside amongst the sounds of nature, which gives Fables a truly pensive, peaceful quality. This intuitive collaboration is deftly captured on ‘A Flickering Light’. (KC)

Sarah Pagé – ‘Spring Is Here’
This beautiful soundscape from Montreal-based harpist Sarah Pagé features on grassroots benefit compilation album, Gaza Is The Moral Compass, released digitally & on cassette via Beacon Sound and launched publicly on Radio AlHara (Bethlehem). It is one of sixteen altruistic and eclectic tracks on the record, which features contributions from Amulets, Efrim Menuck (Godspeed You! Black Emperor) and Kareem Samara. Sales of the album will benefit two Palestinian-led mutual aid groups on the ground in Gaza: Seeds Of Hope and Reviving Gaza. This is the first in a series of compilations that Beacon Sound have planned to help provide relief to the long suffering people of Palestine. You can purchase a copy of Gaza Is The Moral Compass from bandcamp here. (KC)

 

 

Noémi Büchi – ‘I was almost there’
Inspired by everything from “the dislocated bodies of Francis Bacon” to the transience of memory, physical touch and intimacy; this experimental soundscape from Swiss/French artist Noémi Büchi is deeply intriguing. It’s lifted from her upcoming album Exuvie – derived from the Latin word ‘exuviae’ meaning ‘what has been shed’ – which is due on 27th February. Through her genre-blending, idiosyncratic instrumentation, Noémi manages to truly get under the skin and conjure up a potent, emotional response to her sounds. (KC)

Hannya White – ‘Slow my mind’
Released as part of a compilation album by Metamorphika – an artist-led community-driven arts space, commercial gallery & music label – this industrial-tinged track from London-based artist Hannya White slipped into my GIHE inbox at the end of 2025. It’s an unnerving, visceral offering with its piston-like beats and breathy voicework. Definitely check out the whole compilation, Metamorphika Vol. 1, if you like what you hear from Hannya – it’s an intense amalgamation of noise, industrial textures and genre-bending sounds from an array of unusual artists. (KC)

Tanya Tagaq – ‘Foxtrot’
Having been a big fan of innovative vocalist and composer Tanya Tagaq at Get In Her Ears for a number of years now, we’re excited to hear that she’s releasing her new album, Saputjiji, on 6th March. Weaponising the military alphabet into a protest callsign, latest single ‘Foxtrot’ offers us an insight into the starkly compelling power of the upcoming album. Venturing between beautifully ambient and fiercely abrasive soundscapes, Saputjiji offers a potent counter-strike against billionaires, genocide, abuse and colonial systems, and I cannot wait to immerse myself in it fully. (ML)

 

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PLAYLIST: November 2025

The Get In Her Ears team have put together another eclectic mix of indie gems, dream-pop and shoegaze tunes, punk bangers, electronic musings & idiosyncratic experimental soundscapes for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there. You’ll see that we’ve now added all of our previous playlists to our account too!

We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we’re very excited to have new music from them. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, this Black Friday, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. (Mari Lane – Managing Editor)

VERO – ‘Calico’
Stockholm trio VERO are back with this cathartic guitar tune, their first piece of new music since they released their excellent debut album Unsoothing Interior back in 2022. The band say that ‘Calico’ is a song about “tiring of someone else’s shit” – which they explore through breathy vocals, brooding basslines and acerbic riffs. VERO are set to release their second album via PNKSLM Recordings in 2026, which I am eagerly anticipating. (Kate Crudgington – Features Editor)

GENN – ‘Reverberations’
Anglo-Maltese four piece GENN have returned with this intensely moody new offering. The band teamed up with producer Johnny Hostile – who has worked with Savages & Jehnny Beth – to bring ‘Reverberations’ to life, marking another development in their already dynamic sound. GENN’s talent is definitely best appreciated live. They’ll be touring the UK in early 2026, with a London headline date at The Shacklewell Arms in Dalston on 26th February. (KC)

nazire – ‘junebug’
When I discovered ‘junebug’ by Istanbul-based artist nazire in my GIHE inbox, I was immediately hooked on her shoegaze inspired sounds. We all know I love the Gloomy Grrrl songs and ‘junebug’ definitely falls into that category! She’s set to release her debut album, Glitchfolk, at some point in the near future. I’ll be keeping my eyes and ears peeled for that. (KC)

Whitelands – ‘Songbird (Forever)’
We are such big fans of London-based shoegazers Whitelands here at GIHE, and that fandom increases each time they share new music. ‘Songbird (Forever)’ is the third track from the band’s upcoming second album, Sunlight Echoes, which is due to be released on 30th January 2026 via Sonic Cathedral. Full of lush riffs, disarming melodies, earnest lyrics and emotive string work by Iskra Strings, the track is an ode to vocalist & guitarist Etienne’s enduring spirit and his appreciation for all those who loved and cared for him. “It’s about my friends, the important people in my life, and my spirit,” he shares. “I was going through a very dark time, but love is a great thing. I’m loved by many incredible people, so I pushed myself with everything I had. Every day was a fight, but I wanted to win.” His lyrics reference both the title of Whitelands’ new album and the Seven Sisters cliffs in East Sussex, where Etienne and bassist Vanessa shot the endearing accompanying video for the track. (KC)

Mannequin Flowers – ‘Collision Course’
Following dreamy last single ‘Six Words’, London’s Mannequin Flowers are back with another ethereal soundscape. Flowing with sparkling hooks and luscious crystalline vocals, ‘Collision Course’ offers a heartfelt confession about falling for your best friend but being too afraid to tell them. (ML)

Hater – ‘This Guy?’
I remember hearing Scandinavian indie band Hater’s single ‘Cry Later’ back in 2017 and thinking they had a great name and a great sound – 8 years and I still think the same! The band are gearing up to release their new album, Mosquito, on 6th January via Fire Records, with single ‘This Guy?’ offering listeners the first taste of what’s to come. A captivating slice of dream-pop, the track is fuelled by a mysterious lyrical narrative about a “confused interloper, unidentified and unidentifiable”. (KC)

The Empty Page – ‘When We Gonna Run?’
It’s great to have Manchester trio The Empty Page back in our ears after being mega fans for pretty much the entirety of Get In Her Ears’ decade long existence! A stirring reflection on preparing to escape an apocalyptic hellscape, ‘When We Gonna Run?’ offers all the gritty grunge-fuelled energy we’ve come to know and love from the band, with an added sparkling shoegaze-tinged allure. Propelled by an anxiety-ridden sense of urgency, its sentiment seems particularly poignant right now. (ML)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I’m so excited to have them back in our ears with this swirling new single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

Queen Of Nothing – ‘Heaven Is Hurting’
London-based musician Abi Crisp aka Queen Of Nothing has consistently impressed me with all of her offerings, and this track is no exception. ‘Heaven Is Hurting’ is lifted from her recent EP, All the Love That’s Left, a record that explores the complexities of love and grief, and Abi’s personal reflections on both. (KC)

Shy New World – ‘Bridget Jones’
Initially meeting at a séance when the spirit of a popular chocolate brand told them under no uncertain terms to work together, Yel and Ross – aka Shy New World – follow previous punk-pop singles with the release of a perfectly timed festive number. A gloriously fuzzy ode to friendship with a big sound and a big heart, ‘Bridget Jones’ offers a perfectly lo-fi, perfectly catchy and perfectly cute accompaniment to any December gathering. (ML)

Um, Jennifer? – ‘Stunning’
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continue to be total faves with their latest scuzzy punk-pop ode to lust and obsession in the form of new single ‘Stunning’. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer. (ML)

Twat Union – ‘Tiny Shorts’
The latest single from theatrical feminist six piece punk outfit Twat Union, ‘Tiny Shorts’ offers a fiercely empowering anthem, showcasing the band’s trademark ability to combine their playful witty charm with a raging angst-fuelled drive. The band explain: “(it’s a) middle finger to all the cat-calling and demeaning behaviour we receive… it’s a call to treat women with respect no matter what they are wearing.” (ML)

Softcult – ‘She Said, He Said’
Another vital anthem from Ontario-based alternative sibling duo Softcult here. ‘She Said, He Said’ is a seething guitar tune about believing survivors of sexual assault, fuelled by the pairs visceral riffs, propulsive beats and call-and-response vocals. The track will feature on the band’s debut album, When A Flower Doesn’t Grow, which is due on 30th January 2026 via Easy Life Records. Softcult are currently touring the UK, and will play a headline show at The Dome in North London on 2nd December! (KC)

DELILAH BON – ‘Evil, Hate Filled Female’
Seamlessly combining honey-sweet pop with relentless metal-inspired hooks and a raging energy, DELILAH BON has been building a devoted fanbase over the last few years with her relatable, empowering messages. Receiving acclaim for last year’s Evil, Hate Filled Female album, and selling out a UK tour earlier this month, I’m excited to hear more of her visceral, bold, anti-patriarchy anthems. (ML)

Yakkie – ‘Kill The Cop Inside Your Head’
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it feels like it’s been a long wait for this debut single from the incredible supergroup. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it’s been amazing to see this absolute epic collective of faves come together in all their seething punk-rock glory, offering the rage, joy and unity we all so desperately need.

A fierce rallying cry against self-defeat, ‘Kill The Cop Inside Your Head’ is propelled by relentless riffs and a swirling empowering energy – in Janey’s words: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” It’s more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change, and I’m extremely grateful they exist. (ML)

Black Water County – ‘Wreckless’
The latest single from Dorset folk-punks Black Water County, ‘Wreckless’ offers a frenzied, empowering anthem exploring the tensions between self-consciousness and self-liberation. Showcasing the band’s ability to channel defiance, camaraderie and catharsis into a perfect fusion of punk passion and folk heart, it’s an instantly infectious ode to endurance and the resilience of everyday life. Having previously shared stages with the likes of Less Than Jake and Flogging Molly, Black Water County are currently out on tour – I can’t wait to catch their fierce energy live at The Grace tonight! (ML)

Annabelle Chairlegs – ‘Concrete Trees’
Based in Austin, Texas, Lindsey Mackin aka Annabelle Chairlegs is set to release her new, Ty Segall-produced, album in January next year. Ahead of the album’s release, latest single ‘Concrete Trees’ offers a poignant ode to a late friend, propelled by surf-tinged memories and a sparkling uplifting energy. Of the track, Mackin adds: “This song is for friends who have passed that you wish you could have one more hang with. I often find myself asking those who have passed if they are here with us now.” Waking Up, the new album from Annabelle Chairlegs, is due for release on 30th January 2026 via TODO. (ML)

Tanzana – ‘Covet’
A band I’m very excited to have only recently come across, Glasgow’s Tanzana blend elements of sultry trip-hop with a soaring rock energy to create a sound which is uniquely theirs. Debut single ‘Covet’ represents feelings of obsession, building to a sweeping climax as fierce swirling vocals are accompanied by slick riffs. Already selected as part of The Great Escape’s First Fifty, these Scottish newcomers are definite ones to watch in 2026. (ML)

The Dead Zoo – ‘In The End 2025’
Genre-defying post-punks The Dead Zoo return with an exhilarating and unrecognizable revision of their 2021 release ‘In the End’. Revamped and reimagined, it offers a shimmering and jubilant ode to transformation; a powerful validation of trans identity propelled by pulsating, multi-layered soundscapes. Kaoru from the band explains: “The lyrical theme is founded on my gender transition experience. The sense of keeping faith in an envisioned future and using that goal to overcome difficulties and stay on course; though I think it carries a more universal message of hope and optimism we all need in these dreadful times, where those commodities are scant for many minority voices.” (ML)

MIRI – ‘Freedom Is The Purpose’
The latest single from London-based innovative songwriter and longtime GIHE fave MIRI, ‘Freedom Is The Purpose’ offers a soulful call to unite, rally against those in power and support those communities who need us most. Interweaving the trademark gritty emotion of her vocals with uptempo reggae-inspired beats, the single is available to buy on bandcamp and encourages listeners to support fundraisers for four Palestinian families’ fundraisers. (ML)

Sheherazaad – ‘Gulukara’
A huge fan of Brooklyn-based artist Sheherazaad since first falling in love with 2023’s debut single ‘Mashoor’, I’ve been lucky enough to immerse myself in her captivating live presence twice and now find myself (unsurprisingly) utterly entranced by new single. Translating as ‘songstress’, ‘Gulukara’ features childhood friend and Kodaikanal-bred rapper Irfana and offers an exquisite nocturnal hymn, highlighting the historical confluence of sex work and female artistry. (ML)

Penelope Trappes – ‘Bleed’
Another shadowy, moving offering from GIHE favourite Penelope Trappes. After sharing her poignant album, A Requiem via One Little Independent Records earlier this year, the Brighton-based Australian artist has now shared a companion LP titled Æternum, featuring this track ‘Bleed’. Penelope has also shared a stunning accompanying video for the track, directed by her long-time visual partner Agnes Haus (who is also featured on this playlist), shot inside the walls of a mysterious cave. Penelope will be playing a headline show at St Matthias Church in East London on 29th November. (KC)

Agnes Haus – ‘Faust’
A spinetingling experimental soundscape from Brighton-based non-binary sound artist Agnes Haus here. ‘Faust’ is lifted from their upcoming album, Inexorable Ascent, set for release on 5th December via Penelope Trappes’ label Nite Hive. Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” Agnes locked themselves in an attic studio every night between the hours of 12 and 4am to create these idiosyncratic sounds. I am deeply intrigued by this artistic process and look forward to hearing Agnes’ new record in full. (KC)

PostLast – ‘Scavenge’ (Birthday Problem remix)
This is a superb collaboration between Irish alt-pop duo Post Last and Irish alternative electronic duo Birthday Problem. We’ve been following both bands for a while here at GIHE and we’re always excited when they share new music with us, and this remix of ‘Scavenge’ is certainly one of my favourites to date. (KC)

Twin Rains – ‘Creation’
Another iridescent, shape-shifting tune from Toronto dream-pop act Twin Rains here. Vocalist Christine Stoesser was inspired to write ‘Creation’ after reading J.R.R. Tolkien’s The Silmarilion. “I didn’t expect to be so moved by the creation myth of the Elves,” she shares, “It’s some of the most beautiful writing I’ve ever read”. The band have translated Christine’s reflections on the book into upbeat, shimmering electronic sounds. (KC)

Death Hags – ‘Space x Time’
It’s been a while since I’ve heard from independent LA musician and multimedia artist Death Hags, but I’m glad she’s back with this eclectic piece of electronica. Taken from her album Big Grey Sun #5 – the fifth volume of her ongoing seven album project! – ‘Space x Time’ enraptures with its seamless blend of atmospheric synths, dance-inspired beats and ethereal vocals. The whole album is a sonic TRIP. (KC)

Floralis – ‘black combat boots’
‘black combat boots’ is the opening track to British born, Indo-Trinidadian antifascist transfeminine artist Floralis’ superbly named album, Saboteur Club Anthems Vol. 1. With its stomping dance-inspired beats and chant-worthy lyrics, it’s an infectious slice of “anarchist electro punk” that kicks off a truly eccentric and essential record that aims to dismantle fascism in all its forms. (KC)

Kloyd ft. Circe – ‘Girl’
I’m already a big fan of dark-pop artist Circe, but Yorkshire-born, London-based producer Kloyd is new to me. I love this collaboration between the two of them, featuring Circe’s seraphic vocals and Kloyd’s lilting electronics. Speaking about the origins of the track, Kloyd explains: “I had a session with Alexa (Circe) and she came up with this really beautiful vocal line and I couldn’t stop listening to it. It channels the sentiment of this new work truly. I imagined when making the track someone seeing a woman they felt so beautiful they fall head over heals in love with her, before realising what they were getting themselves in for. A love so captivating it feels like magic and turmoil at the same time.” ‘Girl’ is taken for a larger project that Kloyd will be announcing soon. (KC)

SESTRICA – ‘Intuition’
“A Way to Ananda is my experience of coming back to life and bliss after going through divorce,” explains Barcelona-based artist SESTRICA about her upcoming EP release. Due on 5th December, her new EP features this single ‘Intuition’, which was inspired by her decision to trust her instincts and move to a new country to pursue her musical dreams. Propelled by intense beats and layers of eclectic synth sounds; the track provides listeners with a blissful, heady moment of electronic catharsis. (KC)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single. (ML)

Perfume Genius – ‘Me & Angel’
I first fell in love with Perfume Genius on hearing ‘Queen’ when it was released back in 2014 – it seemed to offer something completely unique, something beautifully queer that I sought a great deal of comfort in. Since then, I’ve followed his career with each new album, as well as becoming quite obsessed with the raw vulnerability of earlier releases Learning and Put Ur Back Into It, but every time he’s played in London something’s cropped up which has meant I’ve not been able to go. That was until earlier this month, when I finally got to immerse myself in the utterly compelling, truly cathartic experience of seeing him live at The Roundhouse. Treating us to older favourites, as well as the majestic grandeur of newer songs like this one from his recent album Glory, it was a memorable evening that left me feeling soothed and hopeful. (ML)

Lowli – ‘Window In The Woods’
‘Window In The Woods’ is the title track from Irish composer & songwriter Lowli’s debut album, which she released via VETA records in October. It’s a beautiful, introspective record which sees Lowli process unsettling memories and emotions through her tender keys, crystalline vocals and atmospheric electronics. (KC)

Ailbhe Reddy – ‘So Quickly, Baby’
This is the second single from Dublin-born songwriter Ailbhe Reddy’s upcoming second album, KISS BIG, which is set for release on 30th January 2026 via Don Giovanni Records. ‘So Quickly, Baby’ is described by the artist as “the meltdown song, the album’s neurotic heartbeat,” which is why it packs such an emotional punch. Inspired by the tumultuous aftermath of a big breakup, Ailbhe’s new record promises to be just as raw and relatable as her previous efforts. (KC)

Jasmine.4.t & Jacob Alon – ‘Find Ur Ppl’
A completely dream collaboration between two total faves, ‘Find Ur Ppl’ was written by Jasmine early in her transition and offers a truly beautiful ode to the queer community; a heartfelt message of hope about finding people you love who you can be yourself around. It’s taken from charity compilation, All Things Go: 10 Years, a collection featuring loads of other artists from ATG Records including Kesha and Joy Oladokun, with all proceeds going to The Ally Coalition. (ML)

Snocaps – ‘Coast’
Being a huge fan of both Waxahatchee and Swearin’, I’m pretty excited by new supergroup Snocaps; featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook. The stuff dreams are made of, basically. Taken from their recently released self-titled album, ‘Coast’ showcases the gorgeous, fuzzy allure of this new collaboration perfectly. (ML)

Tenderness – ‘Database Blues’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Following previous single ‘We’ll Always Have Paris 1919’ a recent tour with Willy Mason, latest offering ‘Database Blues’ offers a gorgeously country-tinged reflection on a world of streaming algorithms as Young’s rich vocals create a soothing, immersive warmth. Of the track, she explains: “Sending a song to a crush is obviously one of life’s purest joys but what does it mean when the algorithm plays it back to you later? Can you still call it a sign? I was an MSN Messenger teenager so there have always been screens in my romances – screens as a connector and amplifier as well as a barrier.” (ML)

SASAMI – ‘Just Be Friends’ (Soccer Mommy Version)
Genre-bending artist SASAMI has shared a collaborative version of her track ‘Just Be Friends’, featuring indie artist Soccer Mommy. Originally featuring on SASAMI’s album, Blood On The Silver Screen, this new version encapsulates the artist’s pure love for modern country music, as she explains further: “Country songs have to be some of the most effective and cutting examples of peak pop songwriting- wit, drama, humour, sadness, and the most human of all – horniness. My song ‘Just Be Friends,’ was definitely inspired by modern country, but I knew if I wanted it to be truly authentic I would need to enlist an actual southern princess. This new version featuring Soccer Mommy, pedal steel and all, delivers on the country magic that I had always wished could be in that song. That’s the best part about collaboration, all hat all cattle.” (KC)

Lucy Leave – ‘Go To The Show (I Just Wanna)’
Ahead of the release of their upcoming album, Feelings Explorer I & II, in spring next year, Oxford indie-pop trio Lucy Leave have now shared a new triple (!) A-side single. Accompanying the scuzzy hooks of ‘Steve Lamacq Wants To Know’ and ‘The Letter P and The Number 7’, ‘Go To The Show (I Just Wanna)’ reflects on singer Mike’s experience as someone with cerebral palsy, and the reality that attending and playing gigs post pandemic is pretty much impossible for the covid-vulnerable. (ML)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL!

Get In Her EarsLeave a comment

FIVE FAVOURITES: Jouska

Using her music to break the cycles of self-doubt and anxiety, Norwegian songwriter and producer Jouska creates shape-shifting alt-pop with deep emotional resonance. Her latest album, How Did I Wind Up Here?, is a thoughtful extrapolation of grief, distance and time; showcasing her ability to move through heavy emotions with impressive charm and grace.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Jouska to ask about her “Five Favourites” – and she picked five albums by an eclectic range of artists who have inspired her songwriting techniques.

Check out her choices below and scroll down to watch the official lyric video for Jouska’s tentative single ‘California’ too…

1. The Books – Lost and Safe
I discovered this album when I was around sixteen, and listening to it now immediately takes me back to high school. I would listen when I was heartbroken, when I felt alien and alone, and I used to dream about leaving the small town in Norway I was from, about going to New York or somewhere far away. It kind of feels like the soundtrack to a version of myself I don’t really remember clearly anymore, but still feel connected to. It’s full of imperfections and warmth and I love the little details, the humour and the sadness underneath. It has this strange calmness to it, even when it’s chaotic. It was a big inspiration for me long before I even started producing my own songs, and their use of sampling, spoken word and cello has always been especially inspiring for my own music.

2. Bon Iver – Bon Iver
I first heard this album in high school. I would sit in class with my headphones on, zoning out, trying not to cry. It was the first time I heard something that sounded so big yet so fragile. Everything about it felt like winter. I think that’s why it resonated so much with me at the time. I was so fragile myself, so unsure of who I was or what I wanted. This album held me through some rough years when I was trying to find myself and also through a horrible teenage heartbreak. Even now, when I listen to the Bon Iver album, I get that same knot in my stomach. It’s like an old memory that never fades. It still feels like something to return to when I don’t know where else to go.

3. The Radio Dept. – Pet Grief
I started listening to The Radio Dept. in high school, mostly songs from Clinging to a Scheme, but Pet Grief became really important to me later on. For the last few years, it’s been one of those albums I keep coming back to. There’s something about its world that feels endless. Everything sounds soft, distant, and nostalgic, like it’s covered in a thin layer of fog. It’s been a huge inspiration on my album. It’s melancholic but comforting. I love the vocals and how they’re processed – that hazy, detached sound that somehow makes everything feel even more emotional. They’re Swedish and I’m Norwegian, and somehow it feels like we’re connected in a way, like the same kind of melancholy runs through the songs and through where we’re from, haha! There’s something familiar about it that I can’t really explain, but I always feel at home when I listen.

4. ML Buch – Suntub
I discovered Suntub last year, and it completely blew me away. It’s rare for me, as an adult, to find something that makes me feel the way music did when I was a teenager. ML Buch’s songwriting and guitar playing is intricate,and the sound is just otherworldly. This album reminded me what it feels like to be obsessed with music again. Every time I listen, I notice something new: a texture, a chord change, a detail I missed. It’s so fluid and detailed, like a dream world that keeps shifting. It gave me a sense of creative hunger I hadn’t felt in a long time. It’s one of those albums that just makes me want to go home and make more music.

5. Jenny Hval – Blood Bitch
In 2020, when I was struggling a lot, this album became my soundtrack. I would walk around in the Norwegian winter, completely wrapped up in it, feeling sorry for myself. Blood Bitch is dark, mysterious and ethereal; it feels like being inside a dream that’s both beautiful and unsettling. Seeing her perform this album live was one of those moments I’ll never forget. I remember standing there, completely stunned. I love how she mixes the personal and the abstract, how she makes something so strange feel so familiar. At the time, I think I needed something that matched the chaos in my head. This album did that – it was sad but also comforting. It made me feel seen in a weird, indirect way.

Thanks to Jouska for sharing her favourites with us!
Watch the lyric video for her track ‘California’ below.

Follow Jouska on bandcamp, YouTube & Instagram

Photo Credit: Hans Olav Settem

Kate CrudgingtonLeave a comment

PLAYLIST: September 2025

The Get In Her Ears team have put together another eclectic mix of indie and alt-folk gems, reverb-drenched guitar tunes, electronic musings & intriguing experimental sounds for your listening pleasure. Take some time to scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you can!

Queen Of Nothing – ‘Hell Is A Lonely Place’
Despite its gloomy namesake, this track from London-based musician Abi Crisp aka Queen Of Nothing is actually an “anthem for queer joy.” It’s the first single from her upcoming EP, All the Love That’s Left, and it’s full of her yearning vocals, reverb-heavy guitar and emotive lyricism. “I wanted to write a song that felt both hopeful and defiant for anyone who might relate to it,” Abi comments about the context of ‘Hell Is A Lonely Place’. “Even in those moments of joy and self-acceptance, it can be so hard to let go of the negative emotions we grow used to.” This tenacity is reflected in the track’s striking volume shifts and gritty-but-buoyant guitar riffs. (Kate Crudgington – Features Editor)

TTSSFU – ‘forever’
Taken from her recent EP, Blown, this is the latest single from Manchester-based artist Tasmin Stephens aka TTSSFU. ‘forever’ is a nostalgic reflection on a lifelong friendship, full of her lush vocals and dreamy, shoegaze-inspired guitar sounds. (KC)

Whitelands – ‘Glance’
GIHE favourites Whitelands are back with new music and the the announcement of their second album! Sunlight Echoes is set for release on 30th January 2026 via Sonic Cathedral, and ‘Glance’ is the first offering from the new record. It shimmers with the shoegaze band’s trademark sensitivity, but also showcases a refreshing new dynamic to their songwriting. ‘Glance’ was written after vocalist and guitarist Etienne overcame a period of writers block. “I wasn’t really catching my stride with songs and I called up Neil Halstead [of Slowdive] for advice,” he explains. “When I next saw him he asked if I had solved it and I told him yes, as I’d had my heart broken. He laughed and was like, ‘Yeah, that’ll do it’.” This experience is mirrored in the accompanying video for ‘Glance’ which features British film stars David Jonsson (The Long Walk, Alien: Romulus, Rye Lane, Industry) and Honor Swinton Byrne (The Souvenir, I Am Love) – as well as Estella from Big Joanie! (KC)

Needy Pet – ‘Mental Health’
Self described Irish ‘glam-punk’ band Needy Pet have been building a reputation over the last few months for their high-energy live shows, and are now ready to blast into your ears with their stomping debut single. A raging reflection on the state of Irish mental health services, ‘Mental Health’ showcases Needy Pet’s ability to create catchy ‘70s inspired anthems with a fresh, socially conscious drive. (Mari Lane – Managing Editor)

LOBSTERBOMB – ‘Falling’
Another month, another banger from Berlin−based post−punk outfit LOBSTERBOMB. The band say that this track ‘Falling’ is “about looking instead of running away, about accepting instead of holding on; and about welcoming the new version of yourself, even if it hurts at first.” (KC)

Maria Iskariot – ‘Witte Rook’
First catching our attention earlier this year with seething single ‘Leugenaar’, Dutch band Maria Iskariot have now announced that their debut album will be out in the world next month. And, ahead of the album’s release, they have shared another slice of raw, no-frills punk in new single ‘Witte Rook’ (white smoke). Fizzing with a wonky, distorted allure as the immense gritty passion of front person Helena Cazaerck’s vocals rage throughout, the band describe the track as “…a victory for losers, an attempt at forgiveness, swallowing, biting in your own lip and saliva that tastes like iron.” Wereldwaan, the upcoming debut album from Maria Iskariot, is set for release on 31st October. (ML)

Softcult – ‘16/25’
I was so excited to hear the news that Ontario sibling duo Softcult have finished their debut album! When A Flower Doesn’t Grow is set for release on 30th January 2026 via Easy Life Records, and ’16/25′ is the first offering from the LP. The track offers a scathing commentary on the predatory behaviour of older men who groom younger women, which the band deliver through spiralling riffs, piston-like percussion and haunting vocals. As vocalist and guitarist Mercedes Arn-Horn explained to me when I interviewed her back in 2024, this new album will mark another evolution in Softcult’s sound, something which is immediate and obvious on this new track. (KC)

Mannequin Flowers – ‘Six Words’
Cascading with fuzzy hooks and lush crystalline vocals, ‘Six Words’ is the latest single from upcoming London band Mannequin Flowers. A dreamy soundscape powered by raw emotion and gritty energy, it offers a soaring insight into what this new band are able to create; of the track, the band explain that “it captures the ache of loving a vision that can never be real”. Shimmering with shades of Cocteau Twins, it marks Mannequin Flowers out as definite ones to keep your ears and eyes peeled for over the next few months. (ML)

Better Joy – ‘Steamroller’
A defiant anthem about reclaiming strength in the face of loss, ‘Steamroller’ is the new single from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it offers a catchy taste of her upcoming new EP, at dusk, set for release on 31st October. (ML)

Larlin – ‘Limbo’
‘Limbo’ is the third single from alt-rock Brighton trio Larlin. Fronted by Maryann, the band create cathartic, driving anthems influenced by the sounds of Wolf Alice and Nieve Ella. This track is about the frustration of being stuck inside a doomed relationship that you’re not quite ready to let go of, which is reflected through brooding riffs and Maryann’s yearning vocals. (KC)

Lusa Morena – ‘You Don’t Keep Away’
Having previously been blown away by the swirling immersive energy of Portuguese, London-based band Lusa Morena when they played for us live a couple of years back, I was excited to hear of their revived iteration as a theatrical rock duo. With debut single ‘You Don’t Keep Away’, they reflect on the all-too-common experiences of being made to feel uncomfortable by men with a fiery impassioned spirit and playful tongue-in-cheek wit. (ML)

Read The Room – ‘Phoenix’
A fierce collision of different musical influences delivered with a fresh, rousing energy, ‘Phoenix’ is the high-octane new single from Norwich rockers Read The Room. It offers an impassioned reflection on our ability to overcome trauma and rise, ‘like a phoenix’, from the ashes. (ML)

Mia Joan – ‘Us’
The latest single from London-based artist Mia Joan, ‘Us’ offers a poignant reflection on love, an earnest dedication to “the one person who loves every part of you, even when you feel you’re being held back by all of your past selves.” Flowing with lilting melodies alongside the deep resonant emotion of Joan’s vocal, I just love its shimmering heartfelt grace. (ML)

Marine Store Dealer – ‘Speed Back To Me’
Originally from Nottingham and Istanbul respectively, London-based Marine Store Dealer create shimmering folk-tinged soundscapes, interweaving dreamy layers of instrumentation. Set to release their second album, When We Swim Outside In The Floods In The Streets, later this Autumn, their new single ‘Speed Back To Me’ is out now. (ML)

Automatic – ‘Black Box’
The latest single from dark-pop trio Automatic, ‘Black Box’ oozes a sweeping majestic groove as fuzzy beats propel the track forwards. As sultry hypnotic vocals flow throughout, it offers an infectious synth-driven anthem. Of the track, the band explain: “It’s a pretty straightforward critique of people that have sold out on a large scale, specifically within creative industries…” Is It Now?, the new album from Automatic, is out now. (ML)

Tusks – ‘Cold Storm’ (TAAHLIAH Remix)
Tash and I have been loving the remixes that London-based electronic songwriter and producer Tusks has been sharing recently, and this collaboration with Scotland-based artist & DJ TAAHLIAH is no exception! It’s lifted from her new EP, Gold – The Remixes, which is out tomorrow (1st October) via One Little Independent Records. (KC)

Noé Solange – ‘Home’
This atmospheric, soothing soundscape comes from London-based, Dutch-Indonesian producer Noé Solange. ‘Home’ is the second single from her upcoming EP, Moments, set for release on 13th October via Anjunachill. “It captures the complexities of holding onto the past, searching for a sense of belonging and letting go,” Noé explains about the tracks that form her new record; all reflected in her blend of ambient synths, gentle vocals and lilting beats. (KC)

Donna Thompson – ‘What Is It?’
Set to release a new EP in November, London-based Donna Thompson fuses together elements of hip-hop, folk and indie with a soulful impassioned grace. Of new single ‘What Is It?’, she explains: “I’ve been thinking about the deconstruction of traditional ideas on how my role as a female in a cis relationship has predefined expectations that often don’t align with what loving someone feels like. I can still love you if I don’t wanna wash your underwear.” What In The World, the new EP from Donna Thompson, is out on 21st November via Prah Recordings. (ML)

Flock Of Dimes – ‘Defeat’
A beautiful reflection on personal growth, ‘Defeat’ is the latest single from Flock Of Dimes, the new project of Jenn Wasner (Wye Oak, Bon Iver). Combining rippling hooks with a sweeping shimmering emotion, it offers a heartfelt first taste of her upcoming album, The Life You Save, out on 10th October via Sub Pop. Of the track, she explains: “It represents a moment of total surrender. It’s about the moment I finally allowed myself to accept my own powerlessness…” (ML)

Stella Donnelly – ‘Feel It Change’
This is the latest single from Australian songwriter Stella Donnelly, inspired by her ruminations on an inevitably doomed relationship. It’s lifted from her upcoming new album, Love and Fortune, which is set for release on 7th November via Brace Yourself Records (UK & Europe) and Dot Dash Recordings (globally). Stella’s new record is a reflection on a time of profound change and growth, which shines through in her considered instrumentation and candid-yet-poetic lyricism. (KC)

Josienne Clarke – ‘In The Dark Of The Night’
Described as “a hug in song form, a held hand through an anxious night,” this tender offering from songwriter and guitarist Josienne Clarke is exactly that. Lifted from her upcoming album, Far From Nowhere, which she will release via her own label (Corduroy Punk) on 17th October, ‘In The Dark Of The Night’ is a dreamy offering designed to lull listeners into reassurance, which Josienne achieves through her acoustic guitar and soothing vocals. Her upcoming album will be accompanied by a short film titled Deluded, directed by Alec Bowman Clarke, which offers a behind-the-scenes peek into the album’s creation. Currently screening at festivals, the film will be shown throughout Josienne’s UK tour this October. (KC)

Brain Leak – ‘Moon Eyes’
Following the gloriously hazy allure of debut ‘Trying’, Manchester based Brain Leak are back with their “Lana moment’ in the form of sparkling single ‘Moon Eyes’. As the delicate celestial vocals of Tara-Gabriella Engelhardt (Adjustments) ripple with a stripped-back emotion alongside glistening keys, it showcases a more vulnerable side to the songwriter; a beautifully introspective ode to personal growth. Tara-Gabriella explains more: “Sometimes relationships evolve in completely unforeseen ways, and that can be scary if you’re a sensitive person like I am who struggles with change. This song is me coming to terms with that change.” Brain Leak also features Sidonie Hand-Halford (The Orielles), Jess Branney (Peaness, BC Camplight) and Giulia Bonometti (Working Men’s Club). (ML)

Snakeskin – ‘October Sun’
Beirut-based duo Fadi Tabbal and Julia Sabra aka Snakeskin are new to me, but I’m captivated by their haunting electronica. This track ‘October Sun’ is taken from their upcoming third album, We live in sand, which is due on 10th October as a co-release between Ruptured and Beacon Sound. Penned as the war in Gaza spread to Lebanon, the LP has been described as their “starkest and most immediate work to date,” blending industrial and ambient elements to reflect the unpredictable and harsh realities of the world around them. (KC)

Jouska – ‘Season Of Dread’
Norwegian artist Jouska said she penned this track when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” It’s taken from her upcoming album, How Did I Wind Up Here?, set for release on 17th October. I admire the way Jouska moves through heavy emotions with impressive grace here. (KC)

Lōwli – What’s It All For?
I’ve mentioned (multiple) times before that Irish musician and composer Lōwli is one of my favourite new music discoveries this year, and I’m really looking forward to hearing her debut album, Window In The Woods, in full – which is due on 24th October via VETA Records. This latest single ‘What’s it all for?’ is laced with her trademark melancholic keys, yearning vocals and poetic lyrics. (KC)

Blue Loop – ‘Luxury Chords’
London-based electronic producer Emma Hall aka Blue Loop describes ’Luxury Chords’ as “a woozy, love-soaked ballad” that she wrote for her partner during the bleakest days of her own chemotherapy treatment for breast cancer, which she is now in remission from. It’s lifted from her upcoming album, Cycles, which is set for release on 7th November. The track is inspired by the simultaneous coexistence of love, grief and suffering; a poignant sentiment that I think lots of people will be able to relate to. (KC)

Klein – ‘rich dad poor dad’
I’m so glad I unearthed this experimental gem from UK rapper Klein in my GIHE inbox. ‘rich dad poor dad’ is taken from her upcoming record, sleep with a cane, due on 1st October, which is described as a UK rap record “in the form of an ambient folklore mixtape.” I really love her hypnotic layering of sounds and I’m looking forward to listening to the record in full. ‘rich dad poor dad’ is also accompanied by a self-directed music video, which features Klein in different locations in South London, including the iconic Windrush Square in Brixton. (KC)

Hilary Woods – ‘Endgames’
I’ve been a fan of Irish artist Hilary Woods for some time, so I was pleased to see that she’ll be releasing her new album, Night CRIÚ, on 31st October via Sacred Bones (one of my favourite record labels.) Retaining her experimental spirit, but also seeing her return to a more song-based structure, the album is centered around Hilary’s vocals which act as threads of connection to the past and the present. This track ‘Endgames’ is the first hint at what’s to come; a dynamic, shape-shifting soundscape that stirs the senses. (KC)

Jessica Moss – ‘until all are free’
As a core member of the Montréal chapter of Musicians For Palestine, violinist and composer Jessica Moss felt compelled to write her new solo record to keep people’s eyes and ears fixed on the ongoing genocide in Gaza. Her meditative LP, Unfolding, due on 24th October via Constellation, is divided into four parts titled; “no one / no where / no one is free / until all are free” and this track ‘until all are free’ is the poignant closing composition. Unfolding is dedicated to “a free Palestine in our lifetime.” (KC)

Agnes Haus – ‘Persona’
Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” I am deeply intrigued by Brighton-based non-binary artist Agnes Haus’ new work. This track ‘Persona’ is lifted from their upcoming album, Inexorable Ascent, set for release on 7th November via Nite Hive, and forms part of a collection of drone-based modular synthesiser sounds composed solely between the hours of midnight and 4am. Agnes locked themselves in their attic studio every night for two weeks in order to work in this way. “I watched granular Bergman and Tarkovsky films in the background while I crudely experimented on my small modular synthesiser,” they explain. “I had been feeling like a pariah at the time by shunning binary systems on all levels, from politics to everyday life, which had become suffocating in the online world. I kind of anaesthetised myself in the late-night hours, focusing on the subtleties of the quiet particulars of sound – the details of the infinite intonations in between.” Watch the self-directed video for ‘Persona’ below. (KC)

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