PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip, which is set for release on 30th September via Divine Specific. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

CLICK HERE TO LISTEN TO THE OUR JULY PLAYLIST

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LISTEN: GIHE on Soho Radio with Decolonise Fest (08.07.26)

Tash, Kate and Mari were back on Soho Radio this month with another packed playlist full of new music tunes from their favourite female, non-binary & LGBTQ+ artists.

They were also joined in the studio by Atiyyah and Ishani from the Decolonise team to talk about their upcoming festival showcasing punx of colour at Signature Brew in East London on the 3rd & 4th of October. They each spoke about how they became involved with the DIY initiative, the line-up for this year (Sacred Paws, Baby Said, Mashaal, Dygora, eatboys, Hang Linton, Uninvited & more bands TBA), the importance of staying fair to their community and the challenges that come with running a non-profit collective in today’s live music scene.

Tickets for Decolonise Fest 2026 are on sale now! Grab yours here.

Listen back to our show below:

 

We’ll be back on Soho Radio on Wednesday 12th August from 20:00-22:00
Listen via DAB, the Soho Radio app or www.sohoradio.com

Tracklist
Joan Jett & The Blackhearts – Bad Reputation
Maria Uzor – Don’t Touch Me
Nourished by Time – Automatic Love
Dose – Consumed
Nazire – Leech
Brennan Wedl – Pretty Little Fantasy
Alewya – Simian Mountain
Midori Jaeger – planted
Catherine Moan – No Magic
Arthur Russell – That’s Us/Wild Combination
Joan As Police Woman – Anyone
Penelope Trappes – Sleep (Gazelle Twin & PRIZMA9 Rework)
Tomboy Grandpa – Anybodys
Jen Cloher – I Am The River, The River Is Me
Grandmas House – The Table
Downtown Boys – You’re A Ghost
Sacred Paws – Jump Into Life
**Interview with Decolonise Fest**
Baby Said – Take Everything
HAAi x Nina Simone – That’s All I Ask (Tash’s Track Of The Show)
Good Grief – Bait Shop (Kate’s Track Of The Show)
Slothrust – Burn The Deck (Mari’s Track Of The Show)
Marina Yozora – Snow Heat
Mother Church – The Long Way Round
Kloyd ft. Tonguetied – Everything (For You)
Team Dresch – One Song

Kate CrudgingtonLeave a comment

GIHE Highlights: Supersonic Festival 2026

Get In Her Ears happily returned to Digbeth in Birmingham and immersed ourselves in the idiosyncratic delights of Supersonic Festival again this year! We were thrilled to be invited back to experience this special Limited Edition event, after having such a great time when we first attended the festival in 2024.

Despite being smaller in scale (spanning two days instead of the usual three), Supersonic 2026 still resolutely championed a plethora of experimental and genre-defying sounds from a multitude of new and established artists. It’s hardwired into the event’s DNA to provide festival-goers with the opportunity to experience an eclectic array of performances, which were delivered by OXN, Prostitute, Milkweed, Thorn Wych, Bong II, Lucifer Sky, Traidora, Feeo, Guttersnipe, Greet, Peiriant, Hang Linton, Amretat, as well as special debut presentations from collectives MMM and Microplastics and a DJ set from GIHE faves, Decolonise Fest!

Alongside the musical programming, as usual, Supersonic offered a host of complimentary workshops and activities, which included keyring making with crafting collective Shelanu, a block-printing protest banner workshop with artist Natasha Taheem, a sound bath session, the return of the infamously difficult Freak Zone Quiz and an opportunity to join and perform with the pop-up Supersonic Choir. The festival also accommodated the curiosities of both attendees and the general public with it’s own unique Marketplace, which we took full advantage of this time around.

We could wax lyrical about the power of Supersonic all day long, but we’ve compressed our thoughts and feelings about the festival into six highlights, which you can read below…

 

The Marketplace is a hub for like-minded creatives

Whether you want to buy a pendant necklace with a real preserved spider-web from The Voodoo Doctor, spend time perusing multiple vinyl collections or indulge in some gothic-inspired cakes and sweet treats, the Supersonic Marketplace was the perfect place to get involved in artistic chats and endeavours. Hosted in the Zellig building, the space also included a special Supersonic flash session at resident tattoo shop House Of Thieves, which also sits next to the excellently named The Goth’s Playground, which was full of wonderfully unusual paraphernalia.

Within the Marketplace, we particularly enjoyed the wares on the Boulderdash stall. Described as purveyors of “stones, drones and noise”, Boulderdash are an independent zine and collective based in Cornwall. They were selling copies of their latest issue, cassette tapes and prints from musicians & artists they’ve worked with, plus, a unique limited edition Boulderdash guitar pedal. We exchanged stickers and stories and recommend that everyone checks them out!

(Photo Credit: Robert Barrett) 

(Photo Credit: Joe Singh)

Traidora are a force to be reckoned with

Joking that they were more accustomed to playing their punk anthems about “being gay” in sweaty pub basements, compared to being on Supersonic’s much larger stage, London-based trans anti-fascist band Traidora brought their riotous rhetoric to this year’s festival. The trio, fronted by Venezuelan-born artist Eva Leblanc and with the marvellous Maeve Westall on drums (itoldyouiwouldeatyou, YAKKIE, Gordian Stimm), Traidora ripped through a setlist that was loaded with righteous anger against ongoing genocide, transphobia and social inequality.

Performing in front of a backdrop of photographs of queer and female pioneers and activists – including LGBTQ trailblazer Marsha P Johnson – Traidora’s set felt like a hardcore homage to the queer and indigenous communities that they have been inspired by and are part of. Eva also took the time to thank everyone at Supersonic for their diligence and the care she and her bandmates had experienced on every level, which reminded her that “human kindness” is alive and well in the alternative music scene.

(Traidora – Photo Credit: Robert Barrett) 

(Traidora – Photo Credit: Joe Singh)

MMM & Milkweed brought the ancient past firmly into the future

With a sound as immense as the stones that they were inspired by, collaborative audio-visual project MMM opened Supersonic with a transcendental performance. Together, multi-instrumentalists Gayle Brogan, Nick Jonah Davis and Elizabeth Still created a unique work with filmmaker Ian Nesbitt, based on their travels to the Isle Of Lewis in Scotland during the rare Lunar Standstill at the ancient Calanais Stones, which occurs every 18.6 years. They documented their response to this natural phenomenon through a cell-tingling mix of thunderous guitars, intense drones, heavy harmonium and intermittent high pitched screams paired with diaphanous vocals. Grounded in ritual, resonance and reverb, MMM pulled back the veil of the past and captivated their audience in the process.

(MMM – Photo Credit: Robert Barrett) 

(MMM – Photo Credit: Joe Singh)

Milkweed also transported Supersonic fans to a bygone era with their acute, alluring storytelling. Reviving ancient folklore narratives and oral histories by weaving them into their experimental “slacker-trad” sounds, the four players sat opposite each other across a table littered with cassette players and wires; sonic vessels which enhanced the intensity of the songs lifted from their 2025 album, Remscéla. Inspired by The Táin saga, which is an aged collection of epic Irish “pre-tales” translated by Thomas Kinsella, the record dives deep into the lore of multiple legendary characters, which Milkweed brought vividly to life throughout their theatrical set. Working together in perfect harmony, they mixed string instrumentation with spoken word, stunningly clear vocals and brittle tape distortion to resurrect the past. It was a performance of mythical proportions, which clearly resonated with the resolutely attentive crowd.

(Milkweed – Photo Credit: Joe Singh)

(Milkweed – Photo Credit: Robert Barrett) 

The Supersonic samosas are legendary (as is the Tea Bar)

Whilst the music line-up for Supersonic Festival is always impressive, the line-up of snacks and drinks at the resident Tea Bar is just as noteworthy. In between pints of Supersonic IPA supplied by Attic Brewery, we indulged in some sustaining cups of tea and finally sampled a Supersonic staple which totally lived up to the hype: the iconic samosas! We were also tempted by the muffins which were as big as our heads and the delightful addition of Bloody Marys on the second day of the festival. Hats off to all the chefs who created these divine treats, they really were a highlight of the weekend.

(Photo Credit: Robert Barrett)

Thorn Wych’s set was a fascinating, noisy spectacle 

With a name that perfectly encapsulates her sound, Lancashire-based musician Thorn Wych performed a truly strange and striking set with her bespoke handmade instruments and pedal board on the first day of Supersonic. Despite experiencing a few sound difficulties, she embraced the chaos and stayed rooted to her cause; sat on the stage with her long hair obscuring her face, switching between an assortment of string instruments, drums and flutes whilst singing in tongues and channelling distortion by twisting the nodules on her pedals with her bare toes. Her performance was primal and instinctive and evoked a powerful sense of pagan folklore ritual. We’ll be thinking about it for many weeks to come.

(Thorn Wych – Photo Credit: Joe Singh)

(Thorn Wych – Photo Credit: Robert Barrett)

On all levels, Supersonic truly commits to the craft…

Whatever that craft may be, one thing is for sure: artists at Supersonic commit themselves 100% to their performances. We strongly believe that even if they were alone in an empty room, they would still be performing with the same tenacity. From the absolutely unhinged riffs and manic beats of mutant-noise-rock duo Guttersnipe, through to the beautiful understated soundscapes of experimental artist Feeo, we witnessed an abundance of wonderful and endearingly weird forms of self-expression across the weekend.

We mentioned this in our 2024 review, so at the risk of sounding like a broken record, we just want to reiterate how much we appreciate the effort, care and dedication that goes into planning a unique event like Supersonic, right down to the amazing festival-inspired nail art that one of the bar staff had! Get In Her Ears are a small DIY community based in London and we value connection and resistance through music, coming together to experience these things in a room with other like-minded people; something that Supersonic achieves on a scale that is deeply inspiring to us. We can’t wait to return to the festival again next year to have our minds blown by another immense array of experimental music (and to eat more samosas…)

(Feeo – Photo Credit: Joe Singh)

(Guttersnipe – Photo Credit: Joe Singh)

(Decolonise DJ set – Photo Credit: Robert Barrett)

(Supersonic IPA & nail art! Photo Credit: Sam Frank Wood)

 

Follow Supersonic Festival via Instagram & their official website

Words: Kate Crudgington

Kate CrudgingtonLeave a comment

PLAYLIST: April 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our April Playlist features DIY punk anthems, indie and alt-pop bangers, shoegaze & grunge tunes, plus, some experimental & electronic soundscapes. Scroll through our recommendations below…

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

Dose – ‘Shelley’
Loosely inspired by the pop culture myth of actress Shelley Duvall disappearing after she starred in cult horror flick The Shining, ‘Shelley’ is the latest single from Dublin four-piece Dose. It’s taken from their upcoming debut EP, Sycophantic, which they’ll be releasing later this year via Pizza Pizza Records. Dose’s skilful pairing of hazy riffs and ambiguous lyrics, alongside their striking visuals means they’re becoming firm favourites of mine. Directed by Aoife Spratt, the accompanying video for ‘Shelley’ acts as a spoof of Stanley Kubrick’s iconic ’80s film, shot across a handful of Irish locations, including The Ferrycarrig Hotel in Wexford, New Ross Arboretum and a Dublin hotel. Check it out below.
(Kate Crudgington – Features Editor)

Shy New World – ‘Fahrradtag’
A gloriously trippy new single from London duo Shy New World, ‘Fahrradtag’ means ‘bicycle day’ in German and it’s easy to imagine lots of bikes speeding through the city as the track’s colourful swirling haze ripples throughout.
(Mari Lane – Managing Editor)

Meg Elsier – ‘meaning of life’
The marvellous Meg Elsier is back with this deeply relatable new track, inspired by her ruminations on moving through periods of depression, negative thought spirals and trying to find purpose again. Her candid lyrics and reverb-heavy riffs make for cathartic listening, as she unravels her thoughts on finding meaning and reason in a world that often seems void of both. (KC)

Mad Honey – ‘Moshfeghian’
A swirling, slow-burning offering from Oklahoma City band Mad Honey here. ‘Moshfeghian’ features on their upcoming second album, Bridge Over Cumberland, which is due on 15th May via Deathwish Inc. and Sunday Drive Records. By blending the quiet-to-load dynamic of grunge and the shimmering sensitivity of dream-pop, the band evoke a deep sense of nostalgia on this track, which guitarist Lennon Bramlett believes forms the basis of the whole record. (KC)

dvrkworld – ‘Stimulation’
‘Stimulation’ is the latest single from Tasmanian alt-rock band dvrkworld. Blending gritty riffs with lush vocals, the track reflects on the overwhelming presence of technology in today’s world. dvrkworld released their debut self-titled EP back in 2025 via Psychedelic Salad Records and they are currently working on their first full-length album, due in early 2027. (KC)

Waterdeer – ‘Goddamn’
Having blown us away playing for us at New River Studios a while back, shoegaze international supergroup Waterdeer (featuring members of Ritual Error and former members of GHUM) have now finally released some of their captivating music into the world. Flowing with a haunting, shimmering grace, ‘Goddamn’ will immerse you in its rich dreamy splendour on first listen. I can’t wait to hear more. (ML)

 

Roomer – ‘Written By’
Berlin-based dream rock outfit Roomer are new to me, but I’m loving their latest single. ‘Written By’ is a dreamy, reverb-heavy rumination on the subtlety nature of growth and change. The band will be venturing to Brighton in May to play The Great Escape Festival, so make sure you check them out if you’re heading down to the seaside! (KC)

Mi.el – ‘She Will Be Gone’
An immersive slice of dream-pop, ‘She Will Be Gone’ is taken from the poignant latest EP from London duo Mi.el. Exploring female empowerment and curiosities, the EP offers a lilting collection as rich celestial vocals and lilting hooks shimmer throughout with a captivating grace reminiscent of the likes of Warpaint or The XX. (ML)

maehem99 – ‘I Can’t Be Your Guy’
I am hooked on this gritty piece of electronica from non-binary, Irish-South African artist maehem99. ‘I Can’t Be Your Guy’ is their debut single and the first track they’ve shared from their upcoming EP, Sexual Commerce, which is set for release on 18th June. The EP is maehem99’s authentic sonic statement of self-autonomy, as well as a reflection on the industries that tried to mould them into something they’re not. (KC)

Tomorrow Woman – ‘The Flower’
Tomorrow Woman is the new project of California-born, Paris-based artist Betsy Roszko, formerly of punk band Gomme. With her strong DIY spirit and background in dance and movement, she changed musical gears and began experimenting with electronics under her new monkier. This track ‘The Flower’ is taken from her debut EP, Plays Machines, which is set for release on 1st May, and it’s inspired by Betsy’s favourite Buddhist quote: “If we could see the miracle of a single flower clearly, our whole life would change”. It’s an infectious mix of enveloping synths, dreamy vocals and twitchy beats, designed to immerse listeners in the moment. (KC) 

HEIGHTS – ‘Belong’ 
A captivating slice of alt-pop inspired by the binary oppositions of closeness and isolation, ‘Belong’ is the latest single from HEIGHTS. Full of her soft vocals and dreamy cinematic synths, the track acts as a sonic confession for the artist, which she explains in more detail: “I wrote ‘Belong’ about the tension between craving closeness and feeling like you don’t quite belong anywhere yet. It’s a late-night conversation with yourself about identity and the need to feel seen – searching for home in another person while still trying to find it within yourself. Really outing myself as an overthinker with this one.” (KC)

Eve Maret – ‘Gethsemani’
I’ve only just discovered Nashville-based experimental artist and composer Eve Maret, but I’m fascinated by her sound and her aesthetic. Inspired by her self-desribed “complicated” Catholic upbringing, she penned this track ‘Gethsemani’ – named after the biblical garden – when she visited a monastery. It’s taken from her upcoming album, Diamond Cutter, which is set for release on 17th April. She uses an array of sythns, instruments and recording techniques to create her unusual and exploratory sounds, which she performs in full costume as a Nun. “Dressing up like a nun and playing music felt like a random idea at first, but in retrospect, my life has been building towards this culmination point for years,” Eve shares. “I’m re-contextualizing my wounds to empower myself. I’m taking the parts of Catholicism I appreciate and reappropriating them. I am devoted to music, to knowing myself, and to having fun in the process.” (KC)

Bugeye – ‘Comfortably Numb’
Big faves of ours at GIHE for many years now, Croydon punk-pop band Bugeye have now announced the release of a new album, and they’ve celebrated by sharing a fierce new single. Reflecting on the mixed feelings around late nights and dancefloor antics, ‘Comfortably Numb’ sizzles with an ‘80s-inspired brooding energy as the band’s trademark colourful layered hooks pulsating disco beats take hold. The Shape Of Things, the upcoming new album from Bugeye, is out 15th May via INH Records. (ML)

Downtown Boys – ‘You’re A Ghost’
Having first met at union meetings while working together at a hotel, founding members of Downtown Boys Victoria Marie and Joey La Neve DeFrancesco let their political drive and desire for change seep into everything they release as a band, and this is certainly the case with their latest single. A fierce retort against ICE, genocide and the suppression of marginalised voices, ‘You’re A Ghost’ races with a raging, chaotic energy, building to an immense and necessary slice of industrial dance-punk. The resonant and powerful accompanying animated video was directed by Lebanese artist Khalil (@palpable.image). Public Luxury, the upcoming new album from Downtown Boys, is set for release on 26th June via Sup Pop. (ML)

WIDGET – ‘WHAT IF PHONES BUT TOO MUCH’
Having completely dazzled us with their gritty compelling energy and utterly unique charisma when they headlined New River Studios for us last month, East London post-punk supergroup WIDGET (featuring members of Big Joanie, all cats are beautiful, Junodef and Zahra Haji Fath Ali Tehrani) have just released their debut album, Classy Hits Vol.2. Taken from the album, ‘WHAT IF PHONES BUT TOO MUCH’ offers a seething, satirical anthem, as fitting for the dancefloor as it is for taking to the streets and rising up against the powers that be. Of the track, the band explain: “It’s a song about not accepting the lot you’ve been given, about pushing up at the glass ceiling and smashing it wide open on your way out. Fulfilling the dream we’ve definitely all had where everyone’s face is Danny Dyer and saying ‘god no this is absolutely not what I want from life please and thank you’”. You can catch WIDGET talking about their new album in more detail on our next Soho Radio show on Wednesday 13th May at 8-10pm! (ML)

Cootie Catcher – ‘Loiter For The Love Of It’
New favourite band (and band name) alert! Having released a new album in February, Toronto’s Cootie Catcher have just come to my attention with the announcement of a UK tour later this year. I’m a big fan of their lo-fi scuzzy sounds and honey-sweet harmonies; a perfect combo of twee innocence and chaotic angst-driven energy. Something We All Got, the latest album from Cootie Catcher, is out now via Carpark Records. (ML)

Carla J. Easton – ‘Let’s Make Plans For The Weekend’
Having played in awesome bands such as TeenCanteen and The Vaselines, Scottish musician Carla J. Easton is now set to release a new solo album next month, featuring collaborations with the likes of MALKA and Darren Hayman. Ahead of the album’s release, she’s just shared an uplifting new single. A celebration of late nights, friendship and the weekly ritual of letting go, ‘Let’s Make Plans For The Weekend’ offers a sparkling slice of playful synth-pop; a perfectly sparkling summer bop. I Think That I Might Love You, the upcoming new album from Carla J. Easton, is out on 8th May via Ernest Jenning Record Co. (ML)

Gabi Garbutt – ‘Lightning Held’
Following last month’s empowering anthem ‘Radical Love’, London artist Gabi Garbutt has now released a driving new single. Propelled by a glowing, danceable groove, ‘Lightning Held’ offers an uplifting proclamation of being open to love, fizzing with a sparkling energy as Gabutt’s introspective pop-poetry flows throughout. (ML)

Not Richard & Her Majesty – ‘A Song About Being A Parasite’
The latest single from Brighton based glam rockers Not Richard & Her Majesty, ‘A Song About Being A Parasite’ reflects on the end of a romantic relationship and the mixed emotions that can come with this. Fizzing with ska-tinged beats and glistening synth-laden hooks, it’s an instantly catchy anthem offering all the effervescent allure of Marc Bolan with a fresh queer energy. Not Richard & Her Majesty will be playing at Brighton’s Alternative Escape Festival on 15th May at Hotel Pelirocco. (ML)

Grandmas House – ‘DOG’
GIHE faves Grandmas House are back with this excellent new single ‘DOG’. The Bristol-based post-punks penned this track during a time of personal struggle, when a band member was living with a chronic illness that no health professional could properly explain. Through their racing riffs, marching beats and fluctuating tempos, the band explore feelings of unease and the exhaustion of living through a health crises, offering brief respite for listeners who have found themselves in similar circumstances. (KC)

Frances Murray – ‘Holidays By The Sea’
Described as one of her favourite tracks from her debut solo album, Dreamer, ‘Holiday By The Sea’ is the latest single from Essex-born, Brighton-based songwriter Frances Murray (fka BLAB). For this song, Frances used the “cut up” lyric technique, which involves physically cutting words out of newspapers & magazines or lifting lines from poetry in order to create your own song, which perfectly encapsulates the scrap-book, nostalgic spirit of ‘Holidays By The Sea’. To celebrate the release of Dreamer, Frances will be playing a show in Southend at The Fickle Pickle (12th June) and in Brighton at the Hope and Ruin (3rd June) too. (KC) 

TERE! – ‘MAN’
Fuelled by a desire to process her trauma and to offer a message of solidarity to survivors of sexual assault, Spanish-born, Liverpool-based songwriter TERE! penned this intense single ‘MAN’. Through her potent vocals, dramatic volume shifts and explicit lyricism, TERE! tackles these issues with a formidable spirit, fighting her demons and gaining the courage to help others in the process. She will be releasing her debut album, NO MORE MANNERS, in May this year. (KC)

No Peeling – ‘Stationery’
A catchy slice of energetic garage-pop from Nottingham-based band No Peeling here! ‘Stationery’ is lifted from their upcoming EP, simply titled EP2, which is set for release on 1st May via Wrong Speed Records & Feel It Records. Inspired by both the mundanity and the joy of everyday life – like stationery for example – it’s a playful collection of tracks that the band believe aptly captures the spirit of their live shows. (KC) 

Irked – ‘Who Asked?’
Self-described as “a garage-punk hate letter to the world,” North-East punks Irked are on the cusp of sharing their debut album, Grievance, on 1st May via Wrong Speed Records. The LP is a deeply personal dismantling of the politics of gender, class and toxic behaviours in the workplace, which this track ‘Who Asked?’ directly addresses. Lyrically inspired by notes on band members phones and late night chats, the track explores the contradictions of “day jobs, night shifts, work drinks and half-hearted plans”. (KC)

THE NONE – ‘Watch’ / ‘Daddy Doesn’t Make Mistakes’
We are big fans of Birmingham-based punk outfit THE NONE here at GIHE, so we’re excited to see that they’re back with more vital, abrasive and electrifying new music. The band performed ‘Watch’ and ‘Daddy Doesn’t Make Mistakes’ for a live session with state51, which you can watch below. Filmed in one continuous take, the video captures vocalist Kai’s visceral energy perfectly, alongside their bandmates cacophonous blend of intense riffs and beats. The session also features a cover of Napalm Death’s infamous ‘You Suffer’. THE NONE will be curating two all-day events with some of their favourite acts in London (16th May) and in Birmingham (18th July). Tickets are available on DICE now. (KC)

Spit Takes – ‘Teeth’
With a songwriting technique described as “a zero fucks given approach on dark times with tongue-in-cheek wit,” it’s no wonder we became instant fans of Minneapolis-based punk band Spit Takes. This riotous single ‘Teeth’ is the title track from their upcoming debut album, which is set for release on 9th May via independent label Whiplass Records. Full of raging catharsis and reminiscent of the raw energy of iconic Riot Grrrl bands like Bikini Kill, Spit Takes’ sound is vehemently anti-fascist and totally up GIHE street. (KC)

Dogviolet – ‘Daisy Crowns’
Following the spellbinding power of songs like ‘Dandelions’ and ‘Violets’, long time favourites Dogviolet have returned to grace our ears with another beautiful, floral-themed single. A captivating reflection on nostalgia, ‘Daisy Crowns’ flows with a dark, sweeping majesty, longing for the frivolous joy of youth with a sparkling desperation. It’s always a highlight of their live sets, oozing an all-compassing swirling allure. (ML)

Jolanda Moletta (ft. Yellow Belly) – ‘Their Voices Rise Above The Waves’
A stunning soundscape that will captivate and lull listeners into a dreamlike state, this is the latest single from multimedia artist and one-woman electronic choir Jolanda Moletta. ‘Their Voices Rise Above The Waves’ is lifted from her upcoming third album (and first for label Becaon Sound) Oceanine, which is set for release on 1st May. It’s a sonic celebration of female power and divinity, as well as an ode to survival and collective memory. Each track on Oceanine features a collaboration with a different female vocalist, including Nadine Khouri, Karen Vogt, Astrid Williamson, Elska, Yellow Belly and more. Speaking about her deeply personal new work, Jolanda explains: “Oceanine is inspired by sirens, water nymphs, and the timeless call of the sea. At its core lies my deep, lifelong connection to the Mediterranean Sea and to the ancient and modern myths and folklore that have emerged from its waters…The entire album is built exclusively from the human voice, processed and layered, yet always remaining voice, and nothing else.” (KC)

afromerm – ‘reflections’
This beautiful track is lifted from GIHE fave and Oram Award-winning artist afromerm’s latest EP, held. An emotive and eclectic blend of field recordings, soothing vocals and electro-acoustic instrumentation, the three-track EP showcases afromerm’s instinctive sonic connection to water and the sea, as well as being a testament to the fluidity and shifting tides of life itself. ‘reflections’ also features arrangements from talented collaborators YUIS and Marysia Osu too. (KC)

 

Penelope Trappes – ‘Platinum’ (Saint Etienne Rework)
It seems there are no limits to the extraordinary vision of Brighton-based Australian multi-disciplinary artist Penelope Trappes. In 2025, she shared her poignant, grief-inspired album A Requium, along with a companion LP, Æternum, which featured a new set of compositions. Now, she is preparing to share Opvs Novum: A Requiem Reworked, a new collaborative record which expands her captivating concepts even further. Set for release on 29th May via One Little Independent Records, Penelope “reframes” her original release with the help of an array of discerning artists, including Gazelle Twin, Midwife, Julia Holter, PRIZMA9 and more. On this new version of ‘Platinum’, London trio Saint Etienne bring a hypnotic, hymn-like sensibility to the track, whilst still retaining the haunting quality of the original. I am so excited to listen to the new record in full! (KC)

BISHI – ‘Maya She Lives Inside Me’
We are consistently impressed by the eclectic projects that British Bengali multi-instrumentalist & composer BISHI brings her unique talents to, so we were excited to discover that she has produced her first original soundtrack! She wrote the score for MAYA: The Birth of a Superhero, which is a 30 minute immersive VR animated film that forms part of award-winning activist and transmedia artist Poulomi Basu’s law-changing multimedia project, Blood Speaks – exploring menstrual exile and violence against women in South Asia – which was shortlisted at Festival de Cannes 2024. Now, BISHI is preparing to release the soundtrack via her own label Gryphon Records on 15th May, and to celebrate, she will be host four special live performances of the score across the UK in June. These shows will feature BISHI on voice, sitar and electronics alongside live strings, with bespoke visuals from the creators of MAYA: The Birth of a Superhero, manipulated live to create an immersive concert experience. (KC)

Hannah Schneider – ‘The Apartment’
Recently releasing her innovative solo album, The Room, Danish artist Hannah Schneider is keen to reclaim the creative process, consistently insisting on presence, intuition, and craftsmanship as the driving forces behind the creation of her music. Rejecting the use of AI in music, she recorded together with other musicians at a residency at the historical Thorvaldsens Museum, fusing together an eclectic array of musical elements and processes to create something truly exceptional. Taken from the album, ‘The Apartment’ showcases Schneider’s rich, immersive soundscapes and beguiling, sumptuous vocals perfectly. Watch the beautiful new video below. (ML)

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