FIVE FAVOURITES: Cinder Well

Fuelled by a desire to experiment sonically and to capture the “kind of harsh mundanity that life can carry”, LA–based composer and multi-instrumentalist Amelia Baker aka Cinder Well carefully crafted her latest album, A Blooming Body. Released in July via Hen House Studios, it’s a disarming collection of tender keys, clear vocals, emotive lyrics and considered instrumentation; through which she evokes a similarly eerie atmosphere associated with louder, heavier music.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Amelia to ask about her “Five Favourites” and she picked five albums by an eclectic range of artists who have inspired her songwriting techniques. Check out her choices below and scroll down to watch the official video for Cinder Well’s latest single ‘Of Nettles and Roses’ too…

 

1. Mount Eerie – Lost Wisdom
This record was my introduction to the world of Phil Elverum, who continues to be an influence for me. I loved this record and I still do, it is so sparse yet atmospheric, beautiful songwriting, raw harmonies with Julie Doiron. It feels very focused on the loss of a relationship and you just inhabit that for a while when you listen to it. This must have come out during my first year at college and I remember taking the bus to see Mount Eerie play in a small restaurant venue. He played solo and it was great, a strong memory.

2. Cat Power – You Are Free
I listened to so much Cat Power in high school but this record had a good concentration of my favourite songs on it. I think I took more from Cat Power in my early songwriting than I realized at the time or was willing to admit. The first song I ever recorded (my friend recorded me in his bedroom in high school) was ‘Maybe Not’ from this record, and it absolutely blew my mind to realize that we could just do what these seemingly otherworldly people did – write and record music. The songs on this album have such simple chords and that was really encouraging when I started writing. I still feel the same way listening to this record now as I did when I was 16.

3. Elliott Smith – XO
The day Elliott Smith died my mom was driving me home from Junior High and we had the local radio station on. This song that I’d never heard came on, ‘Waltz #2’, and I was stunned throughout its entirety. As it was back then, I was hoping the radio presenter would announce what we just listened to. And then they did, saying “that was Elliott Smith, who died today”. So I went through an intense Elliott Smith phase at the age of 13, hiding my iPod headphones under my hoodie during class absorbing his entire discography. This maybe explains why I tend to write sad songs…

4. Ulver – Bergatt
This record (and Kveldssanger, also by Ulver) was my gateway drug from folk into metal and it was introduced to me by my bandmates in Blackbird Raum, who were older and cooler than me. I loved the atmospheric black-metal which felt entirely new to my brain but the acoustic interludes and clean vocals with strong melodies were also sitting in a familiar world. The harmonic movements of the chords started to seep in to my songwriting pretty immediately when I started writing for Cinder Well.

5. Ali Farke Touré, Ry Cooder – Talking Timbuktu
I found this CD in my dad’s collection as a teenager and have been a big fan of Ali Farke Toure ever since. The melodies on this album are infectious and it has such a sense of atmosphere – the dueting guitars make the production feel full and lush. I love Ali Farke Toure’s guitar playing, it’s so meditative and circular. I have learned a lot from his playing and try to channel this by playing in open tunings with circular finger picking patterns.

Thanks to Amelia for sharing her favourites with us!

Watch the video for Cinder Well’s latest single ‘Of Nettles and Roses’ below.

Follow Cinder Well: website, bandcamp, TIDAL, Instagram & Facebook

Photo Credit: Chelsea “Cheech” Moosekian

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Five Favourites: Downtown Boys

Having been big fans of Rhode Island’s Downtown Boys‘ fierce industrial punk for a number of years now, we’re super excited that they’ll be releasing their new album Public Luxury next week on 26th June via Sub Pop Records. Initially connecting at union meetings while working together at a hotel, founding members Victoria Marie and Joey La Neve DeFrancesco let their political drive and desire for change seep into everything they release as a band, and this is certainly showcased in this resonant and powerful collection, its name alone alluding to the need for services to be available to everyone. Propelled forwards with an empowering drive and seething energy, its themes reflect a bold hope and determination that a better world is possible, whilst simultaneously raging against the horrors that continue to strip the rights of marginalised communities. A resonant retort against the powers that be; a colossal call to arms to unite, resist hopelessness and fight for change.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, ahead of the release of Public Luxury next week, we caught up with each member of the band to find out about the albums that have inspired them the most. Read about their five favourites, and watch the poignant animated video for recent anti-ICE single ‘You’re A Ghost‘ below…

Joey Doubek:

Rage Against the Machine – Evil Empire
When I was 9 I came across ‘Down Rodeo’ on my scan-only radio player walking through Chicago O’Hare airport, and was completely overwhelmed by the intensity of the lyrics and riffs. It took me at least a year to place Rage Against The Machine when I finally heard ‘Bulls on Parade’. Now, 30 years later I still get chills whenever I listen to Evil Empire. I credit this record and RATM for helping shape my world view at such a young age; for the realisation that the people in power in the place I live could inflict so much pain and suffering – “Is all the world jails and churches?”

Joe DeGeorge:

Pharoah Sanders – Journey to the One 
Soft and ferocious, delicate and powerful, technical and fluid, yearning and fulfilling. This record is a beautiful illustration of the breadth of Sanders’ capabilities and expressions. Jazz mythos and legend aside, this record inspires my own playing and performance, existing in the motional space between the freer worlds we imagine, the frustration of the present, and the struggle to move ourselves towards utopia. This role for the saxophone in this space I find well established by Sanders’ work.Pharoah Sanders’ use of saxophone in this evocative and spiritual space are apparent when paired with the declarative idealism of the chorus on ‘You’ve Got to Have Freedom’. Freedom, peace, and love; these are the things we got to have. But with Sanders’ entrance on this song we hear no conventional illustration of peace or harmony. Instead, a heralding ostentato of frustrated harmonics from a muscled embouchure tells me that the work of getting all to have freedom, peace, and love is necessary, physical, hard, strained, and will stretch our ideas of what is possible and what is acceptable. 

Joey La Neve DeFrancesco:

Yasmine Hamdan – I remember I forget 
This was one of my favourite records of 2025 and I wish it got more coverage here. Hamdan succeeds in the extremely difficult task of creating an album that’s both achingly beautiful and so directly in response to the past years of Israel’s ongoing genocide in Gaza and now Lebanon. For instance, the gorgeous song ‘Shmaali’ is based on taraweed, a type of traditional Palestinian song sung by women that often uses coded language to secretly pass information without Israeli soldiers understanding. I love the animated video she made for the title track ‘I remember I forget’ and we hired the animator Khalil to make the video for our recent single ‘You’re a Ghost’.

Victoria Marie:

Priests – Tape Two
I know it is not a full length, but I really love Tape Two by Priests. Our band had the pleasure of meeting Katie Alice Greer when she was in Chain and the Gang, and she introduced us to the members of Priests. Tape Two came out on cassette and I remember having a cassette player that my grandma gave me to listen to mixtapes with Spanish and English songs that she’d made me. Tape Two’s ‘USA (Incantations)’ and ‘Lana’ just really really hit, with ‘USA (Incantations)’ managing to highlight the USA’s violent and brutal history with its beautiful use of music, adrenaline, and vocal protest. Also, I really appreciate how much Katie has always used her platform to speak against poignant injustices, from sexism in music to the need to end bombing and war on Gaza and Palestine.

Mary Jane Regalado:

Bad Bunny – DeBÍ TiRAR MáS FOToS
Hands down my most listened to album of 2025 & 2026. This album beautifully captures the joy and pain of the Latinx diaspora. Encapsulating the lasting effects of colonialism while highlighting the legacy of resistance in our communities; from the commodification of our people and culture, the heartbreak of witnessing gentrification and displacement, the privatization of lands, and the fight for independence, to the inherent need to shake ass and deeply celebrate and honor love, friendship & family. The way Bad Bunny masterfully merges genres like reggaeton, salsa, bomba, dem bow and plena so seamlessly creates an album that is so exciting and fresh, but ultimately coherent. It blows my mind. It’s the perfect soundtrack to listen to while getting ready for a night out, on a long drive on tour, while cleaning my apartment, or while making protest banners at an art build. A few months ago the governor of Puerto Rico came to DC to promote Puerto Rican statehood – my friend invited me to an art build organized by JUPI (Juventud Unida por la Independencia) to protest and call for the independence of PR. Currently PR is being militarized by US troops – the island is being hit with ICE raids, beaches that are for the people are being privatized and sold to foreign investors. The struggle for anti-imperialist liberation and independence continues in PR, and this album reminds us that as we fight for liberation, it is important to have fun, to be in community with comrades and our loved ones. To celebrate each other, help each other out when in need – chill at the beach and enjoy the sunset, perreo, party, take pictures of our loved ones, hang with abuelo and play dominos all day. Take time to grieve, be present and embrace the short amount of time we have on this earth, and enjoy the small things like coffee in the morning, and a gallon of rum with friends while dancing in the streets.

Huge thanks to Downtown Boys for sharing their Five Favourites with us! We can’t wait for the release of Public Luxury next Friday 26th June via Sub-Pop Records. In the meantime, watch the poignant animated video for recent single ‘You’re A Ghost’ here:

Photo Credit: Naomi Yang

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Five Favourites: Tenderness

As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the debut solo album from Katy Beth Young (also of Peggy Sue) – aka Tenderness – has been an extremely welcome treat for my ears since its release last month. Showcasing Young’s gorgeously rich vocals as twinkling Americana-tinged hooks ripple throughout, True offers stirring reflections on relationships, grief and the fleeting nature of joy. As a gentle melancholy flows alongside a twinkling uplifting grace, it’s an exquisite testament to Young’s resonant songwriting and the beautiful raw emotion that shimmers through every song. I was lucky enough to hear the album live at St Pancras Old Church a few weeks back; a perfect setting for the moving celestial splendour of Tenderness.

We think one of the best ways to get to know an artist is by asking what music inspires them the most. So, we caught up with Katy to ask about her “Five Favourites” and she’s picked five albums that she feels most influenced the writing and recording of True. Check out her choices below, scroll to down to watch the beautiful video for ‘Day Of Atonement‘, which features Deep Throat Choir singing alongside Katy, and make sure you set aside time to immerse yourself in the full album.

Kim Deal – The 2013-2014 Singles 
This is not exactly an album (sorry!) but I love Kim Deal a lot and she/The Breeders have been a huge influence. She put out these ten singles in 2013-14 without much fuss and I listened to them constantly when I discovered them about a year later – ‘Are You Mine?’ and ‘Beautiful Moon’ are pretty much perfect. There’s surfy guitars and lo-fi drums and Kim Deal’s perfect voice and also absolutely killer lyrics like – “I’m happy for you / but I feel crying”. I’m always aiming for that kind of conciseness and contradiction with my own lyrics. The arrangements are very sparse and simple and satisfying and they sound very alive. It’s like each song has been condensed into its absolute essence, which is something I’ve aspired to do with Tenderness – just letting the song be itself musically and lyrically. They also all sound like they belong together – from the heaviest to the gentlest. True was made over quite a long time, so Euan and I worked really hard to pull some sonic threads through them and make sure they belonged, and this set of songs was a really good touch point for that. 

Big Thief – Masterpiece
The first Big Thief song I heard was ‘Real Love’. In the space of a week about six different friends sent it to me saying “I think you’ll like this” and obviously I did. I love every Big Thief album & their solo stuff too – they are each perfect for a slightly different day, time, mood  – but Masterpiece is still the one I listen to the most. It makes me want to sing along in a way that probably only Mariah Carey ever did before. The song ‘Masterpiece’ makes me want to write loud songs and ‘Lorraine’ makes me want to write quiet sexy songs and ‘Vegas’ makes me want to practice the guitar. 

Allegra Krieger – I Keep My Feet on The Fragile Plane
A lot of my writing influences happen quite slowly without me really noticing, but recording influences are much more conscious. Allegra Krieger was a big one for this album. The sounds and the mood and the space she leaves around things is so captivating. We used it as a reference for vocal sounds and mood a lot. And the songs are brilliant and clever – there’s a real sense of place and time and Krieger can create a whole world or a whole relationship in a couple of lines. This is one of my favourites from the song ‘Lingering’ – “I wanted to tell you something small and stupid / but I couldn’t remember when I saw your face.” I’ll listen to any album that Double Double Whammy puts out now. 

Bright Eyes – I’m Wide Awake, It’s Morning
For better or worse Bright Eyes will probably always be my hand-on-heart ‘favourite band’. I discovered them at my most tender and suggestible age (I was trying to download ‘Total Eclipse of the Heart’ on Limewire but I’d forgotten what the title was). Oberst’s lyrics have had a profound effect on how I write and what I aim for – they are honest and wise and naive and heartbreaking and hopeful at once. When I was younger, I loved Lifted, or the story is in the soil, keep your ear to the ground the best because it’s noisy and emo and kind of mean, but now that I’ve fully accepted that my soul is part-country I’ve come back around to I’m Wide Awake… It’s a bit of a time capsule for me now, plus it has Emmylou Harris on two songs.

Laura Marling – Song for our Daughter 
This album came out at the very start of the pandemic and I listened to it a lot walking around my local area that summer – which is also when I was writing the songs that would become True. Laura has been an influence forever, but I think at that moment there was something particularly inspiring about the clarity of her voice and her storytelling and the musicality of the arrangement. It helped me give myself permission to make these quieter songs with my voice right in the middle.


Huge thanks to Katy for telling us about her Five Favourites! Watch the beautiful video ‘Day Of Atonement’ below, and make sure you check out True, the debut album from Tenderness, which is out now via Amorphous Sounds.

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FIVE FAVOURITES: Ailbhe Reddy

A raw and relatable record about existing in the emotional ether at the end of a relationship, Dublin-born artist Ailbhe Reddy’s upcoming third album, KISS BIG, is a wholehearted affair that continues to spotlight her talent for empathetic songwriting. Set for release on 30th January via Don Giovanni Records, across nine tracks she dismantles the cyclical nature of love and the ways in which we persist and resist, but ultimately succumb to romance once again when the breakup cycle is complete.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ailbhe to ask about her “Five Favourites” and she picked five albums by an eclectic range of artists who have inspired her songwriting techniques. Check out her choices below and scroll down to watch the official video for Ailbhe’s latest single ‘That Girl’ too…

 

1. Fiona Apple – When The Pawn…
I heard this for the first time when I was working an office job in my early twenties. ‘Paper Bag’ came on the radio and I felt like it was written just for me. I was immediately hooked. I went and bought the album that same day and spent months obsessed with it. I, of course, went through Apple’s entire back catalogue and was so inspired by her as an artist and individual. The production, lyrics and vocal delivery still blow me away every listen.

2. Julia Jacklin – Crushing
After I recorded my first album, I got a lot of comparisons to Julia Jacklin (what a compliment!) but I had never heard her. ‘Don’t Know How to Keep Loving You’ came on while I was driving in my car one day and it destroyed me! I pulled over and put the whole album on and listened from start to finish. What a journey. So simple. So perfect. I’ve been a fan ever since and think she’s one of the best songwriters around.

3. Jeff Buckley – Grace
This is a formative one for me. I learned a lot about playing guitar from a book of music from this album. I definitely spent a long time shoehorning nice jazz chords into my songs as a result. I was a kid when I first heard this album — my mum had a copy in her car that she used to listen to. It wasn’t until I started playing guitar that I started really listening to the songwriting properly. By then YouTube existed and I spent hours finding every single video I could of Jeff playing the songs from this album. I got to sing a few songs from this album at a show celebrating the 30 year anniversary of this album a while back, and it gave me a whole new appreciation for his vocal performance.

4. Sufjan Stevens – Illinois
I saw the dance/musical version of this in New York City two years ago and cried my little eyes out. Not just because it was beautifully performed, but because no album reminds me of the pure love I had for music as a teenager as well as this album. When I was 15 or 16 I got a little 8-track and recorded my own version of ‘Chicago’ on it. Still, whenever I hear that song it brings me back to that time. Pure love and awe and discovery. The song itself is rich with imagery and feels like a full novel, and my own memories on top always make it a joyful listen.

5. Big Thief – Capacity
‘Mythological Beauty’ was my introduction to Big Thief, I heard it playing in a friend’s kitchen and was immediately grabbed by it. There was something so mesmerising about Lenker’s vocal delivery and also the lyrics are pretty daaamn perfect. Again – it feels like a novel in a song. How can someone sum up their mother? Such a complex, deep relationship. Yet, she nails it. I got to see the album live in Dublin and was blown away by the band live which kicked off my journey as a long time fan. ‘Mary’ is another song from that album that I think is spectacular, and part of its charm is how different it is from the rest of the band’s discography. I’ve seen it a few times live in different iterations and it’s always been so special.

Thanks to Ailbhe for sharing her favourites with us!

Ailbhe will be playing a London headline show at The Lexington on 21st April to celebrate the release of KISS BIG – tickets are on sale now!

Watch the video for her latest single ‘That Girl’ below.

Follow Ailbhe Reddy: website, bandcamp, TIDAL, Instagram & Facebook

Photo Credit: Su Mustecaplioglu

Kate CrudgingtonLeave a comment