FIVE FAVOURITES: bedbug

Developing from a lo-fi bedroom-pop solo project into a fully fledged indie rock band, LA based group bedbug shared their fourth album, pack your bags, the sun is growing, via Boston label Disposable America earlier this year.

Along with bandmates Owen Harrelson, Minerva Rodriguez, Meilyn Huq and Drew Cunningham, non-binary front-person Dylan Gamez Citron fleshed out bedbug’s new sound in the studio, and the result is an infectious blend of indie guitar riffs, confessional lyricism and surrealist storytelling, which marks their most “ambitious” work to date.

Having previously supported the likes of Japanese Breakfast, Grouper, Lomelda, Snail Mail, Strange Ranger, yourarmsaremycocoon and Frog, with their new fully fledged sound, bedbug are sure to capture the ears of a new set of fans.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Dylan to ask about their “Five Favourites” – five tracks that have inspired their songwriting techniques. Check out their choices below and scroll down to listen to bedbug’s latest single ‘halo on the interstate‘ at the end of this post…

1. Julia Brown – ‘Bloom’
This list is as much a list of my favorite songs as it is equivalently a list of my biggest inspirations when songwriting. So, it only makes sense to start here. This track is the closing track off of an album I can only describe as a modern opus, An Abundance of Strawberries. When I discovered this album (and consequently this song), I was slowly assembling an arsenal of songwriting and production elements that I felt would fit together and that I personally loved. Acoustic guitars, drum machines, synths, cassette warmth, vocals that aren’t overwhelming. Then I found this album. Honestly, at the time I couldn’t believe it existed, like it was just a perfect culmination of my favorite musical stuff. I still feel that way! And this final song sticks the landing like none other. Perfect track!

2. Modest Mouse – ‘Edit the Sad Parts’
I love discovering music, but in many ways I’m a victim of my own sentimentality. Most of the tracks on this list are high school discoveries. This track was my go-to reply to the all-to-common question “what is your favorite song” in high school. And yet, if you were to ask me why, I’m not sure I could explain it! Modest Mouse is still my favorite band (I have the tattoo to prove it), but I love dozens of their songs. It doesn’t have the best riffs (that would go to ‘Broke’ or ‘Talking Shit About A Pretty Sunset’) or lyrics (that’s ‘Bankrupt on Selling’). But I do think it’s the perfect snapshot of what I’d consider a perfect band. To me, this is the most “Modest Mouse” sounding song at all. Slightly emo, scrappy, full of youthful energy, it’s the perfect song to blast out of the car window on a visit to your hometown.

3. Cap’n Jazz – ‘Ooh Do I Love You’ (Acoustic)
When I was in high school, I discovered 90’s indie rock greats like Pavement, Built to Spill and Guided By Voices. My mind was blown (obviously). And then a few years passed. Nothing was scratching the same itch! Modern emo felt too whiny (though I still loved it at the time), indie rock was too produced and bombastic. Hardcore/punk was too angsty and angry for me. I wasn’t really pissed off, mostly anxious and lonely! Indie music in general was grandiose and trying really really hard. Stark contrast to the 90’s era. Fans of Cap’n Jazz can tell where I’m headed with this. A band of high school students, a single poorly recorded anthology record. Bursting with heart, full of beautiful imperfections and esoteric lyricism. And that’s all laid bare on the acoustic version of ‘Ooh Do I Love You’. Why couldn’t all emo be like this?

4. The Radio Dept – ‘Lost and Found’
Something I’m currently realizing, as I type is that every single one of these songs is an album closer. I’m not sure that’s a coincidence. Closer tracks fill the role of the final chapter of a good book, tying up loose ends and making the artist’s intent clearer. I love full albums, and the first Radio Dept album is one of my favorites of all time. I think this is the most beautiful track on it. I can’t think of another track that layers instrumentation to create such a gorgeous soundscape. The lyrics are sad but hopeful, lonely and sentimental. It’s really one of the most therapeutic songs for me.

5. Brave Little Abacus – ‘Orange Blue With Stripes’
This song is really lightning in a bottle to me. The songwriting process for that whole record feels elusive and mysterious, like the songs emerged fully formed out of the ether. How in the world is there lyrical interplay between the vocals and pre-recorded samples from Malcolm in the Middle? Do the repeating lyrical motifs mean anything? Typically, I’m not one to overanalyze a metaphor, I certainly have my fair share of abstraction in lyricism. However, something about the writing on this record begs to be interpreted. And I hope it never is! The mystery is so much more fun. And all of those unresolved melodies and lyrics culminate in ‘Orange, Blue With Stripes’. It was a really special song to me as a teenager, and only became more special at my final show in Boston before I moved. Thanks, Adam.

Thanks to Dylan for sharing their favourites with us!

Listen to bedbug’s latest single ‘halo on the interstate’ below

Follow bedbug on bandcamp, Spotify, XInstagram

Photo Credit: Dustin J Watson

FIVE FAVOURITES: Kira McSpice

Finding strength in vulnerability is something that multi-instrumentalist Kira McSpice has been carefully leaning into, on both an artistic and personal level. Her beautifully titled new album, The Compartmentalization of Decay, is a poignant reflection on trauma and life after sexual assault, which she personifies through the natural protective and healing mechanisms of plants, in particular, the maple tree. Her exquisite voice and dynamic string arrangements make for striking and hypnotic listening.

Plant pathologist and biologist Alex L. Shigo writes: “Animals heal, but trees compartmentalize. They endure a lifetime of injury and infection by setting boundaries that resist the spread of the invading microorganisms.” Kira McSpice draws on this natural phenomenon on her latest record, slowly becoming more resilient in the process.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Kira to ask about her “Five Favourites” – five tracks that have inspired her songwriting techniques. Check out her choices below and scroll down to watch the video for Kira’s latest single ‘Knife like a Spile‘ at the end of this post…

 

1. Kate Bush – ‘Hello Earth’
Kate Bush is my very favorite. When I was 19 I got her album, The Kick Inside, on CD and drove around blasting it and trying to hit all the high notes. I can’t really explain how much her music means to me. She taught me how to sing. Before I found her I thought I was supposed to have this kind of low vocal fry thing going on with my voice but once I found her I realized I was supposed to go higher and weirder and it felt like I had discovered who I was. This song ‘Hello Earth’ makes me crazy. It’s part of her album, Hounds of Love, and within the album there’s this 7 song story about a person lost at sea. It’s such a beautiful concept and basically ‘Hello Earth’ is when she’s floating away and losing consciousness and becoming detached from the world. She’s drowning and there are these huge waves in the song that come over and over as she’s drifting farther away and it’s just so powerful and emotional.

2. Joanna Newsom – ‘Only Skin’
Probably the most beautiful song ever. Every time I hear it I discover something new. I feel like it’s one of those songs that will be with me all my life and mean different things to me as I get older. Sometimes when I need a good cry I’ll listen to it and when she gets to that part about 6 minutes in I let loose. It destroys me. I think it’s the melody that does it during that part. Her melodies and the instrumentation and the lyrics… I just love it all so much. Also these lyrics: “While down in the lowlands the crops are all coming; We have everything/ Life is thundering blissful towards death/ In a stampede of his fumbling green gentleness” those lyrics… are insane. Her lyrics changed the way I thought about lyrics. I really take them seriously because of her.

3. Elgar – ‘Cello Concerto in E minor, Op. 85’ (played by Jacqueline du Pré)
I started playing the cello when I was really young and Jacqueline du Pré was (and will forever be) my favorite cellist. Her performance of the Elgar cello concerto is her most famous and the concerto breaks my heart every time. When I was growing up, I would move around in a really dramatic way while playing the cello – she was famous for her dramatic movements and I thought that one day I’d be just like her. There was a movie about her and her sister called Hilary and Jackie, and in the movie she wears a shiny green dress while performing, so I wore a shiny green dress for my performance of Twinkle Twinkle Little Star when I was 4. The way she plays the cello is unlike any other. Her performances were full of so much emotion and energy, so much drama and sadness. She taught me that emotion is essential in performance.

4. Stravinsky – ‘Firebird Suite’
I played Stravinsky for the first time in high school with the symphony I was in. It was insane. We ended up touring with it in Europe and got to play this piece every night. ‘The Firebird’ changed me and how I thought about orchestral music. I hadn’t been introduced to the cool composers yet and when I finally got to play him it was a door into a very exciting realm for me. It felt like my world had expanded/shifted, like I realized the symphony could be used in a crazy way. It was the beginning of my discovery of more modern composers and more experimental music. I’ll always remember playing the very beginning of the piece. It’s so brooding and evil sounding. I fell in love immediately and wanted to recreate that feeling in different ways. I think I like Stravinsky because he does a lot of weird stuff but it doesn’t feel distracting, it feels like it has a purpose.

5. Talk Talk – ‘New Grass’
I chose this song because I always come back to it. I think it left an impression on me because of how sad it feels while still also feeling hopeful. I’m always drawn to music like that. It’s also got this cyclical structure that goes on and on. I remember when I first heard it I was hypnotized and didn’t want it to stop. Didn’t want to leave the world it created. I also hear little secret sounds? Loops? Tremelo strings? going on underneath everything and I think that’s genius. Those details create such a wild landscape that the songs live in. There’s so much existing in it, making it feel so full but at the same time it feels spacious. I don’t know how they do it. I’m always striving for that I feel like. I want to produce a record that feels like that.

Thanks to Kira for sharing her favourites with us!

Watch the video for her single ‘Knife like a Spile’ below

Follow Kira McSpice on bandcamp, Spotify, Youtube, Facebook & Instagram

 

Photo Credit: David Weindorf

FIVE FAVOURITES: Holly Munro

Intricately blending electronic elements with folk-pop sensibilities, Irish songwriter Holly Munro crafts tender, deeply intuitive music. Her debut EP, Up Against Your Nature, is a gentle exploration of the power of self-love and the healing and guiding qualities of nature; themes which she explores further on her recent single ‘Dead Ends’.

“I wrote this song after finishing a meditation that involved seeing my footprints in the sand from above,'” Holly comments about the track. “It got me thinking about my life as one big journey with all these powerful detours along the way – some paths you start on but never continue, just as some parts of yourself remain unexplored. It’s about questioning the choices you make and reflecting on how they shape your future in ways you can’t always predict or control.”

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Holly to ask about her “Five Favourites” – and she picked five Irish artists who have inspired her songwriting techniques. Check out her choices below and scroll down to watch the video for Holly’s latest single ‘Dead Ends‘ at the end of this post…

 

1. Rachel Lavelle – ‘Eat Clean’
‘Eat Clean’ stands out as my favorite track from Rachel Lavelle’s debut album, Big Dreams. Witnessing her perform live is an experience like no other – her stage presence is hypnotic. She has a real talent for world-building, and I’m excited to see her artistic journey unfold.

2. Maria Somerville – ‘This Way’
Maria Somerville’s album, All My People, is one I go back to. I first listened to this when I moved back to Ireland after studying abroad, I remember being so impressed it was an Irish person haha (I was not in touch with the music scene here then). I just love the record, it really takes you somewhere else. She’s someone I really wanna see play live!

3. EFÉ – ‘Truth Truth’
This is a new find for me that came up on my TikTok for you page. All I can say is I’m in x

4. Coolgirl – ‘Gaussian Blur’
Coolgirl aka Lizzie Fitzpatrick is an amazing musician and person. I’ve had the honour of playing with her in the past. She has so many musical projects on the go. She was in Bitch Falcon, now Coolgirl, 7of9 and a new band called Dose – it’s all so good – follow her!

5. Saint Sister – ‘Irish Hour’
I loved the Saint Sister record, Where Should I End, released in 2021, it’s a beautiful listen. I’ve also had the pleasure of hearing some of Morgana’s solo music recently, and can’t wait for that to be released!

Thanks to Holly for sharing her favourites with us.

Watch the video for her latest single ‘Dead Ends’ below.

Follow Holly Munro on bandcamp, Spotify, X, Instagram, TikTok & Facebook

Photo Credit: Kate Lawlor

FIVE FAVOURITES: Softcult

Formed of twin siblings Phoenix and Mercedes Arn Horn, Canadian duo Softcult have had a busy few years touring extensively with the likes of Incubus, Movements and MUSE, as well as releasing a trio of excellent EPs: Year Of The Rat (2021), Year Of The Snake (2022), and See You In The Dark (2023). Now, the pair are gearing up to release a new collection of songs, titled Heaven, which they’ll be sharing on 24th May via Easy Life.

With their shimmering guitar tones, swirling FX and atmospheric dual vocals, Softcult provide their listeners with welcome moments of respite from the pressures of everyday life. With tracks that touch on issues of body image and self esteem, to anthems that advocate for gender equality and anti-capitalism, the duo’s musical ethos is rooted in a desire for a better world than the one we currently exist in. This is the thread that connects the tracks on their upcoming EP, Heaven.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with guitarist and vocalist Mercedes to ask about her “Five Favourites” – five tracks that have inspired Softcult’s songwriting techniques. Check out her choices below and scroll down to listen to Softcult’s latest single ‘Spiralling Out‘ at the end of this post…

 

1. Radiohead – In Rainbows
I can’t say enough about how much this album has influenced me. Since I first heard it I fell in love with Johnny Greenwood’s guitar work, Colin Greenwood’s basslines, and of course Thom Yorke’s hauntingly beautiful vocals and lyrics. It changed the way I think about groove, opening new possibilities on how melodic instruments interact with percussion, and creating melodies that stand alone yet fit together like the intricate pieces of a puzzle. Easily one of my favourite records of all time.

2. The Sundays – Reading, Writing & Arithmetic
This album is so enchanting and captivating for me. I’m drawn in by Harriet Wheeler’s delicate and dreamy vocals and David Gavurin’s shimmering, jangly guitars. Together they create an atmosphere that beautifully captures emotions like ebullience and pensiveness and balances them in such an introspective way. It’s very intelligent music that is also easy to listen to, which is a rare combination. It’s influenced my vocals and melody writing, as well as my guitar style and tone on our dreamier songs.

3. Deftones – Diamond Eyes
Deftones have SO MANY incredible albums, so it’s really hard to choose a favourite, but I think Diamond Eyes is one I keep coming back to because I love the dichotomy of heavy, crushing guitar and atmospheric, heavenly shoegaze ambience. Chino Moreno sings with such angst, yearning, and sort of this agonizing lustiness that I haven’t heard from any other vocals. It’s so expressive. It captures a very specific mood. It definitely has influenced our music in a big way.

4. Cocteau Twins – Head Over Heels
Again, just a huge influence on us in terms of atmosphere, guitar tones, vocals, and overall ambience. This record was so ahead of its time. I think it shaped the sound of dream pop and shoegaze a decade before that scene really bloomed. This record is enchanting and mesmerizing for me. It has a mystery to it. Elizabeth Fraser’s vocal style is a huge influence on me, as well as Robin Guthrie’s guitar style. I don’t think ‘Love Song’ would exist if I’d never been exposed to this album.

5. Bikini Kill – Pussy Whipped
While this album definitely has a different sound than anything Softcult has ever been influenced by musically, I cannot deny that I am deeply inspired by the lyricism and ethos of Kathleen Hanna. Kathleen is the woman who essentially founded the Riot Grrrl movement and zine culture in the feminist punk scene. Her activism through music is what inspired me to be in a band and to use my art to empower people, specifically women, non-binary and trans people.

I honestly try to channel her when I’m on stage, no matter how nervous I might feel. Her ability to channel righteous feminine rage and power into a movement that continues to fight for equality is nothing short of inspiring. We are HEAVILY influenced by Bikini Kill’s fiercely cutting and poignant lyricism as well as the riot grrrl aesthetic and culture that they founded in the 1990s.

Honourable Mention: My Bloody Valentine – Loveless
I feel it would be remiss if I didn’t also include My Bloody Valentine’s album in this list. Sorry, I know we were supposed to only pick five! But this album has so greatly shaped my guitar playing and Phoenix’s production in terms of creating a wall of sound with macerating fuzz into reverb the way Kevin Shields does. I just have to mention it or I couldn’t live with myself.

Thanks to Mercedes for sharing her Five Favourites with us!

Watch the video for Softcult’s latest single ‘Spiralling Out’ below
Pre-order Softcult’s upcoming EP, Heaven, here

Follow Softcult on bandcampSpotifyInstagramFacebook & X

Photo Credit: Kaylene Widdoes

Kate Crudgington
@KCBobCut