FIVE FAVOURITES: Muna Ileiwat

London-based, New Jersey-born songwriter Muna Ileiwat creates tender indie pop tunes that are a blend of soft vocals, shimmering electronics and steady beats. Her debut EP, Twenty-Seven, released today (19th Aug) via Fear of Missing Out Records, explores the fluctuating nature of relationships in all their forms, and the resilience and freedom that comes with creating art for arts sake.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Muna to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for ‘Pity Party’ at the end of this post.

 

1. Ms. Lauryn Hill – ‘I Find It Hard to Say (Rebel)’
This song made me want to learn guitar and start writing my own music. When I started guitar lessons I learned classical music. At the end of each lesson, my teacher and I would spend a bit of time learning a “pop” song. This was the first song I chose. I heard Lauryn Hill’s MTV Unplugged album a lot when I was young (my dad owned it on CD). I’m not really into live albums except this one I love. I’ve come back to this song throughout my life. It’s not a conventional structure and the lyrics are stunning. The song’s nearly 7 minutes long, but every time I listen to it, it feels like half the time, probably because it’s so moving. Lauryn Hill’s performance is so raw. Once I was old enough, I discovered the song was about the murder of Amadou Diallo.

2. Yeah Yeah Yeahs – ‘Maps’
An indie gem. I have such a soft spot for Karen O, she’s so badass! Yeah Yeah Yeahs were one my first introductions to indie music (this song in particular). There’s something so understated and vulnerable about the chorus line – “wait, they don’t love you like I love you”. It’s hard to convince me that a guitar solo is ever cool, but Nick Zinner’s solo in this is very cool. I got so wrapped up in the story behind this song. Music is so much about storytelling. You get a unique perspective into the deepest parts of people’s inner emotional states, the things people want to talk about, but just don’t know how. In the music video, Karen O is apparently crying real tears because her boyfriend was hours late to the shoot, right before her tour. There’s speculation that the song title is an acronym for ‘My Angus Please Stay’ and even though Karen O has never confirmed it, this kinda makes me love the song more. It really hurts. You feel her disappointment when the person you love can’t show up for you in the ways you need.

3. Selena – ‘Como La Flor’
I spent my early childhood in the US and Selena was always on the radio. I can’t begin to explain how much I love her and what she represents. Her outfits – incredible. Her voice – flawless. Her stage presence – mesmerising. Her music crossed cultural boundaries. That’s so powerful. Her iconic performance of this song at the Astrodome can bring me to tears. I’ve watched that performance a billion times. She was so talented. Her music is a nostalgic part of my childhood.

4. Solange – ‘Losing You’
The synths, chord progression, harmonies, production, the video – I love this song! It’s so fun! It’s melancholy cloaked in catchy hooks. I love the simplicity of the lyrics. Nothing is hidden under metaphors. I find songwriting like this bold. You can’t disguise your vulnerability under fancy wordplay. It’s direct. I’m a big Dev Hynes fan so the fact that he co-wrote this explains why it’s so goddamn good. I’ve always appreciated Solange’s holistic approach and commitment to her art. The video manifests a sense of community. It reminds me of Curaçao and that island life.

5. Robyn – ‘With Every Heartbeat’
I’ve always admired Robyn’s songwriting. She’s so inspiring and her music is so cathartic. This song has everything you need – a sweeping orchestra and driving beat. The lyrics are a perfect blend of hopefulness and devastation, particularly in the chorus. Robyn is so good at finding that balance, and nothing hits like a pop song about the realisation that you have to leave someone behind even though it hurts. I dream, and will continue to dream of writing a Robyn equivalent one day.

 

Thanks to Muna for sharing her favourites with us! Watch her video for ‘Pity Party’ below.

Pre-order Muna Ileiwat’s debut EP, Twenty-Seven, from Rough Trade here

Follow Muna Ileiwat on Apple Music, Spotify, Twitter, Instagram & Facebook

Photo Credit: Guy Gotto

Kate Crudgington
@KCBobCut

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Track Of The Day: Muna Ileiwat – ‘Pity Party’

A lo-fi indie pop gem that gently shrugs off the frustrations caused by someone else’s “bad behaviour”, London-based, New Jersey-born songwriter Muna Ileiwat has shared her latest single ‘Pity Party’. Taken from her debut EP, Twenty-Seven, which is set for release on 19th August via Fear of Missing Out Records, the track is a hazy blend of soft vocals, shimmering electronics and steady beats over which Muna calmly refuses to take on extra emotional labour.

After going through a break-up at the start of the pandemic, Muna avoided screens and social media and turned to songwriting in order to process her emotions. The result is her debut EP, which explores the fluctuating nature of relationships in all their forms, and the resilience and freedom that comes with creating art for arts sake.

“I was trying to not be too precious about my songwriting or my art in general. It’s hindered me in a lot of ways in the past –– writer’s block that eventually turns into existential creative anxiety,” Muna explains. Her latest single ‘Pity Party’ is a natural product of this mindset. Inspired by an event that happened on the last night of her twenty-seventh year, the track is a quietly confident ode to self-autonomy.

“That year marks a time when I became somewhat of an open book,” Muna explains further. “I had no time for people’s bullshit and decided I was just going to start tackling life with 100% conviction.” This conviction is explored through lilting keys and Muna’s clear, cutting lyrics on ‘Pity Party’. Muna will be celebrating the release of her debut EP with a live show at The Shacklewell Arms in Dalston on 19th August.

Watch the video for ‘Pity Party’ below.

Pre-order Muna Ileiwat’s debut EP, Twenty-Seven, from Rough Trade here

Follow Muna Ileiwat on Apple Music, Spotify, Twitter, Instagram & Facebook

Photo Credit: Guy Gotto

Kate Crudgington
@KCBobCut

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Track Of The Day: Maria BC – ‘Good Before’

An atmospheric rumination inspired by the joy you can find in a moment of spontaneity, Maria BC has shared their latest single ‘Good Before’. Taken from their debut album Hyaline, which is set for release on 27th May via Fear Of Missing Out records in the UK, the track is an uplifting, ambient offering that sees the songwriter embrace a sudden influx of new inspiration.

Following on from their dreamy debut EP Devil’s Rain (2021), on Hylaine, Maria BC has created another tender collection of songs that “Let the world wash over you…rather than trying to pin it to one single thing.” This immersive quality was captured beautifully on previous single ‘The Only Thing’ but ‘Good Before’ filters these tendencies through a slightly poppier lens, whilst retaining their soothing vocals and tentative guitar picks.

“I wrote ‘Good Before’ in 2019, before any of the other songs on Hyaline — and before any of the songs on Devil’s Rain, for that matter,” Maria explains. “I put it away for a while because I thought it was too poppy, but eventually I got over that. Now it holds a special place in my heart. Some of the lyrics came to me on the highway, when the sun was starting to rise, and I was running on no sleep, just Dunkin’. It’s unusual for lyrics to come to me ~in the wild~ like this. I like to block out time to sit in a spot and write. That’s just my style. When inspiration comes to me out of nowhere, I’m immensely grateful.”

Listen to ‘Good Before’ below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Ulysses Ortega

Kate Crudgington
@KCBobCut

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Track Of The Day: Maria BC – ‘Adelaide’

An ambient reflection on disconnecting from the world before finding your way back to it again, Brooklyn-based musician Maria BC has shared their debut single ‘Adelaide’. Taken from their upcoming EP Devil’s Rain, which is set for release on 5th February 2021 via Fear of Missing Out Records, the track is a blissful, lo-fi meditation on breaking introverted thought cycles.

“A friend of mine used to work as a museum guard,” Maria explains about the inspiration behind their new single. “Guests would almost never ask her questions, so she had a lot of downtime. She would spend hours building ‘memory palaces’ which are a mnemonic device that have helped some people to achieve total autobiographical recall. My friend would spend six, seven hours a day making these palaces. When she told me about this, another friend of mine said, ‘Aren’t you worried about getting lost in your interiority?’ And I thought, ‘damn, that’s so true’. I’ve seen that happen to so many people. It’s happened to me many times — this feeling that I’m stuck in the architecture of my own ego. ‘Adelaide’ isn’t about my museum guard friend — it’s a song addressed to a depressed version of myself, or someone who needs a hand to pull them back into the social world.”

Maria’s metaphorical hand is extended via soft guitar sounds and hushed vocals on the single. “I don’t want to tell you this,” Maria tentatively remarks before carefully unfolding their thoughts over four minutes of ambient sounds. Recorded in Maria’s apartment through April and May of 2020, ‘Adelaide’ is an intimate, soothing offering and a revealing insight into what’s to come from this talented emerging artist in 2021.

Listen to ‘Adelaide’ below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook for more updates.

Photo Credit: Sergio Gutierrez

Kate Crudgington
@KCBobCut

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