Five Favourites: Julia Church

Having recently graduated from Liverpool Institute for Performing Arts, and even working on a one-to-one songwriting session with Sir Paul McCartney, South African artist Julia Church is both a talented songwriter and producer.

Crafting electronic production together with real instrumentation, she has now shared her brand new single ‘Tremble’. Manifesting the power of desire, it flows with the subtle power of Church’s emotion-strewn vocals as sweeping melodies and luscious musical layers build to an anthemic slice of sparkling pop with a euphoric, soulful groove. Of the track, Church explains:

It’s about the thrill and intrigue of a budding relationship, being in the moment and completely losing yourself with someone who makes you feel something totally new and exciting.”

 

To add more context to Julia’s work, we asked her to discuss her Five Favourite songs or albums, and how they’ve influenced her. Read all about her choices below:

Little Dragon – ‘Twice’
I think this song is so clever and haunting in the way that it never resolves. There is this palpable tension that builds throughout the song and never stabilises – and I love that. This song made me fall in love with the simple piano/vocal combination, and proves that great songs are often the ones that are the most simple. The lyrics are also bizarrely beautiful and it inspired a song I wrote called ‘Shiloh’, which will be out later this year. 

Bon Iver – ‘I Can’t Make You Love Me’
This was the first bit of music that ever made me cry. I watched the video of Bon Iver performing it at the piano and was so taken aback by the way it made me feel. I heard it at a point of my life where I was feeling pretty vulnerable and, up until then, I had never heard something more relatable that just made me feel understood. The song was a classic long before Bon Iver covered it, but there was just something about Justin Vernon’s raw and powerful vocal on this that took me somewhere else and made me want to write songs forever.

James Vincent McMorrow – Post Tropical (album)
When I look through the discography of this album, I am instantly reminded of little moments in my life that are so intertwined with these songs. To me, this album represents my late teenage years and a strange but fundamental chapter of my life. Every song has such depth and purpose and ‘Cavalier’ and ‘Red Dust’ are probably two of the most nostalgic songs to me ever!

Leon Bridges – ‘Shy’
This song is so simple but genuinely one of the most addictive pieces of music I’ve ever heard. It’s so well written and to-the-point, plus Leon Bridge sings so damn beautifully and with such soul. He’s a big inspiration to me, especially when it comes to songwriting but this is hands-down my favourite song of his. It’s one that I will probably listen to for the rest of my life and never get tired of. Also the little guitar riff that repeats throughout is so tasteful and groovy.

Jamie Woon – ‘Sharpness’
I swear the first time I heard this I wanted to scream. I can whole-heartedly say that I have never found a groove to be more infectious than that of ‘Sharpness’. Jamie Woon and his band are all such phenomenal musicians and the arrangements of his songs are total genius, but this one is just next level in my opinion. This song has influenced my production and drum programming in particular, it makes me want to be a better producer and I truly admire artists who have that effect on me.

Big thanks to Julia Church for sharing her ‘Five Favourites’ with us. Her new single ‘Tremble’ is out now.

Five Favourites: Grawl!x

Having previously received acclaim for their previous three albums, including last year’s Appendix, Derby-based Grawl!x, aka James Machin, has now shared their bewitching new single, ahead of playing at Indietracks festival later this month.

A collaboration with Umbilica’s Jo Lewis, ‘Epicene’ is a soaring, cinematic soundscape exploring discussions of gender, sexuality, feminism and the role of allies. Flowing with twinkling electronic hooks and spellbinding harmonies, it’ll send shivers down the spine, oozing its poignant, sweeping emotion. Of the track, Machin explains: “… [gender] is an issue I’ve wanted to explore in a musical dialogue for quite some time. It’s quite alarming when you realise how great the gender disparity is and how our culture is divided in binary terms.”

We think one of the best ways to get to know a new artist is by asking them what music inspired them to write in the first place, so we caught up with James to talk about their ‘Five Favourites’. Identifying as non-binary, they have recently started performing as ))Maria(( too, and so has chosen five inspiring tracks that reference or subvert gender in some way. Check out their choices below, and watch the new video for ‘Epicene’ at the end of this post.

Anna Meredith – ‘Varmints’
In life, one is rarely afforded the opportunity to have a proper “WHAT
THE F**K AM I LISTENING TOO?!!” moment, but this was definitely one of them. A DJ friend of mine Russell played this at a local bar called Sudz &
Soda, and I was just blown away. It has such a majestic, foreboding
quality. Even when the beat drops, you don’t quite know whether to Dirty
Wine Squat or crumple into a husk of tears. Strictly speaking, I don’t
think it’s about gender but given the lack of vox, it could be! This definitely inspired our song ‘Epicene’. Meredith is an incredible composer
who never fails to make me feel like a backwards country bumpkin’
creatively speaking.

Princess Nokia – ‘Tomboy’
What a banger!! I asked my pal Ruth Hindle (who did the artwork for
‘Epicene’ as it happens) what the kids were listening too. She said she
didn’t know, but gave a lovely list of grime & trap tracks she likes. I
love this track so much. Princess Nokia just seems like such a strong role model.
Apart from embracing that age old gender stereotype with thoughtful
lyrics; she does it such aplomb and fun, it’s impossible to resist.
Although, dancing to this, a person of my age tends to
silence my desire to yell “my little titties & my fat belly” at the top
of my lungs. Awkward!!

Michelle Gurevich – ‘I’ll Be Your Woman’
ANOTHER friend of mine turned me onto this. Come to think of it, all my
friends tend to have pretty great taste! Gave me some proper Lynchian
chills. This song is just sooooo sultry, and the imagery masterfully plays with
gender assumptions, albeit in a slightly off-kilter kinda way. Her voice
is super androgynous too and, being non-binary I just love the both-ness of
it all. Top job Chinawoman!!

Charli XCX – ‘Boys’
Considering how crazy popular she is, it’s probably somewhat unnecessary
for me to help out, but I just love this song so much! Despite being everywhere, I missed it when it first came out then found the video on YouTube and had to rewatch it several dozen times. Once I got over how fun and lovely and
saucy it is, I then realised how clever and sparse the composition was with the 8bit business at work. Really amazing production. BANGER!!! And, although in the context of this list, it doesn’t so obviously subvert gender (the title clearly defines that), the idea of kinda objectifying men is done really well, and switches things around a bit.

SOPHIE – ‘Infatuation’
Speaking of amazing production, here is someone who again is properly
taking electronic music to a new level. By virtue of her current status,
I think she is helping change folks’ perceptions about gender. I could
have picked any off the record but this track is my favourite, mainly because
of the opening chords. Quite melancholy – what I’m a sucker for. It takes
you on a proper sonic traverse somewhere horrifically pretty. YAYAY!!!

Massive thanks to James for discussing their Five Favourites with us!

‘Epicene’ is out 19th July via Reckless Yes. Watch the new video here:

 

FIVE FAVOURITES: Sarasara

One Little Indian Records signee Sarasara is set to release her second album Orgone on the 5th of July which she co-produced with Liam Howe of label-mates Sneaker Pimps (Nülifer Yanya, FKA Twigs, Tom Vek, Lana Del Rey) and it looks set to be a versatile, experimental delight.

Sung mostly in French and dealing with themes of suicidal thoughts, existentialism and meditation, Sarasara moved from Paris to Margate at the beginning of 2018 to write her new record, which features collaborative tracks with Peter Doherty of The Libertines. We caught up with Sarasara ahead of her headline show at St Pancras Old Church on Thursday 4th July (tickets here) to talk about her “Five Favourite” albums – five albums that have influenced her songwriting techniques. Check out her choices below…

1. Malik Djoudi – Cinema
I’ve discovered Malik’s music recently when he played with me in New York at France Rocks festival, the very first show of my Orgone tour. I fell in love instantly, his live show was so good and his songs so catchy. Me and my team are currently touring in Asia and Europe and we’ve been listening to him like crazy people. His definitely part of our tour playlist.

2. ASAP ROCKY – Testing
I love a bit of American rap & hip hop sometimes. I think this one is a bit of a UFO, I look forward to it every-time I listen to Testing, the album, I love the vibe, it takes you back to America. I would love to work on a rap project at some point, I have absolutely no idea how, but I love the idea of a new challenge, it’s exciting.

3. Tricky – False Idols
I’ve always been a fan of Massive Attack, Tricky solo projects included, and it is an absolute honour to have had my production sound compared to his, but it was never my plan when I started to write music. Lately, I’ve been thinking there’s probably something for me to learn from this because it keeps coming up, and I’ve been digging into his old albums again. False Idols and Adrian Thaws are two masterpiece albums for me. ‘Parenthesis’ is one of my favorite songs ever.

4. Garbage – Garbage
I’ve been listening to Garbage since I was a teenager. I discovered them when I was maybe 12, 13 years old, via Buffy the Vampire Slayer series, Shirley Manson was playing a gig at the Bronze, which is the music venue where the Scooby gang goes every night. It made me want to dig into their music. Then I discovered Garbage and Garbage 2.0 which are two brilliant albums. At that time for me, Shirley Manson was really impressive and I was seeing her as a role model, a powerful front woman, a rebel. She was singing boldly, screaming stuff like “Make the beat go harder”, wearing crazy outfits in crazy music videos. That’s what I was feeling like at that time, rebel and raw. I remember I got kicked out of school for several days because I arrived there one day with bright pink hair, nose piercing and massive boots, I just wanted to look like her but teachers thought it was “a bit much” . Anyway, I heard the song ‘Milk’ several times randomly while on tour, so I’m listening to the album G again.

5. MONOLOC – Drought
I’ve got a thing for dark techno. I’ve been following Sascha since his debut on Chris Liebing Recordings. I love his way of incorporating techno music and his aesthetics. I can feel soul in his productions, there’s the dark and raw side, but there’s also always a touch of gentleness somehow. I love the combination of both. I think he definitely stands out from the crowd. I am really honoured and proud that he remixed my single ‘Blood Brothers’, first extract of my upcoming album Orgone, the result is stunning. I can’t wait for it to be released.

Thanks to Sarasara for sharing her choices with us. Follow her on Facebook for more updates.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: CRONICLE

Swedish artist CRONICLE may have cut her teeth playing in punk-pop band Tantrum to Blind, but now she’s exploring her song-writing talent through the medium of brooding electronica. CRONICLE (aka Melanie Mohlkert) has shared three singles to date, with her most recent offering ‘Bruises’ focusing on the aftermath of a relationship.

We think one of the best ways to get to know a new artist is by asking them what music inspired them to write in the first place. We caught up with CRONICLE to ask her about her “Five Favourites” – five albums that have influenced her songwriting techniques. Check out her choices below, and make sure you listen to her track ‘Bruises’ at the end of this post.

 

1. Taking Back Sunday – Where You Want To Be
Taking Back Sunday is the band I still call my favourite band of all time. It’s kind of funny actually, because the first time I heard one of their songs I was like “What the hell is this noise?” but I was 13 years old and my (really cool) cousin who’s just one year older than me was super into them, so I was intrigued.

Then diving into their music opened up a whole new world for me. I was already a big fan of bands like Nirvana, The Offspring, Millencolin and Good Charlotte, but these guys were just something else. Their angsty and raw vocals with intense, emotional lyrics that literally have no filter at all, backed with sick guitar riffs and energetic drums just made me FEEL so much. It was like an amplifier to your heart and soul at that age and to be honest, it still is. I love this band so much. I feel like their way of phrasing what you want to say in lyrics, their guitar riffs and emotion will always be one of the core pedestals in me as a songwriter. Being able to show how you can be hurt and vulnerable with your music but at the same time saying “f*ck you” is definitely something they taught me about, and I’m forever grateful for that.

2. Ellie Goulding – Halcyon Days
This album is f*cking incredible. I actually can’t remember when I came across it first, I think it might have been that I fell in love with Ellie’s song ‘Figure 8’ and after that, checked out the whole album and damn, I couldn’t stop listening to it. It definitely was my first proper introduction to the electronic pop world and those kind of soundscapes. I think there are parts of this album that are pretty similar to the whole emo alternative rock elements I’m so in love with. To be honest ‘Figure 8’ would make a sick emo rock song, but here the electric guitars are kind of replaced with heavy synthesisers instead. I think that’s what I fell for. I also love, love, love the vocal production, how her voice is often used as an instrument. Then there are these rough organic sounding instrumentals, mixed with amazing electronic sounds. Ellie has generally really inspired me and been a big role model as the badass female solo artist that she is. I’m not a huge fan of the direction she’s taken musically over the last few years, but she’ll always have place in my heart.

3. K.Flay – Life As A Dog
I think it was in 2014, when my band had split up and I started getting really into electronic music that some friends of mine sent me a link to K.Flay’s tunes. They had just been doing Warped Tour in the US and got to know her because she was playing the festival too. They were like “Mel you’re gonna LOVE this chick” and oh my, they were right. I was hooked by the first synth that hit my ears in ‘Make Me Fade’ and K.Flay’s amazing whisky voice, smart, full of attitude lyrics and awesome beats. There’s also some electric guitars and bass, cutting through the production here and there and it’s simply a mix of everything I love.

The fact that she’s this awesome smart rapper just makes her pretty much royalty to me. Her Majesty K.Flay – the Queen of everything. I was at her first ever London show when she supported Lights and nobody really knew who she was. I had brought some friends with me who really dug her too after my passionate introduction and we were in the back of the room, jumping and singing along to her set. Her manager caught our little private party in the crowd and had to come up and ask how we knew about her. Then the craziest thing of this story here is that I actually got to support her when she had her first headline show in London and that was my first ever Cronicle show!

4. Twenty One Pilots – Blurry Face
I remember seeing ads on YouTube for their music videos and I thought to myself that there was just something really cool and real about them. After checking out the album I was a fan for life. I feel like I’ve always been really drawn to artists who are genuine and speak the truth in their music and these guys definitely do that. They also know how to write BANGERS. This is my “pick me up” album. It’s the one that I turn on loud as f*ck in the morning to get me going, to get my mood right for the day. I also love driving (read speeding) and skating to it. They are incredible musicians, performers and Tyler’s lyrics are just something else.

I will forever regret that I missed Reading Festival a couple of years ago when they played it. I was sat home behind my laptop watching their set online and even just through the 13” screen their show was absolutely mind-blowing. I also really respect how much hard work they’ve put into their career in terms of playing shows, touring so much of the world before they “made it”. They’re the real deal and I’m stoked to see how huge they are today, it gives hope to someone like me.

5. Lana Del Rey – Born To Die
What can I say, how can you not love this album? Lana is an incredible songwriter and she really knows how to drag you into her world and turn you into an addict. This album is the soundtrack to my summers spent broken hearted and lost. It made them more beautiful somehow. I’m so captivated by her voice and lyrics and again, the production is a mix of organic instruments and electronic elements – my favourite thing. Lana is sharing sadness and pain in a proud way and there’s just something so empowering about that. I feel proud to be a woman with a broken heart not afraid to share my deepest pain because of her.

Thanks to Melanie for sharing her favourites with us!Follow CRONICLE on Facebook for more updates.

Kate Crudgington
@KCBobCut