Five Favourites: Dude York

Set to release their new album next week, Seattle trio Dude York pay tribute to adolescent romance and early noughties ‘mall punk’ with their whirring scuzz, catchy jangling hooks and gritty vocals. And we cannot get enough.

We think one of the best ways to get to know a new band/artist is by asking them what music inspired them to write in the first place. We caught up with Claire from Dude York to talk about her ‘Five Favourites’ – five songs or albums that have influenced her songwriting techniques, or simply take her back to a specific feeling or time. Check out her choices below, and make sure you watch the band’s new video for ‘Should’ve’ at the end of this post.

Jimmy Eat World – ‘Your House’
This is one of my absolute favourite songs and Jimmy Eat World in general was a big influence for me on our new record. Play this song very loud driving somewhere sentimental in your car, you might feel feelings! Our single ‘Falling’ is kind of about falling in love in your late 20s to the soundtrack of your early teens, and it’s supposed to start as a sonic reference to this song (and a lyrical reference to Dashboard Confessional if anyone is keeping track). I think there’s a lot to admire about this band; I love how expressive Jim Adkins’ voice is without being cloying, and the way he uses harmonies really intentionally and loud. Bleed American in its entirety is a pop record that can’t or at least shouldn’t be pigeonholed, it moves through totally different sounds seamlessly. They are masters of wordless bridges and hooks, so good lyrics would probably just mess them up. I have also done the important experimental research on a few tours now: If you wear a Jimmy Eat World shirt you will only meet nice people and have pleasant conversations, it’s a good energy.

No Doubt – ‘Sixteen’
I remember listening to this song with fresh ears when I was first starting to make music which required a.) figuring out how to sing and b.) figuring out how to write harmonies. The first 30 seconds stopped me dead in my tracks when I realized Gwen Stefani’s basically just yelling? In key? And it actually sounds amazing?!? At the time I didn’t have much of a singing range basically because I was afraid to be loud or sound bad at all before getting it right, but I loved how these harmonies sounded so I tried singing them alone in the car or the basement to see if it was even possible to hit that note and when I did it I felt like I had unlocked a superpower. It’s hard to choose a No Doubt song though, so I have to give honourable mention to ‘Simple Kind Of Life’ for having some of the most inspirational lyrical honesty and delivery for me. I always felt it was a special song in that way, but revisiting it this year at the same age she wrote it (and let’s just say during my Saturn return, although I think it may have been a few months late), it hits me that much harder. When she says “you seem like you’d be a good dad” you can actually hear the smirk on her face and it’s the best.

Yuck – ‘Operation’
I just love so much about how this song sounds. I’m not always drawn to vocals being mixed way down or being so fuzzy you can barely tell what they’re saying because it can feel intentionally buried, but in this song everything has enough space to be appreciated. The vocals are just another fuzzy instrument, not more or less important in the melody than the guitars and it all trades off with every section elevating into the next effortlessly. So I guess what I’m trying to say is, I think this song is (bad pun intended) well designed. And just really good.

Weezer – ‘I’m Your Daddy’
Weezer is a huge influence on me and sure, maybe I wouldn’t even play guitar if it wasn’t for “the early stuff” but that’s not as funny as this song. I’ve had a side project Weezer cover band for MANY years (despite only playing something like 5 shows) with a very specific premise: we play only songs the casual fan has never heard of and the serious fan hates. Usually, if I’m getting ready for one of these shows I’ll be playing the songs at Dude York practice and Peter or Andrew will say “what’s that?” and I’ll say “Goat Reward” and they’ll say “oh” or “maybe it should be a Dude York song?” and usually it’s too hard to divorce myself from the source material to even consider it, but I have to admit I did it with this song! I don’t remember whether it was before or after that but around the same time I heard the Rivers Cuomo episode of Song Exploder and he described doing essentially the same thing as part of his song writing process, copying something from a song he liked and then distancing himself and intentionally hiding the source material until he can’t remember where it came from, revisiting it and writing a new song around it. So that’s how I know it’s ok. He wouldn’t mind, he does it too.

Josie and the Pussycats – The Original Motion Picture Soundtrack
This movie came out when I was 11 years old and every single one of my friends had the soundtrack, knew every word, and we were all saying the same thing back and forth to each other, “Why isn’t this a real band? Why is this so much better than any real bands? Why can’t whoever made this soundtrack just become a real band because this is probably so much better than whatever they are doing right now?” This is obviously the narrow view of a pre-teen with limited googling ability in 2001, but in retrospect I think there was still some truth in it. The soundtrack really resonated with me at the time because the idea of this band from the movie coupled with the songs to back it up hit a sweet spot between the energetic sound of the dude rock bands on the radio I was leaning towards and the feminine energy I could actually relate to. That’s not to say those bands didn’t exist and thankfully I think there are more now than ever, but at the time it was hard for me to find anything that satisfied quite like Josie. We played a halloween covers show in 2014 where we dressed up as the Pussycats and played three of the songs and it was so fun. They were just fun to play and sounded great! Or at least I think they did, there’s no video evidence and it was a DIY show… But I think it re-opened the door to those songs in my mind, there’s no reason why bands like Josie and the Pussycats can’t be real. 

Massive thanks to Dude York for sharing their awesome Five Favourites with us! 

Falling, the upcoming album from Dude York, is out 26th July via Hardly Art. Watch the video for latest single ‘Should’ve’ here:

Five Favourites: Sui Zhen

Set to release her upcoming third album in September, Melbourne artist Sui Zhen has recently captivated our ears with latest single ‘Perfect Place’. Inspired by how we exist in the digital age, the track flows with glitchy, playful beats and twinkling, ‘80s-inspired hooks alongside Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop.

We think one of the best ways to get to know a new band/artist is by asking them what music inspired them to write in the first place. We caught up with Sui to talk about her ‘Five Favourites’ – five albums or tracks that have influenced her songwriting techniques, or simply take her back to a specific feeling or time. Read about her choices here…

Strawberry Switchblade – Strawberry Switchblade 
This album has been a staple in my record bag since it was gifted to me by a friend in Koenji, Tokyo. I love how the songs are naive and saccharine but sad and melancholic underneath, expressed in a synth-pop style with layered reverberant vocals reminiscent of an upbeat Cocteau Twins. My favourite is the banality captured in ‘Who Knows What Love Is’ – it’s totally nostalgic for a crush that once was. It reminds me of the first time I smelt the pages of Dolly Mag, peeling back the ‘Sealed Section’ section. I enjoy the instrumental arrangements and danceable aspect of this kind of pop music and love to mix this in a set to get people feeling warm and fuzzy.

The Eurythmics – ‘Love Is A Stranger’
It’s really difficult to choose songs by Annie Lennox – my Mum loved her music, so her solo albums Diva and Medusa hold a very special place in my heart, but for me it would have started with The Eurythmics – ‘Love Is A Stranger’. I don’t know how many times I have listened to this song, particularly the part “And it wrenches you up and you’re left like a zombie!” when her voice is wild and so expressive, but the beat remains hard, driving yet restrained. The hooks feel so natural – it’s the kind of songwriting I aspire to make someday. I also love how the track just fades out. Like, seeya my job here is done.

Antena – Camino Del Sol
I think the first moment I properly was able to hear how I could complement my songwriting style with drum machine beats came with listening to Antena over and over. Prior to that I experimented with electronic production based on the music I enjoyed hearing at clubs, but couldn’t work out the best approach when I would go to work on something. An audience member told me to check Isabelle Antena’s music because they thought it would be a good reference point, but I couldn’t easily find it at the time (mid-2000s). It wasn’t until I started record shopping in Japan that I was able to connect more with the ‘neo-folk’ synth-pop of Antena and other artists like Anna Domino and Scribble. The bossa nova style guitar over a thumping kick is something I have carried into my productions thanks to this band.

CAN – ‘Future Days’
This is literally my go to take-off music. I listen to Can or Dunkelziffer when flying, there’s something about krautrock that settles me and helps me when drifting in and out of sleep. I find the stream of consciousness flow and spontaneity in the music so dreamlike and also very comforting, grounded in unfiltered expression. Emotion is throughout, but not the centrepiece, and I like that. There’s a free kind of optimism to this track too which makes it so listenable. 

Sugar Cubes – ‘Deus’
I absolutely slammed the Sugar Cubes in my teenage years. I had exhausted Bjork’s back catalogue from way too many listens and moved into her previous work and found I enjoyed it more on repeat listen. It had a bit more space, was a bit looser, less intensely emotional and uncomfortable. I love the pairing of male & female vocal in this track. I don’t listen to Bjork at all these days, even though at the time I thought there was no better artist. I remember trying to sing like her in the shower and Mum making fun of me for trying to do that iconic guttural thing. It was definitely around this time, aged fifteen, I subconsciously decided to pursue music.

Massive thanks to Sui for taking the time to discuss her choices. However, as she found it difficult to pick just five, we’ve also put together a little playlist of all the songs that she felt have impacted her work in some way – listen on Spotify now!

Losing, Linda, the upcoming album from Sui Zhen, is out 27th September via Cascine. Watch the video for latest single ‘Perfect Place’ below:

Photo Credit: Agnieszka Chabros

Five Favourites: Julia Church

Having recently graduated from Liverpool Institute for Performing Arts, and even working on a one-to-one songwriting session with Sir Paul McCartney, South African artist Julia Church is both a talented songwriter and producer.

Crafting electronic production together with real instrumentation, she has now shared her brand new single ‘Tremble’. Manifesting the power of desire, it flows with the subtle power of Church’s emotion-strewn vocals as sweeping melodies and luscious musical layers build to an anthemic slice of sparkling pop with a euphoric, soulful groove. Of the track, Church explains:

“It’s about the thrill and intrigue of a budding relationship, being in the moment and completely losing yourself with someone who makes you feel something totally new and exciting.”

 

To add more context to Julia’s work, we asked her to discuss her Five Favourite songs or albums, and how they’ve influenced her. Read all about her choices below:

Little Dragon – ‘Twice’
I think this song is so clever and haunting in the way that it never resolves. There is this palpable tension that builds throughout the song and never stabilises – and I love that. This song made me fall in love with the simple piano/vocal combination, and proves that great songs are often the ones that are the most simple. The lyrics are also bizarrely beautiful and it inspired a song I wrote called ‘Shiloh’, which will be out later this year. 

Bon Iver – ‘I Can’t Make You Love Me’
This was the first bit of music that ever made me cry. I watched the video of Bon Iver performing it at the piano and was so taken aback by the way it made me feel. I heard it at a point of my life where I was feeling pretty vulnerable and, up until then, I had never heard something more relatable that just made me feel understood. The song was a classic long before Bon Iver covered it, but there was just something about Justin Vernon’s raw and powerful vocal on this that took me somewhere else and made me want to write songs forever.

James Vincent McMorrow – Post Tropical (album)
When I look through the discography of this album, I am instantly reminded of little moments in my life that are so intertwined with these songs. To me, this album represents my late teenage years and a strange but fundamental chapter of my life. Every song has such depth and purpose and ‘Cavalier’ and ‘Red Dust’ are probably two of the most nostalgic songs to me ever!

Leon Bridges – ‘Shy’
This song is so simple but genuinely one of the most addictive pieces of music I’ve ever heard. It’s so well written and to-the-point, plus Leon Bridge sings so damn beautifully and with such soul. He’s a big inspiration to me, especially when it comes to songwriting but this is hands-down my favourite song of his. It’s one that I will probably listen to for the rest of my life and never get tired of. Also the little guitar riff that repeats throughout is so tasteful and groovy.

Jamie Woon – ‘Sharpness’
I swear the first time I heard this I wanted to scream. I can whole-heartedly say that I have never found a groove to be more infectious than that of ‘Sharpness’. Jamie Woon and his band are all such phenomenal musicians and the arrangements of his songs are total genius, but this one is just next level in my opinion. This song has influenced my production and drum programming in particular, it makes me want to be a better producer and I truly admire artists who have that effect on me.

Big thanks to Julia Church for sharing her ‘Five Favourites’ with us. Her new single ‘Tremble’ is out now.

Five Favourites: Grawl!x

Having previously received acclaim for their previous three albums, including last year’s Appendix, Derby-based Grawl!x, aka James Machin, has now shared their bewitching new single, ahead of playing at Indietracks festival later this month.

A collaboration with Umbilica’s Jo Lewis, ‘Epicene’ is a soaring, cinematic soundscape exploring discussions of gender, sexuality, feminism and the role of allies. Flowing with twinkling electronic hooks and spellbinding harmonies, it’ll send shivers down the spine, oozing its poignant, sweeping emotion. Of the track, Machin explains: “… [gender] is an issue I’ve wanted to explore in a musical dialogue for quite some time. It’s quite alarming when you realise how great the gender disparity is and how our culture is divided in binary terms.”

We think one of the best ways to get to know a new artist is by asking them what music inspired them to write in the first place, so we caught up with James to talk about their ‘Five Favourites’. Identifying as non-binary, they have recently started performing as ))Maria(( too, and so has chosen five inspiring tracks that reference or subvert gender in some way. Check out their choices below, and watch the new video for ‘Epicene’ at the end of this post.

Anna Meredith – ‘Varmints’
In life, one is rarely afforded the opportunity to have a proper “WHAT
THE F**K AM I LISTENING TOO?!!” moment, but this was definitely one of them. A DJ friend of mine Russell played this at a local bar called Sudz &
Soda, and I was just blown away. It has such a majestic, foreboding
quality. Even when the beat drops, you don’t quite know whether to Dirty
Wine Squat or crumple into a husk of tears. Strictly speaking, I don’t
think it’s about gender but given the lack of vox, it could be! This definitely inspired our song ‘Epicene’. Meredith is an incredible composer
who never fails to make me feel like a backwards country bumpkin’
creatively speaking.

Princess Nokia – ‘Tomboy’
What a banger!! I asked my pal Ruth Hindle (who did the artwork for
‘Epicene’ as it happens) what the kids were listening too. She said she
didn’t know, but gave a lovely list of grime & trap tracks she likes. I
love this track so much. Princess Nokia just seems like such a strong role model.
Apart from embracing that age old gender stereotype with thoughtful
lyrics; she does it such aplomb and fun, it’s impossible to resist.
Although, dancing to this, a person of my age tends to
silence my desire to yell “my little titties & my fat belly” at the top
of my lungs. Awkward!!

Michelle Gurevich – ‘I’ll Be Your Woman’
ANOTHER friend of mine turned me onto this. Come to think of it, all my
friends tend to have pretty great taste! Gave me some proper Lynchian
chills. This song is just sooooo sultry, and the imagery masterfully plays with
gender assumptions, albeit in a slightly off-kilter kinda way. Her voice
is super androgynous too and, being non-binary I just love the both-ness of
it all. Top job Chinawoman!!

Charli XCX – ‘Boys’
Considering how crazy popular she is, it’s probably somewhat unnecessary
for me to help out, but I just love this song so much! Despite being everywhere, I missed it when it first came out then found the video on YouTube and had to rewatch it several dozen times. Once I got over how fun and lovely and
saucy it is, I then realised how clever and sparse the composition was with the 8bit business at work. Really amazing production. BANGER!!! And, although in the context of this list, it doesn’t so obviously subvert gender (the title clearly defines that), the idea of kinda objectifying men is done really well, and switches things around a bit.

SOPHIE – ‘Infatuation’
Speaking of amazing production, here is someone who again is properly
taking electronic music to a new level. By virtue of her current status,
I think she is helping change folks’ perceptions about gender. I could
have picked any off the record but this track is my favourite, mainly because
of the opening chords. Quite melancholy – what I’m a sucker for. It takes
you on a proper sonic traverse somewhere horrifically pretty. YAYAY!!!

Massive thanks to James for discussing their Five Favourites with us!

‘Epicene’ is out 19th July via Reckless Yes. Watch the new video here: