Track Of The Day: Murman – ‘Falling Down’

Since forming back in 2018 via a Gumtree Ad, London-Brighton band Murman are now a refined four piece who’ve shared stages with the likes of Lucia and the Best Boys and Porridge Radio at esteemed venues such as The Scala and Camden Assembly. Now, following the success of recent singles ‘Baptism’ and ‘Achilles’, they have shared an infectious new offering.

Propelled by swirling, scuzzy hooks and an anthemic, emotion-filled drive, ‘Falling Down‘ oozes a gritty energy in the vein of rock greats such as Bruce Springsteen and The Killers, with an added unique colourful pizazz and impassioned swooning vocals. If you’re in need of an instantly catchy, joyously jangly slice of Americana-tinged garage-rock, then look no further… ‘Falling Down’ offers a perfectly danceable antidote to all of life’s worries. Of the track, the band explain:

“It’s one of those songs that just sticks with you and you keep hearing in your head. We feel incredibly privileged to have collaborated with extraordinarily talented people like Josh Hayward (The Horrors) who worked with us in the studio, Garmo Mandica who mixed and produced the song, and Swedish vocalist Wiktoria who is featured on backing vocals on the track... I’m a big fan of BlondieI remember hearing ‘Dreaming’ for the first time and it was like a kick to the gut. I wanted ‘Falling Down’ to have that same impact.”

Watch the new video for ‘Falling Down’ now:

Mari Lane
@marimindles

LISTEN: GIHE on Soho Radio with Fraulein 09.02.22

Tash, Kate & Mari were back on the Soho Radio airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQ+ artists.

London-based grunge duo Joni & Karsten aka Fraulein joined them to talk about headlining the first GIHE gig of 2022 at The Victoria in Dalston, their upcoming tour dates with The Mysterines, what initially inspired them to start playing instruments and Joni’s upcoming rhythm guitar teaching workshop for First Timers Fest.

Listen back below:

 

Tracklist
Ronnie Spector – She Talks To Rainbows
Dropper – Ok Ok Ok
Brimheim – can’t hate myself into a different shape
SASAMI – Say It
LOBSTERBOMB – Sense
SPRINTS – Little Fix
Kim Gordon – Murdered Out
Moon Panda – Falling
LEYA ft. Julie Byrne – Glass Jaw
Novaa – The World’s Thing
SEA CHANGE – Is There Anybody There
Pearly – Silver Of The Mirror
Fraulein – Belly
**Fraulein Interview**
Bachelor – Back Of My Hand
Charlotte Adigéry & Bolis Pupil – Ceci n’est pas un cliché
Celine Love – Good Girl
MARIA BC – The Only Thing
Gazelle Twin – Hole In My Heart
Mitsune – Maru
Proper. – Milk & Honey
Double Helix – Rat Rave
Bluebook – Shake Shake
t l k – Frame of Ted
Bas Jan – Sex Cult
Queen Cult – Calm
Tits Up – Macho Bullshit
Sassyhiya – I Had A Thought
Nova Twins – Bullet

ALBUM: Shoun Shoun – ‘Monsters & Heroes’

Truly exemplifying the do-it-yourself band ethos, Bristol-based four-piece Shoun Shoun (‘shoon-shoon’) have released their debut LP of genre-defying noise, Monsters & Heroes – a fuzz-drenched, lo-fi excursion into don’t-give-a-fuck art-punk experiments.

Following the release of their 2019 EP A Hundred Trips – five tracks of dreamy garage rock – lead vocalist and guitarist Annette Berlin began working with an uncontrollable urge to connect with music. Finding intimacy with sound during a time when the UK was in lockdown, a result of the continuing global pandemic, Berlin fought isolation with creativity. The result is Monsters & Heroes, a record that rewards repeat spins on the turntable.

Opening with Giuseppe La Rezza’s crashing drum assault and Berlin’s distorted guitar grunge, ‘Did I Play Games’ disorients the listener with its loud-soft-loud dynamic, a juxtaposition of propulsive rhythm and delicate psychedelia recounting that one occasion a friend drunkenly slept on Berlin’s kitchen floor: “Just let me lie here with nothing to do / As long as I lie here everything will wait.” Next, the highly danceable punk groove of ‘Much Sweeter’ enters the chaotic spirit of Kim Gordon and Sonic Youth, before Shoun Shoun lowers the tempo for the monotone ‘Sway with Me’, Berlin’s evocative lyrics swaying in ethereal feedback – “Feel your way through time and space.”

Recorded in a garage and mixed in a loft, the frustration of lockdown is captured perfectly by Berlin on ‘Stuck’, a pandemic prompted coping mechanism. Her loneliness is confronted by infectious basslines courtesy of Berlin’s neighbour and literal garage rock guitar, whilst ‘Follow Me’ rumbles with a slow burn of unpredictable melody. Boris Ming’s abrasive violin strings stand out amongst a cacophony of idiosyncratic instrumentation, whilst Berlin delivers a vocal performance eerily similar to Björk, pre-The Sugarcubes.

Psych-monstrosity ‘Toxic’ allows for eccentric synth experimentation from Ming, who instinctively lets loose across a scuzzy bassline from Ole Rudd, before the mood shifts into the uplifting poppy alt-rocker, ‘My Daughter’. The lysergic wail of the violin pierces through the hauntingly atmospheric Nick Cave-like soundscape of ‘Refresh & Replay’ before Berlin shifts language for album closer, ‘Schwing Mit Mir’ (or Swing With Me), a droning melody building towards a crescendo of Deutschpunk.

Monsters & Heroes is a fractured collection of songs, reflecting a fractured period of time; two years of emptiness defied by experimental ingenuity. Ignoring genre conventions, Shoun Shoun have crafted complex noise that is uniquely their own, delivering an infectious lockdown long play without compromise.

Follow Shoun Shoun on bandcamp, Spotify, Twitter, Instagram & Facebook

Ken Wynne
@Ken_Wynne

PLAYLIST: January 2022

New year, new playlist! The Get In Her Ears team have put together an eclectic mix of indie anthems, guitar tunes, alt-pop tracks & immersive electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Ronnie Spector – ‘She Talks To Rainbows’
Hearing news of Ronnie Spector’s passing last week hit hard. A truly innovative musical icon, she inspired generations of women in music, whilst The Ronnettes were one of the first ‘girl groups’ to receive worldwide acclaim. Sadly also famous for being a survivor of serious physical and psychological abuse from her husband of six years, producer Phil Spector, I think it’s important we remember Ronnie for the incredible musical gifts she’s left us with. I just love the sparkling, soulful splendour and whimsical grace of this lesser known beauty, ‘She Talks To Rainbows’. (Mari Lane)

Girl Ray – ‘Murder on the Dance Floor’
Girl Ray’s cover of this 2001 classic by Sophie Ellis-Bextor… Need. I. Say. More. (Tash Walker)

Bas Jan – ‘Sex Cult’
The latest single from London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is), ‘Sex Cult’ offers a glistening cacophony propelled by a quirky energy and captivating allure. Reflecting on society’s attitude towards polygamy, it radiates a celestial joy as crystalline voices come together in unity to create something quite euphoric. Baby You Know, the new album from Bas Jan, is out 28th January via Lost Map Records. (ML)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

SEA CHANGE – ‘Is There Anybody There’
Created during a time of intense loneliness during the middle of lockdown, this atmospheric offering from Norwegian producer Sea Change gives me goosebumps. Blossoming from a place of empathy, it’s one of many evocative tunes that feature on her upcoming album, Mutual Dreaming, which is set for release on 11th February via Shapes Recordings. (Kate Crudgington)

Brimheim – ‘This Week’s Laundry’
A stirring, intricately observed guitar tune about trying to cultivate a “normal” routine during a time of deep vulnerability, I love this single from Danish alt-pop artist Brimheim. Taken from her upcoming album, can’t hate myself into a different shape, which is set for release on 28th January via W.A.S Entertainment, the track flows with her tender vocals and confessional lyrics, which chime with relatable melancholy. I had the pleasure of interviewing Brimheim about her new record and her love for Queen Avril Lavigne earlier this month. Read our chat here. (KC)

Midwife – ‘2020’
This is a gloomy (but great) track about the year we’d all rather forget: 2020. Taken from Midwife aka Madeline Johnston’s third album Luminol, which was written & produced during quarantine last year, ‘2020’ is her cover of The Offspring’s 1997 track ‘Gone Away’, which I didn’t know until the person who recommended Midwife to me sent me a link to the original song. I know she’s been around a while, but I’m newly obsessed with this track & her album.  (KC)

Wu-Lu – ‘Times’
My new obsession, I recently came across South London multi-instrumentalist and producer Wu-Lu courtesy of Mary-Anne Hobbs on BBC 6Music. Creating a wonderfully eclectic smorgasbord of immense sounds, I just love how Wu-Lu manages to fuse together dark, Deftones-esque punk with a gritty, hip-hop inspired edge. I cannot stop listening to this track right now, which features drums by Black Midi’s Morgan Simpson. (ML)

Pearly – ‘Silver Behind The Mirror’
An agitated, sultry dose of cinematic heavy rock, I’m a big fan of this single by Ohio-based trio Pearly. Taken from their upcoming album Silver of The Mirror, which is set for release on 11th February via Eto Ano Recordings, the track is a smouldering slice of “stoner rock” that heaves with heady desire. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

HALINA RICE – ‘Sunken Suns’
What do I love more than dreamy songs full of feelings? The answer is obscure electronica! My latest listen comes from London-based artist Halina Rice, as part of a new project where she is embarking on creating new worlds in her music. Of this track Halina explains, “I wanted to create something dark and strange and emotive. The track emerged after days spent generating sounds through synths and noise generators. I put a mass of effects on the sampled vocals and they seemed to develop a life of their own – like a half-heard transmission from another world.” LOVE IT. (TW)

Gemini Aaliyah – ‘Moonrise’
Leeds-based artist Gemini Aaliyah says her single ‘Moonrise’ is the beginning of her “fucked up fairy tale where the ghetto meets the goth girl,” and that’s something I’d like to openly support. She channels her angst through yearning vocals and brooding beats, finding solace in the idea of re-birth and reinvention through her lyrics. Gemini Aaliyah will be playing at Drown U Out Festival at Leeds University Union on 19th February, alongside two of my other favourites Ho99o9 and Bob Vylan. (KC)

Queen Cult – ‘Calm’
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger’ and support for their resonant latest single ‘A Song About Consent’, Queen Cult’s latest single ‘Calm’ flows with luscious, heartfelt vocals before building to a sweeping, fiercely impassioned proclamation to stand up to the patriarchy. Once again showcasing the Cheshire band’s knack for creating epic pop-rock anthems with a poignant sense of intent, ‘Calm’ cements Queen Cult’s place as definite ones to watch in 2022. The debut EP from Queen Cult is set for release on 28th January. (ML)

Peaness – ‘How I’m Feeling’
Having just announced the release of their debut album, Chester trio Peaness have shared a new taster of what’s to come from the LP. Propelled by uplifting, jangling hooks, latest single ‘How I’m Feeling’ reflects on the feelings of self-loathing and melancholy that can come from being stuck in an unfulfilling job and offers a glistening sense of hope that, with a bit of determination, you can make a positive change. I just can’t get enough of Peaness’ glossy, honey-sweet sounds and sunny, playful energy. World Full Of Worry, the debut album from Peaness, is set for release on 6th May. (ML)

SPRINTS – ‘Little Fix’
Another absolute banger from Dublin four-piece Sprints. Taken from their upcoming EP A Modern Job, which is set for release on 11th March via Nice Swan Records, ‘Little Fix’ is full of powerhouse vocals, crashing drums and racing riffs. The track is inspired by vocalist Karla Chubb’s experience of imposter syndrome, as she explains: “plagued by insecurities, imposter syndrome and gender stereotypes, ‘Little Fix’ is the culmination of all my fears – the, sometimes self-applied pressure that as a woman in music, I can’t just be good, I have to be great.” Even with these anxieties, Karla and her bandmates have created a candid, intensely cathartic offering with this track. (KC)

Worse Off – ‘You Belong Here’
I love this track by excellently named New York pop punk duo Worse Off. They sent me their EP You Win Some, You Lose…A Lot, in December last year and I was headbanging away to their tunes at my desk. Definitely check them out, their EP is up on bandcamp and Spotify. (KC)

Tits Up – ‘Macho Bullshit’
Having released their debut EP Greatest Tits, at the beginning of the month, Liverpool band Tits Up are ready to blast into your lives with their immense riot grrrl inspired energy and unapologetic honesty raging against the patriarchal society in which we live. Fuelled by a frenzied punk spirit, ‘Macho Bullshit’ hits you with its riotous, angst-driven force, offering an empowering statement of intent. (ML)

Bitch – ‘You’re The Man’
Set to release her debut album next month, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Latest single ‘You’re The Man’ exudes a driving, gritty energy as sizzling synths race alongside dense drum-machine beats, creating an empowering reflection on letting go of negative forces and reclaiming your inner voice. Bitch’s perfectly named debut album Bitchcraft is set for release on 4th February via legendary label Kill Rock Stars. (ML)

Combo Chimbita – ‘Yo Me Lo Merezco’
The title of this warm, joyful track from New York-based Latinx quartet Combo Chimbita roughly translates as “I deserve it”. The track and accompanying video are a celebration of self-love, spot-lighting prominent queer and trans performance artists, including Teresa Karolina who stars in the visuals. ‘Yo Me Lo Merezco’ is taken from Combo Chimbita’s upcoming album, IRE, which is set for release on 28th January via ANTI. (KC)

Flamango Bay – ‘LA’
The latest single from San Francisco trio Flamango Bay, ‘LA’ reflects on the band’s recent move to the city. Propelled by sunny, jangling melodies, it’s a dreamy slice of indie-pop that glistens with an irresistible, effervescent charm. The Fool, the upcoming debut EP from Flamango Bay, is set for release on 13th May via 0800-Moshi-Moshi. (ML)

Babeheaven – ‘Don’t Wake Me
This band never disappoint. ‘Don’t Wake Me’ is Babeheaven’s latest gently soothing release. Just lovely. (TW)

KEYAH/BLU – ‘Til Bliss’
This is the latest single by South London rapper KEYAH/BLU who I would encourage you all to go and check out if you aren’t familiar with already. (TW)

Skylu – ‘Foreign Concept’
A tune for the stolen hours, this is the debut single from Skylu, whose voice you may recognise from Bamboo Smoke. (TW)

Lucy Barton – ‘Starlight’
The latest single from singer-songwriter Lucy Barton, ‘Starlight’ offers a sparkling reflection on gaining awareness of our self-crippling subconscious thoughts. With a subtle immersive power, the track speaks of breaking free from this internal narration, allowing us to discover the beauty that exists in life. I’m a big fan of Barton’s soaring, glitchy musicality and emotion-strewn honey-sweet vocals, and can’t wait to hear more from her. (ML)

Carmel Smickersgill – ‘Questioning’
The latest single from modern classical artist Carmel Smickersgill, ‘Questioning’ offers a truly captivating and uniquely intriguing soundscape. Mentored by acclaimed musician Anna Meredith, Smickersgill prides herself on creating immersive ‘outsider pop’, and I just love this track’s whirring grace and celestial, ethereal energy, reminiscent of GIHE fave Jenny Hval. Smickersgill is releasing her debut EP in April. (ML)

Novaa – ‘You Can F With Me’
‘You Can F With Me’ by Berlin based alt-pop singer-songwriter Novaa is taken from her forthcoming album due in early 2022. This is a song about the things that people asked and told her as a victim of sexual abuse and rape. Love and solidarity to anyone who relates to that track and remember that the best thing you can ever do for anyone who has been a victim, is to listen, be kind and give them space and support to heal. (TW)

Zannie – ‘Mechanical Bull’
This is the latest single from New York-based songwriter Zannie, who’s recently signed to iconic riot grrrl label Kill Rock Stars. They remind me a little bit of Phoebe Bridgers on this track and I’m excited to hear more from them this year. (KC)