PLAYLIST: October 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our October Playlist features plenty of alt-pop tunes, alternative offerings, indie musings, DIY punk anthems, and some experimental electronic sounds. Make sure you scroll through and read all about our recommendations below.

As you already know, to best support the artists we love here at GIHE, we now use TIDAL as our main playlisting platform. Please follow us on there! We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN TO THE PLAYLIST ON TIDAL

 

Tusks – ‘How Can I Be The Same’
An evocative, synth-soaked response to an experience of sexism that she encountered whilst creating her new album, Tusks’ latest single ‘How Can I Be The Same’ is a resonant, aural assertion of her determination as an artist. The London-based musician produced her upcoming fourth album, Do I See You There? – due via One Little Independent Records on 12th February 2027 – entirely by herself, after spending two months at The Townshend Studio experimenting with Townshend’s vast collection of priceless analogue synthesisers. ‘How Can I Be The Same’ is one of ten tracks that form her new record, which was heavily shaped by grief and coming to terms with the loss of a close friend. ‘How Can I Be The Same’ offers a fascinating glimpse into what we can expect from Tusks’ emotive new effort.
(Kate Crudgington – Features Editor)

Green Tea Bitches – ‘Ghosts’
And the prize for best aritst name goes to… Green Tea Bitches! A Chinese-Danish duo, they’ve just released a special Halloween single oozing all the glorious scuzz-fuelled electro-punk energy you could ever ask for. In the vein of noughties faves like CSS or Le Tigre, it offers a playful reflection on an all too relatable fear of big egos and ghosts, complete with spooky theramin sounds throughout. (Mari Lane – Managing Editor)

Striped Light ft. Elizabeth Bernholz (Gazelle Twin) – ‘Foolish’
An ode to the electronic alt-pop that raised him, under the moniker of Striped Light, electronic musician and producer Benge (Creep Show/Wrangler/John Foxx and the Maths) has been working on his upcoming album, For All This Beauty, for almost 20 years. On this track ‘Foolish’, he has collaborated with experimental artist & composer Elizabeth Bernholz aka Gazelle Twin – who I am a long-time fan of – and the result is an intoxicating blend of jagged-yet-buoyant synths and lush, captivating melodies. It’s hugely exciting to me to hear Elizabeth’s vocals float over this carefree love song, as the context of her solo work is much darker than this. For All This Beauty will be released via MemeTune on 6th November, and features contributions from Tara Busch (I Speak Machine), Hannah Peel, Serafina Steer and Juliana Venter. (KC)

Eilis Frawley – ‘Taken, Never Erased’
Another idiosyncratic offering from GIHE fave Australian-born, Berlin-based drummer & songwriter Eilis Frawley. ‘Taken, Never Erased’ is a moving reflection on the systemic suppression of Indigenous Australian languages through colonization, simultaneously acting as an aural ode to the resilience of the communities affected by this too. The track is lifted from her upcoming second album, Twist My Words, set for release on 6th November via cult Berlin label Sinnbus Records. Eilis explains the track’s context further: “‘Taken, But Never Erased’ acknowledges the violence of cultural theft and the attempts to silence indigenous communities, while recognising the resilience of the people, memories, and traditions that continue to be carried forward.” (KC)

Other Mother – ‘Not Sorry’
The latest single from Cork’s Other Mother, ‘Not Sorry’ combines evocative spoken word lyrics with relentless hooks. With an “unapologetic feminine rage’, it flows with a swiring, eerie allure, as it builds with a tenacious energy and immense sense of urgency to a firercely empowering anthem. ‘Not Sorry’ is taken from Other Mother’s debut EP, Can’t Help But Feel Dramatic. (ML)

Gone Future ft. ShitKid – ‘PIG!!’
Featuring one of the most cathartic choruses I’ve heard all year, this single from Swedish indie-rock supergroup Gone Future is a real angst-ridden anthem. Formed of members of Dolores Haze, Dead Vibrations and Mando Diao, as well as the instigative vocals of their labelmate ShitKid, ‘PIG!!’ is a biting blend of crashing percussion and gritty riffs. The track is taken from Gone Future’s upcoming debut EP, Signs, set for release on 4th December via PNKSLM Recordings. (KC)

Minor Dents – ‘I’d Like To Meet Her’
Opening our recent Brighton gig at A L P H A B E T this month, local band Minor Dents completely blew me away with their spellbdining allure. Now, with new single, ‘I’d Like To Meet Her’, they’re showcasing their ability to create immaculate, immersive psych-tinged soundscapes. Taken from their debut EP, Sitting With The Fish, synth-driven hooks propel the glistening celestial vocals of Holly Finch into a swirling splendour. (ML)

LIINES – ‘Always The Same’
I’m extremely excited by the return of Manchester long-time favourites LIINES, who’ve just released their first music in over two years. Taken from their new EP, As Shadows Fall, ‘Always The Same’ fizzes with a gritty energy and drummer Leila’s fierce beats as Zoe’s vocals soar with a raw, impassioned power. Zoe reflects: “There’s something comforting about things staying the same, but something frustrating about never quite escaping them. ‘Always The Same’ sits between the two. Repetition can be reassuring or unsettling, depending on how you look at it. I’ve always found comfort in familiarity, even when it’s not a good thing. Sometimes the things that make you feel safe are the very things that keep you stuck.” (ML)

Fightmilk – ‘Escape! From Camp Run For Your Life’
Released as a Halloween treat from total faves Fightmilk, ‘Escape! From Camp Run For Your Life’ translates the real life horrors of the world today into a perfect slice of energising punk-pop, propelled by spookily sweeping hooks and front person Lily’s distinctive, fiercely honest lyrical storytelling. Of the track, Lily explains: “This was the product of years of obsessively reading R.L. Stine’s Goosebumps book series for children, where horrible things happen in broad daylight, your parents can’t protect you and happy endings come with a caveat… Every day feels terrifying at the moment and this is a love letter to the warm hug of horror, where you can close the book or stop the film at any time you like.” (ML)

PISS – ‘Rote Zora. “Resistance is Possible.” Emma, no. 6, June 1984, pp. 39-41.’
One of the most exciting bands to have dropped into my inbox in recent times, Canada’s PISS are fast building a reputation for their pivotal and unique fusion of punk, poetry, sound collage and performance art, consistently delivered with a fierce sense of urgency and politcally driven angst. Having already received acclaim for their brand new album, you made me / skin on linen, recent single ‘Resistance is Possible.” Emma, no. 6, June 1984, pp. 39-41.’ takes it lyrics from an interview transcript published in Emma in 1984, and races with a visceral, immense power, building to an absolutely thrilling and completely necessary outpouring of grief-driven rage. The single is accompanied by a massively impactful new video, directed by Eila Vallevand and combining found footage and animation. (ML)

BRIDGET. – ‘For The Hell Of It’
Bursting with her trademark riotous energy, ‘For The Hell Of It’ is the title track from grunge-punk artist BRIDGET.’s latest EP. It’s a visceral collection of songs that are threaded together by BRIDGET.’s “fuck what you think, I’m doing it anyway” energy. She celebrated the EP’s release with an ‘Autumn Ball’ party in a 400 year-old grade II listed church in Ipswich, complete with Drag performances and surprise songs – punk af in my opinion. (KC)

Lost Grrrl Found – ‘Lesbian Spinsters’
Having just released their debut EP, Pupal Phase, NYC-based Lost Grrrl Found deliver their fierce Riot Grrrl-inspired sound with a raucous frenzied energy. Inspired by queercore pioneers Team Dresch, ‘Lesbian Spinsters’ offers empowering ode to reunion and queer community. Bringing together collaborators from New York’s indie music and downtown theater communities, Lost Grrrl Found is a uniquely DIY production carving out its own space between music and theatre. (ML)

Teens In Trouble – ‘I Do’
The project of Asian-American singer, guitarist and songwriter Lizzie Killian, Raleigh’s Teens In Trouble have now shared a brand new single. Propelled by dreamily scuzzy hooks alongside an endearing sense of vulnerability that twinkles throughout, ‘I Do’ offers a cathartic reflection on a ‘friendship break-up’ – “I’d convinced myself I was over it until a mutual friend asked me about the situation over brunch…”, Killian explains, “As I started to explain what happened, I found myself getting heated and realizing that maybe I wasn’t actually over it after all.” (ML)

The Gentle Spring – ‘Down With Love’
With shades of the likes of Camera Obscura or Belle & Sebastian, The Gentle Spring have just announced the release of their second album. Taken from the album, new single ‘Down With Love’ flows with uptempo lilting melodies and honey-sweet vocals reminiscent of the delicate romanticism of The Field Mice (songwriter Michael Hiscock’s previous band), creating a truly infectious slice of perfect syrupy pop. (ML)

Kathleen Frances – ‘Kitchen Sink’
The latest single from Bristol-based songwriter and producer Kathleen Frances, ‘Kitchen Sink’ offers a beautiful tapestry of sounds. Interwoven with a sparkling emotion, the rich resonance of Frances’ vocals ripples throughout, creating something truly captivating. Of the track Frances reflects: “It’s an exploration of the rhythm of moving apart and coming together that happens in a romantic relationship. The chorus captures a playful moment where the other person makes you laugh and you almost forget why you were annoyed with them in the first place… I connect deeply with this song, it captures my own life; when love, familiarity and shared humour floods back in a wave of joy.” (ML)

Brimheim – ‘My Collection’
Danish-Faroese experimental pop artist Brimheim is responsible for two of my favourite albums – can’t hate myself into a different shape (2022) and RATKING (2024) – so I’m thrilled to see that she’s now gearing up to release more new music. Her latest single ‘My Collection’ beautifully displays her rich, distinctive vocals as they float over tender keys and a blend of acoustic, brass and woodwind instrumentation. Accompanied by a monochrome video which hints at what else is to come, ‘My Collection’ offers new insight into Brimheim’s eternally intriguing musical universe. (KC)

Klein – ‘princess of the souf’
Genre-bending, London-based artist & composer Klein has been one of my favourite new music discoveries over the past year, despite having an impressive backlog of releases reaching back much further than that. This cinematic instrumental ‘princess of the souf’ is lifted from her new album, my own fairytale, which is her dark interpretation of a “Disney-esque soundtrack”, incorporating her unique blend of ambient noise, grime and R&B. On this record, she dissects her intense thoughts on identity, belonging, secrecy, reality and fantasy. (KC)

Sijya – ‘Safe’ (Sneha Khanwalkar Edit)
Another eclectic piece of electronica from South Asian composer & producer and GIHE fave Sijya here. This remix of ‘Safe’ is lifted from her collaborative EP, Leather & Brass [Retrofitted], released via iconic label One Little Independent Records. Pioneering Indian music director Sneha Khanwalkar has re-worked Sijya’s original track, bringing together India’s independent and Bollywood music communities in one place – something Sijya feels especially passionate about. (KC)

Kee Avil – ‘meld’
A frisson of twitchy electronics and her unflinching vocals, ‘meld’ is the final track from Montréal-based experimental artist and producer Kee Avil’s fascinating new album, Vapor.
An intrepid artist unafraid of trying new approaches to creating art, Kee Avil wrote and recorded her new LP in real time, sharing the songs in chronological order over 12 months. “Creative inspiration is often like vapor, appearing and dissipating quickly” she extrapolates. “This album represents what inspires me in the moment.” (KC)

Sheherazaad – ‘Registaan’
Having been a big fan of Brooklyn-via-India based artist Sheherazaad since falling in love with 2024’s globally acclaimed Qasr, I’m excitetd to hear that she’ll be releasing her debut album next month. And now, ahead of the album, she’s shared a stirring new single. “Based in a crass desertland wherein really lonely women emerge…” ‘Registaan’ oozes a mystical, other-worldy allure creating a cinematic slice of dystopian folk, showcasing the poignant and spellbinding soundscapes that this innovative artist is able to create. (ML)

ĠENN ft. Aidan Moffat – ‘Jaguar Sun’
An eclectic exploration of what it means to exercise free will, Anglo-Maltese quartet ĠENN have teamed up with Arab Strap’s Aidan Moffat to create the intriguing ‘Jaguar Sun’. Inspired by a myriad of influences, including Under the Jaguar Sun by Italo Calvino – an unfinished novel written just before his death which attempted to tell a story for each of the senses – this collaborative effort evokes a potent, ominous atmosphere that seeks to understand the notion of freedom and our own perceptions of reality. (KC)

CLICK HERE TO LISTEN TO THE PLAYLIST ON TIDAL

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PLAYLIST: September 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our September Playlist features plenty of alternative offerings, post-punk tunes, shoegaze riffs, indie & alt-folk musings, DIY punk anthems, and some experimental, instrumental and electronic sounds. Make sure you scroll through and read all about our recommendations below.

As you already know, to best support the artists we love here at GIHE, we now use TIDAL as our main playlisting platform, so please follow us on there! We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN

 

Eilis Frawley – ‘Calm Down’
Interrogating the unreliability of algorithms and how they obscure the truth in her own idiosyncratic style, ‘Calm Down’ is the latest single from GIHE fave Australian-born, Berlin-based drummer and songwriter Eilis Frawley. It’s lifted from her upcoming second album, Twist My Words, which is set for release on 6th November via cult Berlin label Sinnbus Records. She combines her direct lyricism and distinctive spoken-word with her fluctuating percussive rhythms to unravel how it feels to be bombarded with versions of the “truth” online. “We’re surrounded by news, strong opinions, notifications, and algorithms, all tailored to our individual interests and needs. But is the truth being tailored too?,” Eilis shares about the context of her track. “In a world where everything competes for our attention, sometimes the most radical thing you can do is simply calm down.”
(Kate Crudgington – Features Editor)

M(h)aol – ‘Scam Manifesto’
I remember being struck by the raw power of Irish post-punks M(h)aol when I first heard their single ‘Laundries‘ back in 2020. This power still endures 6 years later, after three album releases and changes in their line-up, the band remain as cutting and contemporary as ever, especially on new single ‘Scam Manifesto’. Released via Merge Records and Tulle, it’s permeated with drummer and vocalist Constance Keane’s eviscerating honesty and dry wit, as she explores the contradiction of the image we present online, versus the one we try to obtain in private. “’Scam Manifesto’ is a song I wrote during one of my semi-regular social media breaks,” she explains. “My entire feed was ‘how to lose the last 5 lbs’ and obituaries for people I didn’t know. It’s about the guilt I feel about my own hypocrisy. Publicly, I say that as a woman it’s my right to be as ugly and old as I want and still value myself, while privately I was consistently fixating on a list of things I would change about my appearance. It’s about having one rule for others and another one for yourself.” (KC)

The Sewing Club – ‘Bark’
A swirling rumination on the unsettling nature of duplicity, I love this track from Nashville-based indie band The Sewing Club. ‘Bark’ is taken from their upcoming debut album, Sew, which is set for release on 2nd October via Born Losers Records. Led by the emotive vocals of multi-instrumentalist Hannah McElroy, the track blends melodic, fuzzy guitars with brooding bass lines to explore the “wolf in sheep’s clothing” scenario that Hannah muses over. “‘Bark’ was probably the hardest song to write on the record,” she explains. “The whole premise of the song is discovering someone isn’t who they say they are…I always tend to write the most depressing lyrics over the most melancholic guitar parts, but I really like that’s kind of just a mirror to the juxtaposition of life. Some of the most horrific things are totally normal.” (KC)

Minor Dents – ‘Rituals’
If you’ve not yet listened to Brighton’s Minor Dents’ Sitting With The Fish EP from earlier this year, you really should. Its swirling, shoegaze-tinged soundscapes and lilting Stereolab-reminiscent vocals are the stuff dreams are made of; the way different layers are interwoven seamlessly offers an evocative, ethereal haze that it’s easy to become completely immersed in. I can’t wait for Minor Dents to open our gig at Alphabet in Brighton next Friday 9th October. They’ll be supporting US band Perennial with Piney Gir, and I can promise it’ll be a magical night! Tickets are on DICE now and cheaper in advance.
(Mari Lane – Managing Editor)

Mariae Cassandra – ‘Splinter’
The new single from Australian one-to-watch Mariae Cassandra, ‘Splinters’ reflects on how feelings of self-trust and self-confidence can grow as we get older and gain strength from the experiences that we encounter along the way. Oozing a heartfelt vulnerability alongside catchy hooks and a twinkling emotion, it offers a beautifully tender ode to believing in yourself, reminiscent of the likes of Phoebe Bridgers or Blondshell. (ML)

Cosign – ‘Too Far For What’
It took approximately 5 seconds for me to decide that I loved this track from Belfast artist and producer Martha Greer aka Cosign. I love the blend of jagged and atmospheric electronics, coupled with her clear, gentle vocals. She describes ‘Too Far For What’ as dealing with “the friction of self-awareness versus self-destruction. It’s about knowing exactly how a compulsion ends but choosing to do it anyway”. The track is lifted from her upcoming EP, This Is What It Feels Like, which is set for release on 6th November via Our House Online. (KC)

YELF. – ‘brainrot’
A real gear-change from GIHE fave London-based, British-Swedish artist YELF. here, but it’s one I can get behind. Driven by two competing voices in the verses and choruses, ‘brainrot’ is a gritty-yet-infectious sonic exploration of trying to stay motivated in a world that seems to constantly drain us. Released on the autumn equinox – when day and night are equal – and produced, mixed and mastered in an abandoned bank in London by AKA Block, YELF. has actively sought to make ‘brainrot’ as all-consuming and intense as the neuroses that initially inspired the track’s conception. (KC)

Sijya – ‘Do I Know’ [Rachika Nayar Remix]
I named South Asian composer and producer Sijya as one of my ‘Ones To Watch‘ this year, after being captivated by the expansive electronica on her 2025 EP, Leather & Brass. Now, she’s gearing up to release a collaborative version of the same record, titled Leather & Brass [Retrofitted], set for release on 23rd October via One Little Independent Records. By enlisting the help of some of her favourite femme producers and artists, Sijya has re-worked her original tracks to reveal new layers to each of them. Brooklyn-based composer and producer Rachika Nayar has made her mark on ‘Do I Know’, showcasing the tenderness underlying Sijya’s original version. (KC)

Amahla – ‘Sticky’
Having been a big fan of Hackney raised artist Amahla since being charmed by the lush, soulful sounds of her 2019 single ‘Dorothy’s Verses’, we’re excited to hear that she’s back with a brand new single. Exploring the push and pull of love, ‘Sticky’ offers an infectious, jazz-tinged groove as Amahla reflects on the conflicting feelings of lust and knowing you should leave a relationship. Produced by WAVSDNTDIE, it showcases this innovative artist’s ability to combine a playful musical energy with her rich, resonant vocals and relatable lyricism. (ML)

Dana Margolin – ‘Big Beautiful Sound’
Known for her time over the last decade in acclaimed indie band (and personal favourites) Porridge Radio, Dana Margolin is now releasing her first solo single. Rippling with a stirring raw emotion as lilting stripped back melodies flow, ‘Big Beautiful Sound’ offers an exquisite rumination on self-discovery; an honest and heartfelt reflection on the journey from the darkness of despair, building with an anthemic splendour, to the glistening light of acceptance and hope. (ML)

Marina Yozora – ‘Snow Heat’ (String Session)
Japanese-born, London-based songwriter Marina Yozora continues to share the gentle evolution of her single ‘Snow Heat’ with this beautiful string-infused rendition of the track. Originally inspired by a brief connection with someone that now exists only in Marina’s mind, to honour the intensity of this fleeting moment, she has previously released a lyric video and an acoustic version to accompany the original single, and now she has added to the collection with this tender string session too. Marina plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release in 2027, which we will be keeping our eyes peeled for. (KC)

Ayanna Witter-Johnson – ‘Blue’
Another considered, emotionally resilient offering from acclaimed composer and MOBO-nominee Ayanna Witter-Johnson here. Through her tender vocals and resonant cello sounds, she provides an intimate snapshot into finding strength in vulnerability on ‘Blue’. The track is lifted from her recent album, New Roots, which she released through hero own imprint (Hill and Gully Records) in September. The LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. Ayanna describes her album as “learning that new roots can be grown even in unfamiliar or fractured ground” – a poignant and comforting concept to hold on to. (KC)

ACTRESE – ‘Jasmine’
Self-described as “the perfect song for the end of summer”, ‘Jasmine’ is the latest single from indie-folk artist ACTRESE. Taken from her upcoming debut album, it flows with a sweeping immersive grace as lilting keys and strings ripple beneath the ethereal allure of the vocals. A stirring reflection on the initial beginnings of an infatuation – in the words of ACTRESE, “a feeling we’re not yet sure exists, or perhaps one we’re still too shy to admit.” (ML)

R Loomes – ‘Another Sip Of The Divine Specific’
This is the eponymous track from Sheffield-based musician R Loomes’ debut album, which she has released today! (30/09). ‘Another Sip Of The Divine Specific’ showcases the doom-folk songwriter’s beguiling vocal style and her intuition for pairing it with evocative riffs to create her potent and emotive sounds. “This song is about feeling the present as a cosmic, euphoric experience,” she explains, “allowing the depths of the subconscious to flow freely and giving it a voice with the aim of true authentic connection with the self and another.” (KC)

Softcult – ‘I Held You Like Glass’
Featured on their debut album, When A Flower Doesn’t Grow, which they released at the beginning of this year, Ontario-based grunge sibling duo Softcult have now shared a new video for their track ‘I Held You Like Glass’. The visuals feature the band viewed through fragmented glass, dimly lit, playing their instruments amidst shots of their hands in a bloodied state, reflecting the discomfort and numbness that they explore through their swirling riffs and melancholic vocals. “We wrote “i held you like glass” about the processing and letting go of unhealed trauma,” shares vocalist Mercedes Arn-Horn, who also directed the video. “The lyrics describe how it feels to internalize the dynamics of toxic relationships, comparing loving people that hurt us to holding broken glass; continuously wounding us until we let go.” (KC)

Esther’s Wife – ‘Anyone’s Man’
A brand new discovery for me, Esther’s Wife are already building a great reputation in their hometown of Glasgow, as well as receiving acclaim from the likes of BBC 6Music. Now, combining a gritty, impassioned energy with a more traditional folk-inspired musicality, recent single ‘Anyone’s Man’ offers a beautiful insight into what this young band are capable of. I can’t wait to hear more! (ML)

Matching Outfits – ‘Mini Moon’
Following 2025’s incredible break-up album, Ditch Me, Berlin band Matching Outfits’ latest single ‘Mini Moon’ may be my favourite track of the year so far. Combining jangly hooks with Linnea Mårtensson’s deadpan lyrics and candy sweet harmonies, it’s a gloriously lo-fi, instantly catchy reflection on the frustrating search for both romantic and artistic inspiration. I was lucky enough to catch the band live at The Ivy House while they were over in the UK a couple of weeks ago, and I highly recommend you do the same when they’re next here. Their tongue-in-cheek wit coupled with the shimmering musicality of their creations is bound to win you over. (ML)

Weather Happy – ‘Trees’
Following their debut single, ‘It Leaks Out’, brand new duo Weather Happy are back with another fantastic offering from their upcoming EP. Formed of Holly from Berries and her childhood friend Harry on drums, they’re already building a big buzz around the perfect combination of Holly’s distinctive songwriting style and seemingly effortless mega riffs with Harry’s fierce, spiky beats. Showcasing something slower-paced and more melodic than previous single, ‘Trees’ reflects on the comfort to be found in nature, and the consistent people in our lives – Holly explains: “I remember sitting in a wood surrounded by rustling leaves and creaking branches and I realised how comforting the sound of trees can be. They represent so much history and are such a solid presence. The lyrics ‘this soil grows beneath my feet, won’t trip me up, it keeps me steady’ are born from a similar place. Both reflect the solid people in our lives who help us through difficult trials and the comfort and reassurance we get from familiar faces and places.” Moth, the debut EP from Weather Happy, is out on 30th October via Easy Does It Records, and before that, the band are supporting legends Team Dresch at The Dome in North London tonight! (30/09) (ML)

Saoirse Dream – ‘grimdark’
‘grimdark’ is the title track from North American electronic-emo artist Saoirse Dream’s upcoming album, which is set for release on 9th October via Lauren Records. Saoirse blends emotive lyrics with melodic guitars and dramatic volume fluctuations to give ‘grimdark’ its racing, urgent quality. Alongside fellow North American artist Estelle Allen (who plays on their upcoming record) Saoirse Dream will be coming over to the UK & Ireland this November to play a series of shows in Bristol, Manchester, Glasgow, Dublin and Belfast. They’ll also be playing a headline show in East London on 13th November at Signature Brew. Tickets are available on DICE now! (KC)

DOG DAYS – ‘Starting Again’
This is the second single from Newcastle-based newcomers DOG DAYS. A hazy blend of indie riffs and brooding basslines, ‘Starting Again’ showcases the band’s ability to write infectious alternative tunes that smoulder with teenage angst. I look forward to hearing more offerings like this from DOG DAYS in the near future! (KC)

Chuck SJ – ‘Lovesick Puppy’
The latest single from GIHE fave Chuck SJ, ‘Lovesick Puppy’ offers a soaring reflection on queer identity and the conflicting feelings of needing some quiet time in nature whilst craving the sense of community and culture that city life brings. Going on to explore how transphobia has influenced Chuck’s relationship to grief and their mixed feelings around whether or not they would be accepted by their mother if she was still alive, it’s propelled by a raw stirring emotion and honest sense of vulnerability. A beautifully heartfelt introspection that builds with a twinkling musicality, switching between anthemic hooks and stripped-back delicate vocals. (ML)

Blue Bendy – ‘Dragonslayer’
Having first fallen in love with Blue Bendy, immediately captivated by their swirling cacophonies, at Deer Shed festival back in 2024, I’ve been missing new music from them over the last couple of years while the band have been on hiatus. But now, with a revised line-up and second album on the way, they’re back with a new single that maintains the seething raw emotion and glistening, fuzzy musicality that first captured my attention, whilst showcasing a more refined, all-encompassing sound. Of ‘Dragonslayer’, vocalist and songwriter Arthur Nolan reflects: “I was trying to look at Nationalistic mythology wrapped in a tragicomic romantic pop song, and the fantasies that any musician tells themself about fame, living in your own head.” One Day This Will All Be Lore, the upcoming second album from Blue Bendy, is set for release on 29th January 2027. (ML)

Count Florida – ‘Last Selfie’
Another new discovery from Glasgow, Count Florida look set to take the place of my indie-pop faves imminently. With its lilting melodies, stripped back bass and honey-sweet Belle and Sebastian reminiscent vocals, new single ‘Last Selfie’ offers a first taste of the band’s upcoming second album, in the form of a dreamy reflection on the trials and tribulations of an old relationship. With each of the band no stranger to the DIY music scene (bassist Andrew used to be in Shopping), and their new album promising “a witty, warm and proudly queer record”, I’m looking forward to hearing more from this Scottish trio. (ML)

Had Sandy – ‘I Hate My Parents and I Wanna Learn How To Swim’
The latest single from Brighton’s Had Sandy, ‘I Hate My Parents and I Wanna Learn How To Swim’ offers a nostalgic emo-tinged reflection on teenage angst that promises to “make you feel 16 again”. It does just that, and has me wishing I had a band like Had Sandy to resonate with when I was an angsty teen – the way their scuzzy, impassioned energy fizzes alongside their driving, catchy hooks would have been (and still is) just what I needed. (ML)

The Oozes – ‘Pump Out Some Kids’
Having had the honour of having art-punk queercore legends The Oozes play our GIHE 10th Anniversary party at The Cavendish Arms last year, I’m super excited that they’ve now announced the release of their debut album. Taken from the album, ‘Pump Out Some Kids’ is propelled by a driving frenzied energy, as the duo rage against the villainisation of the trans community and the deeply harmful rhetoric of trans exclusionary groups. Racing with a necessary sense of urgency, the track’s immediacy coupled with the seething emotion of its visceral vocals highlight the importance of the message behind it. The Oozes’ debut album will be released on 15th January 2027 and covers themes including navigating intersectionality within political spaces, disrupting stability in structures of power, and pushing against the relentless suppression of community used to maintain the holds of capitalism, fascism and colonialism. (ML)

Heavens To Betsy – ‘My Secret’
Sharing their first music since 1994, feminist punk trailblazers Corin Tucker (Sleater-Kinney) and Tracy Sawyer (The Husbands, The Flying Tigers, The Lies) aka Heavens To Betsy are making an extremely welcome return to our ears. As huge inspirations to us, both as fans of their music and influenced by their rebellious voices and desire to create safe spaces for women and the queer community within the Riot Grrrl movement, we’re excited by this recent announcement. A 16-track mission statement comprising a never-before-heard demo tape, baby’s gone was originally recorded by Bratmobile’s Molly Neuman and is now finally being digitised and released into the world, at a time when it seems more urgent than ever to bring attention to certain important issues. Album track ‘my secret’, for example, sees Corin Tucker grappling with the aftermath of a sexual assault; a subject that seems particularly resonant with what’s been in the news this week, and the pervasiveness of rape culture that continues to dominate society. (ML)

 

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PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

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PLAYLIST: October 2025

The Get In Her Ears team have put together another eclectic mix of alt-pop & indie gems, reverb-drenched guitar tunes, DIY punk bangers, electronic musings & intriguing experimental sounds for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

ARXX – ‘W.I.P’
GIHE are always excited when total faves ARXX share a new tune and the latest offering from the Brighton duo feels particularly special. With a gloriously catchy, country-inspired energy, ‘Work In Progress’ (WIP) offers a rousing, empowering anthem; a comforting acknowledgement that we still have a way to go, a subtle reassurance that it’s ok to have imperfections: “It’s about trying. It’s about getting it wrong and getting it right but finding the beauty in the process.”

Another instant earworm from Hanni and Clara, the release coincides with the band being featured on the soundtrack to the new Sally Wainwright drama Riot Women. It’s certainly an exciting time to be an ARXX fan and they truly deserve every bit of success that comes their way. They’re one of the hardest-working, and most lovely bands in the world.
(Mari Lane – Managing Editor)

Beauty Sleep – ‘You (You’re All I Wanted)’
Following the release of their glistening debut album, The Whole Damn Cake, Northern Irish radical alt-pop duo Beauty Sleep have shared a wonderfully euphoric new single. Shimmering with all the lo-fi hooks and scuzzy uplifting energy you could ever desire, ‘You (You’re All I Wanted)’ is “a love letter to failing and not giving up” – a perfect example of the empowering queer spirit of the band. Watch the wonderfully wacky video below and make sure you nab tickets to catch Beauty Sleep headlining for us at The Cavendish Arms on 27th November! With support from glitch-pop faves Dream Phone and pioneering songwriter Lein Sangster, it promises to be a pretty dreamy night. Tickets on DICE now and are always cheaper in advance. (ML)

congratulations – ‘This Life’
Full of chaotic tempo shifts, cathartic beats and relatable lyrics, ‘This Life’ by Brighton-based four-piece congratulations is a much needed distraction from the monotonous nature of the everyday routine. It’s taken from their debut album, Join Hands, which is due on 13th February 2026 via Bella Union. The band describe it as “a bombastic ode to first world problems and that feeling of losing at life before you’ve ever gotten out of bed.”
(Kate Crudgington – Features Editor)

Lala Lala – ‘Does This Go Faster?’
Having just signed to legendary label Sub-Pop, Lillie West aka Lala Lala has now shared a sparkling, synth-driven new single. Drenched in West’s rich, syrupy vocals and twinkling hooks, ‘Does This Go Faster?’ is steeped in a raw, stripped-back emotion as it flows with beautifully existential meanderings. (ML)

Marina Yozora – ‘Touché’
I was so pleased to discover this tender dream-pop tune by Japanese-born, London-based songwriter Marina Yozora in my GIHE inbox earlier this month. She describes ‘Touché’ as a “love letter” to her friends and fans, which she softly communicates through her delicate vocals, emotive lyrics and atmospheric guitar tones. I’m really excited to hear more new music from her in the future. (KC)

Jouska – ‘California’
Another graceful, shape-shifting offering from Norwegian songwriter and producer Jouska here, lifted from her recent album, How Did I Wind Up Here? ‘California’ is a hazy reflection on her first visit to Los Angeles and “finding calm in unexpected places”, which she explores through her lilting melodies, soft vocals and bittersweet lyrics. “I have a complicated relationship with the U.S.A, especially now,” Jouska elaborates. “There’s so much about it that I find difficult and a lot I still don’t fully understand. But that first visit stayed with me. It gave me space when I had nothing left to give, a strange kind of calm in the middle of everything falling apart.” (KC)

skullcrusher – ‘dragon’
Another disarming, wistful release from American indie artist skullcrusher here. Taken from her new album, And Your Song Is Like A Circle, ‘dragon’ is a song about disassociation and how, as skullcrusher so eloquently explains: “It is a heavy thing to feel the weight of living and pull yourself back to earth.” (KC)

Dogviolet – ‘Now’
The latest single from long time GIHE faves Dogviolet, who were one of the eight bands who played our 10th Birthday all-dayer at The Cavendish Arms last month. The dreamiest of days! Talking of dreamy, this new single showcases the band’s ability to create utterly dreamy soundscapes as its swirling dark majesty caresses the ears with a soaring, gritty splendour. Of the track, Naz from the band explains: “This song is about feeling so consumed by thoughts of the past and the future that you’re unable to move forward with your life, mentally trapped in a cycle of regret and nostalgia.” (ML)

Talking Violet – ‘Destroy’
Having been big fans of Talking Violet since first coming across their immersive “dreamo” sound back in 2018, the Ontario band have since been making waves and garnering acclaim for two sonically expansive albums, and it’s lovely to have another gorgeous track of theirs back in our ears. Rippling with a swirling, shoegaze-tinged allure and shimmering haze, ‘Destroy’ offers an stirring reflection on loss and acceptance. Of the track, songwriter and vocalist Jillian Goyeau explains: “(it’s) about closing a chapter in my life…before moving on I kinda needed to say goodbye…It’s me finally accepting that people can both love you and hurt you at the same time and vice versa.” (ML)

Red Ivory – ‘Crashing Down’
South London four-piece Red Ivory are new to team GIHE, but we’re already big fans of their brooding, distorted sound. Band members Eiliyah, Berry, Frida and Ivy began playing together in 2021 aged fourteen in their secondary school music rooms. Since then, they’ve been honing their skills and developing their songwriting, which has resulted in their upcoming EP, Please Leave, I Need To Wake Up Now, due on 28th November. ‘Crashing Down’ is the opening track on the record and it’s a dizzying reflection on the heightened state of anxiety that can arise when you’re under the influence. (KC)

THE NONE – ‘Pigs Need Feeding’
On one of our recent Soho Radio shows, I declared that punk-inspired four piece THE NONE were one of “the best live bands I’ve ever seen” and I stand by that statement. Kai Whyte is a formidable front person, backed by the cacophonous, momentous sounds of their talented bandmates Gordon Moakes, Jim Beck and Chris Francombe.

The band recently pressed their first two EPs, MATTER AND CARE, to vinyl and released them through Zennor Records. ‘Pigs Need Feeding’ is one of my favourite tracks, full of Kai’s raging reflections on their conflicting feelings about self-intoxication. “I was feeling some sort of shame about my vices, but it was juxtaposed with the knowledge that actual killers don’t feel any,” Kai explains. “I like a drink, but there are certain powerful people and organisations literally arming terror states that kill kids. Maybe I’m not the scumbag.” (KC)

Pinkshift – ‘Authority Problem’
Following gritty recent single ‘Vacant’ back in July, Maryland punk-rockers Pinkshift are back with the fierce, raging energy of ‘Authority Problem’. Propelled by an immense seething power and the raw searing force of front-person Ashrita Kumar’s vocals, it’s a perfect anti-establishment anthem: “”Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath,” (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album. (ML)

Gravey – ‘Blessed With’
Following a five year hiatus, South London duo Soraya Fernandez and Nick White aka Gravey have now joined forces with bassist Myles Morgan and drummer Jonny Jurassic for an epic return to form. Reflecting on the complications and unpredictability of love, ‘Blessed With’ combines a dark, immersive groove with a raw punk-tinged passion. (ML)

Breakup Haircut – ‘I’m Okay (I Lied)’
Having been big faves since they formed at First Timers Fest many years ago, Breakup Haircut played for us at New River Studios recently supporting Strange New Places and – despite being a person down, as Ishani had hurt their ear the day before – Ripley, Delphine & Jordan still managed to put on an absolutely fantastic show! Their brand new single ‘I’m Okay (I Lied)’ is a perfectly catchy slice of punk-pop that comes ahead of their upcoming second album, No Worries If Not, out on 28th November via INH Records. (ML)

No Other News – ‘Flowers’
I was pleased to find a lovely email from Laura, vocalist & bassist of Italian indie-pop trio No Other News, in my GIHE inbox earlier this month. Based in Milan, the band – whose name is a reference to a line from the acclaimed film, The Banshees of Inisherin – write songs that are inspired by “universal themes like insomnia, awkward tenderness, and using someone else’s toothbrush to clean the kitchen sink.” I love the juxtaposition of bittersweet lyrics and playful indie melodies on this single ‘Flowers’. (KC)

 

Wax Jaw – ‘Creepshow’
Philadelphia five-piece Wax Jaw create emotionally charged guitar tunes that purge suffering and express joy simultaneously, and this track ‘Creepshow’ is the epitome of that ethos. It’s taken from their debut album, It Takes Guts!, which the band released via Born Loser Records earlier this month. The band revel in the duplicitous nature of life, love, politics and sexuality, playfully reminding listeners that “the horrors persist, but so do we!” (KC)

CHERYM ft. Uninvited – ‘Sofa Bed’
A cute, queer collaboration between Derry stars CHERYM and new upcoming band Univited, ‘Sofa Bed’ offers a fizzing reflection on coming to realise you may have romantic feelings for someone you consider a close friend; a catchy sapphic anthem, interweaving sugar-sweet vocals and a fresh, punk-pop energy.

Of the collaboration, CHERYM share: “We’re both not ashamed to admit losing hours of our lives sat in front of the TV watching Kerrang! in the early 2000s. It’s safe to say we knew quite early on the exact type of collaboration we wanted to make and saw it as an opportunity to create something that would make our younger selves feel seen and valued. It’s McBusted but more homoerotic and way better looking.” (ML)

Charley Stone – ‘I’ve Gotta Know’
The first of three new songs recorded with The Actual Band, ‘I’ve Gotta Know’ showcases the endearing vulnerability and playful lilting energy of Charley Stone. Taking the listener on a journey through the emotional states of a hopeless romantic caught up in a situationship, it’s another example of Stone’s ability to craft a perfectly catchy indie-pop ditty. (ML)

Rival Queens – ‘Time Goes By’
Following grunge-tinged singles ‘Not Your Enemy’ and ‘Right Now’ earlier this year, London based artist Sally-Anne Hickman aka Rival Queens is back with a reflective new single to celebrate the release of her debut solo EP, Crown and Conquer. A stirring rumination on moments we can never reclaim, it slows with a haunting melancholy with scuzzy shades of the likes of Dum Dum Girls. (ML)

Francis Of Delirium – ‘Little Black Dress’
Luxembourg songwriter Jana Bahrich aka Francis of Delirium is back with this infectious new single, ‘Little Black Dress’, released to coincide with the end of her EU tour supporting Blondshell. Inspired by the feeling of not having your expectations match your reality, the track is an angst-ridden offering that Jana wrote in the hopes that the urgency would translate when she’s on stage; giving her fans a chance to indulge in the messy, chaotic realm of desperation and disappointment with her. (KC)

The Pains Of Being Pure At Heart – ‘Kurt Cobain’s Cardigan’
Not only does this song have one of the best titles ever, it’s just super beautiful. As beautiful as one of Kurt’s cardies, in fact. Oozing a fuzzy, nostalgic energy, it encompasses the whirring stripped-back emotion that shines through whatever The Pains Of Being Pure At Heart create. They explain: “We probably would have never gotten into the things we love if it wasn’t for Kurt telling all his 13 year old fans to ‘go check out The Vaselines, Beat Happening, and Teenage Fanclub’ – bands that have a pretty different sound to Nirvana, but shared a similar spirit.” (ML)

PINS – ‘I’ll Be Yours’
Manchester post-punk outfit PINS have returned with ‘I’ll Be Yours’, a gritty new offering inspired by the early emotions of falling in love and the expectations placed on women’s roles within romantic relationships. Vocalist Faith Vern considers ‘I’ll Be Yours’ to be one of the most “tender” tracks she’s written for PINS to date, but it still smoulders with the band’s trademark shadowy post-punk sensibilities. (KC)

Ezra Furman – ‘One Hand Free’
Taken from the same studio sessions as Goodbye Small Head, Ezra Furman’s acclaimed tenth album released earlier this year, ‘One Hand Free’ is her new standalone single. Flowing with twinkling keys and the distinctive raw emotion of Furman’s vocals, it offers a deceptively jaunty reflection on “feeling so bad you’re not sure what species you even belong to anymore.” A self-described slice of “loser-core kill-shot”, it showcases all the quirky spirit and strangely uplifting grace we know and love from the innovative artist. (ML)

Coral – ‘Garden’
Swedish songwriter Miranda Engholm aka Coral has returned with this bittersweet track inspired by feelings of disappointment and loneliness. ‘Garden’ is the first taste of what her upcoming new album will sound like, which is set for release in the Spring of 2026. Through her gentle indie-pop melodies and earnest lyrics, Coral gently dismantles her feelings and tries to make peace with the idea of “playing in the garden but without all of your friends.” (KC)

Ailbhe Reddy – ‘Align’
I’m so pleased that Dublin-born songwriter Ailbhe Reddy is back with new music! ‘Align’ is the first single from her forthcoming album, which is due in early 2026 on her new label Don Giovanni Records. I loved her previous albums, Personal History and Endless Affair, so I’m looking forward to hearing more from her in the near future. For now though, I’m content to listen to ‘Align’ on a loop. It’s a lilting, compassionate reflection on a big breakup, tentatively tracing how memories and emotions shift and soften over time. (KC)

feeo – ‘The Hammer Strikes The Bell’
Lifted from her debut album, Goodness, released via AD 93 earlier this month, I’m transfixed by this track from London experimental artist feeo. She describes her album as “an exploration of simultaneous yet opposing states of being; darkness and lightness, obscurity and visibility and most fundamentally, solitude and togetherness” – something which is epitomised on ‘The Hammer Strikes The Bell’. Her calm, meditative voice and mixture of ambient & experimental sounds is strangely soothing here. (KC)

Hannah Schneider – ‘Lighthouse’
One half of acclaimed electronic duo AyOwA, Copenhagen-based artist Hannah Schneider is now set to release an innovative solo album early next year. Rejecting the use of AI in music, she recorded the record together with other musicians at a residency at the historical Thorvaldsens Museum. The first taste of the new album, ‘Lighthouse’ offers a glitchy soundscape, interweaving sparkling layers of sound alongside Schneider’s beautifully rich Beth Gibbons-reminiscent vocals. (ML)

Hilary Woods – ‘Taper’
An airy, shape-shifting soundscape that stirs the senses, ‘Taper’ beautifully showcases the versatile songwriting of Irish artist & composer Hilary Woods. Lifted from her upcoming new album, Night CRIÚ, which is set for release on 31st October via Sacred Bones (one of my favourite record labels), Hilary says ‘Taper’ is “a song that honours a presence to one that is absent. A love song that only a children’s choir could express fully.” Retaining her experimental spirit, but also seeing her return to a more song-based structure, Night CRIÚ is centered around Hilary’s vocals, which act as threads of connection to the past and the present. (KC)

Penelope Trappes – ‘The Mercy of The Hagetisse’
This slow-burning, haunting lament from the marvellous Penelope Trappes is the perfect soundtrack for a gloomy Halloween night. After sharing her poignant album, A Requiem, earlier this year, the Brighton-based Australian artist is set to share a companion piece, titled Æternum, on 31st October via One Little Independent Records. ‘The Mercy of The Hagetisse’ features on Penelope’s new record, which she summoned from a place of grief and intense emotional vulnerability. Throughout the track, Penelope explores the compassion and the cruelty of Hagetisse – a witch, seer, or hag in Old Dutch folklore – through her melancholic vocals, un-nerving electronic textures and steady, somber beats. (KC)

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