PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip, which is set for release on 30th September via Divine Specific. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

CLICK HERE TO LISTEN TO THE OUR JULY PLAYLIST

Get In Her EarsLeave a comment

PLAYLIST: October 2025

The Get In Her Ears team have put together another eclectic mix of alt-pop & indie gems, reverb-drenched guitar tunes, DIY punk bangers, electronic musings & intriguing experimental sounds for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

ARXX – ‘W.I.P’
GIHE are always excited when total faves ARXX share a new tune and the latest offering from the Brighton duo feels particularly special. With a gloriously catchy, country-inspired energy, ‘Work In Progress’ (WIP) offers a rousing, empowering anthem; a comforting acknowledgement that we still have a way to go, a subtle reassurance that it’s ok to have imperfections: “It’s about trying. It’s about getting it wrong and getting it right but finding the beauty in the process.”

Another instant earworm from Hanni and Clara, the release coincides with the band being featured on the soundtrack to the new Sally Wainwright drama Riot Women. It’s certainly an exciting time to be an ARXX fan and they truly deserve every bit of success that comes their way. They’re one of the hardest-working, and most lovely bands in the world.
(Mari Lane – Managing Editor)

Beauty Sleep – ‘You (You’re All I Wanted)’
Following the release of their glistening debut album, The Whole Damn Cake, Northern Irish radical alt-pop duo Beauty Sleep have shared a wonderfully euphoric new single. Shimmering with all the lo-fi hooks and scuzzy uplifting energy you could ever desire, ‘You (You’re All I Wanted)’ is “a love letter to failing and not giving up” – a perfect example of the empowering queer spirit of the band. Watch the wonderfully wacky video below and make sure you nab tickets to catch Beauty Sleep headlining for us at The Cavendish Arms on 27th November! With support from glitch-pop faves Dream Phone and pioneering songwriter Lein Sangster, it promises to be a pretty dreamy night. Tickets on DICE now and are always cheaper in advance. (ML)

congratulations – ‘This Life’
Full of chaotic tempo shifts, cathartic beats and relatable lyrics, ‘This Life’ by Brighton-based four-piece congratulations is a much needed distraction from the monotonous nature of the everyday routine. It’s taken from their debut album, Join Hands, which is due on 13th February 2026 via Bella Union. The band describe it as “a bombastic ode to first world problems and that feeling of losing at life before you’ve ever gotten out of bed.”
(Kate Crudgington – Features Editor)

Lala Lala – ‘Does This Go Faster?’
Having just signed to legendary label Sub-Pop, Lillie West aka Lala Lala has now shared a sparkling, synth-driven new single. Drenched in West’s rich, syrupy vocals and twinkling hooks, ‘Does This Go Faster?’ is steeped in a raw, stripped-back emotion as it flows with beautifully existential meanderings. (ML)

Marina Yozora – ‘Touché’
I was so pleased to discover this tender dream-pop tune by Japanese-born, London-based songwriter Marina Yozora in my GIHE inbox earlier this month. She describes ‘Touché’ as a “love letter” to her friends and fans, which she softly communicates through her delicate vocals, emotive lyrics and atmospheric guitar tones. I’m really excited to hear more new music from her in the future. (KC)

Jouska – ‘California’
Another graceful, shape-shifting offering from Norwegian songwriter and producer Jouska here, lifted from her recent album, How Did I Wind Up Here? ‘California’ is a hazy reflection on her first visit to Los Angeles and “finding calm in unexpected places”, which she explores through her lilting melodies, soft vocals and bittersweet lyrics. “I have a complicated relationship with the U.S.A, especially now,” Jouska elaborates. “There’s so much about it that I find difficult and a lot I still don’t fully understand. But that first visit stayed with me. It gave me space when I had nothing left to give, a strange kind of calm in the middle of everything falling apart.” (KC)

skullcrusher – ‘dragon’
Another disarming, wistful release from American indie artist skullcrusher here. Taken from her new album, And Your Song Is Like A Circle, ‘dragon’ is a song about disassociation and how, as skullcrusher so eloquently explains: “It is a heavy thing to feel the weight of living and pull yourself back to earth.” (KC)

Dogviolet – ‘Now’
The latest single from long time GIHE faves Dogviolet, who were one of the eight bands who played our 10th Birthday all-dayer at The Cavendish Arms last month. The dreamiest of days! Talking of dreamy, this new single showcases the band’s ability to create utterly dreamy soundscapes as its swirling dark majesty caresses the ears with a soaring, gritty splendour. Of the track, Naz from the band explains: “This song is about feeling so consumed by thoughts of the past and the future that you’re unable to move forward with your life, mentally trapped in a cycle of regret and nostalgia.” (ML)

Talking Violet – ‘Destroy’
Having been big fans of Talking Violet since first coming across their immersive “dreamo” sound back in 2018, the Ontario band have since been making waves and garnering acclaim for two sonically expansive albums, and it’s lovely to have another gorgeous track of theirs back in our ears. Rippling with a swirling, shoegaze-tinged allure and shimmering haze, ‘Destroy’ offers an stirring reflection on loss and acceptance. Of the track, songwriter and vocalist Jillian Goyeau explains: “(it’s) about closing a chapter in my life…before moving on I kinda needed to say goodbye…It’s me finally accepting that people can both love you and hurt you at the same time and vice versa.” (ML)

Red Ivory – ‘Crashing Down’
South London four-piece Red Ivory are new to team GIHE, but we’re already big fans of their brooding, distorted sound. Band members Eiliyah, Berry, Frida and Ivy began playing together in 2021 aged fourteen in their secondary school music rooms. Since then, they’ve been honing their skills and developing their songwriting, which has resulted in their upcoming EP, Please Leave, I Need To Wake Up Now, due on 28th November. ‘Crashing Down’ is the opening track on the record and it’s a dizzying reflection on the heightened state of anxiety that can arise when you’re under the influence. (KC)

THE NONE – ‘Pigs Need Feeding’
On one of our recent Soho Radio shows, I declared that punk-inspired four piece THE NONE were one of “the best live bands I’ve ever seen” and I stand by that statement. Kai Whyte is a formidable front person, backed by the cacophonous, momentous sounds of their talented bandmates Gordon Moakes, Jim Beck and Chris Francombe.

The band recently pressed their first two EPs, MATTER AND CARE, to vinyl and released them through Zennor Records. ‘Pigs Need Feeding’ is one of my favourite tracks, full of Kai’s raging reflections on their conflicting feelings about self-intoxication. “I was feeling some sort of shame about my vices, but it was juxtaposed with the knowledge that actual killers don’t feel any,” Kai explains. “I like a drink, but there are certain powerful people and organisations literally arming terror states that kill kids. Maybe I’m not the scumbag.” (KC)

Pinkshift – ‘Authority Problem’
Following gritty recent single ‘Vacant’ back in July, Maryland punk-rockers Pinkshift are back with the fierce, raging energy of ‘Authority Problem’. Propelled by an immense seething power and the raw searing force of front-person Ashrita Kumar’s vocals, it’s a perfect anti-establishment anthem: “”Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath,” (ML)

Hadda Be – ‘New To The Office’
A gloriously scuzzy new single from south London band Hadda Be, ‘New To The Office’ offers an all-too relatable reflection on the anxious hallucinations of a Sunday night fever dream. It was recorded by Andy Ramsay of Stereolab and offers a gritty taste of what to expect from their upcoming second album. (ML)

Gravey – ‘Blessed With’
Following a five year hiatus, South London duo Soraya Fernandez and Nick White aka Gravey have now joined forces with bassist Myles Morgan and drummer Jonny Jurassic for an epic return to form. Reflecting on the complications and unpredictability of love, ‘Blessed With’ combines a dark, immersive groove with a raw punk-tinged passion. (ML)

Breakup Haircut – ‘I’m Okay (I Lied)’
Having been big faves since they formed at First Timers Fest many years ago, Breakup Haircut played for us at New River Studios recently supporting Strange New Places and – despite being a person down, as Ishani had hurt their ear the day before – Ripley, Delphine & Jordan still managed to put on an absolutely fantastic show! Their brand new single ‘I’m Okay (I Lied)’ is a perfectly catchy slice of punk-pop that comes ahead of their upcoming second album, No Worries If Not, out on 28th November via INH Records. (ML)

No Other News – ‘Flowers’
I was pleased to find a lovely email from Laura, vocalist & bassist of Italian indie-pop trio No Other News, in my GIHE inbox earlier this month. Based in Milan, the band – whose name is a reference to a line from the acclaimed film, The Banshees of Inisherin – write songs that are inspired by “universal themes like insomnia, awkward tenderness, and using someone else’s toothbrush to clean the kitchen sink.” I love the juxtaposition of bittersweet lyrics and playful indie melodies on this single ‘Flowers’. (KC)

 

Wax Jaw – ‘Creepshow’
Philadelphia five-piece Wax Jaw create emotionally charged guitar tunes that purge suffering and express joy simultaneously, and this track ‘Creepshow’ is the epitome of that ethos. It’s taken from their debut album, It Takes Guts!, which the band released via Born Loser Records earlier this month. The band revel in the duplicitous nature of life, love, politics and sexuality, playfully reminding listeners that “the horrors persist, but so do we!” (KC)

CHERYM ft. Uninvited – ‘Sofa Bed’
A cute, queer collaboration between Derry stars CHERYM and new upcoming band Univited, ‘Sofa Bed’ offers a fizzing reflection on coming to realise you may have romantic feelings for someone you consider a close friend; a catchy sapphic anthem, interweaving sugar-sweet vocals and a fresh, punk-pop energy.

Of the collaboration, CHERYM share: “We’re both not ashamed to admit losing hours of our lives sat in front of the TV watching Kerrang! in the early 2000s. It’s safe to say we knew quite early on the exact type of collaboration we wanted to make and saw it as an opportunity to create something that would make our younger selves feel seen and valued. It’s McBusted but more homoerotic and way better looking.” (ML)

Charley Stone – ‘I’ve Gotta Know’
The first of three new songs recorded with The Actual Band, ‘I’ve Gotta Know’ showcases the endearing vulnerability and playful lilting energy of Charley Stone. Taking the listener on a journey through the emotional states of a hopeless romantic caught up in a situationship, it’s another example of Stone’s ability to craft a perfectly catchy indie-pop ditty. (ML)

Rival Queens – ‘Time Goes By’
Following grunge-tinged singles ‘Not Your Enemy’ and ‘Right Now’ earlier this year, London based artist Sally-Anne Hickman aka Rival Queens is back with a reflective new single to celebrate the release of her debut solo EP, Crown and Conquer. A stirring rumination on moments we can never reclaim, it slows with a haunting melancholy with scuzzy shades of the likes of Dum Dum Girls. (ML)

Francis Of Delirium – ‘Little Black Dress’
Luxembourg songwriter Jana Bahrich aka Francis of Delirium is back with this infectious new single, ‘Little Black Dress’, released to coincide with the end of her EU tour supporting Blondshell. Inspired by the feeling of not having your expectations match your reality, the track is an angst-ridden offering that Jana wrote in the hopes that the urgency would translate when she’s on stage; giving her fans a chance to indulge in the messy, chaotic realm of desperation and disappointment with her. (KC)

The Pains Of Being Pure At Heart – ‘Kurt Cobain’s Cardigan’
Not only does this song have one of the best titles ever, it’s just super beautiful. As beautiful as one of Kurt’s cardies, in fact. Oozing a fuzzy, nostalgic energy, it encompasses the whirring stripped-back emotion that shines through whatever The Pains Of Being Pure At Heart create. They explain: “We probably would have never gotten into the things we love if it wasn’t for Kurt telling all his 13 year old fans to ‘go check out The Vaselines, Beat Happening, and Teenage Fanclub’ – bands that have a pretty different sound to Nirvana, but shared a similar spirit.” (ML)

PINS – ‘I’ll Be Yours’
Manchester post-punk outfit PINS have returned with ‘I’ll Be Yours’, a gritty new offering inspired by the early emotions of falling in love and the expectations placed on women’s roles within romantic relationships. Vocalist Faith Vern considers ‘I’ll Be Yours’ to be one of the most “tender” tracks she’s written for PINS to date, but it still smoulders with the band’s trademark shadowy post-punk sensibilities. (KC)

Ezra Furman – ‘One Hand Free’
Taken from the same studio sessions as Goodbye Small Head, Ezra Furman’s acclaimed tenth album released earlier this year, ‘One Hand Free’ is her new standalone single. Flowing with twinkling keys and the distinctive raw emotion of Furman’s vocals, it offers a deceptively jaunty reflection on “feeling so bad you’re not sure what species you even belong to anymore.” A self-described slice of “loser-core kill-shot”, it showcases all the quirky spirit and strangely uplifting grace we know and love from the innovative artist. (ML)

Coral – ‘Garden’
Swedish songwriter Miranda Engholm aka Coral has returned with this bittersweet track inspired by feelings of disappointment and loneliness. ‘Garden’ is the first taste of what her upcoming new album will sound like, which is set for release in the Spring of 2026. Through her gentle indie-pop melodies and earnest lyrics, Coral gently dismantles her feelings and tries to make peace with the idea of “playing in the garden but without all of your friends.” (KC)

Ailbhe Reddy – ‘Align’
I’m so pleased that Dublin-born songwriter Ailbhe Reddy is back with new music! ‘Align’ is the first single from her forthcoming album, which is due in early 2026 on her new label Don Giovanni Records. I loved her previous albums, Personal History and Endless Affair, so I’m looking forward to hearing more from her in the near future. For now though, I’m content to listen to ‘Align’ on a loop. It’s a lilting, compassionate reflection on a big breakup, tentatively tracing how memories and emotions shift and soften over time. (KC)

feeo – ‘The Hammer Strikes The Bell’
Lifted from her debut album, Goodness, released via AD 93 earlier this month, I’m transfixed by this track from London experimental artist feeo. She describes her album as “an exploration of simultaneous yet opposing states of being; darkness and lightness, obscurity and visibility and most fundamentally, solitude and togetherness” – something which is epitomised on ‘The Hammer Strikes The Bell’. Her calm, meditative voice and mixture of ambient & experimental sounds is strangely soothing here. (KC)

Hannah Schneider – ‘Lighthouse’
One half of acclaimed electronic duo AyOwA, Copenhagen-based artist Hannah Schneider is now set to release an innovative solo album early next year. Rejecting the use of AI in music, she recorded the record together with other musicians at a residency at the historical Thorvaldsens Museum. The first taste of the new album, ‘Lighthouse’ offers a glitchy soundscape, interweaving sparkling layers of sound alongside Schneider’s beautifully rich Beth Gibbons-reminiscent vocals. (ML)

Hilary Woods – ‘Taper’
An airy, shape-shifting soundscape that stirs the senses, ‘Taper’ beautifully showcases the versatile songwriting of Irish artist & composer Hilary Woods. Lifted from her upcoming new album, Night CRIÚ, which is set for release on 31st October via Sacred Bones (one of my favourite record labels), Hilary says ‘Taper’ is “a song that honours a presence to one that is absent. A love song that only a children’s choir could express fully.” Retaining her experimental spirit, but also seeing her return to a more song-based structure, Night CRIÚ is centered around Hilary’s vocals, which act as threads of connection to the past and the present. (KC)

Penelope Trappes – ‘The Mercy of The Hagetisse’
This slow-burning, haunting lament from the marvellous Penelope Trappes is the perfect soundtrack for a gloomy Halloween night. After sharing her poignant album, A Requiem, earlier this year, the Brighton-based Australian artist is set to share a companion piece, titled Æternum, on 31st October via One Little Independent Records. ‘The Mercy of The Hagetisse’ features on Penelope’s new record, which she summoned from a place of grief and intense emotional vulnerability. Throughout the track, Penelope explores the compassion and the cruelty of Hagetisse – a witch, seer, or hag in Old Dutch folklore – through her melancholic vocals, un-nerving electronic textures and steady, somber beats. (KC)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL

Get In Her EarsLeave a comment

PLAYLIST: September 2025

The Get In Her Ears team have put together another eclectic mix of indie and alt-folk gems, reverb-drenched guitar tunes, electronic musings & intriguing experimental sounds for your listening pleasure. Take some time to scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you can!

Queen Of Nothing – ‘Hell Is A Lonely Place’
Despite its gloomy namesake, this track from London-based musician Abi Crisp aka Queen Of Nothing is actually an “anthem for queer joy.” It’s the first single from her upcoming EP, All the Love That’s Left, and it’s full of her yearning vocals, reverb-heavy guitar and emotive lyricism. “I wanted to write a song that felt both hopeful and defiant for anyone who might relate to it,” Abi comments about the context of ‘Hell Is A Lonely Place’. “Even in those moments of joy and self-acceptance, it can be so hard to let go of the negative emotions we grow used to.” This tenacity is reflected in the track’s striking volume shifts and gritty-but-buoyant guitar riffs. (Kate Crudgington – Features Editor)

TTSSFU – ‘forever’
Taken from her recent EP, Blown, this is the latest single from Manchester-based artist Tasmin Stephens aka TTSSFU. ‘forever’ is a nostalgic reflection on a lifelong friendship, full of her lush vocals and dreamy, shoegaze-inspired guitar sounds. (KC)

Whitelands – ‘Glance’
GIHE favourites Whitelands are back with new music and the the announcement of their second album! Sunlight Echoes is set for release on 30th January 2026 via Sonic Cathedral, and ‘Glance’ is the first offering from the new record. It shimmers with the shoegaze band’s trademark sensitivity, but also showcases a refreshing new dynamic to their songwriting. ‘Glance’ was written after vocalist and guitarist Etienne overcame a period of writers block. “I wasn’t really catching my stride with songs and I called up Neil Halstead [of Slowdive] for advice,” he explains. “When I next saw him he asked if I had solved it and I told him yes, as I’d had my heart broken. He laughed and was like, ‘Yeah, that’ll do it’.” This experience is mirrored in the accompanying video for ‘Glance’ which features British film stars David Jonsson (The Long Walk, Alien: Romulus, Rye Lane, Industry) and Honor Swinton Byrne (The Souvenir, I Am Love) – as well as Estella from Big Joanie! (KC)

Needy Pet – ‘Mental Health’
Self described Irish ‘glam-punk’ band Needy Pet have been building a reputation over the last few months for their high-energy live shows, and are now ready to blast into your ears with their stomping debut single. A raging reflection on the state of Irish mental health services, ‘Mental Health’ showcases Needy Pet’s ability to create catchy ‘70s inspired anthems with a fresh, socially conscious drive. (Mari Lane – Managing Editor)

LOBSTERBOMB – ‘Falling’
Another month, another banger from Berlin−based post−punk outfit LOBSTERBOMB. The band say that this track ‘Falling’ is “about looking instead of running away, about accepting instead of holding on; and about welcoming the new version of yourself, even if it hurts at first.” (KC)

Maria Iskariot – ‘Witte Rook’
First catching our attention earlier this year with seething single ‘Leugenaar’, Dutch band Maria Iskariot have now announced that their debut album will be out in the world next month. And, ahead of the album’s release, they have shared another slice of raw, no-frills punk in new single ‘Witte Rook’ (white smoke). Fizzing with a wonky, distorted allure as the immense gritty passion of front person Helena Cazaerck’s vocals rage throughout, the band describe the track as “…a victory for losers, an attempt at forgiveness, swallowing, biting in your own lip and saliva that tastes like iron.” Wereldwaan, the upcoming debut album from Maria Iskariot, is set for release on 31st October. (ML)

Softcult – ‘16/25’
I was so excited to hear the news that Ontario sibling duo Softcult have finished their debut album! When A Flower Doesn’t Grow is set for release on 30th January 2026 via Easy Life Records, and ’16/25′ is the first offering from the LP. The track offers a scathing commentary on the predatory behaviour of older men who groom younger women, which the band deliver through spiralling riffs, piston-like percussion and haunting vocals. As vocalist and guitarist Mercedes Arn-Horn explained to me when I interviewed her back in 2024, this new album will mark another evolution in Softcult’s sound, something which is immediate and obvious on this new track. (KC)

Mannequin Flowers – ‘Six Words’
Cascading with fuzzy hooks and lush crystalline vocals, ‘Six Words’ is the latest single from upcoming London band Mannequin Flowers. A dreamy soundscape powered by raw emotion and gritty energy, it offers a soaring insight into what this new band are able to create; of the track, the band explain that “it captures the ache of loving a vision that can never be real”. Shimmering with shades of Cocteau Twins, it marks Mannequin Flowers out as definite ones to keep your ears and eyes peeled for over the next few months. (ML)

Better Joy – ‘Steamroller’
A defiant anthem about reclaiming strength in the face of loss, ‘Steamroller’ is the new single from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it offers a catchy taste of her upcoming new EP, at dusk, set for release on 31st October. (ML)

Larlin – ‘Limbo’
‘Limbo’ is the third single from alt-rock Brighton trio Larlin. Fronted by Maryann, the band create cathartic, driving anthems influenced by the sounds of Wolf Alice and Nieve Ella. This track is about the frustration of being stuck inside a doomed relationship that you’re not quite ready to let go of, which is reflected through brooding riffs and Maryann’s yearning vocals. (KC)

Lusa Morena – ‘You Don’t Keep Away’
Having previously been blown away by the swirling immersive energy of Portuguese, London-based band Lusa Morena when they played for us live a couple of years back, I was excited to hear of their revived iteration as a theatrical rock duo. With debut single ‘You Don’t Keep Away’, they reflect on the all-too-common experiences of being made to feel uncomfortable by men with a fiery impassioned spirit and playful tongue-in-cheek wit. (ML)

Read The Room – ‘Phoenix’
A fierce collision of different musical influences delivered with a fresh, rousing energy, ‘Phoenix’ is the high-octane new single from Norwich rockers Read The Room. It offers an impassioned reflection on our ability to overcome trauma and rise, ‘like a phoenix’, from the ashes. (ML)

Mia Joan – ‘Us’
The latest single from London-based artist Mia Joan, ‘Us’ offers a poignant reflection on love, an earnest dedication to “the one person who loves every part of you, even when you feel you’re being held back by all of your past selves.” Flowing with lilting melodies alongside the deep resonant emotion of Joan’s vocal, I just love its shimmering heartfelt grace. (ML)

Marine Store Dealer – ‘Speed Back To Me’
Originally from Nottingham and Istanbul respectively, London-based Marine Store Dealer create shimmering folk-tinged soundscapes, interweaving dreamy layers of instrumentation. Set to release their second album, When We Swim Outside In The Floods In The Streets, later this Autumn, their new single ‘Speed Back To Me’ is out now. (ML)

Automatic – ‘Black Box’
The latest single from dark-pop trio Automatic, ‘Black Box’ oozes a sweeping majestic groove as fuzzy beats propel the track forwards. As sultry hypnotic vocals flow throughout, it offers an infectious synth-driven anthem. Of the track, the band explain: “It’s a pretty straightforward critique of people that have sold out on a large scale, specifically within creative industries…” Is It Now?, the new album from Automatic, is out now. (ML)

Tusks – ‘Cold Storm’ (TAAHLIAH Remix)
Tash and I have been loving the remixes that London-based electronic songwriter and producer Tusks has been sharing recently, and this collaboration with Scotland-based artist & DJ TAAHLIAH is no exception! It’s lifted from her new EP, Gold – The Remixes, which is out tomorrow (1st October) via One Little Independent Records. (KC)

Noé Solange – ‘Home’
This atmospheric, soothing soundscape comes from London-based, Dutch-Indonesian producer Noé Solange. ‘Home’ is the second single from her upcoming EP, Moments, set for release on 13th October via Anjunachill. “It captures the complexities of holding onto the past, searching for a sense of belonging and letting go,” Noé explains about the tracks that form her new record; all reflected in her blend of ambient synths, gentle vocals and lilting beats. (KC)

Donna Thompson – ‘What Is It?’
Set to release a new EP in November, London-based Donna Thompson fuses together elements of hip-hop, folk and indie with a soulful impassioned grace. Of new single ‘What Is It?’, she explains: “I’ve been thinking about the deconstruction of traditional ideas on how my role as a female in a cis relationship has predefined expectations that often don’t align with what loving someone feels like. I can still love you if I don’t wanna wash your underwear.” What In The World, the new EP from Donna Thompson, is out on 21st November via Prah Recordings. (ML)

Flock Of Dimes – ‘Defeat’
A beautiful reflection on personal growth, ‘Defeat’ is the latest single from Flock Of Dimes, the new project of Jenn Wasner (Wye Oak, Bon Iver). Combining rippling hooks with a sweeping shimmering emotion, it offers a heartfelt first taste of her upcoming album, The Life You Save, out on 10th October via Sub Pop. Of the track, she explains: “It represents a moment of total surrender. It’s about the moment I finally allowed myself to accept my own powerlessness…” (ML)

Stella Donnelly – ‘Feel It Change’
This is the latest single from Australian songwriter Stella Donnelly, inspired by her ruminations on an inevitably doomed relationship. It’s lifted from her upcoming new album, Love and Fortune, which is set for release on 7th November via Brace Yourself Records (UK & Europe) and Dot Dash Recordings (globally). Stella’s new record is a reflection on a time of profound change and growth, which shines through in her considered instrumentation and candid-yet-poetic lyricism. (KC)

Josienne Clarke – ‘In The Dark Of The Night’
Described as “a hug in song form, a held hand through an anxious night,” this tender offering from songwriter and guitarist Josienne Clarke is exactly that. Lifted from her upcoming album, Far From Nowhere, which she will release via her own label (Corduroy Punk) on 17th October, ‘In The Dark Of The Night’ is a dreamy offering designed to lull listeners into reassurance, which Josienne achieves through her acoustic guitar and soothing vocals. Her upcoming album will be accompanied by a short film titled Deluded, directed by Alec Bowman Clarke, which offers a behind-the-scenes peek into the album’s creation. Currently screening at festivals, the film will be shown throughout Josienne’s UK tour this October. (KC)

Brain Leak – ‘Moon Eyes’
Following the gloriously hazy allure of debut ‘Trying’, Manchester based Brain Leak are back with their “Lana moment’ in the form of sparkling single ‘Moon Eyes’. As the delicate celestial vocals of Tara-Gabriella Engelhardt (Adjustments) ripple with a stripped-back emotion alongside glistening keys, it showcases a more vulnerable side to the songwriter; a beautifully introspective ode to personal growth. Tara-Gabriella explains more: “Sometimes relationships evolve in completely unforeseen ways, and that can be scary if you’re a sensitive person like I am who struggles with change. This song is me coming to terms with that change.” Brain Leak also features Sidonie Hand-Halford (The Orielles), Jess Branney (Peaness, BC Camplight) and Giulia Bonometti (Working Men’s Club). (ML)

Snakeskin – ‘October Sun’
Beirut-based duo Fadi Tabbal and Julia Sabra aka Snakeskin are new to me, but I’m captivated by their haunting electronica. This track ‘October Sun’ is taken from their upcoming third album, We live in sand, which is due on 10th October as a co-release between Ruptured and Beacon Sound. Penned as the war in Gaza spread to Lebanon, the LP has been described as their “starkest and most immediate work to date,” blending industrial and ambient elements to reflect the unpredictable and harsh realities of the world around them. (KC)

Jouska – ‘Season Of Dread’
Norwegian artist Jouska said she penned this track when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” It’s taken from her upcoming album, How Did I Wind Up Here?, set for release on 17th October. I admire the way Jouska moves through heavy emotions with impressive grace here. (KC)

Lōwli – What’s It All For?
I’ve mentioned (multiple) times before that Irish musician and composer Lōwli is one of my favourite new music discoveries this year, and I’m really looking forward to hearing her debut album, Window In The Woods, in full – which is due on 24th October via VETA Records. This latest single ‘What’s it all for?’ is laced with her trademark melancholic keys, yearning vocals and poetic lyrics. (KC)

Blue Loop – ‘Luxury Chords’
London-based electronic producer Emma Hall aka Blue Loop describes ’Luxury Chords’ as “a woozy, love-soaked ballad” that she wrote for her partner during the bleakest days of her own chemotherapy treatment for breast cancer, which she is now in remission from. It’s lifted from her upcoming album, Cycles, which is set for release on 7th November. The track is inspired by the simultaneous coexistence of love, grief and suffering; a poignant sentiment that I think lots of people will be able to relate to. (KC)

Klein – ‘rich dad poor dad’
I’m so glad I unearthed this experimental gem from UK rapper Klein in my GIHE inbox. ‘rich dad poor dad’ is taken from her upcoming record, sleep with a cane, due on 1st October, which is described as a UK rap record “in the form of an ambient folklore mixtape.” I really love her hypnotic layering of sounds and I’m looking forward to listening to the record in full. ‘rich dad poor dad’ is also accompanied by a self-directed music video, which features Klein in different locations in South London, including the iconic Windrush Square in Brixton. (KC)

Hilary Woods – ‘Endgames’
I’ve been a fan of Irish artist Hilary Woods for some time, so I was pleased to see that she’ll be releasing her new album, Night CRIÚ, on 31st October via Sacred Bones (one of my favourite record labels.) Retaining her experimental spirit, but also seeing her return to a more song-based structure, the album is centered around Hilary’s vocals which act as threads of connection to the past and the present. This track ‘Endgames’ is the first hint at what’s to come; a dynamic, shape-shifting soundscape that stirs the senses. (KC)

Jessica Moss – ‘until all are free’
As a core member of the Montréal chapter of Musicians For Palestine, violinist and composer Jessica Moss felt compelled to write her new solo record to keep people’s eyes and ears fixed on the ongoing genocide in Gaza. Her meditative LP, Unfolding, due on 24th October via Constellation, is divided into four parts titled; “no one / no where / no one is free / until all are free” and this track ‘until all are free’ is the poignant closing composition. Unfolding is dedicated to “a free Palestine in our lifetime.” (KC)

Agnes Haus – ‘Persona’
Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” I am deeply intrigued by Brighton-based non-binary artist Agnes Haus’ new work. This track ‘Persona’ is lifted from their upcoming album, Inexorable Ascent, set for release on 7th November via Nite Hive, and forms part of a collection of drone-based modular synthesiser sounds composed solely between the hours of midnight and 4am. Agnes locked themselves in their attic studio every night for two weeks in order to work in this way. “I watched granular Bergman and Tarkovsky films in the background while I crudely experimented on my small modular synthesiser,” they explain. “I had been feeling like a pariah at the time by shunning binary systems on all levels, from politics to everyday life, which had become suffocating in the online world. I kind of anaesthetised myself in the late-night hours, focusing on the subtleties of the quiet particulars of sound – the details of the infinite intonations in between.” Watch the self-directed video for ‘Persona’ below. (KC)

Get In Her EarsLeave a comment

PLAYLIST: August 2025

We’re publishing our August Playlist slightly later than planned, but we hope our eclectic mix of punk anthems; indie and alt-folk gems, evocative beats, emotive electronic soundscapes & instrumentals will still provide the perfect soundtrack for your eager ears! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

 

Breakup Haircut – ‘The Algorithm’s Trying To Kill Me’
We’re so so excited to see the return of DIY faves and First Timers alumni Breakup Haircut! Following 2022’s fantastic debut, Punk Dancing For Self Defence, they’ve now released the first in a string of new singles ahead of a second album – due for release this autumn via INH Records. A deeply relatable anti-capitalist anthem, ‘The Algorithm’s Trying To Kill Me’ showcases the band’s trademark playful sardonic wit and scuzzy punk-pop energy whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. I’m very much looking forward to hearing more from them soon, which we all can when they join us at New River Studios on 10th October, supporting Strange New Places with Junk Whale. Nab tickets on DICE now! (Mari Lane – Managing Editor)


Problem Patterns – ‘Classic Rock Has Become My Prison’
Ahead of their upcoming new EP, Boring Songs For Boring People, due via Alcopop! Records on 12th September, and following recent release ‘I’m Fine and I’m Doing Great’ (which was on the BBC 6Music playlist for four weeks!) Belfast queer punk pals Problem Patterns have now shared this immense new single. Offering a wonderful parody on the sexist ideals of many classic rock heroes, ‘Classic Rock Has Become My Prison’ was initially inspired by Bev feeling imprisoned by her neighbour’s daily blasting out of certain bands at an obnoxiously loud volume, and has developed into a fiercely raging ‘cock-rock’ anthem.

Of the track, Bev explains: “the more I thought about classic rock tunes, the more I thought about the sexism and misogyny rampant in the lyrics of even the most popular songs. Musically, we took on classic rock alter-egos, ripping solos, chugging riffs, hitting the drum fills just right, before letting loose that patented PP anger.” Prizes for anyone who can identify any of the twenty five cocky lyrical references patchworked into the song – I think I can name a few, which I might run by the band when THEY HEADLINE OUR 10TH BIRTHDAY ALL DAYER ON 27TH SEPTEMBER! We cannot wait. Tickets are now officially sold out, but feel free to join the waiting list on DICE in case anyone has to return theirs. If you have a ticket, we’ll see you at The Cavendish Arms on the 27th, along with so many other faves like Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more!
(ML)

Madame So – ‘Sick Of It All’
Indie art-punk artist Madame So is back with an aptly named new single ‘Sick Of It All’, a cathartic anthem inspired by the need to stand in solidarity with oppressed nations and victims of war crimes. It was originally written in 2024, but Madame So’s anger and lyricism remain just as relevant a year on. She wants to be clear that the song is not about exploiting suffering, but about “using music as a tool to open eyes and spark conversations that matter.” (Kate Crudgington – Features Editor)

CARNE – ‘VAST’
This is the second single from Brighton-based grunge four-piece CARNE, who are fronted by vocalist and guitarist Carmen Mellino. ‘VAST’ is both a “tribute” to a niche band of the same name that Carmen admires, as well as an exploration of the complexities of human connection and how this can be affected by the intensity of touring as a band. It’s full of crushing riffs and lush melodic vocals, inspired by iconic ’90s grunge icons like The Smashing Pumpkins and Hole. (KC)

Yuppie Supper – ‘Neocanine’
A new favourite band for sure, Leeds based DIY trio Yuppie Supper are set to release their second EP, The Mondegreen, on 10th October, and our first taste of that comes in the form of recent single ‘Neocanine’. Voicing their frustration at being forced to choose between the far right and more of the neoliberalism of the last 40 years, the band offer trans-lead, grunge-fuelled anthems, and I can’t get enough of their fiercely angst-driven energy. (ML)

Vanelle – ‘Blue Curls’
‘Blue Curls’ is an angst-ridden reflection on adolescence from Berlin-based trio Vanelle. Released via Beans On Toast Records, the newly launched sub-label of Duchess Box Records, the track is taken from the band’s upcoming self-titled EP, which is set for release on 3rd October. Through heartfelt lyrics and brooding guitar riffs, the band explore what it’s like to feel left out and like you don’t fit in when you’re growing up. (KC)

steel. – ‘DFTTM’
I was lucky enough to attend a day of Decolonise Fest at Signature Brew – a fantastic event promoting punks of colour and their community. Starting off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music, the day and evening was filled with so much incredible live music, including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel. (ML)

adults – ‘patterns’
Set to release their second full-length album next month, South London indie-punks adults have now shared the first taste of what to expect. A nostalgic ode to London’s DIY scene, offering a wistful reflection on how the city’s changed and the deep sense of loss that has come with this, ‘patterns’ flows with the band’s trademark jangly energy and fuzzy hooks. As twinkling harmonies ripple with a gentle raw emotion, it builds with an anthemic sense of hope as sparkling synths conjure memories of dancing into the night at beloved venues like Moth Club and Power Lunches. I can’t wait to hear more of the band’s beautifully heartstring-tugging, head-bopping creations when they play the Divine Schism all-dayer at New River Studios next Saturday 13th September. the seeds we sow are sprouting buds nonetheless, the upcoming new album from adults, is set for release on 31st October via Fika Records. (ML)

Jessie Mac – ‘Trans Is Beautiful’
This is a powerful (and incredibly catchy) “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac. By sampling the words of American actress and LGBTQ advocate Laverne Cox and combining them with her own shape-shifting club beats and electronics, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. (KC)

Tusks – ‘Adore’ remix by I.JORDAN
I loved the evocative, original version of ‘Adore’ by London-based artist Tusks (released back in 2024), lifted from her third album, Gold. This re-imagining by Doncaster-born, London-based DJ I.JORDAN is completely different – fueled by an infectious dance beat – but it still retains the emotive pull of Tusks’ original release. This track will feature on Tusks’ upcoming EP, Gold – The Remixes, due on 1st October via One Little Independent Records. (KC)

Stealing Sheep – ‘Take Me Back’
The latest single from Liverpool’s Stealing Sheep, ‘Take Me Back’ is propelled by glitchy immersive beats as euphoric, swirling synth-driven hooks create a “rave-drenched fever dream”. A playful, ‘80s-inspired ode to surrealist art-pop and the joyous glow of nights spent on dancefloors into the early hours. ‘Take Me Back’ is our first taste of GLO, the band’s upcoming new album. (ML)

Ho99o9 ft. Nova Twins, Pink Siifu, Yung Skrrt – ‘Incline’
A DREAM collaboration here from two personal favourites: rap-punk duo Ho99o9 and alt-heavy icons Nova Twins. The girls’ incendiary riffs perfectly underscore Ho99o9’s visceral verses. The track features on the Ho99o9’s upcoming album, Tomorrow We Escape, which is set for release on 9th September. The record will also feature a contribution from Chelsea Wolfe – I can’t wait to listen to it in full. (KC)

Pets and Doom and Gloom – ‘Mina’
This track from London-based dark electronic duo Pets and Doom and Gloom is peak “Gloomy Grrrl” territory. ‘Mina’ is lifted from the band’s debut EP, Lone and Level, which was released on 5th August to coincide with oil giant BP’s quarterly earnings announcement. The band’s apocalyptic sounds and haunting vocals are their way of pushing back against a damaged world; something that’s epitomised on ‘Mina’ which they describe as “a trip hop tale of vengeance.” (KC)

Tyler Holmes – ‘Copy’
Having first fallen in love with innovative artist Tyler Holmes’ poignant electronic soundscapes back in 2021 when they released their album, Nightmare In Paradise, I was excited to see their name crop up in my inbox again last week. Set to release an experimental new album at the end of the month, over the last few years Holmes has experienced a great deal of change in their life – including the death of a parent and heartbreak – though the new record focuses more on the theme of the natural world and how we accept our place in it. Beautifully interweaving stark reflections into textured soundscapes that evoke both the serene and brutal side of nature, the album is built on the bones of ‘The Southern Reach Trilogy’ by Jeff Vandermeer and ‘No.44, The Mysterious Stranger’ by Mark Twain. Patience, the upcoming new album from Tyler Holmes, is set for release on 26th September via Ratskin Records. (ML)

Sijya – ‘I Only Want To Crash’
Another idiosyncratic, atmospheric soundscape here from South Asian composer, producer and graphic artist Sijya. ‘I Only Want To Crash’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September. The track evolved from an instrumental to include her ambiguous lyrical motifs, affording Sijya the emotional release she craves. (KC)

feeo – ‘The Mountain’
London experimental artist feeo is new to me, but I was transfixed by her calm voice and ambient drone sounds on this single ‘The Mountain’. Released via label AD 93, the track is inspired by the “dualities of the natural world” and how it can be both brutal and beautiful. (KC)

VERA SACRA – ‘Burning’
I found listening to this soundscape from experimental cellist, vocalist and producer VERA SACRA strangely soothing. Lifted from her debut EP, sacred spring, released via EMI North & Launchpad+, ‘Burning’ is a beautiful reflection on the artist’s “fractured yet vivid inner world.” She wrote and recorded her EP whilst travelling between Latvia, Estonia, London, & Sheffield, whilst also struggling with psychosis at the time. The result is a glitchy but captivating collection of tracks that showcase her immense talent. (KC)

The New Eves – ‘Astrolabe’
Congratulations to Brighton-based four-piece The New Eves who released their debut album, The New Eve Is Rising, earlier this month! The band blew us away with their unique live performance of what they have coined as “Hagstone Rock” when we saw them at The Great Escape Festival earlier this year and we can’t wait to catch them again at their headline show at London’s Hoxton Hall on 7th October. (KC)

Daffo – ‘Dagger Song’
Set to release their debut album later this month, Gabi Gamberg – aka Daffo – has shared stirring new single ‘Dagger Song’. I’m such a big fan of the LA based artist and the sparkling, heartfelt emotion that seeps through all they create; even more so since seeing them live at The Great Escape this year. Watching them alongside Hanni and Clara from ARXX and Rach from Comic Sans was a big highlight of the weekend for me! Their debut album, Where The Earth Bends, is out on 26th September via Concord Records, and they will be playing a few dates in the UK in October, including The Lower Third in London on 31st October – a nice Halloween gig. (ML)

The Cords – ‘I’m Not Sad’
The latest single from Scottish duo The Cords, ‘I’m Not Sad’ offers a perfectly upbeat, short and sweet blast of joyous energy. Propelled by a lilting surf-pop energy and singalong refrains, it’s a gloriously glistening slice of indie-pop with shades of the likes of fellow Scots Camera Obscura or Belle and Sebastian. I can’t wait for the release of their debut album on 26th September via Skep Wax Records. (ML)

The Schla La Las – ‘1234’
A supergroup of sorts, lead by Piney Gir, The Schla La Las built up a reputation for their joyous live shows within the indie-rock scene of the early noughties. Now, after being away from our ears for eighteen years, they have returned with a wonderfully uplifting new single. Showcasing their punky, poppy energy and sugar-sweet allure perfectly, ‘1234’ is accompanied by a super cute, strangely empowering, lego-stop motion video for the song. Find out more on our premiere feature here. You can witness the sparkling allure of The Schla La Las live at Dream Bags Jaguar Shows on 15th November. (ML)

jasmine.4.t – ‘Woman’
GIHE favourite jasmine.4.t has recently shared a heartfelt fan film to accompany her song ‘Woman’. Of the song and video, she explains: “We wanted to show the world this queer love and solidarity, to show the world that trans people are loved, to show the world all of the beautiful responses we have to trans art. So we put out a call for video clips from fans of them responding to ‘Woman’, singing, playing, dancing. We edited the clips into this, a fan video for the song and I can’t believe how beautifully it has turned out.”

Watch the incredibly beautiful video and please have a look at the information shared by Not A Phase about the recent EHRC proposals for the mandatory exclusion of trans people from gendered spaces, the terrifying consequences this could have and next steps that we can take to stop it being put into effect. You could also donate to The Good Law Project who run loads of great campaigns and are challenging the Supreme Court’s ruling to overturn the Equality Act, as it seeks to take away further rights of trans people – breaking actual Human Rights Laws. (ML)

Ailsa Tully – ‘Choosing’
Following recent releases ‘Self Soothing’ and ‘Womb Room’, Welsh artist Ailsa Tully has now shared stirring new single ‘Choosing’. Written shortly after her father passed away, it offers a poignant reflection on moving and feeling unsettled; a plea for some stability. As a dark ethereal splendour shimmers alongside its lilting folk-strewn musicality, the heartfelt grace and twinkling delicate emotion of Ailsa’s celestial vocals shines throughout. A truly beautiful new offering, that I’m pleased to say is being shared with the world at a time when Ailsa is feeling more settled and has found somewhere – with someone she loves – that she feels able to call home. (ML)

Madison Cunningham – ‘My Full Name’
Ahead of the release of her new album next month, LA songwriter Madison Cunningham has shared ‘My Full Name’. A vulnerable reflection on heartbreak and loss, her sweeping crystalline vocals float alongside twinkling keys with a soaring delicate emotion. Ace, the upcoming album from Madison Cunningham, is set for release on 10th October. (ML)

Hand Habits – ‘Bluebird Of Happiness’
Having recently released their poignant new album, Meg Duffy – aka Hand Habits’ – latest single ‘Bluebird Of Happiness’ interweaves their distinctive rich vocals with fuzzy layers of sound amidst a shimmering subtle optimism. Of the track, they comment: “One day my partner asked what birdsong we were hearing through the window and I was like, ‘well that’s the bluebird of happiness obviously,’ and it became a joke song I would sing around the house, but then it grew wings… I also got curious about the history of the bluebird of happiness, and found that it has mythological significance.” Blue Reminder, the new album from Hand Habits, is out now via Fat Possum. (ML)

Kate Stables, Jesca Hoop, Lail Arad – ‘Raised On Robbery’
Having been lucky enough to attend a special Songs Of Joni Mitchell event at The Roundhouse last year, I was excited to hear that organiser Lail Arad, along with fellow artists Kate Stables (This Is The Kit) and Jesca Hoop, are set to release an EP of Joni covers this week to accompany their tour this autumn, continuing their heartwarming ode to the music of one of the world’s most inspirational artists. As a life-long fan of Joni, and a many-years-fan of these three artists, it’s such a joy to hear them celebrating her work, and creating their own sparkling renditions of some of my most favourite songs. They will be playing Shepherd’s Bush Empire on 13th November, along with a big run of UK dates throughout the autumn. The Songs Of Joni Mitchell Vol 1, the upcoming EP, is out on Friday 12th September. (ML)

Get In Her EarsLeave a comment