PLAYLIST: September 2025

The Get In Her Ears team have put together another eclectic mix of indie and alt-folk gems, reverb-drenched guitar tunes, electronic musings & intriguing experimental sounds for your listening pleasure. Take some time to scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you can!

Queen Of Nothing – ‘Hell Is A Lonely Place’
Despite its gloomy namesake, this track from London-based musician Abi Crisp aka Queen Of Nothing is actually an “anthem for queer joy.” It’s the first single from her upcoming EP, All the Love That’s Left, and it’s full of her yearning vocals, reverb-heavy guitar and emotive lyricism. “I wanted to write a song that felt both hopeful and defiant for anyone who might relate to it,” Abi comments about the context of ‘Hell Is A Lonely Place’. “Even in those moments of joy and self-acceptance, it can be so hard to let go of the negative emotions we grow used to.” This tenacity is reflected in the track’s striking volume shifts and gritty-but-buoyant guitar riffs. (Kate Crudgington – Features Editor)

TTSSFU – ‘forever’
Taken from her recent EP, Blown, this is the latest single from Manchester-based artist Tasmin Stephens aka TTSSFU. ‘forever’ is a nostalgic reflection on a lifelong friendship, full of her lush vocals and dreamy, shoegaze-inspired guitar sounds. (KC)

Whitelands – ‘Glance’
GIHE favourites Whitelands are back with new music and the the announcement of their second album! Sunlight Echoes is set for release on 30th January 2026 via Sonic Cathedral, and ‘Glance’ is the first offering from the new record. It shimmers with the shoegaze band’s trademark sensitivity, but also showcases a refreshing new dynamic to their songwriting. ‘Glance’ was written after vocalist and guitarist Etienne overcame a period of writers block. “I wasn’t really catching my stride with songs and I called up Neil Halstead [of Slowdive] for advice,” he explains. “When I next saw him he asked if I had solved it and I told him yes, as I’d had my heart broken. He laughed and was like, ‘Yeah, that’ll do it’.” This experience is mirrored in the accompanying video for ‘Glance’ which features British film stars David Jonsson (The Long Walk, Alien: Romulus, Rye Lane, Industry) and Honor Swinton Byrne (The Souvenir, I Am Love) – as well as Estella from Big Joanie! (KC)

Needy Pet – ‘Mental Health’
Self described Irish ‘glam-punk’ band Needy Pet have been building a reputation over the last few months for their high-energy live shows, and are now ready to blast into your ears with their stomping debut single. A raging reflection on the state of Irish mental health services, ‘Mental Health’ showcases Needy Pet’s ability to create catchy ‘70s inspired anthems with a fresh, socially conscious drive. (Mari Lane – Managing Editor)

LOBSTERBOMB – ‘Falling’
Another month, another banger from Berlin−based post−punk outfit LOBSTERBOMB. The band say that this track ‘Falling’ is “about looking instead of running away, about accepting instead of holding on; and about welcoming the new version of yourself, even if it hurts at first.” (KC)

Maria Iskariot – ‘Witte Rook’
First catching our attention earlier this year with seething single ‘Leugenaar’, Dutch band Maria Iskariot have now announced that their debut album will be out in the world next month. And, ahead of the album’s release, they have shared another slice of raw, no-frills punk in new single ‘Witte Rook’ (white smoke). Fizzing with a wonky, distorted allure as the immense gritty passion of front person Helena Cazaerck’s vocals rage throughout, the band describe the track as “…a victory for losers, an attempt at forgiveness, swallowing, biting in your own lip and saliva that tastes like iron.” Wereldwaan, the upcoming debut album from Maria Iskariot, is set for release on 31st October. (ML)

Softcult – ‘16/25’
I was so excited to hear the news that Ontario sibling duo Softcult have finished their debut album! When A Flower Doesn’t Grow is set for release on 30th January 2026 via Easy Life Records, and ’16/25′ is the first offering from the LP. The track offers a scathing commentary on the predatory behaviour of older men who groom younger women, which the band deliver through spiralling riffs, piston-like percussion and haunting vocals. As vocalist and guitarist Mercedes Arn-Horn explained to me when I interviewed her back in 2024, this new album will mark another evolution in Softcult’s sound, something which is immediate and obvious on this new track. (KC)

Mannequin Flowers – ‘Six Words’
Cascading with fuzzy hooks and lush crystalline vocals, ‘Six Words’ is the latest single from upcoming London band Mannequin Flowers. A dreamy soundscape powered by raw emotion and gritty energy, it offers a soaring insight into what this new band are able to create; of the track, the band explain that “it captures the ache of loving a vision that can never be real”. Shimmering with shades of Cocteau Twins, it marks Mannequin Flowers out as definite ones to keep your ears and eyes peeled for over the next few months. (ML)

Better Joy – ‘Steamroller’
A defiant anthem about reclaiming strength in the face of loss, ‘Steamroller’ is the new single from Manchester-based Bria Keely, aka Better Joy. Whirring with fuzzy hooks as Keely’s sugar-sweet vocals flow with a sparkling emotion, it offers a catchy taste of her upcoming new EP, at dusk, set for release on 31st October. (ML)

Larlin – ‘Limbo’
‘Limbo’ is the third single from alt-rock Brighton trio Larlin. Fronted by Maryann, the band create cathartic, driving anthems influenced by the sounds of Wolf Alice and Nieve Ella. This track is about the frustration of being stuck inside a doomed relationship that you’re not quite ready to let go of, which is reflected through brooding riffs and Maryann’s yearning vocals. (KC)

Lusa Morena – ‘You Don’t Keep Away’
Having previously been blown away by the swirling immersive energy of Portuguese, London-based band Lusa Morena when they played for us live a couple of years back, I was excited to hear of their revived iteration as a theatrical rock duo. With debut single ‘You Don’t Keep Away’, they reflect on the all-too-common experiences of being made to feel uncomfortable by men with a fiery impassioned spirit and playful tongue-in-cheek wit. (ML)

Read The Room – ‘Phoenix’
A fierce collision of different musical influences delivered with a fresh, rousing energy, ‘Phoenix’ is the high-octane new single from Norwich rockers Read The Room. It offers an impassioned reflection on our ability to overcome trauma and rise, ‘like a phoenix’, from the ashes. (ML)

Mia Joan – ‘Us’
The latest single from London-based artist Mia Joan, ‘Us’ offers a poignant reflection on love, an earnest dedication to “the one person who loves every part of you, even when you feel you’re being held back by all of your past selves.” Flowing with lilting melodies alongside the deep resonant emotion of Joan’s vocal, I just love its shimmering heartfelt grace. (ML)

Marine Store Dealer – ‘Speed Back To Me’
Originally from Nottingham and Istanbul respectively, London-based Marine Store Dealer create shimmering folk-tinged soundscapes, interweaving dreamy layers of instrumentation. Set to release their second album, When We Swim Outside In The Floods In The Streets, later this Autumn, their new single ‘Speed Back To Me’ is out now. (ML)

Automatic – ‘Black Box’
The latest single from dark-pop trio Automatic, ‘Black Box’ oozes a sweeping majestic groove as fuzzy beats propel the track forwards. As sultry hypnotic vocals flow throughout, it offers an infectious synth-driven anthem. Of the track, the band explain: “It’s a pretty straightforward critique of people that have sold out on a large scale, specifically within creative industries…” Is It Now?, the new album from Automatic, is out now. (ML)

Tusks – ‘Cold Storm’ (TAAHLIAH Remix)
Tash and I have been loving the remixes that London-based electronic songwriter and producer Tusks has been sharing recently, and this collaboration with Scotland-based artist & DJ TAAHLIAH is no exception! It’s lifted from her new EP, Gold – The Remixes, which is out tomorrow (1st October) via One Little Independent Records. (KC)

Noé Solange – ‘Home’
This atmospheric, soothing soundscape comes from London-based, Dutch-Indonesian producer Noé Solange. ‘Home’ is the second single from her upcoming EP, Moments, set for release on 13th October via Anjunachill. “It captures the complexities of holding onto the past, searching for a sense of belonging and letting go,” Noé explains about the tracks that form her new record; all reflected in her blend of ambient synths, gentle vocals and lilting beats. (KC)

Donna Thompson – ‘What Is It?’
Set to release a new EP in November, London-based Donna Thompson fuses together elements of hip-hop, folk and indie with a soulful impassioned grace. Of new single ‘What Is It?’, she explains: “I’ve been thinking about the deconstruction of traditional ideas on how my role as a female in a cis relationship has predefined expectations that often don’t align with what loving someone feels like. I can still love you if I don’t wanna wash your underwear.” What In The World, the new EP from Donna Thompson, is out on 21st November via Prah Recordings. (ML)

Flock Of Dimes – ‘Defeat’
A beautiful reflection on personal growth, ‘Defeat’ is the latest single from Flock Of Dimes, the new project of Jenn Wasner (Wye Oak, Bon Iver). Combining rippling hooks with a sweeping shimmering emotion, it offers a heartfelt first taste of her upcoming album, The Life You Save, out on 10th October via Sub Pop. Of the track, she explains: “It represents a moment of total surrender. It’s about the moment I finally allowed myself to accept my own powerlessness…” (ML)

Stella Donnelly – ‘Feel It Change’
This is the latest single from Australian songwriter Stella Donnelly, inspired by her ruminations on an inevitably doomed relationship. It’s lifted from her upcoming new album, Love and Fortune, which is set for release on 7th November via Brace Yourself Records (UK & Europe) and Dot Dash Recordings (globally). Stella’s new record is a reflection on a time of profound change and growth, which shines through in her considered instrumentation and candid-yet-poetic lyricism. (KC)

Josienne Clarke – ‘In The Dark Of The Night’
Described as “a hug in song form, a held hand through an anxious night,” this tender offering from songwriter and guitarist Josienne Clarke is exactly that. Lifted from her upcoming album, Far From Nowhere, which she will release via her own label (Corduroy Punk) on 17th October, ‘In The Dark Of The Night’ is a dreamy offering designed to lull listeners into reassurance, which Josienne achieves through her acoustic guitar and soothing vocals. Her upcoming album will be accompanied by a short film titled Deluded, directed by Alec Bowman Clarke, which offers a behind-the-scenes peek into the album’s creation. Currently screening at festivals, the film will be shown throughout Josienne’s UK tour this October. (KC)

Brain Leak – ‘Moon Eyes’
Following the gloriously hazy allure of debut ‘Trying’, Manchester based Brain Leak are back with their “Lana moment’ in the form of sparkling single ‘Moon Eyes’. As the delicate celestial vocals of Tara-Gabriella Engelhardt (Adjustments) ripple with a stripped-back emotion alongside glistening keys, it showcases a more vulnerable side to the songwriter; a beautifully introspective ode to personal growth. Tara-Gabriella explains more: “Sometimes relationships evolve in completely unforeseen ways, and that can be scary if you’re a sensitive person like I am who struggles with change. This song is me coming to terms with that change.” Brain Leak also features Sidonie Hand-Halford (The Orielles), Jess Branney (Peaness, BC Camplight) and Giulia Bonometti (Working Men’s Club). (ML)

Snakeskin – ‘October Sun’
Beirut-based duo Fadi Tabbal and Julia Sabra aka Snakeskin are new to me, but I’m captivated by their haunting electronica. This track ‘October Sun’ is taken from their upcoming third album, We live in sand, which is due on 10th October as a co-release between Ruptured and Beacon Sound. Penned as the war in Gaza spread to Lebanon, the LP has been described as their “starkest and most immediate work to date,” blending industrial and ambient elements to reflect the unpredictable and harsh realities of the world around them. (KC)

Jouska – ‘Season Of Dread’
Norwegian artist Jouska said she penned this track when she felt like she was “stuck inside a winter that wouldn’t end – both emotionally and physically.” It’s taken from her upcoming album, How Did I Wind Up Here?, set for release on 17th October. I admire the way Jouska moves through heavy emotions with impressive grace here. (KC)

Lōwli – What’s It All For?
I’ve mentioned (multiple) times before that Irish musician and composer Lōwli is one of my favourite new music discoveries this year, and I’m really looking forward to hearing her debut album, Window In The Woods, in full – which is due on 24th October via VETA Records. This latest single ‘What’s it all for?’ is laced with her trademark melancholic keys, yearning vocals and poetic lyrics. (KC)

Blue Loop – ‘Luxury Chords’
London-based electronic producer Emma Hall aka Blue Loop describes ’Luxury Chords’ as “a woozy, love-soaked ballad” that she wrote for her partner during the bleakest days of her own chemotherapy treatment for breast cancer, which she is now in remission from. It’s lifted from her upcoming album, Cycles, which is set for release on 7th November. The track is inspired by the simultaneous coexistence of love, grief and suffering; a poignant sentiment that I think lots of people will be able to relate to. (KC)

Klein – ‘rich dad poor dad’
I’m so glad I unearthed this experimental gem from UK rapper Klein in my GIHE inbox. ‘rich dad poor dad’ is taken from her upcoming record, sleep with a cane, due on 1st October, which is described as a UK rap record “in the form of an ambient folklore mixtape.” I really love her hypnotic layering of sounds and I’m looking forward to listening to the record in full. ‘rich dad poor dad’ is also accompanied by a self-directed music video, which features Klein in different locations in South London, including the iconic Windrush Square in Brixton. (KC)

Hilary Woods – ‘Endgames’
I’ve been a fan of Irish artist Hilary Woods for some time, so I was pleased to see that she’ll be releasing her new album, Night CRIÚ, on 31st October via Sacred Bones (one of my favourite record labels.) Retaining her experimental spirit, but also seeing her return to a more song-based structure, the album is centered around Hilary’s vocals which act as threads of connection to the past and the present. This track ‘Endgames’ is the first hint at what’s to come; a dynamic, shape-shifting soundscape that stirs the senses. (KC)

Jessica Moss – ‘until all are free’
As a core member of the Montréal chapter of Musicians For Palestine, violinist and composer Jessica Moss felt compelled to write her new solo record to keep people’s eyes and ears fixed on the ongoing genocide in Gaza. Her meditative LP, Unfolding, due on 24th October via Constellation, is divided into four parts titled; “no one / no where / no one is free / until all are free” and this track ‘until all are free’ is the poignant closing composition. Unfolding is dedicated to “a free Palestine in our lifetime.” (KC)

Agnes Haus – ‘Persona’
Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” I am deeply intrigued by Brighton-based non-binary artist Agnes Haus’ new work. This track ‘Persona’ is lifted from their upcoming album, Inexorable Ascent, set for release on 7th November via Nite Hive, and forms part of a collection of drone-based modular synthesiser sounds composed solely between the hours of midnight and 4am. Agnes locked themselves in their attic studio every night for two weeks in order to work in this way. “I watched granular Bergman and Tarkovsky films in the background while I crudely experimented on my small modular synthesiser,” they explain. “I had been feeling like a pariah at the time by shunning binary systems on all levels, from politics to everyday life, which had become suffocating in the online world. I kind of anaesthetised myself in the late-night hours, focusing on the subtleties of the quiet particulars of sound – the details of the infinite intonations in between.” Watch the self-directed video for ‘Persona’ below. (KC)

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PLAYLIST: August 2025

We’re publishing our August Playlist slightly later than planned, but we hope our eclectic mix of punk anthems; indie and alt-folk gems, evocative beats, emotive electronic soundscapes & instrumentals will still provide the perfect soundtrack for your eager ears! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

 

Breakup Haircut – ‘The Algorithm’s Trying To Kill Me’
We’re so so excited to see the return of DIY faves and First Timers alumni Breakup Haircut! Following 2022’s fantastic debut, Punk Dancing For Self Defence, they’ve now released the first in a string of new singles ahead of a second album – due for release this autumn via INH Records. A deeply relatable anti-capitalist anthem, ‘The Algorithm’s Trying To Kill Me’ showcases the band’s trademark playful sardonic wit and scuzzy punk-pop energy whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. I’m very much looking forward to hearing more from them soon, which we all can when they join us at New River Studios on 10th October, supporting Strange New Places with Junk Whale. Nab tickets on DICE now! (Mari Lane – Managing Editor)


Problem Patterns – ‘Classic Rock Has Become My Prison’
Ahead of their upcoming new EP, Boring Songs For Boring People, due via Alcopop! Records on 12th September, and following recent release ‘I’m Fine and I’m Doing Great’ (which was on the BBC 6Music playlist for four weeks!) Belfast queer punk pals Problem Patterns have now shared this immense new single. Offering a wonderful parody on the sexist ideals of many classic rock heroes, ‘Classic Rock Has Become My Prison’ was initially inspired by Bev feeling imprisoned by her neighbour’s daily blasting out of certain bands at an obnoxiously loud volume, and has developed into a fiercely raging ‘cock-rock’ anthem.

Of the track, Bev explains: “the more I thought about classic rock tunes, the more I thought about the sexism and misogyny rampant in the lyrics of even the most popular songs. Musically, we took on classic rock alter-egos, ripping solos, chugging riffs, hitting the drum fills just right, before letting loose that patented PP anger.” Prizes for anyone who can identify any of the twenty five cocky lyrical references patchworked into the song – I think I can name a few, which I might run by the band when THEY HEADLINE OUR 10TH BIRTHDAY ALL DAYER ON 27TH SEPTEMBER! We cannot wait. Tickets are now officially sold out, but feel free to join the waiting list on DICE in case anyone has to return theirs. If you have a ticket, we’ll see you at The Cavendish Arms on the 27th, along with so many other faves like Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more!
(ML)

Madame So – ‘Sick Of It All’
Indie art-punk artist Madame So is back with an aptly named new single ‘Sick Of It All’, a cathartic anthem inspired by the need to stand in solidarity with oppressed nations and victims of war crimes. It was originally written in 2024, but Madame So’s anger and lyricism remain just as relevant a year on. She wants to be clear that the song is not about exploiting suffering, but about “using music as a tool to open eyes and spark conversations that matter.” (Kate Crudgington – Features Editor)

CARNE – ‘VAST’
This is the second single from Brighton-based grunge four-piece CARNE, who are fronted by vocalist and guitarist Carmen Mellino. ‘VAST’ is both a “tribute” to a niche band of the same name that Carmen admires, as well as an exploration of the complexities of human connection and how this can be affected by the intensity of touring as a band. It’s full of crushing riffs and lush melodic vocals, inspired by iconic ’90s grunge icons like The Smashing Pumpkins and Hole. (KC)

Yuppie Supper – ‘Neocanine’
A new favourite band for sure, Leeds based DIY trio Yuppie Supper are set to release their second EP, The Mondegreen, on 10th October, and our first taste of that comes in the form of recent single ‘Neocanine’. Voicing their frustration at being forced to choose between the far right and more of the neoliberalism of the last 40 years, the band offer trans-lead, grunge-fuelled anthems, and I can’t get enough of their fiercely angst-driven energy. (ML)

Vanelle – ‘Blue Curls’
‘Blue Curls’ is an angst-ridden reflection on adolescence from Berlin-based trio Vanelle. Released via Beans On Toast Records, the newly launched sub-label of Duchess Box Records, the track is taken from the band’s upcoming self-titled EP, which is set for release on 3rd October. Through heartfelt lyrics and brooding guitar riffs, the band explore what it’s like to feel left out and like you don’t fit in when you’re growing up. (KC)

steel. – ‘DFTTM’
I was lucky enough to attend a day of Decolonise Fest at Signature Brew – a fantastic event promoting punks of colour and their community. Starting off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music, the day and evening was filled with so much incredible live music, including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel. (ML)

adults – ‘patterns’
Set to release their second full-length album next month, South London indie-punks adults have now shared the first taste of what to expect. A nostalgic ode to London’s DIY scene, offering a wistful reflection on how the city’s changed and the deep sense of loss that has come with this, ‘patterns’ flows with the band’s trademark jangly energy and fuzzy hooks. As twinkling harmonies ripple with a gentle raw emotion, it builds with an anthemic sense of hope as sparkling synths conjure memories of dancing into the night at beloved venues like Moth Club and Power Lunches. I can’t wait to hear more of the band’s beautifully heartstring-tugging, head-bopping creations when they play the Divine Schism all-dayer at New River Studios next Saturday 13th September. the seeds we sow are sprouting buds nonetheless, the upcoming new album from adults, is set for release on 31st October via Fika Records. (ML)

Jessie Mac – ‘Trans Is Beautiful’
This is a powerful (and incredibly catchy) “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac. By sampling the words of American actress and LGBTQ advocate Laverne Cox and combining them with her own shape-shifting club beats and electronics, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. (KC)

Tusks – ‘Adore’ remix by I.JORDAN
I loved the evocative, original version of ‘Adore’ by London-based artist Tusks (released back in 2024), lifted from her third album, Gold. This re-imagining by Doncaster-born, London-based DJ I.JORDAN is completely different – fueled by an infectious dance beat – but it still retains the emotive pull of Tusks’ original release. This track will feature on Tusks’ upcoming EP, Gold – The Remixes, due on 1st October via One Little Independent Records. (KC)

Stealing Sheep – ‘Take Me Back’
The latest single from Liverpool’s Stealing Sheep, ‘Take Me Back’ is propelled by glitchy immersive beats as euphoric, swirling synth-driven hooks create a “rave-drenched fever dream”. A playful, ‘80s-inspired ode to surrealist art-pop and the joyous glow of nights spent on dancefloors into the early hours. ‘Take Me Back’ is our first taste of GLO, the band’s upcoming new album. (ML)

Ho99o9 ft. Nova Twins, Pink Siifu, Yung Skrrt – ‘Incline’
A DREAM collaboration here from two personal favourites: rap-punk duo Ho99o9 and alt-heavy icons Nova Twins. The girls’ incendiary riffs perfectly underscore Ho99o9’s visceral verses. The track features on the Ho99o9’s upcoming album, Tomorrow We Escape, which is set for release on 9th September. The record will also feature a contribution from Chelsea Wolfe – I can’t wait to listen to it in full. (KC)

Pets and Doom and Gloom – ‘Mina’
This track from London-based dark electronic duo Pets and Doom and Gloom is peak “Gloomy Grrrl” territory. ‘Mina’ is lifted from the band’s debut EP, Lone and Level, which was released on 5th August to coincide with oil giant BP’s quarterly earnings announcement. The band’s apocalyptic sounds and haunting vocals are their way of pushing back against a damaged world; something that’s epitomised on ‘Mina’ which they describe as “a trip hop tale of vengeance.” (KC)

Tyler Holmes – ‘Copy’
Having first fallen in love with innovative artist Tyler Holmes’ poignant electronic soundscapes back in 2021 when they released their album, Nightmare In Paradise, I was excited to see their name crop up in my inbox again last week. Set to release an experimental new album at the end of the month, over the last few years Holmes has experienced a great deal of change in their life – including the death of a parent and heartbreak – though the new record focuses more on the theme of the natural world and how we accept our place in it. Beautifully interweaving stark reflections into textured soundscapes that evoke both the serene and brutal side of nature, the album is built on the bones of ‘The Southern Reach Trilogy’ by Jeff Vandermeer and ‘No.44, The Mysterious Stranger’ by Mark Twain. Patience, the upcoming new album from Tyler Holmes, is set for release on 26th September via Ratskin Records. (ML)

Sijya – ‘I Only Want To Crash’
Another idiosyncratic, atmospheric soundscape here from South Asian composer, producer and graphic artist Sijya. ‘I Only Want To Crash’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September. The track evolved from an instrumental to include her ambiguous lyrical motifs, affording Sijya the emotional release she craves. (KC)

feeo – ‘The Mountain’
London experimental artist feeo is new to me, but I was transfixed by her calm voice and ambient drone sounds on this single ‘The Mountain’. Released via label AD 93, the track is inspired by the “dualities of the natural world” and how it can be both brutal and beautiful. (KC)

VERA SACRA – ‘Burning’
I found listening to this soundscape from experimental cellist, vocalist and producer VERA SACRA strangely soothing. Lifted from her debut EP, sacred spring, released via EMI North & Launchpad+, ‘Burning’ is a beautiful reflection on the artist’s “fractured yet vivid inner world.” She wrote and recorded her EP whilst travelling between Latvia, Estonia, London, & Sheffield, whilst also struggling with psychosis at the time. The result is a glitchy but captivating collection of tracks that showcase her immense talent. (KC)

The New Eves – ‘Astrolabe’
Congratulations to Brighton-based four-piece The New Eves who released their debut album, The New Eve Is Rising, earlier this month! The band blew us away with their unique live performance of what they have coined as “Hagstone Rock” when we saw them at The Great Escape Festival earlier this year and we can’t wait to catch them again at their headline show at London’s Hoxton Hall on 7th October. (KC)

Daffo – ‘Dagger Song’
Set to release their debut album later this month, Gabi Gamberg – aka Daffo – has shared stirring new single ‘Dagger Song’. I’m such a big fan of the LA based artist and the sparkling, heartfelt emotion that seeps through all they create; even more so since seeing them live at The Great Escape this year. Watching them alongside Hanni and Clara from ARXX and Rach from Comic Sans was a big highlight of the weekend for me! Their debut album, Where The Earth Bends, is out on 26th September via Concord Records, and they will be playing a few dates in the UK in October, including The Lower Third in London on 31st October – a nice Halloween gig. (ML)

The Cords – ‘I’m Not Sad’
The latest single from Scottish duo The Cords, ‘I’m Not Sad’ offers a perfectly upbeat, short and sweet blast of joyous energy. Propelled by a lilting surf-pop energy and singalong refrains, it’s a gloriously glistening slice of indie-pop with shades of the likes of fellow Scots Camera Obscura or Belle and Sebastian. I can’t wait for the release of their debut album on 26th September via Skep Wax Records. (ML)

The Schla La Las – ‘1234’
A supergroup of sorts, lead by Piney Gir, The Schla La Las built up a reputation for their joyous live shows within the indie-rock scene of the early noughties. Now, after being away from our ears for eighteen years, they have returned with a wonderfully uplifting new single. Showcasing their punky, poppy energy and sugar-sweet allure perfectly, ‘1234’ is accompanied by a super cute, strangely empowering, lego-stop motion video for the song. Find out more on our premiere feature here. You can witness the sparkling allure of The Schla La Las live at Dream Bags Jaguar Shows on 15th November. (ML)

jasmine.4.t – ‘Woman’
GIHE favourite jasmine.4.t has recently shared a heartfelt fan film to accompany her song ‘Woman’. Of the song and video, she explains: “We wanted to show the world this queer love and solidarity, to show the world that trans people are loved, to show the world all of the beautiful responses we have to trans art. So we put out a call for video clips from fans of them responding to ‘Woman’, singing, playing, dancing. We edited the clips into this, a fan video for the song and I can’t believe how beautifully it has turned out.”

Watch the incredibly beautiful video and please have a look at the information shared by Not A Phase about the recent EHRC proposals for the mandatory exclusion of trans people from gendered spaces, the terrifying consequences this could have and next steps that we can take to stop it being put into effect. You could also donate to The Good Law Project who run loads of great campaigns and are challenging the Supreme Court’s ruling to overturn the Equality Act, as it seeks to take away further rights of trans people – breaking actual Human Rights Laws. (ML)

Ailsa Tully – ‘Choosing’
Following recent releases ‘Self Soothing’ and ‘Womb Room’, Welsh artist Ailsa Tully has now shared stirring new single ‘Choosing’. Written shortly after her father passed away, it offers a poignant reflection on moving and feeling unsettled; a plea for some stability. As a dark ethereal splendour shimmers alongside its lilting folk-strewn musicality, the heartfelt grace and twinkling delicate emotion of Ailsa’s celestial vocals shines throughout. A truly beautiful new offering, that I’m pleased to say is being shared with the world at a time when Ailsa is feeling more settled and has found somewhere – with someone she loves – that she feels able to call home. (ML)

Madison Cunningham – ‘My Full Name’
Ahead of the release of her new album next month, LA songwriter Madison Cunningham has shared ‘My Full Name’. A vulnerable reflection on heartbreak and loss, her sweeping crystalline vocals float alongside twinkling keys with a soaring delicate emotion. Ace, the upcoming album from Madison Cunningham, is set for release on 10th October. (ML)

Hand Habits – ‘Bluebird Of Happiness’
Having recently released their poignant new album, Meg Duffy – aka Hand Habits’ – latest single ‘Bluebird Of Happiness’ interweaves their distinctive rich vocals with fuzzy layers of sound amidst a shimmering subtle optimism. Of the track, they comment: “One day my partner asked what birdsong we were hearing through the window and I was like, ‘well that’s the bluebird of happiness obviously,’ and it became a joke song I would sing around the house, but then it grew wings… I also got curious about the history of the bluebird of happiness, and found that it has mythological significance.” Blue Reminder, the new album from Hand Habits, is out now via Fat Possum. (ML)

Kate Stables, Jesca Hoop, Lail Arad – ‘Raised On Robbery’
Having been lucky enough to attend a special Songs Of Joni Mitchell event at The Roundhouse last year, I was excited to hear that organiser Lail Arad, along with fellow artists Kate Stables (This Is The Kit) and Jesca Hoop, are set to release an EP of Joni covers this week to accompany their tour this autumn, continuing their heartwarming ode to the music of one of the world’s most inspirational artists. As a life-long fan of Joni, and a many-years-fan of these three artists, it’s such a joy to hear them celebrating her work, and creating their own sparkling renditions of some of my most favourite songs. They will be playing Shepherd’s Bush Empire on 13th November, along with a big run of UK dates throughout the autumn. The Songs Of Joni Mitchell Vol 1, the upcoming EP, is out on Friday 12th September. (ML)

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PLAYLIST: August 2024

The Get In Her Ears team have put together another mix of eclectic electronic tracks, alt-pop tunes, indie anthems and alternative & shoegaze sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

ARXX – ‘Trouble’
The latest single from biggest faves, Brighton duo ARXX, ‘Trouble’ showcases a bit of a grittier electronic side to the duo than we may be used to. Reflecting on the mixed feelings that follow a break-up, the track oozes a Peaches-esque bass-heavy seductive allure as it builds to a soaring, anthemic pop anthem. It’s wonderful to see Hanni and Clara experimenting with their sound and flexing their creative muscles so beautifully; whatever they create, whatever its genre or influences, ends up being an instantly addictive hit without fail, and leaves me filled with excitement about what they might do next. Following an incredible summer, wowing festival crowds across the country – including their first time at Glasto – ARXX will be releasing their second album on 4th October and playing a headline tour across the UK and Europe to celebrate. We can’t wait!
(Mari Lane – Managing Editor)

Circe – ‘Heaven’s The Other Way’
Following on from her bittersweet single ‘Blue Love’, this is the latest creation from dark-pop artist Circe. She captures a moment of intense loneliness on ‘Heaven’s The Other Way’ via her poetic lyrics, seraphic vocals and glistening electronics. Circe performed this track during her set supporting The Midnight at Camden’s Electric Ballroom back in July and it sounded just as rapturous in the flesh. Read the full review of her show here.
(Kate Crudgington – Features Editor)

Tiiva – ‘Golden’
Electronic artist, producer & GIHE fave Tiiva is back with this shimmering new single. Full of their lush vocals, lilting synths and evocative beats, ‘Golden’ explores the mixed emotions that come when you’re persevering through an uncertain time. Of the track, Tiiva explains: “‘Golden’ is about holding on when things feel like a lot, a conversation between two voices kindness and feeling overwhelmed and rebuilding.” (KC)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this is the latest single from indie band Ideal Host. ‘Dust Collector’ is their poppiest offering to date and I love the way Heather’s soft vocals blend seamlessly with buoyant riffs, lilting electronics and catchy beats. (KC)

Lazy Day – ‘Concrete’
Set to release their debut album in November, London based artist Tilly Scantlebury – aka Lazy Day – has now shared shimmering new single ‘Concrete’. Rippling with a stirring twinkling emotion, the track’s somewhat disjointed structure and fluctuating musical layers reflect the poignant sentiment of its lyrics: “Concrete was a helpful metaphor… It’s strong and sturdy, as well as being extremely heavy. It was a useful framework for thinking about relationships which felt stable, but at the same time weighed me down.” Open The Door, the debut album from Lazy Day, is set for release on 8th November via Brace Yourself Records. (ML)

Cuushe – ‘Faded Corners’
A euphoric slice of ambient dream-pop, ‘Faded Corners’ is the latest single from Japanese artist Cuushe. Glistening with a spellbinding delicate splendour, a beautiful lullaby is created; set to soothe even the most anxious of minds as the summer comes to an end. (ML)

Grand Pax – ‘MB BB’
The latest single from London based queer artist Grand Pax, ‘MB BB’ flows with glitchy beats and dreamy synths as the sparkling splendour of her vocals soar. A blissful soundscape reflecting on the emotions following a break-up, she says of the track that it’s “about wanting to hold onto something but knowing it’s not possible. It’s the process of it leaving your body, but acknowledging it as you let it go.” Crush, the new EP from Grand Pax, is out now. (ML)

Yellow Belly – ‘Crux’
This atmospheric track by Australian-born, Cardiff based experimental musician Yellow Belly is taken from her recent album, Ghostwriter. The record is a hypnotic reflection on a difficult time for the artist, explored through her shape-shifting electronica, melancholic lyrics and hushed vocals. (KC)

Chelsea Wolfe – ‘Tunnel Lights’ (††† Remix)
The original version of this Chelsea Wolfe track – taken from her excellent seventh album, She Reaches Out To She Reaches Out To She – was already a shape-shifting, shadowy offering, but this treatment by ††† (Crosses), featuring Chino Moreno’s distinctive vocals and Shaun Lopez’s industrial beats, is equally as intense. It’s lifted from her remix EP, UNDONE, which is out now via Loma Vista. (KC)

Birthday Problem ft. HAVVK – ‘Same Face’
I have been consistently impressed by everything that Irish collaborative electronica project Birthday Problem have released this year. Formed of Matt Harris and Rocky O’Reilly, ‘Same Face’ is their fifth single, featuring vocals from GIHE fave Julie Hawk (HAVVK). Haunting synths, layered vocals and sparse beats all combine to create another disarming and unusual listen from this eclectic pair. (KC)

Nina Eba – ’13’
I love this track by Ukrainian-born, Austrian-based producer & songwriter Nina Eba, which is taken from her self-released debut album, MORPHO. Inspired by the metamorphosis of the morpho butterfly, the record reflects on Nina’s experiences to self-acceptance and unrequited love. Nina’s sound is reminiscent of FKA Twigs, Bjork and Sevdaliza. (KC)

Lollise – ‘Iron Woman’
Brooklyn via Botswana Afro-Futuristic artist Lollise tackles an important issue on her zealous single ‘Iron Woman’, which is taken from her upcoming album, I hit the water, set for release on 6th September. Through her intense electronics, driving beats and direct lyricism, she explores the plight of black women who suffer from severe fibroids who are often overlooked by the US health care system. Lollise explains the context of ‘Iron Woman’ further: “Most of my black friends with uteruses have had hysterectomies or undergone multiple myomectomies. In this song I talk about my experiences dealing with fibroids and menorrhagia going in and out of various emergency and hospital rooms. “Phallic science” talks about male dominance in science and how much money is allocated to studying men’s virility and very little is dedicated to women’s health and black women’s health specifically.” Watch the track’s accompanying video here. (KC)

Midwife – ‘Vanessa’
On this slow-burning, atmospheric track, Colorado based musician and producer Midwife personifies and pays tribute to her old tour van ‘Vanessa’. Lifted from her upcoming album, No Depression in Heaven, which is set for release on 6th September via The Flenser, it’s another disarming piece of her blissful ambient shoegaze. I can’t wait to hear the record in full. (KC)

Tanukichan ft. Wisp – ‘It Gets Easier’
I’m new to California based artist Tanukichan, but when I saw that she had collaborated with shoegaze star Wisp, I instantly became a fan. ‘It Gets Easier’ is a dreamy blend of their lush vocals, swirling riffs and their driving beats. The track is featured on Tanukichan’s upcoming EP, Circles, which is set for release on 20th September. (KC)

the IV – ‘Same Old Story’
This brooding new anthem from elusive band the IV dropped into my inbox earlier this month. Created by vocalist and drummer Ingvild Nærum, ‘Same Old Story’ reflects on our role as consumers of culture through the lens of Freud’s dream-work theory. The rumbling bass lines, atmospheric riffs and staccato drumming make for captivating listening. (KC)

Hello Mary – ‘Down My Life’
New York trio Hello Mary continue to impress me with each single they share from their upcoming second album, Emita Ox. Set for release on 13th September, the record showcases their ability to blend their quiet-to-loud vocals, grungy riffs, considered instrumentation, and bruising beats perfectly. The band will be making their London live debut at The Shacklewell Arms in Dalston on 4th September and they’ll be playing at The Windmill in Brixton on 5th September too. I’ll be there on the 5th to hear ‘Down My Life’ in the flesh. (KC)

Girl Gordon – ‘The Need’
I love the gritty, reverb-heavy intro to this sardonic anthem by Cincinnati-based DIY indie punks Girl Gordon. ‘The Need’ is taken from their recent EP, Corruptor, and it “speaks to the pressures of societal beauty standards” that are often perpetuated by social media. (KC)

Scrunchies – ‘Generator’
The latest single from Minneapolis based Scrunchies, ‘Generator’ blasts into the ears with its raw punk energy. New favourites for sure, I can’t get enough of this new riot grrrl-inspired band’s scuzzy hooks and fierce empowering allure. ‘Generator’ is taken from Scunchies’ new album Colossal, one of the last albums that the legendary Steve Albini recorded and mixed. It’s also accompanied by a fantastically fun music video, created in collaboration with Los Angeles-based “dance aerobics celebration” Pony Sweat – watch it here. (ML)

Rottweiler – ‘Sarah’
This slow-burning single from Brighton rockers Rottweiler showcases their ability to balance atmospheric riffs with powerful vocals and crashing percussion. Inspired by the likes of Jeff Beck, Smashing Pumpkins and Paramore, ‘Sarah’ is a swirling cacophony of angst-ridden noise. (KC)

Queen Cult – ‘To Be A Boy’
Having released their new EP Be Better earlier this month, our favourite Macclesfield trio, Queen Cult have been wowing us for a couple of years now with their fierce raging energy and captivating charisma. Taken from the EP, ‘To Be A Boy’ showcases all their is to love about Maisie and co; propelled by the immense gritty power of her vocals, it explores themes of gender dysphoria and expectations of AFAB people growing up in a small town with a stirring honesty and raw emotion. A band on the rise, and for good reason, we can’t wait to see what Queen Cult have in store for us next. (ML) 

Berries – ‘Watching Wax’
The latest single from long time faves Berries, ‘Watching Wax’ offers our first taste of the London-Brighton band’s new material ahead of the release of a new album, set for release in October. With the distinctive twang of the band’s trademark scuzzy riffs and front person Holly’s lush syrupy vocals, I just can’t get enough of its racing fierce energy and gritty allure. (ML)

Um, Jennifer? – ‘Went On T’
‘Went On T’ is the latest single from New York trans-punk duo Um, Jennifer? It’s another refreshing blend of the band’s quirky humour and personal reflections on gender politics. Speaking about the track, the band explain: “‘Went On T’ is the indie rock anthem calling you back home to yourself. It’s about taking your own body back from those that claim to love you. It’s a reminder not to take on anybody else’s shit.” (KC)

Fightmilk -‘No Souvenirs’
To say I’m excited about the new album from total faves and all round great humans Fightmilk may be an understatement. Set for release on 15th November via Fika Recordings / INH Records, it’s been three years in the making and promises to showcase how the band are consistently evolving their unique sound. To celebrate the album announcement, the band have now shared its title track, ‘No Souvenirs’. A beautifully poignant reflection on loss, it oozes an anthemic raw emotion and exquisite shimmering splendour. Losing a friend to suicide just over a decade ago, it’s taken songwriter Lily until now to be able to put her feelings into words: “It’s finally exactly what I wanted to say, and I think he’d have thought my band sucked, but that’s alright.” Pre-order No Souvenirs here, and book tickets to the launch show at Paper Dress Vintage here. (ML)

Jemma Freeman – ‘Hoping For A Miracle’
An unexpected new single from immense songwriter and performer Jemma Freeman, ‘Hoping For A Miracle’ was written, recorded and mixed in their bedroom, causing them to be apprehensive about sharing it with the world. But we’re so glad they did! “The queer, sad, banger you need to blast through any unexpected summer break up.”, it’s propelled by fuzzy hooks as the raw, gritty power of Jem’s distinctive vocals soar. A fizzing psych-rock anthem showcasing their ability to weave together a rich musicality with their trademark frenzied energy. ‘Hoping For A Miracle’ is the b-side to fellow surprise, and beautifully vulnerable, single ‘Alien’. (ML)

Pretty Bitter – ‘Never Better’
Washington D.C based indie-pop group Pretty Bitter teamed up with fellow indie rockers Flowerbomb to release a split EP, titled Take Me Out, at the beginning of August. ‘Never Better’ is the opening track on the record and it’s buoyant mix of indie guitar twangs, catchy melodies and bittersweet vocals. (KC)

Soccer Mommy – ‘M’
Nashville indie artist Sophie Allison aka Soccer Mommy is back with this lush single and news about her upcoming album, Evergreen. Set for release on 25th October via Loma Vista, Allison has used her innately raw songwriting techniques to move through the lingering effects of deep personal loss that affected her before she began writing this new record. (KC)

Emily Wurramara – ‘STFAFM’
Having just released her new album Nara – a celebration of rebirth -, multi-award-winning lutruwita/Tasmania-based artist, activist, author and proud Warnindhilyagwa woman Emily Wurramara has now shared new single ‘STFAFM’ (stay the fuck away from me!). Propelled by her lush, soulful vocals, it offers a fiercely empowering energy; an uplifting ode to finding inner peace and motivation. (ML)

Joanna Sternberg – ‘A Country Dance’
One of my most listened-to artists of the last couple of years, Brooklyn artist Joanna Sternberg has now shared a stirring new stand-alone single. Featured in upcoming film, Between The Temples, ‘A Country Dance’ was inspired by Joanna’s close friend Sami Bronowski, who was the first person to encourage Joanna to sing in public. Showcasing the exquisite vulnerability and raw emotion of their vocals, it flows with beautifully lilting melodies, shimmering with an uplifting, heartfelt grace. (ML)

Rubie – ‘Death By Catgirl’
Following her beautifully heartfelt last single, ‘To Change’, GIHE fave Rubie has now shared ‘Death By Catgirl’ – written from the perspective of a “hot, on the rise trans woman microcelebrity, throwing off her furs and meaning business”, it’s propelled by a colourful funk-fused groove as swirling, jazz-tinged melodies ripple alongside the majestic captivating allure of Rubie’s distinctive vocals. ‘Death By Catgirl’ is taken from Rubie’s upcoming second album, Seek Sisters, which is due out on 22nd September via Pressing Up Club. (ML)

Husk – ‘Open Waters’
Very different in sound from what we might remember of Husk’s previous releases, this new single sees the Manchester based artist experiment with traditional Irish folk music, adding their own distinctive queer electronic edge. Reflecting on their first experience of swimming in the Irish sea with a sparkling energy, and switching between English and Gaelic throughout the track, they explain: “There’s some things that I needed to say, but English couldn’t do it justice, so I switch between the two; it’s a creative choice… I’m saying that the whole world is with us in that moment, a whole world was connected to us through the water. And, with, sea swimming, it’s so cold that you can only think about your fundamental instincts, and it felt elemental.” (ML)

Gossip – ‘Move In The Right Direction’
Finally getting to see Gossip at All Points East last week really did exceed all expectations. The empowering energy and fiercely immersive charisma of Beth Ditto is unmatched, and it was an experience filled with tonnes of queer joy and overwhelming emotion. “I’ll hold back tears / Move in the right direction / Face my fears / Move in the right direction” – and hearing this song live just hit particularly hard. (ML)

Get In Her EarsLeave a comment

PLAYLIST: June 2024

The Get In Her Ears team have put together another mix of feminist punk, queer anthems, alternative & shoegaze sounds, eclectic electronic tracks, indie-folk musings, and alt-pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

ARXX – ‘Good Boy’
Wow, it seems like it’s impossible for total faves ARXX not to write a song that gets instantly lodged in your brain and demands listen upon listen; each listen making you feel more and more uplifted. I just can’t get enough of latest single ‘Good Boy’s thumping beats and anthemic energy. They describe this track as their “big gay anthem… A little bit saucy, a little bit cheeky and a lot of fun!” As well as listening to the track multiple times, you should also watch the video – the dogs are cute, Hanni and Clara are cute, it’s a whole lot of cute.
(Mari Lane – Managing Editor)

SASAMI – ‘Honeycrash’
I was late to the SASAMI party, first discovering her in 2022 when she released her genre-blending metal-folk album, SQUEEZE. ‘Honeycrash’ is her first piece of new music since then, and it’s a glorious, full-bodied, passionate anthem about the complexities of love and relationships. SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera, but with the patience and understanding of someone in therapy in 2024,” and on ‘Honeycrash’ she has achieved exactly that.
(Kate Crudgington – Features Editor)

Seraphina Simone – ‘Wild’
This is the title track from Seraphina Simone’s shimmering new EP. ‘Wild’ is Seraphina’s statement of rage, shifting self-worth, grief and sadness; all beautifully polished into a bright collection of alt-pop gems. (KC)

Æ MAK – ‘Low Down’
Lifted from her new EP, ABC SIDE Baby, this single from Irish art-pop artist Æ MAK is about “hitting rock bottom after a break-up, almost basking in it, and finding your power again”. I love this phoenix-rising-from-the-ashes sentiment, set to an infectiously upbeat mix of heady synths and dancing beats. (KC)

SOPHIE – ‘Reason Why’ (ft. Kim Petras and BC Kingdom)
It’s fair to say I got a little emotional hearing that a new album from legendary producer and trans pioneer SOPHIE was being posthumously released. The first single to be shared from it, ‘Reason Why’ features Kim Petras and BC Kingdom and offers a euphoric slice of queer electro-pop. Of the decision to release her music now, SOPHIE’s family have shared a statement explaining: “It feels only right to share with the world the music she hoped to release, in the belief that we can all connect with her in this, the form she loved most… Sophie gave all of herself to her music. It’s here that she can always be found.” SOPHIE, the self-titled final album, is due for release on 27th September via Transgressive and Future Classic. Pre-order here. (ML)

Chelsea Wolfe – ‘House Of Self Undoing’ (Boy Harsher Remix)
I am obsessed with this Boy Harsher remix of one of my favourite Chelsea Wolfe tracks. They’ve kept the melancholy undertones of the original, but somehow managed to transform it into an hazy, uplifting rush of synths, beats and hushed vocals. (KC)

Roller Derby – ‘Silver Jet’
Following recent single ‘Dreams’, Hamburg duo Roller Derby are back to charm our ears with the immersive sounds of ‘Silver Jet’. As Philine Meyer’s distinctive celestial vocals soar throughout, the song sparkles with anticipation for the new beginning that we’ve been flying towards throughout the track. A stirring meditation on enduring challenges, both on a personal and collective level. (ML)

Midwife – ‘Killdozer’
Taken from her upcoming album, No Depression In Heaven, this beautiful single from Midwife is “an ode to a city lost in the aftermath of gentrification.” ‘Killdozer’ centers around the story of Marvin Heemeyer, a muffler repair shop owner who went on a demolition spree in a modified bulldozer, before taking his own life in a small Colorado town in 2004. It always impresses me how Midwife transforms the darkest of moments into beautiful, shoegazey lullabies like this. I’m looking forward to hearing her new album in full. (KC)

Julia-Sophie – ‘telephone’
Balancing all-encompassing romantic infatuation alongside her melancholic and lonely impulses, this vibrant track from Julia-Sophie is a total headrush. ‘telephone’ is taken from her upcoming debut solo album, forgive too slow, which is set for release on 26th July via Brooklyn label Ba Da Bing Records. Julia-Sophie offers this comment about her new record: “My journey with music has been weird and long. I think people assumed that the music I made was exactly what I intended to make, when it’s always just been me trying to figure it out. Being a solo artist has allowed me to really find myself and show who I am in all my messy states.” We fully support that! (KC)

mayday mae! – ‘girls into music’
California-based, queer alt-pop artist mayday mae! penned this fun track as an ode to all the queer films, music and art that came before her. ‘girls into music’ is taken from her excellently titled EP, my post-desert hearts renaissance. (KC)

Taylor Swift – ‘I Can Do It With a Broken Heart’
I will NEVER stop talking about Taylor Swift and The Eras Tour. I was lucky enough to see the show in both Lisbon and London and I am still in AWE of what she does. The atmosphere was electric and her fans were so fun, kind and willing to indulge in a level of shared euphoria that I have never seen or felt at a stadium gig before. What a privilege to be a part of that. Here’s to Rachel, Vicky and Mel who were screaming and crying the whole way through with me. (KC)

Beauty Sleep – ‘Big Sky’
The new single from Derry duo Beauty Sleep, ‘Big Sky’ is inspired by a fun weekend at Primavera festival. Oozing an infectious glistening energy and fizzing jangly hooks, it’s a perfectly danceable euphoric summer anthem. (ML)

Saint Sappho – ‘Glory Box’
With Portishead’s Dummy being my most favourite album of all time – having grown up listening to my dad’s cassette recording of the album on so many car journeys, and then later as a teen immersing myself in its dark cathartic splendour – I was excited to hear Saint Sappho’s rendition of seminal track ‘Glory Box’. Whilst maintaining the majestic allure of the original, it oozes an added musically rich sense of grandeur and raw energy. Of their decision to cover the track, the duo explain: “We both love the original song and thought it’d be an interesting one to cover and experiment with putting our own sound into it. We added some orchestral elements, which we thought would work well in this song and love to make a track really dramatic.” (ML)

Naomi in Blue – ‘Skin’
Taken from her recent EP, It Takes Time, this is a candid and poignant rumination from singer-songwriter Naomi in Blue. A considered exploration of emotion and identity, ‘Skin’ and the other tracks that form her new record are equally as raw and revealing. Definitely make the time to listen to it in full. (KC)

Hinako Omori – ‘stillness, softness’ (kloxii li remix)
Hinako Omori has shared this remix of her track ‘stillness, softness’ which is taken from the “extended dream transition” version of her album of the same name. It’s remixed by Kloxii Li, who is a friend and collaborator of Hinako. I love the way they’ve made this gentle track sound so shadowy. (KC)

Yaz Leon ft. BUKKY – ‘4th Wall’
A great collaboration here between experimental R&B artist Yaz Leon and genre-defying artist BUKKY – who was a guest on our Soho Radio show a few months back. ‘4th Wall’ is taken from Yaz’s upcoming EP, Bleach. Yaz describes this song as “kind of a ‘hater’ and a “help I’m spiralling” song” about the lack of solidarity she’s experienced in different social spaces. She also says “it’s a bit of a bummer, but at least we made the beat fun! – which I respect! (KC)

Fraulein – ‘In The Living Room’
This is my favourite track from Fraulein’s recent mini-album, Sink Or Swim. The perfect mix of loud and quiet; the skilled grunge duo consistently deliver swirling alternative anthems that command the senses. Definitely check their record out. It’s a GIHE team fave at the moment. (KC)

LIINES – ‘Holding On’
The new single from Manchester post-punks LIINES, ‘Holding On’ is the band’s first new music since 2021. Showcasing the band’s ability to create brooding sonic explosions, lyrically it draws on themes of hope and desperation, and I just love its frenetic sense of urgency and the raw passion of Zoe McVeigh’s soaring vocals. (ML)

Problem Patterns – ‘I Think You Should Leave’
An ode to their hometown of Belfast, this is the brand new single from GIHE faves and punk icons Problem Patterns. Inspired by a disparaging comment a journalist made to the band when speaking about Northern Ireland, the track is a riotous “love letter” to the place that raised them as individuals and as a band. “Everybody leaves and nothing changes / I’ll stay here and create the spaces” they chant in the chorus, which becomes more powerful each time it’s repeated. The GIHE team love everything that Problem Patterns stand for, and we were lucky enough to visit them in their hometown back in 2022 for the Women’s Work Showcase at the Oh Yeah Music Centre. The Belfast hospitality was beautiful – we think you should all go! (KC)

Belmondo – ‘Getting Closer’
Lifted from their excellently titled EP, The Blessed & The Evil, released via Silent Cult, I love this heavy, swirling anthem from Brighton-based alt-rock band Belmondo. The band will be playing live at venues in Glasgow, Manchester and Birmingham this September, and they’ll be performing at the Hope & Anchor in Islington, London on 5th September too. (KC)

Brat Coven – ‘Favourite Crime’
The latest single from Glasgow ‘doom-punk’ band Brat Coven , ‘Favourite Crime’ reflects on predatory age-gap relationships with a fierce, raging passion. Propelled by a seething energy, a captivating, haunting soundscape is created. Of the track, the band explain: “We wrote this song for ourselves, for our younger selves, for anyone whose story is told by this song. Sexual abuse and grooming is rampant, particularly in the music industry and we think it’s incredibly important to use our voices to speak out and condemn predatory men.” (ML)

SNM – ‘Borne Of My Rib’
Loving this angst-ridden single from London-based Grunge-rock newcomers SNM. They’ve only released a handful of tracks so far, but the band are gearing up for a busy year of live shows and writing together, so keep your eyes peeled for more from them soon. (KC)

Strange New Places – ‘Foreign Cities’
I really enjoyed reading the bio of Belfast-based band Strange New Places when their email dropped into my inbox earlier this month. They describe themselves as “right-on radicals with low self-esteem; a band where queerness and neurodivergence intersect, and intersect hard. Sometimes they intersect in fun and interesting ways and other times they intersect in strange and annoying ways. Each member looks like they’re in a different band, and sometimes they sound like it too. Regardless, they’ve stuck together, and they have some music to play for you.” This track ‘Foreign Cities’ is a perfect example of all these wonderful traits; playful, quirky and bittersweet. (KC)

Hot Wife – ‘Buffy Summers’
The debut single from South London band Hot Wife has dropped into my life at the perfect time! I am currently on my first ever watch of Buffy The Vampire Slayer – I’m on season 4 – and I am loving it. I’m thrilled that I can finally join in on all the fandom. Hot Wife describe this track as “a crunchy-grunge ballad, and a reminder that when relationships are disappointing, you can always go out there and seek revenge by kissing kick-ass people.” A sentiment we should all be living by. (KC)

Alien Chicks – ‘Qwerty’
Another unpredictable and infectious post-punk anthem from Brixton trio Alien Chicks, featured on their upcoming debut EP, Indulging The Mobs, set for release on 18th July via Hideous Mink Records. It’s cliché to say, but they truly are a band who are best appreciated live. They’ll be headlining Moth Club in East London on 5th July. Grab a ticket and go an experience their frenzied live set in the flesh. (KC)

Fightmilk – ‘Summer Bodies’
A perfectly raging summer anthem, ‘Summer Bodies’ – the new single from pop-punk faves Fightmilk – has been a live favourite for some time, so I’m very happy that it’s now properly out in the world. Raging against patriarchal society’s ridiculous and ever-changing expectations of women’s bodies and the futile quest to ‘be sexy’, it offers a fierce ode to self-love in the face of the onslaught of damaging beauty standards that we are constantly bombarded with. Angsty and uplifting in equal measure, it’s an instantly catchy singalong anthem, combining the band’s trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion. So, this summer, wear whatever you makes you feel comfortable, pay no mind to the incessant Instagram ads about fad diets or corrective procedures, and know that you look great – whatever size, age or gender you may be. (ML)

Okay, Bye – ‘The Fun Is Over’
Pastel-punk duo Okay, Bye released their debut album earlier this month, and this is the excellently titled eponymous track. If you like the sound of ‘The Fun Is Over’, definitely give the whole record a spin. (KC)

Annie Taylor – ‘In Your Head’
Recorded during a break on their tour in Leipzig, Annie Taylor’s latest single ‘In Your Head’ is a swirling indie-grunge anthem. The band are set to tour Europe in December this year, and they’ll be stopping in London at The Shacklewell Arms in Dalston on 3rd December too. (KC)

PostLast – ‘Scavenge’
This is the brand new single from Irish indie-pop duo PostLast, out now via VETA Records. ‘Scavenge’ is all about that “unspoken connection” between two people that can “quieten all of the noise, anxiety and pressure you might be feeling internally” which is a sentiment I love. (KC)

Lunar Vacation – ‘Set The Stage’
Having just announced the upcoming release of a new album this autumn, following one of my most-listened to of the last few years – 2021’s Inside Every Fig is A Dead Wasp – Lunar Vacation have now shared this dreamy new single. The first and last song that vocalist and guitarist Gep Repasky has ever sent to the person that they’d written it about, ‘Set The Stage’ ripples with a swirling anthemic splendour as a glistening emotion oozes from the immersive shimmering soundscape. Everything Matter, Everything’s Fire, the new album from Lunar Vacation, is set for release on 13th September via Keeled Scales. (ML)

Sequela – ‘Zavander’
I’m glad that I found this track from Portland-based band Sequela in my inbox. Non-binary front person Sequela explains that ‘Zavander’ “is in part about my experience of navigating the isolation and dynamism of adolescence in the body of a teenage girl who was not made for her world.” Along with their bandmates, Sequela manages to transform these feelings of unease into a lush indie-shoegaze anthem. (KC)

Static Lives – ‘Social Anxiety’
Having been blown away by Sheffield’s self-proclaimed ‘dance-rock-alt-band’ Static Lives at Cro Cro Land earlier this year, I’ve been enjoying dancing and rocking to latest single ‘Social Anxiety’. Propelled by a fierce energy, it races with catchy hooks and front woman Lori’s impassioned vocal drive. (ML)

Th’Sheridans – ‘Dancing In The Dark’
A favourite band covering an absolute favourite by my absolute favourite; so many faves all in one. I just cannot stop listening to Th’ Sheridan’s rendition of Bruce Springsteen’s infamous anthem ‘Dancing In The Dark’ right now; I love the gritty emotion oozing from Adam’s vocals alongside the racing, fizzing hooks . Of the track, the band say of their choice to cover this song – “It carries a cavernous depth of sentiment: everyday monotony, feelings you just can’t seem to put anywhere, oppressive levels of aesthetic self-assessment, and most freeingly, the belief that other ways of being are possible.” Th’ Sheridans recorded this cover especially for a wonderful new podcast, Because The Boss Belongs To Us, which sees Holly Casio and Jesse Lawson put forward the case that Bruce Springsteen is in fact a queer icon. I wholeheartedly agree. Oh, and I just saw him in Madrid and he was as incredible as ever – played for 3 hours non-stop, and I was crying happy, overwhelmed tears pretty much the whole time. (ML)

Spring Major – ‘A Varsity Play For The Dock’
I’ve loved Spring Major a lot since first coming across them last year, but now – since seeing them play for us at our dreamy gig at The Finsbury last Friday, supporting Felicette with Schande and Caleb Nichols – I would consider myself a fully-fledged mega fan. Latest single ‘A Varsity Play For The Dock’ perfectly captures how the band’s swirling energy and jangly melodies come together to create impassioned and instantly uplifting emo-tinged anthems. (ML)

The Calamatix – ‘Love, Lies and Alibis’
California’s The Calamatix have just announced the release of their upcoming debut album, as they’ve shared a catchy new single. Combining elements of old school ska with Jamaican rock-steady, as well as a fresh contemporary edge, ‘Love, Lies and Alibis’ bounces with a vibrant energy as buoyant beats race alongside the smooth, soulful vocals. It took me back to being sixteen, skanking round the living room before heading out to see local ska-punk bands at Bedford’s Esquires; a perfectly nostalgic, joy-inducing accompaniment to heady summer evenings. The self-titled debut album from The Calamatix is set for release on 20th September via Hellcat Records. (ML)

Dolly Parton – ‘Dumb Blonde’
A bit of Dolly here to remind you that we’ll be hosting a night of queer country fun on 19th July at Sebright Arms. Headlining will be the world’s premiere Dolly Parton tribute band The Dumb Blondes, who are quite the super group – featuring members of Fightmilk, Panic Pocket, Yakkie and Charley Stone. Support comes from cowboi crushes Trouble Wanted and legendary Margate duo pink suits, in their country guise. It’s going to be epic – so, don your daisy dukes and come on down for a rootin’, tootin’ good time! Well over half the tickets have already been snapped up, so you better nab yours quick – on Dice now. (ML)

 

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