PLAYLIST: April 2024

The Get In Her Ears team have put together another eclectic mix of alternative & shoegaze anthems, unusual electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pruning’
Taken from their upcoming mini album, Sink Or Swim, which is due on the 14th June, ‘Pruning’ is one of my favourite Fräulein tracks to date. It’s a seamless blend of their brooding grunge riffs, bittersweet vocals and bristling beats. The GIHE team are consistently impressed by all that Joni and Karston create, and I especially love the accompanying video to this song, which features Joni dressed as an angel wandering around the streets of London. Watch it here. (Kate Crudgington – Features Editor)

King Hannah – ‘Davey Says’
The latest single from Liverpool duo King Hannah, ‘Davey Says’ flows with a lilting energy as a beautifully fuzzy raw emotion oozes from delicate harmonies. The band poignantly describe the track as “… our attempt at that classic American ‘90s imagery, of coming-of-age nostalgia and romance, of late warm summer nights when the future is draped in front of you.” I first fell in love with King Hannah on hearing their stirring debut ‘Creme Brulee’ back in 2019, and it’s been really wonderful to see all their well-deserved success over the last few years, with second album Big Swimmer set for release on 31st May via City Slang. (Mari Lane – Managing Editor)

Human Interest – ‘Shapeshifting’
With more of a reflective tone than the grunge-fuelled groove of previous singles, the new one from Human Interest showcases the East London band’s impressive songwriting range, as they appear unafraid to share a moment of vulnerability. Reflecting on the different sides of us that we may or may not feel comfortable with from day to day, ‘Shapeshifting’ is propelled by an anthemic raw emotion as Cat and Tyler’s vocals interweave with an exquisite grace. Speaking about the track, they say: “I think it’s hard, when you’re queer, to feel like you’re being truly authentic to yourself. There are so many experiences that happen while growing up that make you hide who you really are. When you spend your formative years doing this, I think it becomes so ingrained in you that you end up as an adult not really knowing where your true self begins and the person you felt you had to be ends.” (ML)

Kynsy – ‘Money’
Having been a fan of Dublin’s Kynsy since she released ‘Cold Blue Light’ back in 2020, I’m chuffed to see her back with this excellent new single. Newly signed to Nice Swan Recordings, ‘Money’ is a gritty indie-infused reflection on “the depths of love, nostalgia…and a mixture of conflicting emotions.” (KC)

Maya Lakhani – ‘Walk Alone’
Having had the honour of having rock powerhouse Maya Lakhani play her first ever gig with us back in 2022, we’re incredibly excited to be hosting her first ever headline show on 17th May at Sebright Arms. Joined by queer grungers Comic Sans and exciting new project of Sit Down’s Katie, Slung, it’s going to be a pretty special night. We saw Maya again recently with an incredible set at Cro Cro Land, and recommend not missing out on this one – nab tickets here (they’re cheaper in advance, and wouldn’t it be wonderful for Maya to sell-out her first headline show!). (ML)

Softcult – ‘One Of The Pack’
Lifted from their upcoming EP, Heaven, which is set for release on 24th May, this track from Canadian sibling duo Softcult is a heady, swirling “inclusionary anthem”. Mercedes and Phoenix Arn-Horn want their fans to know that ‘One Of The Pack’ is their way of saying “that POC, trans women, and non-binary people will always be a welcome and crucial part of our grrrl gang” – it’s a heartening and necessary message, set to their trademark heavy riffs and emotive lyrics. (KC)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen are new to me, but I was instantly hooked on ‘Lust’ – an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. The band are preparing to share their second EP, which will be the follow up to their 2023 debut offering, She Only Said. I can’t wait to hear more from them in the near future. (KC)

Lambrini Girls – ‘Body Of Mine’
Continuing to unapologetically speak their minds and stand up for what they believe in, whilst gaining legendary fans like Sleater Kinney and Iggy Pop along the way, Brighton’s Lambrini Girls have now shared another fierce anthem. Touching on a slightly more personal, but no less important, issue than previous releases, ‘Body Of Mine’ reflects on connecting with your gender identity, as it races with the band’s trademark seething sense of urgency. Of the track, they expand: “Gender is a complex experience… It’s tough to feel that nobody really gets you and it’s also truly quite shit when you don’t really know how to understand yourself either.” Another truly necessary offering, marking Phoebe and Lilly out as a truly formidable force that we need now more than ever. (ML)

Queen Cult – ‘Stop Calling’
Having been truly blown away by Macclesfield-based Queen Cult when they played live for us a couple of years back, it’s great to see the band going from strength to strength with each new release. Born out of the frustration of getting unwanted attention and the way in which people feel entitled to cross boundaries, ‘Stop Calling’ exudes the band’s raging energy and angst-fuelled drive, as they continue to share their queer, politically-charged anthems with a sparkling defiance. Catch Queen Cult live in London at Oslo as part of Luck Juice Festival on 18th May – tickets here. (ML)

Julie Christmas – ‘Supernatural’
Seamlessly switching from a bittersweet yearning vocal in verses, to a cord-ripping scream in the chorus; this visceral new offering from Julie Christmas (Made Out of Babies, Battle of Mice) is as melodic as it is metal. ‘Supernatural’ is lifted from her eagerly anticipated second solo album, the excellently titled Ridiculous and Full of Blood, which is set for release on 14th June via Cult Of Luna’s Red Crk label. (KC)

Charley Stone – ‘Better With You’
With a musical CV too long to list, having played with multiple bands over the years and currently a gigging guitarist with the likes of Sleeper and Desperate Journalist, scene queen Charley Stone is now set to release her own debut solo album next month. Ahead of the album’s release, new single ‘Better With You’ depicts a messy couple on an ill-advised trip to a wedding, and the chaotic energy that ensues; showcasing Stone’s ability to perfectly capture snapshots of the anxiety and disorder of everyday life, it’s a perfectly catchy indie anthem. Here Comes The Actual Band, Charley Stone’s debut album, is set for release on 29th May – keep an eye on bandcamp for its pre-sale this coming Friday (3rd May)! (ML)

BCOS RSNS – ‘Turn It Off’
London’s own trans queer post-punk legends BCOS RSNS will be releasing their self-titled debut album on 22nd May; after years being a key face of the city’s DIY scene, hanging out with all the best bands, front woman Abi has now made her dream of being in one of her own a reality. Showcasing all of BCOS RSNS’ unique wonky charm, latest single ‘Turn It Off’ offers a scuzzy reflection on conspiracy theories and the dire consequences of capitalism. Catch BCOS RSNS live at The Cavendish Arms on 25th May celebrating the album’s release. (ML)

Me Rex – ‘Goodbye Forever’
Total faves Me Rex with their poignant new single ‘Goodbye Forever’. Reflecting on themes of loss and separation, it oozes all the swirling emotion and impassioned cathartic energy that I love so much. I’m such a huge fan of this band, and still think about how wonderful it was having them headline a sold out gig for us last year, and feel very grateful to Phoebe for being a fantastic teacher to me and Kate at the First Timers drum workshop a couple of month’s back – it was so inspiring that I just received some drum sticks for my 38th birthday, and plan on doing a lot more hitting things in future! Needless to say, I can’t wait for the band’s new EP, Smilodon, which is out this Wednesday 1st May. (ML)

MOTHERCANYOUHEARME – ‘Come Round’
The new single from London DIY queer duo MOTHERCANYOUHEARME, ‘Come Round’ reflects on confronting suppressed feelings around sexuality, whilst fizzing with a gloriously woozy musicality. Having first been charmed by the jangly scuzz of their 2020 single ‘Knowing You’, I’m super excited to hear more from Rosie and Georgia with the relatable sentiment and sparkling energy of this new release. (ML)

Wife Patrol – ‘Equinox’
This uplifting single from Indianapolis-based alt-rock trio Wife Patrol is a melodic guitar ode to Spring, and a reminder that change is always on the horizon, even when it may not feel like it at the time. (KC)

Bnny – ‘Something Blue’
Having released their new album, One Million Love Songs, earlier this month, Chicago band Bnny have previously received acclaim from the likes of Rolling Stone and New York Times. Taken from the album, ‘Something Blue’ reflects on the struggle of escaping your past, whilst shimmering with a fuzzy lilting energy and the deep gritty resonance of front person Jessica Viscius’ vocals. (ML)

Our Girl – ‘Relief’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album later this year on Bella Union. Ahead of the album, new single ‘Relief’ exudes a heartfelt twinkling emotion as scuzzy hooks and the raw emotive splendour of Soph Nathan’s distinctive vocals create a beautifully moving and deeply resonant ode to the queer community. Of the track, Nathan explains: “This is a love song to queer people having a hard time of it. It takes time to unlearn the things we were taught to believe, and to feel wholly proud in the face of people and expectations that are often working against you. This song is about my experience of moving through that, and celebrating how I feel now.” (ML)

Lazy Day – ‘Bright Yellow’
With fans including the likes of Lauren Laverne and Huw Stephens, London based artist Tilly Scantlebury – aka Lazy Day – has now shared a stirring new single to celebrate signing to Brace Yourself Records. Inspired by their studies into Queer American Art for their PhD, ‘Bright Yellow’ oozes a searing emotion as rich vocals ripple alongside a shimmering musicality. Of the meaning behind the track, Scantlebury explains: “At its very best, art can change the way that we see and think and live, acting like a window into another world — which is how I want my music and this song to feel as well.” (ML)

Noga Erez – ‘Vandalist’
GIHE fave Noga Erez is back with ‘Vandalist’, a “musical middle finger” to the hypocrites who have formed incorrect opinions of her, based on false information. The razor-sharp production skills of ROUSSO, Justin Raisen & Erez spotlight her distinctive vocal on the track, as she vents her frustrations with visceral flair. (KC)

Meg Elsier – ‘oldnews’
Lifted from her upcoming debut album, spittake, which is set for release later this year, I love this new track from Nashville-based artist Meg Elsier. Seamlessly blending her clear vocals, potent alt-pop elements and bruising guitar riffs, ‘old news’ is about “the feeling you get when you realize you’ve been telling the same stories over and over to the point that strangers know the punch lines and you’re too scared to risk anything to make new ones.” (KC)

HALIMA – ‘Ways’
Raised between Lagos and London and now based in Brooklyn, HALIMA’s sound is eclectic as the cities she’s resided in. Blending pop, jazz and R&B sensibilities together to create her intoxicating sounds, ‘Ways’ features on her upcoming EP, EXU, which is due on 24th May via Drink Sum Wtr. (KC)

ghost piss – ‘See Ya!!!!!’
A candid, catchy slice of electro-pop from excellently named Portland-based artist ghost piss. This track is lifted from their upcoming album, Dream Girl, which is set for release on 3rd May via Sockhead Records. ‘See Ya!!!!!’ is a potent blend of their bittersweet vocals and playful production, reflecting on their previous unhealthy romantic encounters. (KC)

DEBBY FRIDAY – ‘To The Dancefloor’
Sub Pop signee DEBBY FRIDAY has shared this commanding, genre-blending dance anthem. Accompanied by a SIMS inspired music video, DEBBY’s sultry vocals glide over slick beats and evocative synths on this new offering that will lead you straight to the dancefloor. (KC)

Pride Month Barbie – ‘Effulgent’
This industrial banger from LA-based duo Pride Month Barbie dropped into my inbox and commanded my attention. Formed of solo artists Tyler Holmes and Josephine Shetty, it’s rammed full of chaotic synths and propulsive beats, which the band say are designed to leave you “feeling insecure, horny, and annoyed.” ‘Effulgent’ is lifted the the band’s upcoming debut album, All The Girls In The Room Say ‘Sorry’, which is set for release on 14th June via LA queer/trans label, Get Better Records. (KC)

Venus In Noise – ‘What I Want’
Noise-pop duo Venus In Noise met at a gig in East London in 2019, and formed the band after they went on to see Bikini Kill’s first UK comeback gig a few years later. There’s some strong Le Tigre influences to their buoyant-yet-glitchy sounds, and this single ‘What I Want’ is a perfect example of that. (KC)

Or:la – ‘A Howl’s A Howl’
I love this genre-blending soundscape from Irish producer and DJ Or:la. Inspired by the now-extinct native wolves that used to roam the UK and Ireland, her primal beats and bristling synth textures propel the track forward. ‘A Howl’s A Howl’ is taken from Or:la’s recent EP, Moonlight Crush, out now via fabric’s eponymous label. (KC)

Elsa Hewitt – ‘Legend’
‘Legend’ is the evocative opening track to Chaos Emeralds, the eighth album from electronic artist Elsa Hewitt, which she released earlier this month. The record is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark hypnotic synthetic sounds. The album is equal parts euphoric as it is melancholic, and I have found it to be a soothing tonic for my tired ears recently. (KC)

Seraphina Simone – ‘Blue Eyes’
“‘Blue Eyes’ is about being full-throttle chest-deep in a crush,” explains Seraphina Simone. Much like her recent releases, ‘Better Days’ and ‘Liverpool’, Seraphina has crafted another distinctive alt-pop gem that aches with bittersweet longing. I love it when songwriters transform their BIG feelings into blissful pop sounds, and Seraphina is a real pro at doing just that. (KC)

PostLast – ‘Connect 4’
This is the charming debut single from Irish indie-pop duo PostLast, who are formed of Stephen McHale (BARQ) and GIHE fave Julie Hough (HAVVK). Released via VETA Records, ‘Connect 4’ is a playful extrapolation on the joy that comes from making new friends when you’re an adult, and relishing the early days of this connection. (KC)

La Sécurité – ‘Waiting For Kenny’
Coming over to the UK as part of the annual Québec Spring Showcase, Montreal-based art punks La Sécurité will be performing at The Shacklewell Arms in East London on 8th May. Their off-kilter charm will appeal to fans of The B-52s, E.S.G, Le Tigre and Wet Leg, so grab a (free) ticket if you like the sound of ‘Waiting For Kenny’. (KC)

Das Birthday Girl – ‘Whiskey Sour’
Inspired by the sounds of The Cure and Siouxsie and The Banshees, as well as the immersive synths of John Maus and Gary War, Maltese-born, Berlin-based artist Das Birthday Girl creates emotive electro-pop that’s shrouded in melancholy. This track ‘Whiskey Sour’ is taken from her debut album, Soft and Clear, which she composed and co-produced with a Maltese producer, Jimmy Bartolo. (KC)

Birthday Problem ft. Runah – ‘Daylight’
Another excellent collaboration from Birthday Problem here, featuring guest vocalist Runah. Together, Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly have created another slow-building, evocative soundscape on ‘Daylight’, aided by Runah’s beguiling vocals. Released via VETA Records, the track is accompanied by a set of visuals which explore the “essence of fleeting existence”. Watch it here. (KC)

Kee Avil – ‘Gelatin’
Another visceral, eerie blend of brittle synth textures, aching vocals and erratic beats from Montréal-based experimental artist and producer Kee Avil here. ‘Gelatin’ is taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation. The track is accompanied by a haunting set of visuals which you can watch here. (KC)

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PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)

 

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PLAYLIST: August 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, guitar anthems, alt-pop gems and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Human Interest – ‘Step On’
Following the success of previous singles ‘Mixing Paint’ and ‘Cool Cats’, and with recent acclaim from the likes of Steve LaMacq on BBC 6Music, East-London band Human Interest have now announced the release of an upcoming EP later this year. Combining a fierce post-punk drive with a fuzzy, lilting energy, lead single ‘Step On’ reflects on “appreciating the duality of yourself and your friends” and builds with an anthemic power to a swirling slice of infectious indie-pop. ‘Step On’ is out now via Nice Swan records.
(Mari Lane)

CLT DRP – ‘I See My Body Through You’
Following on from their incendiary anthems ‘New Boy‘ and ‘Nothing Clever, Just Feelings‘, this is the latest banger from Brighton feminist electro-punks CLT DRP. Taken from their upcoming second album, Nothing Clever, Just Feelings, which is set for release on 8th September via Venn Records, the track is a dynamic, corrosive rumination on objectification and how it can affect our own identity and self worth. By combining quieter verses with a blistering chorus, CLT DRP reflect the tumultuous emotions and lack of control that can come from feeling exposed and viewed through a skewed and restricting lens.
(Kate Crudgington)

Chroma – ‘Don’t Wanna Go Out’
Having just announced the release of their debut album, and with news of an exciting support slot with (my most watched band in the world) Foo Fighters next year, Welsh band Chroma are definite ones to watch right now, and so we couldn’t be more thrilled that they’ll be headlining our night at Shacklewell Arms next Friday! (8th September). To celebrate the news, they’ve shared ‘Don’t Wanna Go Out’, a fierce new single reflecting on feelings of FOMO and propelled by the band’s distinctive raw, relentless energy. An instant earworm that I can’t wait for East London to mosh along to very soon! Ask For Angela, the debut album from Chroma, is set for release on 20th October via Alcopop! Records. Nab tickets to see them live on 8th September along with wormboys and UrgentSea here. (ML)

Duvet – ‘Girlcow’
‘Girlcow’ is the latest single from Manchester post punks Duvet, who are gearing up to to release their split 7″ ‘Girlcow/Sweaty Dog’ on 29th September via Fear of Missing Out Records. I love their sleazy, chaotic sound on this track, which the band say is “a bit of fictional story telling about a confident cowboy pursuing a play girl bunny type character,” explored from both perspectives. (KC)

Gender Chores – ‘Dysphurious’
A reflection on coming out as non-binary – a subject that’s very close to Northern Irish punks Gender Chores’ hearts – ‘Dysphurious’ offers a truly uplifting dose of punk-pop, oozing a fierce colourful spirit. Filled with scuzzy hooks and a refreshingly honest lyricism, it’s an empowering ode to freeing yourself from the constrictions of conventional gender ‘norms’; an energising boost of confidence to be your true self in the face of adversity. (ML)

Femegades – ‘Depleted’
Following their debut EP Pornsick and last year’s ironically entitled Not All Men, punk-rockers Femegades are back with a gloriously riotous new single. Reflecting on society’s expectation on women to be – and want to be – perfect, happy mothers, ‘Depleted’ rages with a snarling energy and fierce, raw power. (ML)

ALT BLK ERA – ‘Misfits: SOLAR’
Combining jagged electronics and racing beats with their raging lyrics, genre-defying sister duo ALT BLK ERA have created another alternative statement of self autonomy on ‘Misfits: SOLAR’. Taken from their upcoming EP, Freak Show, which is set for release on 1st September, the track is a frenzied anthem fuelled by their antagonistic, youthful spirit. (KC)

The Dead Zoo – ‘Hoover Damned’
Having recently wowed us live at our last gig at Shacklewell Arms in July, London-based The Dead Zoo have now shared an uplifting new single. Propelled by a scuzzy energy reminiscent of brit-pop bands of the ‘90s, ‘Hoover Damned’ oozes catchy hooks and swirling harmonies, accompanying the sultry allure of front woman Kaoru’s gritty vocals. Of the track, Kaoru explains: “I wanted to write about a world where women are as free to make mistakes and walk away as men traditionally have…” Produced by James Aparicio, ‘Hoover Damned’ is out now via Rock Noir Recordings. Watch the new video here. (ML)

Deerhoof – ‘My Lovely Cat!’
Following the release of their 19th album earlier this year, I was lucky enough to experience the utter magic of legendary avant-garde sound creators Deerhoof last week. And when I say ‘magic’, I’m not exaggerating… The pure immense cacophonies they’re able to create are a spectacle to behold; their frenzied colourful energy like nothing I’ve ever seen. ‘My Lovely Cat!’ is probably my favourite track taken from the latest album (which is sung entirely in Satomi’s native Japanese), not only because of its cute, relatable title, but I just love its swirling sonic brilliance and joyous drive. Miracle Level, the latest album from Deerhoof, is out now via Joyful Noise. (ML)

HAVVK – ‘Expiry’
The new single from Irish based trio, and GIHE faves, HAVVK, ‘Expiry’ channels a seething raging energy, ‘Expiry’ reflects on society’s expectations of women to ‘age gracefully’, whilst giving a middle finger to these restrictions on how you should dress or behave. I just love how its fierce sense of urgency is propelled by the raw power of lead singer Julie’s distinctive celestial vocals. (ML)

Shaene – ‘june’
This melancholy song from Leeds-based songwriter shaene is lifted from her self-produced debut album, time lost / time regained, which is set for release on 1st September. The track is a reflection on her fluctuating relationship with their Dad, which she is reminded of on Father’s Day each year during June. As with her previous single ‘sad’, shaene filters these conflicting feelings through a soft, shoegazey lens, which makes for sad-yet-sweet listening. (KC)

GENN – ‘Calypso’
GIHE favourites GENN are gearing up to release their debut album, unum, on the 6th October, and this track ‘Calypso’ is lifted from it. The track showcases the truly versatile sound of the Brighton-via-Malta art-punk quartet, who totally blew us away with their live performances at The Great Escape Festival earlier this year. (KC)

Ideal Host – ‘The Resolution’
A tender, synth-led rumination that showcases the evolving nature of their sound, this is the third single from Ideal Host. Led by Heather Perkins and Sean Hughes – who are both former members of the band Slowcoaches – Ideal Host are dedicated to making music on their own terms. ‘The Resolution’ acts as a bookend to the band’s previous single ‘The Conflict‘, exploring the softer side of their brooding, intuitive songwriting. Ideal Host are currently writing and recording their full length album, which they plan to release and tour next year. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum. Her direct lyrics, clear vocals and evocative electronics make for captivating listening. Speaking about ‘hard times’, O Hell explains: “What I wanted to say in the chorus is: get back to what love really is, ‘cus it’s way bigger and better than the bullshit possessiveness we’re told it needs to centre around. It might change state, it might morph between romantic and platonic, or everything in between – but fuck all the drama off, if you love someone, let that love take its course. It was always bigger than the first label you smacked on it anyway.” (KC)

Hinako Omori – ‘cyanotype memories’
A mood-lifting soundscape that offers listeners a moment of respite in an uncertain world, I love this single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, the track is an ode to surrendering yourself to the unknown and finding peace within that process. (KC)

Mint Field – ‘El Suspiro Cambia Todo’
Having just announced the release of their upcoming new album, Mexican psych duo Mint Field have now shared a dreamy new single. Flowing with a whirring, hypnotic grace, ‘El Suspiro Cambia Todo’ (The Sigh Changes Everything) offers a spellbinding soundscape, enchanting the ears with its glistening splendour. Of the track, the band explain: “Sighing is the desire for melancholy. It denotes that something is happening. Sometimes we just need to sigh to let go. Sighing is something we do unconsciously but it says a lot about what is going on inside our mind.” Aprender a Ser, the upcoming new album from Mint Field, is set for release on 27th October via felte. (ML)

Amaroun – ‘Dopamine’
Taken from her upcoming EP of the same name, which is set for release on 29th September, ‘Dopamine’ is the latest single from ‘GIHE favourite Amaroun. Inspired by “the minuscule euphoric moments that keep her ADHD brain hooked throughout the day,” this track oozes with Amroun’s trademark alt-pop style. (KC)

CHIKA ft. Charlie Wilson – ‘Can’t Explain It’
I’m a bit late to the party, but recently loved watching ‘Ladies First’, a short (not long enough!) docu-series on Netflix about and by women in hip-hop. As well as featuring a number of artists I already know and love – such as the legendary Queen Latifah and contemporary rappers Rapsody and Tierrra Whack – it also introduced me to a few that I’d not come across before. One of these was Alabama-born MC/rapper CHIKA, who spoke at length about her position as a queer woman in the industry. I just love her driving energy, gritty allure and refreshingly honest lyricism, and urge you to check out this celebration of queer black love, as well as her epic recent album Samson. (ML)

Mykki Blanco – ‘Holidays In The Sun’
I can’t get enough of the funk-fuelled energy and infectious uplifting spirit of the new single from pioneering artist Mykki Blanco. “A feel good summer anthem about lazy summer days swimming in the sea, hopping from one music festival to the next, feeling good about life and living la dolce vita soaking up the sun.”, its only negative is that it does make me quite desperate for a holiday in the sun myself… Mykki Blanco’s upcoming new album, Postcards from Italia, is set for release on 22nd September via Transgressive, and keep your eyes peeled for an exclusive interview with them on our website very soon! (ML)

Aderyn – ‘Distraction’
Reflecting on the restlessness one can feel during the summer break, ‘Distraction’ is the latest single from South Wales artist Aderyn. Propelled by shimmering hooks and a driving punk-pop energy, it showcases Aderyn’s honey-sweet vocals and ability to create instantly catchy, emotion-rich singalong anthems. Aderyn’s debut EP, Sea Glass, is set for release on 14th September. (ML)

Catherine Moan – ‘Jawbreaker’
Angel Jefferson aka Catherine Moan is back with this new single which marks a “new era” of her electro-pop project. ‘Jawbreaker’ is written from the point of view of “someone who feels replaceable, hard to love, and ultimately feels damaged by another’s actions” – all underscored by buoyant 80s-inspired synths and Catherine’s bittersweet vocal. (KC)

SOFT LAD – ‘The Human Condition’
“This song came as a result of the worst hangover of my life!” explains Sophie Galpin aka SOFT LAD about this single – respect to her for telling it like it is! The multi-instrumentalist, who also plays in Self Esteem’s band, encourages her listeners to treat those closest to us with kindness; all underscored by her buoyant beats, melodic riffs and clear vocals. (KC)

Cutty – ‘Overdrive’
This is the latest single from Hull-based duo Cutty, who formed after meeting at their local dive bar. Amy and Kev explain that ‘Overdrive’ is a crowd-pleasing favourite when they play it live at local gigs, so it made sense to record it and share it for everyone else to hear too. (KC)

Sirene – ‘Don’t Let Me Fall (Out Your Mind)’
With acclaim from the likes of Deb Grant on BBC 6Music, Yorkshire-born, London-based artist Sirene released her debut album last year, and has now shared a poignant new single. Reflecting on the desire to consistently do your best for the ones you love, ‘Don’t Let Me Fall (Out Your Mind)’ is a beautifully stirring ballad, showcasing Sirene’s distinctive rich vocals and an exquisite twinkling emotion. (ML)

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PLAYLIST: July 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, grungy guitar riffs, alt-pop gems, avant garde sounds and electronic tunes for your listening pleasure. There’s also a small tribute to Irish musician & activist Sinéad O’Connor/Shuhada’ Sadaqat.

Take some time to scroll through our track choices below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Maria Uzor – ‘Ventolin’
Having just announced the release of her debut solo album in October, GIHE fave Maria Uzor recently shared this enticing taster. Propelled by a driving fierce energy and glitchy hooks, ‘Ventolin’ swirls with the sparkling allure of her sweeping hypnotic vocals. The PR says it “could well be the first ever electro banger aimed at asthmatics” and, asthmatic or not, I’m sure it’ll have you up and dancing to its majestic groove. We’re super excited about Uzor’s debut solo album, Soft Cuts, which is set for release on 13th October via Castles In Space.
(Mari Lane)

Coolgirl – ‘Silverlight’
GIHE fans will recognise Dublin-based artist Lizzie Fitzpatrick aka Coolgirl as the front person of grunge trio Bitch Falcon, but under her new moniker she uses electronics and synths to create vivid, sometimes ambient, sometimes upbeat sounds. After releasing a handful of singles over the past few years, she is now preparing to share a new EP via VETA Records, with this single ‘Silverlight’ being the first hint of what’s to come. It’s a synth-soaked exploration of the intense, transitory nature of infatuation, and a mesmeric blend of whirring synth textures, glitchy beats and a subtle, jagged vocal.
(Kate Crudgington)

Ghost Car (Dream Wife Remix) – ‘Basta’
Featuring remixes from the likes of Shamir, Du Blonde and The Dead Zoo, Ghost Car’s new remix EP of last year’s debut album, Truly Trash, Truly Trashed, sees the band recruit an array of artists to create unique renditions of their tracks. All funds raised will be donated to Mermaids, a charity doing vital work to support trans, non binary and gender diverse youth. Of this latest rendition of ‘Basta’, Dream Wife’s Alice Gough says: “With this remix, it was about taking a guitar band sound and flipping it over to a dirty, dancey, banger. I rebuilt the drums with deep sub beats, while the original vocals carry the mix through. Also, shoutout to Cher with ‘Believe’ for being the first mainstream POP track that used auto-tune. Her legendry vibe is present in this mix.” Buy and download the EP here. (ML)

Fever Ray – ‘What They Call Us’ (Nifra Remix)
I am so excited for this year’s Field Day festival in Victoria Park in East London, and not only is it down the road from me, the line up is on fire! With the likes of Arca, Art School Girlfriend, Anastasia Kristensen, Bibi Seck, Desire, Effy, Jayda G, Kelela, Sudan Archives…the list goes on and on. To add to the delightfulness of it all, Mary Ann Hobbs has curated the 6 Music Stage with an All Queen Special too. I’m particularly pumped to be seeing Fever Ray. The last time I saw them was in a heightened state of serotonin induced heaven, and they were incredible – not only is their music so boundary pushing, their performances are too.
(Tash Walker)

TSHA ft. Ell Murphy – ‘Bloom’
TUNE TUNE TUNE! I can’t wait to see TSHA live at Field Day. I will lose my mind, I guarantee it. 19th August 2023, see you there! (TW)

Thylacine – ‘Versailles’ (Ah! Kosmos Rework)
I’ve been a fan of Istanbul-via-Berlin artist and producer Ah! Kosmos for a few years now, so I was thrilled to see her rework of this track drop into my inbox. French producer Thylacine invited four musicians to remix songs from his 2022 album, 9 Pieces, a collection of tracks that were influenced by the different places he visited. This ‘Versailles’ rework is the result of his collaboration with Ah! Kosmos and it’s a relaxed, summery tune to soundtrack the season ahead. (KC)

Mary Lovett – ‘Drive’
This track from DIY artist Mary Lovett is a homage to 80s pop and the teen angst she felt throughout those years. I love this track, which is truly transporting. (TW)

Circe – ‘My Boy Aphrodite’
I’m such a big fan of London-based dark pop sensation Circe, so I was thrilled to have her as a guest on our Soho Radio show earlier this month. She spoke so openly and passionately about her new EP, Drawing Wings From The Light, and the inspiration behind this track. ‘My Boy Aphrodite’ is a playful exploration of desire and experimentation with gender boundaries, underscored by her seraphic vocals, dazzling electronics and lyrics that ring out with a deeply relatable sense of longing for love and acceptance. The whole EP is a rapturous collection of slickly produced tracks, on which she willingly shares personal epiphanies, unfiltered heartbreaks, precious teenage secrets and cell-shaping theatrical experiences with her listeners. I can’t wait to see her live again at The Windmill in Brixton on 21st September. (KC)

Lauren Auder – ‘The Ripple’
Lifted from her highly anticipated debut album, the infinite spine, which she shared earlier this month, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Auder’s album is a potent, pop-drenched exploration and celebration of discovering your true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus. I can’t get enough of it. (KC)

Jock – ‘Spoilsport’
I love this driving, potent punk anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. I’m looking forward to hearing more from them in the near future. (KC)

Slow Pulp – ‘Doubt’
Chicago-based four-piece Slow Pulp have shared this new anthem, lifted from their upcoming debut album, Yard, which is set for release on 29th September via ANTI-. The track is a hazy, relatable guitar tune that questions our need for validation from other people. Vocalist Emily Massey uses the song to explore these feelings, and how it can often feel safer to stay within a familiar negative space than to question and move forward in a new way. (KC)

congratulations – ‘Zeitgeist’
Lifted from their upcoming EP, Woo Hoo, which is set for release on 8th September via Bella Union, this is the latest banger from Brighton DIY band congratulations. I’ve reviewed one of their singles before on GIHE, but they were recommended to me by grunge trio HotWax when I interviewed them at The Lexington a few months ago. (KC)

Cherym – ‘Taking Up Sports’
Having fallen in love with Cherym over the last couple of years, and being lucky enough to see them live at Paper Dress Vintage as well as in Belfast as part of the Women’s Work Showcase last year, I’ve been very much enjoying the Derry band’s latest single. Coinciding nicely with the start of the FIFA Women’s World Cup, ‘Taking Up Sports’ exudes the band’s buoyant punk-pop energy and honey-sweet vocals with a sunny, uplifting energy. Of the track, vocalist & guitarist Hannah explains: “It’s an ode to the self-proclaimed stragglers who used to get their friends to forge notes for them so they could get out of double P.E, but it’s also a little nod to the WLW community and a reminder of the ridiculous lengths we’ll go to sometimes for the person we think is worth it.” Watch the video for ‘Taking Up Sports’ – in which the band take on Derry FC – here. (ML)

SEPARATR – ‘Directionless’
We featured SEPARATR on our radio show back in 2021, and the band have just put out a new EP, QUEEN ACE. This song is a flagship declaration of their contradictions, a song that started out as a piano ballad, but is now very much a pop punk anthem. (TW)

Queen Cult – ‘Blackhole’
Having blown us away with their immersive blistering energy live when playing for us at the Shacklewell Arms last year, Macclesfield band Queen Cult have now shared fierce new single ‘Black Hole’. Described by front person Maisie as “a song to myself… about the post break up slump. When you feel like the world is swallowing you up and there is nothing to hold onto because you’ve lost all sense of self. ” Oozing a roaring, cathartic rage, it’s an empowering anthem of self-love. (ML)

Scrounge – ‘Corner Cutting Boredom’
The GIHE team are excited that total faves Scrounge have a new single out, and it doesn’t disappoint. ‘Corner Cutting Boredom’ may start off with less of the frenzied energy of previous offerings, but it contains all the gritty allure we’ve come to know and love from the South London duo. Building with a stirring tension, it showcases the resonant raw power of Lucy’s vocals, alongside the thrashing yet articulate intensity of Luke’s beat-making. Of the track, they expand that it signals “the start of a new phase of the band – bringing in more texture, more of the industrial and electronic influences that we’ve always loved… but hopefully retaining the intensity and emotion that makes this a cathartic project to be part of.” ‘Corner Cutting Boredom’ is out now via state51 and is accompanied by a handmade zine featuring Scrounge’s friends from the South London scene, including Liv Wynter, Italia 90 and Amanda Tooke. Find out more and buy here. (ML)

English Teacher – ‘Song About Love’
I’m super excited to be heading to Deer Shed Festival this weekend and, amongst a fantastic looking line-up – including The Big Moon, The Delgados, This Is The Kit, Grove and Panic Shack – I think Leeds band English Teacher are one of the bands I’m most looking forward to seeing. ‘Song About Love’ is a total earworm, a wonderfully infectious ode to “doing the chores, instead of doing someone else.” I’m also pretty obsessed with earlier tracks like ‘R&B’ and ‘Mental Maths’. Have a read of our interview with Deer Shed’s festival director Kate Webster here. (ML)

Bleach Lab – ‘Smile For Me’
Bleach Lab’s single ‘Smile For Me’ is a shimmering, melancholic indie-pop tune inspired by the frustrations and fears around sexual harassment. Taken from the band’s upcoming debut album, Lost In A Rush of Emptiness, which is set for release on 22nd September via Nettwerk, vocalist Jenna explains the context of the single further: “Lyrically, This was one of the most empowering but challenging songs to write on the album. The theme for ‘Smile For Me’ is of my own experience of sexual harassment, as well as experiences I know far too many women suffer themselves. Something I hear so often as a woman in public is being told to ‘cheer up, love’, if I’m not immediately, positively responsive to an unknown person’s advances. It’s completely deflating, infuriating and humiliating. The lyrics are intentionally directed at the culprits and offenders, words I would be too afraid to say in the moment if not for fear of the reaction.” (KC)

Mumble Tide – ‘Kindest’
The accompanying video to this Mumble Tide track is Cute with a capital ‘C’! The Bristol-based duo say this song is about “those shady thoughts you try to lock up inside yourself, about feeling weird and scared and guilty,” and I think vocalist Gina Leonard’s clear, distinctive voice floating over Ryan Rogers’ gentle guitar twangs communicates that beautifully. (KC)

Joanna Sternberg – ‘I’ve Got Me’
I don’t think it’s an exaggeration to say that I have been completely addicted to the new album from New York artist Joanna Sternberg recently. Playing every single instrument you hear on the album, the collection showcases their ability to create rich tapestries of lilting folk-strewn sounds alongside stirring reflective lyrics, all brought together with their raw, impassioned vocals. It really is just exquisite. I’ve Got Me, is out now via Fat Possum. You can read an interview we did with Joanna on our website too. (ML)

shaene – ‘sad’
Taken from her self-produced debut album, time lost / time regained, which is set for release on 1st September, I love this bittersweet offering from Leeds-based songwriter shaene. It’s a dreamy, melancholic rumination on a dark and complicated time. shaene’s upcoming full length record is inspired by her own experiences as a trans woman, her neurodivergency and the depth of emotions that surround these aspects of her life. ‘sad’ touches on these themes and gives listeners a poignant first hint at what’s to come. (KC)

1000 Beasts ft. Zeenie Summers Sà.Rù.Mí – ‘Sun Valley Drive’
Another strong serving from 1000 Beasts, this time a bilingual track that combines both English and Yoruba featuring the vocals of Zeenie Summers SaRuMi an Irish/Norwegian artist. It’s full of sunshine – you can’t help but smile and sway to it! (TW)

Girl Ray – ‘Love Is Enough’
I just can’t get enough of the fizzing, disco-inspired energy and danceable allure of Girl Ray’s latest offerings, and I’m very excited not only for the release of their album, Prestige, on 4th August via Moshi Moshi, but to see them again live that evening at Rough Trade East! I was lucky enough to chat to Poppy, Sophie and Iris about the album, playing Ally Pally, being women in the industry and more. Have a read and pre-order their album here. (ML)

Supersaurus – ‘Electric Dreams’
Self described “non-binary fronted indie-pop girl band”, London-based Supersaurus’ influences range from MUNA to The 1975, and with acclaim from the likes of BBC Radio 1 and BBC Introducing, they’re really starting to hone their place as esteemed creators of sad-pop bangers. Reflecting on personal experiences and being part of the LGBTQ+ community, ‘Electric Dreams’ is an instantly catchy, sparkling slice of emo-tinged indie-pop, and I can’t wait to hear more of the glitchy, whirring energy of this band. (ML)

Phosphene – ‘Black Sheep’
This hazy, ethereal single from DIY Portland-based shoegazers Phosphene dropped into my inbox at the start of the month. It’s taken from their upcoming third album, Transmute, which is set for release later this year. ‘Black Sheep’ is also accompanied by a monochrome video which the band produced, edited and directed themselves. Watch it here. (KC)

1017 ALYX 9SM, Ethel Cain – ‘Famous Last Words’ (An Ode to Eaters)
One of my favourite artists Ethel Cain has written a song that’s inspired by the gorgeous film Bones And All, and unsurprisingly, I absolutely love it. A match made in heaven and peak Gloomy Girl territory for me. (KC)

And is Phi – ‘Double Pink’
And is Phi is a multidisciplinary artist from Norway and the Phillipines who now lives in South East London. ‘Double Pink’ is the title track from their debut album, which is set for release via Albert’s Favourites on 22nd September, and I cannot wait to hear it in full. (TW)

Hinako Omori – ‘foundation’
Hinako Omori was a live highlight for me at Brighton’s Great Escape Festival earlier this year, so I was thrilled to hear that she will be releasing new music soon. This track ‘foundation’ is a wonderful blend of her gentle vocals and atmospheric electronic sounds, that she describes as “a letter to ourselves on trusting our intuition and inner guidance to lead us along our unique paths.” Hinako will be sharing a more music later this year via Houndstooth and she’ll be playing live again at London’s ICA on December 2nd. (KC)

Tawiah – ‘Child’
I only came across innovative artist Tawiah a few weeks back when I saw them play Higher Ground Festival at The Roundhouse, alongside The Staves, The Orielles and Aoife Nessa Frances. Accompanied by six choral singers to deliver an immensely moving performance of last year’s Ertha – a concept album, chronicling our journey from birth to death – she delivered an utterly unique blend of alt-soul, gospel and R&B, emanating a sweeping majesty and deep spiritual resonance throughout, captivating the audience with a celestial splendour. (ML)

Oxbow ft. Lingua Ignota – ‘Lovely Murk’
I’m a big fan of Kristin Hayter aka Lingua Ignota, but I’m new to experimental band Oxbow, so listening to ‘Lovely Murk’ was a pleasant surprise. Created over a period of several years and inspired by Niko Wenner’s experience of losing his Mother to Alzheimer’s, it’s an emotive, eclectic composition heightened by Lingua Ignota’s powerful, choir-like vocal. This track is featured on Oxbow’s latest album, Love’s Holiday, which is out now. (KC)

Sinéad O’Connor – ‘Troy’
Tributes to Irish musician Sinéad O’Connor have been permeating our social media feeds over the past few days. What a talent, and what an unapologetically authentic artist. Lots of our followers have recommended watching Kathryn Ferguson’s 2020 documentary about her, Nothing Compares, which offers deeper insight into her activism, her spirituality, and her experiences of fame and fallout with the pop mainstream. Rest In Peace Sinéad. (GIHE team)

 

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