PLAYLIST: October 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our October Playlist features plenty of alt-pop tunes, alternative offerings, indie musings, DIY punk anthems, and some experimental electronic sounds. Make sure you scroll through and read all about our recommendations below.

As you already know, to best support the artists we love here at GIHE, we now use TIDAL as our main playlisting platform. Please follow us on there! We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN TO THE PLAYLIST ON TIDAL

 

Tusks – ‘How Can I Be The Same’
An evocative, synth-soaked response to an experience of sexism that she encountered whilst creating her new album, Tusks’ latest single ‘How Can I Be The Same’ is a resonant, aural assertion of her determination as an artist. The London-based musician produced her upcoming fourth album, Do I See You There? – due via One Little Independent Records on 12th February 2027 – entirely by herself, after spending two months at The Townshend Studio experimenting with Townshend’s vast collection of priceless analogue synthesisers. ‘How Can I Be The Same’ is one of ten tracks that form her new record, which was heavily shaped by grief and coming to terms with the loss of a close friend. ‘How Can I Be The Same’ offers a fascinating glimpse into what we can expect from Tusks’ emotive new effort.
(Kate Crudgington – Features Editor)

Green Tea Bitches – ‘Ghosts’
And the prize for best aritst name goes to… Green Tea Bitches! A Chinese-Danish duo, they’ve just released a special Halloween single oozing all the glorious scuzz-fuelled electro-punk energy you could ever ask for. In the vein of noughties faves like CSS or Le Tigre, it offers a playful reflection on an all too relatable fear of big egos and ghosts, complete with spooky theramin sounds throughout. (Mari Lane – Managing Editor)

Striped Light ft. Elizabeth Bernholz (Gazelle Twin) – ‘Foolish’
An ode to the electronic alt-pop that raised him, under the moniker of Striped Light, electronic musician and producer Benge (Creep Show/Wrangler/John Foxx and the Maths) has been working on his upcoming album, For All This Beauty, for almost 20 years. On this track ‘Foolish’, he has collaborated with experimental artist & composer Elizabeth Bernholz aka Gazelle Twin – who I am a long-time fan of – and the result is an intoxicating blend of jagged-yet-buoyant synths and lush, captivating melodies. It’s hugely exciting to me to hear Elizabeth’s vocals float over this carefree love song, as the context of her solo work is much darker than this. For All This Beauty will be released via MemeTune on 6th November, and features contributions from Tara Busch (I Speak Machine), Hannah Peel, Serafina Steer and Juliana Venter. (KC)

Eilis Frawley – ‘Taken, Never Erased’
Another idiosyncratic offering from GIHE fave Australian-born, Berlin-based drummer & songwriter Eilis Frawley. ‘Taken, Never Erased’ is a moving reflection on the systemic suppression of Indigenous Australian languages through colonization, simultaneously acting as an aural ode to the resilience of the communities affected by this too. The track is lifted from her upcoming second album, Twist My Words, set for release on 6th November via cult Berlin label Sinnbus Records. Eilis explains the track’s context further: “‘Taken, But Never Erased’ acknowledges the violence of cultural theft and the attempts to silence indigenous communities, while recognising the resilience of the people, memories, and traditions that continue to be carried forward.” (KC)

Other Mother – ‘Not Sorry’
The latest single from Cork’s Other Mother, ‘Not Sorry’ combines evocative spoken word lyrics with relentless hooks. With an “unapologetic feminine rage’, it flows with a swiring, eerie allure, as it builds with a tenacious energy and immense sense of urgency to a firercely empowering anthem. ‘Not Sorry’ is taken from Other Mother’s debut EP, Can’t Help But Feel Dramatic. (ML)

Gone Future ft. ShitKid – ‘PIG!!’
Featuring one of the most cathartic choruses I’ve heard all year, this single from Swedish indie-rock supergroup Gone Future is a real angst-ridden anthem. Formed of members of Dolores Haze, Dead Vibrations and Mando Diao, as well as the instigative vocals of their labelmate ShitKid, ‘PIG!!’ is a biting blend of crashing percussion and gritty riffs. The track is taken from Gone Future’s upcoming debut EP, Signs, set for release on 4th December via PNKSLM Recordings. (KC)

Minor Dents – ‘I’d Like To Meet Her’
Opening our recent Brighton gig at A L P H A B E T this month, local band Minor Dents completely blew me away with their spellbdining allure. Now, with new single, ‘I’d Like To Meet Her’, they’re showcasing their ability to create immaculate, immersive psych-tinged soundscapes. Taken from their debut EP, Sitting With The Fish, synth-driven hooks propel the glistening celestial vocals of Holly Finch into a swirling splendour. (ML)

LIINES – ‘Always The Same’
I’m extremely excited by the return of Manchester long-time favourites LIINES, who’ve just released their first music in over two years. Taken from their new EP, As Shadows Fall, ‘Always The Same’ fizzes with a gritty energy and drummer Leila’s fierce beats as Zoe’s vocals soar with a raw, impassioned power. Zoe reflects: “There’s something comforting about things staying the same, but something frustrating about never quite escaping them. ‘Always The Same’ sits between the two. Repetition can be reassuring or unsettling, depending on how you look at it. I’ve always found comfort in familiarity, even when it’s not a good thing. Sometimes the things that make you feel safe are the very things that keep you stuck.” (ML)

Fightmilk – ‘Escape! From Camp Run For Your Life’
Released as a Halloween treat from total faves Fightmilk, ‘Escape! From Camp Run For Your Life’ translates the real life horrors of the world today into a perfect slice of energising punk-pop, propelled by spookily sweeping hooks and front person Lily’s distinctive, fiercely honest lyrical storytelling. Of the track, Lily explains: “This was the product of years of obsessively reading R.L. Stine’s Goosebumps book series for children, where horrible things happen in broad daylight, your parents can’t protect you and happy endings come with a caveat… Every day feels terrifying at the moment and this is a love letter to the warm hug of horror, where you can close the book or stop the film at any time you like.” (ML)

PISS – ‘Rote Zora. “Resistance is Possible.” Emma, no. 6, June 1984, pp. 39-41.’
One of the most exciting bands to have dropped into my inbox in recent times, Canada’s PISS are fast building a reputation for their pivotal and unique fusion of punk, poetry, sound collage and performance art, consistently delivered with a fierce sense of urgency and politcally driven angst. Having already received acclaim for their brand new album, you made me / skin on linen, recent single ‘Resistance is Possible.” Emma, no. 6, June 1984, pp. 39-41.’ takes it lyrics from an interview transcript published in Emma in 1984, and races with a visceral, immense power, building to an absolutely thrilling and completely necessary outpouring of grief-driven rage. The single is accompanied by a massively impactful new video, directed by Eila Vallevand and combining found footage and animation. (ML)

BRIDGET. – ‘For The Hell Of It’
Bursting with her trademark riotous energy, ‘For The Hell Of It’ is the title track from grunge-punk artist BRIDGET.’s latest EP. It’s a visceral collection of songs that are threaded together by BRIDGET.’s “fuck what you think, I’m doing it anyway” energy. She celebrated the EP’s release with an ‘Autumn Ball’ party in a 400 year-old grade II listed church in Ipswich, complete with Drag performances and surprise songs – punk af in my opinion. (KC)

Lost Grrrl Found – ‘Lesbian Spinsters’
Having just released their debut EP, Pupal Phase, NYC-based Lost Grrrl Found deliver their fierce Riot Grrrl-inspired sound with a raucous frenzied energy. Inspired by queercore pioneers Team Dresch, ‘Lesbian Spinsters’ offers empowering ode to reunion and queer community. Bringing together collaborators from New York’s indie music and downtown theater communities, Lost Grrrl Found is a uniquely DIY production carving out its own space between music and theatre. (ML)

Teens In Trouble – ‘I Do’
The project of Asian-American singer, guitarist and songwriter Lizzie Killian, Raleigh’s Teens In Trouble have now shared a brand new single. Propelled by dreamily scuzzy hooks alongside an endearing sense of vulnerability that twinkles throughout, ‘I Do’ offers a cathartic reflection on a ‘friendship break-up’ – “I’d convinced myself I was over it until a mutual friend asked me about the situation over brunch…”, Killian explains, “As I started to explain what happened, I found myself getting heated and realizing that maybe I wasn’t actually over it after all.” (ML)

The Gentle Spring – ‘Down With Love’
With shades of the likes of Camera Obscura or Belle & Sebastian, The Gentle Spring have just announced the release of their second album. Taken from the album, new single ‘Down With Love’ flows with uptempo lilting melodies and honey-sweet vocals reminiscent of the delicate romanticism of The Field Mice (songwriter Michael Hiscock’s previous band), creating a truly infectious slice of perfect syrupy pop. (ML)

Kathleen Frances – ‘Kitchen Sink’
The latest single from Bristol-based songwriter and producer Kathleen Frances, ‘Kitchen Sink’ offers a beautiful tapestry of sounds. Interwoven with a sparkling emotion, the rich resonance of Frances’ vocals ripples throughout, creating something truly captivating. Of the track Frances reflects: “It’s an exploration of the rhythm of moving apart and coming together that happens in a romantic relationship. The chorus captures a playful moment where the other person makes you laugh and you almost forget why you were annoyed with them in the first place… I connect deeply with this song, it captures my own life; when love, familiarity and shared humour floods back in a wave of joy.” (ML)

Brimheim – ‘My Collection’
Danish-Faroese experimental pop artist Brimheim is responsible for two of my favourite albums – can’t hate myself into a different shape (2022) and RATKING (2024) – so I’m thrilled to see that she’s now gearing up to release more new music. Her latest single ‘My Collection’ beautifully displays her rich, distinctive vocals as they float over tender keys and a blend of acoustic, brass and woodwind instrumentation. Accompanied by a monochrome video which hints at what else is to come, ‘My Collection’ offers new insight into Brimheim’s eternally intriguing musical universe. (KC)

Klein – ‘princess of the souf’
Genre-bending, London-based artist & composer Klein has been one of my favourite new music discoveries over the past year, despite having an impressive backlog of releases reaching back much further than that. This cinematic instrumental ‘princess of the souf’ is lifted from her new album, my own fairytale, which is her dark interpretation of a “Disney-esque soundtrack”, incorporating her unique blend of ambient noise, grime and R&B. On this record, she dissects her intense thoughts on identity, belonging, secrecy, reality and fantasy. (KC)

Sijya – ‘Safe’ (Sneha Khanwalkar Edit)
Another eclectic piece of electronica from South Asian composer & producer and GIHE fave Sijya here. This remix of ‘Safe’ is lifted from her collaborative EP, Leather & Brass [Retrofitted], released via iconic label One Little Independent Records. Pioneering Indian music director Sneha Khanwalkar has re-worked Sijya’s original track, bringing together India’s independent and Bollywood music communities in one place – something Sijya feels especially passionate about. (KC)

Kee Avil – ‘meld’
A frisson of twitchy electronics and her unflinching vocals, ‘meld’ is the final track from Montréal-based experimental artist and producer Kee Avil’s fascinating new album, Vapor.
An intrepid artist unafraid of trying new approaches to creating art, Kee Avil wrote and recorded her new LP in real time, sharing the songs in chronological order over 12 months. “Creative inspiration is often like vapor, appearing and dissipating quickly” she extrapolates. “This album represents what inspires me in the moment.” (KC)

Sheherazaad – ‘Registaan’
Having been a big fan of Brooklyn-via-India based artist Sheherazaad since falling in love with 2024’s globally acclaimed Qasr, I’m excitetd to hear that she’ll be releasing her debut album next month. And now, ahead of the album, she’s shared a stirring new single. “Based in a crass desertland wherein really lonely women emerge…” ‘Registaan’ oozes a mystical, other-worldy allure creating a cinematic slice of dystopian folk, showcasing the poignant and spellbinding soundscapes that this innovative artist is able to create. (ML)

ĠENN ft. Aidan Moffat – ‘Jaguar Sun’
An eclectic exploration of what it means to exercise free will, Anglo-Maltese quartet ĠENN have teamed up with Arab Strap’s Aidan Moffat to create the intriguing ‘Jaguar Sun’. Inspired by a myriad of influences, including Under the Jaguar Sun by Italo Calvino – an unfinished novel written just before his death which attempted to tell a story for each of the senses – this collaborative effort evokes a potent, ominous atmosphere that seeks to understand the notion of freedom and our own perceptions of reality. (KC)

CLICK HERE TO LISTEN TO THE PLAYLIST ON TIDAL

PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

CLICK HERE TO LISTEN TO THE OUR JULY PLAYLIST

LISTEN: GIHE on Soho Radio with Decolonise Fest (08.07.26)

Tash, Kate and Mari were back on Soho Radio this month with another packed playlist full of new music tunes from their favourite female, non-binary & LGBTQ+ artists.

They were also joined in the studio by Atiyyah and Ishani from the Decolonise team to talk about their upcoming festival showcasing punx of colour at Signature Brew in East London on the 3rd & 4th of October. They each spoke about how they became involved with the DIY initiative, the line-up for this year (Sacred Paws, Baby Said, Mashaal, Dygora, eatboys, Hang Linton, Uninvited & more bands TBA), the importance of staying fair to their community and the challenges that come with running a non-profit collective in today’s live music scene.

Tickets for Decolonise Fest 2026 are on sale now! Grab yours here.

Listen back to our show below:

 

We’ll be back on Soho Radio on Wednesday 12th August from 20:00-22:00
Listen via DAB, the Soho Radio app or www.sohoradio.com

Tracklist
Joan Jett & The Blackhearts – Bad Reputation
Maria Uzor – Don’t Touch Me
Nourished by Time – Automatic Love
Dose – Consumed
Nazire – Leech
Brennan Wedl – Pretty Little Fantasy
Alewya – Simian Mountain
Midori Jaeger – planted
Catherine Moan – No Magic
Arthur Russell – That’s Us/Wild Combination
Joan As Police Woman – Anyone
Penelope Trappes – Sleep (Gazelle Twin & PRIZMA9 Rework)
Tomboy Grandpa – Anybodys
Jen Cloher – I Am The River, The River Is Me
Grandmas House – The Table
Downtown Boys – You’re A Ghost
Sacred Paws – Jump Into Life
**Interview with Decolonise Fest**
Baby Said – Take Everything
HAAi x Nina Simone – That’s All I Ask (Tash’s Track Of The Show)
Good Grief – Bait Shop (Kate’s Track Of The Show)
Slothrust – Burn The Deck (Mari’s Track Of The Show)
Marina Yozora – Snow Heat
Mother Church – The Long Way Round
Kloyd ft. Tonguetied – Everything (For You)
Team Dresch – One Song

LISTEN: GIHE on Soho Radio x The Great Escape Special & WIDGET (13.05.26)

Tash, Kate and Mari were back on Soho Radio this month with a special playlist celebrating the female, non-binary & LGBTQ+ artists who are playing The Great Escape this year! They dedicated an entire section of the show to the artists who are performing as part of the GIHE showcase at the festival on The Soundwaves Stage on Brighton Beach on Saturday 16th May – so listen out for tracks from Problem Patterns, The Baby Seals, YAKKIE, steel. and Jessie Mac…

The team were also joined in the studio by Ky & Estella from East London queer disco-punk band WIDGET. They spoke about the joys of being in a DIY band, the amazing people they’ve met through their various DIY communities and shared stories about the tracks on their self-released debut album, CLASSY HITS VOL.2. If you can’t make our GIHE showcase at The Great Escape this Saturday 16th May, you should head to The Pie House in Deptford to watch WIDGET play a special fundraiser gig instead! Grab a ticket here.

Listen back below:

 

We’ll be back on Soho Radio on Wednesday 10th June from 20:00-22:00
Listen via the Soho Radio app or www.sohoradio.com

Tracklist
Peaches – Boys Wanna Be Her
Lauren Auder, Celeste – Unseen
Jessie Mac – Trans Is Beautiful
The Baby Seals – Tamoo Trance
YAKKIE – Kill The Cop Inside Your Head
Problem Patterns – I’m Fine and I’m Doing Great
steel. – DFTTM
Ngaiire ft. Nai Palm – Dirty Hercules
Lumi – Once In A Blue Moon
Tanzana – Pulse, Pose, Position
Roomer – Written By
SISTRA – Things I really Mean
ARXX – We Don’t Talk About It Enough
Cowboy Hunters – Money For Drugs
congratulations – This Life
WIDGET – WHAT IF PHONES BUT TOO MUCH
**Interview with Ky & Estella from WIDGET**
Track chosen by WIDGET: Mia Musa – Knew You Before
Not Richard & Her Majesty – A Song About Being A Parasite
Twat Union – Tiny Shorts
Bonnie Trash – Hellmouth
Fraulein (Jonique) – Wait and See
Afternoon Bike Ride – Sunday Sketch
Neve Cariad – Burdens
Yaz – Father Nature
Jamaica Moana – CYA
Meduulla – Vibe Nice
Kimmortal – This Dyke
Tom Rasmussen – There’s A Lot To Be Happy About