Tag: get in her ears

We know our May playlist is a little delayed…(we were at The Great Escape Festival hosting our showcase on The Beach Soundwaves Stage!) but it’s still stacked full of new music from some of our favourite female, LGBTQ+ and non-binary artists.

We’ve put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronic sounds and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you’re able to.

 

Jasmine.4.t – ‘Elephant’
I’ve made no secret of my love of Jasmine.4.t over the last year or so, and it was so wonderful to see her live for the second time, playing an exquisite set to a sold out Lexington last week. Following the success of her debut album, You Are The Morning, a jam-packed UK tour and a tour supporting Lucy Dacus across the US, the Manchester-based artist has now shared a special acoustic EP to raise money for AKT, a charity supporting young LGBTQIA+ people through housing emergencies.

Having been homeless and sleeping on the floors and sofas of queer friends herself when she wrote her album, it’s an organisation close to her heart: “The people who supported me during that time became my family and the muses for my album. This is such a beautiful full circle moment for me, to be in the privileged position of being able to pay that debt forward. Thank you all so much for your support. I love you.”

The EP features beautifully stripped back versions of three songs from her album, showcasing the heartfelt raw emotion and vulnerability that went into writing them: “We were originally gonna use the actual demos that got me signed by Phoebe, but my voice has changed a lot since then and I wanted to redo them, but in exactly the same way: with two vocal tracks and two guitar tracks, recorded in my bedroom on tape. You Are The Morning is an album about queer love and hope and solidarity, and so I wanted to share these tracks in that spirit.” Listen to the EP and donate on bandcamp now.
(Mari Lane – Managing Editor)

Ghostwoman – ‘Alive’
Set to release their new album in September, Belgium/Canada based duo Evan Uschenko and Ille van Dessel aka Ghostwoman have shared this anthemic new single. Propelled by Uschenko’s fuzzy hooks which he played on a 12 string guitar, along with van Dessel’s fierce caustic beats, it offers an impassioned ode to continuing to find joy in the art of creation in spite of the dark times we’re living in. Welcome To The Civilized World, the upcoming album from Ghostwoman, is set for release on 5th September via Full Time Hobby. (ML)

Slung – ‘Limassol’
Congratulations to Brighton rockers Slung on the release of their excellent debut album, In Ways. Released via Fat Dracula, the record showcases the band’s instinctive ability to blend raging riffs, powerhouse percussion and compelling vocals into songs about inequality, generational trauma and ruminations on what could have been. This track ‘Limassol’ is a shining example of the latter, inspired by fading memories of lost love. Check out the accompanying video here. (Kate Crudgington – Features Editor)

Anna Younger – ‘Girl Guts’
This is the latest single from Scottish independent musician Anna Younger and it simmers with relatable angst. Her grungy guitars and potent vocals combine to create a foreboding soundscape, as she uses the lyrical metaphor of fruit “to explore the challenges, transitions and pain of the female existence.” (KC)

M(h)aol – ‘I Miss My Dog’
I’ve been following Irish post-punks M(h)aol since they released their powerful single ‘Laundries’ back in 2020. Their lineup has changed and their sound has developed significantly since then, which has culminated in the trio’s excellent new album, Something Soft. ‘I Miss My Dog’ is lifted from the record, released via Merge Records & TULLE. It’s an ode to drummer & vocalist Constance Keane’s late canine companion Poppy, who passed away in July 2024. (KC)

Problem Patterns ft. Matt Korvette (Pissed Jeans) – ‘Sad Old Woman’
Everyone here at GIHE loves Belfast DIY punks Problem Patterns, so it’s no surprise that we’re including their latest anthem on our playlist! Featuring vocals from Pissed Jeans’ vocalist Matt Korvette, ‘Sad Old Woman’ is the band’s riotous new effort that tackles ageist & sexist stereotypes and encourages listeners to dismiss these damaging anti-ageing narratives. The track is accompanied by a music video too, which you can watch here. We can’t wait to have Problem Patterns headline for us again at our GIHE 10th Birthday All-Dayer gig at The Cavendish Arms on Saturday 27th September. There are only a few tickets left – grab yours here! (KC)

Fortitude Valley – ‘Sunshine State’
Set to release their new album this summer, Fortitude Valley have been big faves of mine since their 2021 debut, and they continue to charm my ears with their glistening new single. Complete with jangly guitars and heartfelt sugar-sweet vocals, ‘Sunshine State’ offers a sparkling reflection on the mixed feelings of front person Laura Kovic’s about leaving her home country of Australia – interweaving a nostalgic sentimentality with a driving punk-pop energy. Of the track, she explains: “I was so keen to get away! From such a beautiful place! So the song is like: I’m going back to the Sunshine State to find my younger, more melodramatic self and catch-up with her.” Part Of The Problem, Baby, the upcoming new album from Fortitude Valley, is out 1st August via Specialist Subject Records. (ML)

Rival Queens – ‘Right Now’
Following her riotous, grunge-infused debut ‘Not Your Enemy’ and the more heartfelt ‘Sun Don’t Shine’, esteemed session guitarist and songwriter Sally-Anne Hickman aka Rival Queens has now shared a sparkling new single. Reflecting on feelings of burnout and workplace apathy, ‘Right Now’ oozes shades of the sparkling indie-pop of bands such as Best Coast as its swirling musicality and shimmering singalong refrains offer an insight into Sally-Anne’s ability to create heartfelt instant earworms of any genre. (ML)

Junk Whale – ‘Grief Song’
Over the last couple of weeks since the new self-released EP from Junk Whale came out, I’ve been pretty much listening to it non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!). The band expand: “Lyrically, this might be our darkest release yet, written under the cloud of lockdown malaise and personal setbacks. But musically, it’s probably our most upbeat and energetic.” (ML)

Strange New Places – ‘Sleep For Dinner’
The third in a series of singles released ahead of their new album, ‘Sleep For Dinner’ is the latest offering from Belfast’s Strange New Places. Juxtaposing reflections on feelings of fatigue and depression with an uptempo scuzzy energy, and the band’s trademark fiercely impassioned emotion, they’re keen for us to keep in mind that – despite its resonant subject matter, “…the track is also funny and a bop.” Another instant fave from this queer, neurodiverse band of “right on radicals with low self-esteem.” (ML)

Maya Lakhani – ‘Fall For Me’
Someone who’s wowed us with her energy-fuelled live shows on more than one occasion, and with acclaim from the likes of Radio 1’s Jodie Bryant and BBC Introducing Melita Dennett, rising star Maya Lakhani is a firm fave here at GIHE. Inspired by ‘00s teen movie prom scenes, latest single ‘Fall For Me’ flows with a soaring shimmering emotion, as jangling hooks provide the backdrop for Lakhani’s rich vocals, creating a heartfelt alt-rock anthem. (ML)

ettie – ‘The Song I Scream In The Shower’
The new single from queer pop-punk artist ettie, ‘The Song I Scream In The Shower’ offers a perfect nostalgia-tinged ‘revenge-bop’. Propelled by a fierce fun-filled energy and catchy angst-driven refrains, it reflects on the “age-old coping mechanism of getting all your feelings out in the shower.” I can’t wait to hear more catchy anthems from ettie! (ML)

Catbear – ‘Who Cares?’
Having been part of the dreamiest of weekends with us last month, supporting Roller Derby at two consecutive sold out shows in London and Brighton, Brighton-based duo CATBEAR have now shared a catchy new single. Propelled by an uplifting fizzing energy and fierce driving beats, a raw emotion shines through the lush vocals, offering a glistening slice of empowering electro-pop; a shimmering ode to the draining emotions that come with social anxiety (a sentiment I can very much relate to!). Of the track, singer/guitarist Zoe explains: “The song sounds upbeat, but underneath it’s me trying to stay grounded – reminding myself it’s okay to show up, be a bit awkward, and not care so much what anyone thinks.” ‘Who Cares’ will feature on Catbear’s upcoming second album, due for release later this year. (ML)

Beauty Sleep – ‘Radical Happiness’
Recently signed to Alcopop! Records with the announcement of the upcoming release of their second album, Derry faves Beauty Sleep have now shared a colourful new single to celebrate. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. Of the inspiration behind the track, the duo explain: “Our mental health was so low and we were such people pleasers to a fault that prioritising our emotions and desires felt radical. So we embarked on figuring out how to find Radical Happiness by living it—we did all the things we thought we weren’t good enough for, things we thought we would do ‘when we were successful,’ or ‘when we had more money,’ or when the perfect conditions were just so…” The Whole Damn Cake, the upcoming second album from Beauty Sleep, is set for release in October this year. (ML)

ZAND – ‘TOES!’
I’ve been following the well deserved rise of “sewerstar” ZAND since we interviewed them on our GIHE radio show back in 2020 (listen back here) – so I was chuffed to see this gritty single ‘TOES!’ in my inbox. It’s their first piece of new music since November 2024, equally as inspired by Eminem as it is Nine Inch Nails. ZAND is currently working on their debut album, which I can’t wait to hear in full. (KC)

Twin Rains – ‘The Evil That You Know (Let It Go)’
Toronto dream-pop duo Twin Rains released one of my favourite tracks of 2023 (‘You’re The Only One’) so I was thrilled to see an email from the band (buried in my GIHE inbox) sharing new music with me! Described as “My Bloody Valentine meets Oasis in the dystopian present” this new track ‘The Evil That You Know (Let It Go)’ is full of their trademark intoxicating riffs, dreamy vocals and driving beats. (KC)

Errunhrd – ‘Don’t Drink Chemicals’
Canadian songwriter and producer Shirin Ghoujalou aka Errunhrd has shifted from dream-pop to dark electronica on her latest album, Everything I’ve Ever Known, and I am here for it! This change in musical direction was inspired by a need to explore parts of her psyche that she had previously ignored, experimenting with MIDI string orchestration, vocoders, granular synthesis and syncopated melodies to help her carve a path towards self-love and acceptance. (KC)

Venus In Noise – ‘In The Sun’
A jagged ray of sonic sunshine from London-based duo Venus In Noise here! This new single is full of the pair’s trademark dark electronics and infectious rhythms, which they’ve been sharing with crowds through their live performances – including a show at East London’s Sebright Arms – earlier this month. (KC)

Elaine Mai ft. Faye O’Rourke – ‘AIM’
Irish electronic artist Elaine Mai is gearing up to release her second album, For Us, on 19th September. This collaborative track ‘AIM’ – featuring Soda Blonde vocalist Faye O’Rourke – is an exciting taste of what we can expect from the talented producer. Inspired by “generational trauma and its lingering effects,” O’Rourke’s heartfelt vocals soar above Mai’s potent dance beats and shape-shifting electronics, showcasing her instinct for crafting melodic and surprisingly emotive dance anthems. (KC)

Nastazia Bazil – ‘Call Me Habibi’
Having released her debut album this week, Lebanese artist Nastazia Bazil never believed that she would be able be able to play music that other people would want to hear, but since forming a band at First Timers Fest a few years back she has been proved wrong; a familiar face on the London DIY live circuit, she has been frequently charming audiences across the city with their unique, immersive sounds. Taken from the album, ‘Call Me Habibi’ offers a truly stirring anthem, reflecting on feelings of being torn – knowing that she can’t move back to Lebanon due to political unrest, but feeling homesick and missing simple things such as her mum’s cooking. From Beirut To Anywhere, the debut album from Nastazia Bazil, is out now. Listen/download on bandcamp. (ML)

Lōwli – ‘Ground Above You’
“‘Ground Above You’ explores feeling lost in your sense of self, while struggling to find purpose and understanding in an often unsettling and disjointed world,” explains Irish composer and songwriter Lōwli about her latest single. A beguiling blend of lilting keys, disarming vocals and ethereal string sounds, the track beautifully showcases Lōwli’s ability to transport listeners to another realm – making her one of my favourite new music discoveries this year. (KC)

Maria Somerville – ‘Spring’
Lifted from her captivating new album, Luster, this lush track by Irish musician Maria Somerville is a tonic for tired ears. Released via 4AD, Somerville’s latest full length was written and recorded in Connemara in the artist’s home county of Galway. Energised by the fondness and familiarity of her surroundings, she created twelve tracks that shimmer with sensitivity and a serene sense of self-confidence, with this single ‘Spring’ being a perfect example of both. (KC)

The New Eves – ‘Rivers Run Red’
Team GIHE caught Brighton four-piece The New Eves live for the first time at The Great Escape Festival in May, and we were captivated by their incendiary blend of classical instrumentation and punk spirit. This track features on their debut album, The New Eve Is Rising, set for release on 1st August via Transgressive Records. ‘Rivers Run Red’ is an amalgamation of the band’s beginnings – from guitarist/violinist Violet pouring blood on to herself during early performances, to drummer, flutist & vocalist Ella’s heartfelt teenage poetry – showcasing the power and originality of the ensemble’s musical vision. We’ll definitely be at their London show at Hoxton Hall on 7th October. (KC)

Nadah El Shazly – ‘Laini Tani’
Egyptian, Montreal-based producer, vocalist, composer and actor Nadah El Shazly has released her highly anticipated second album, showcasing her immersive, genre-defying sounds and ability to fuse traditional Arabic influences with a more avant-garde improvisational instrumentation. Title track ‘Laini Tani’ offers a mesmerising insight into the sounds El Shazly is able to create; flowing with a delicate, twinkling musicality, it builds with a subtle soaring power and glitchy energy into a truly spellbinding ballad. Laini Tani, the new album from Nadah El Shazly, is out now via One Little Independent Records. (ML)

Lightheaded – ‘The View From Your Room’
Formed back in 2017, New Jersey’s Lightheaded are set to release their second album later this month, and to celebrate, they’ve shared this shimmering new single. ‘The View From Your Room’ ripples with a cinematic musicality and lilting energy, as gorgeous sunny vibes emanate with shades of the likes of indie-pop faves Camera Obscura or Best Coast.
Thinking, Dreaming, Scheming, the upcoming new album from Lightheaded, is out on 27th June via Skep Wax. (ML)

Ailsa Tully – ‘Self Soothing’
The first single taken from her upcoming debut album, ‘Self Soothing’ offers a welcome return from Welsh artist and GIHE fave Ailsa Tully. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly with a stirring raw emotion throughout. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour. (ML)

Rats-Tails – ‘Public Domain’
Having blown us away with their unique eclectic sounds and immersive energy playing for us last year at The Shacklewell Arms, South East London faves Rats-Tails have now released their first single of 2025. Flowing with a lilting folk-strewn musicality and mystical allure, ‘Public Domain’ reflects on feelings of burn-out, the intrusive thoughts that accompany it and the tension between art and commodification. As front-person Courtney McMahon’s ethereal vocals shimmer throughout, a dreamily psychedelic soundscape is created, cementing Rats-Tails as an innovative band impossible to pigeon hole into any one genre. (ML)

Kate Nash – ‘Germ’
Amidst all the terrifying regression of policies and ridiculous attempts by those in power to curtail the rights of trans folk, being an ally is more important than ever before. So, it’s been great to hear Kate Nash use her platform to spread the word and speak out against so-called feminists who are set on excluding trans women from public spaces and inciting fear and hatred with new single ‘GERM’. With its direct lyricism taking aim at these ‘Exclusionary Regressive Misogynists’, Nash explains: “I am left uneasy as I see behaviours we would otherwise or previously label as intolerance or bullying become normalised & even celebrated by the media & in society. Dismantling systems of oppression lies at the very core of feminism. If you are transphobic, therefore, you are not a feminist. Welcome to your rebrand, GERM.” Just to clarify, as Nash states in the song, “I’ve never felt threatened by a trans person” and will continue to stand by my trans siblings today and every day. Watch the full lyric video here. (ML)