Track Of The Day: Montauk Hotel – ‘White Billboards’

A luscious shimmering soundscape with a poignant context; Montauk Hotel have shared their new single ‘White Billboards’. Released via Reckless Records, the Dublin-based band say their new track is a “reflection on the power of advertising in our society and how models and [industry] standards influence our choices, happiness, and feelings of adequacy”.

Montauk Hotel’s music is influenced by the glimmer of early 80s indie-pop, full of glistening guitar sounds and shining melodies. The band released their self titled EP in March 2017, and have shared stages with the likes of Goat Girl, PINS and Beauty Sleep. Across Ireland, they’ve played venues such as Whelans, The Workman’s Club and Roisin Dubh, and they’ve performed at Electric Picnic too.

Their new single ‘White Billboards’ is sure to take them back to these stages. Speaking more about the track, the band explain: “The song pictures an imaginary future where as an result of over-saturation, people have become indifferent to commercial models. Advertisers and brands have run out of slogans and have lost their impact on people and society. There is a question left open, which whether a society with empty billboards would indeed set us free to be happy or whether it would leave us lost and unable to regain a personal identity”.

Listen to ‘White Billboards’ below and follow Montauk Hotel on Facebook for more updates.

Kate Crudgington
@KCBobCut

Guest Playlist: Emily Magpie

As Autumn draws in, what better way to remember the summer than by listening to some of the sweetest tunes from this year’s festivals…?! Having just shared the celestial grace of latest single ‘Last Train’, and set to release her new EP next month, Bristol-based artist Emily Magpie has chosen some of her personal favourites for us…

Watch Emily Magpie’s new video for ‘Last Train here:

It’s been such a lush summer of festivals for me, and I’ve gotten to see some amazing female artists along the way. Really proud to see some amazing women doing their thing and blazing a path for there to be more of a balance at festivals – we need more of this please! Here’s some of my faves that I’ve seen/hope to see next year…

China Bowls 
My fellow Bristolian China Bowls is such a superb musician and songwriter… I’ve had the joy of gigging with this lady before and she was all over the festival season. Jazz, neo soul and hip-hop influences, soulful vocals and guitar… Always great solo, or with band in tow, check her out!

Lucy Dacus
I’ve loved ‘…Familiar Place’ by Lucy Dacus since I stumbled across it on Spotify this year, and then managed to stumble across her live set at Green Man Festival this summer after I’d finished mine. I was so happy to see this lovely indie singer-songwriter live; chill vibes, plus she’s hilarious!

Hollie Cook
I caught Hollie’s tropical pop at Boomtown Festival this year, when tropical pop was so so necessary. It was a pretty soggy affair and Hollie brought the sunshine. She’s on tour in Autumn, and I’m definitely going to try and watch her again!

Goat Girl
Saw the end of their live set at Green Man Festival and loved it. Dark, hazy, some shoegaze feels and indie sounds – very cool band.

IDER
IDER are right up my street; with really cool electronic production, their vocals are what really take it to the next level. I’m excited to see what they do next.

Kate Stapley
I saw Kate Stapley live at Bristol Harbourside Festival just after my set. It’s such a great festival for seeing upcoming Bristol artists, and I fecking LOVE Kate’s music. I guess genre-wise it’s indie, but what she does is just magical. The songwriting is fantastic. You need ‘These Planets’ on repeat!

Holly Walker & Malibou State
I’m really into this set up; it’s such great music to chill to, but also kind of dance-able also. It’s on my list to listen to lots more and get into.

This is the Kit
I didn’t manage to catch This Is The Kit at a festival this year, but they were doing the rounds. Such a lovely, lovely band! I was lucky enough to play support to them earlier this year, and they craft the most magical folk songs. A really special band and excellent people, check them out!Frankie Cosmos
Frankie Cosmos is just ace. Somewhere between indie and folk, I love the lo-fi feel of her music, it just makes me feel all happy and soft inside.

Honeyfeet
Honeyfeet are a band you just have to see live. I got taken along to a gig of theirs a couple of years ago, and wow. Perfect festival band – so much soul, so much sass, so much energy, so much dancing. Go listen and get sweaty and happy!

Huge thanks to Emily for putting together this playlist for us! Have a listen, and feel all those luscious summer vibes here:

GUIDE & PLAYLIST: The Great Escape 2018

The Great Escape Festival kicks off in just 7 days time (17th-19th May), and we’re ready to tread Brighton’s pebble beach, chomp on some chips, and trek around town trying to catch the best new music acts.

The prolific 3-day event is renowned for championing new music from all genres, and their female-friendly line-up (which Mari celebrated in her recent article about women & festival lineups for Trash) features some of our all time favourite bands. Dream Wife, Queen Zee, REWS, Pillow Queens & Amaroun will all be strutting their stuff by the seaside over the course of the weekend, but we’re excited to discover some brand new talent too.

In alphabetical order, these are the artists we’re keen to catch at 2018’s Great Escape Festival. Scroll down to our Spotify playlist to get better acquainted with them, and make a note of their stage times too…

Audiobooks
Playing at: HORATIOS – 3:30pm Friday 18th

Art School Girlfriend
Playing at: THE WALRUS – 8:15pm Friday 18th

Amaroun
Playing at: THE WALRUS – 8:15pm, Thursday 17th

Amyl & The Sniffers
Playing at: PRINCE ALBERT 11:10pm – Friday 18th & BEACH HOUSE 12:50pm – Saturday 19th

Benin City
Playing at: PAGANINI BALLROOM (THE OLD SHIP) – 11:15pm Saturday 19th

Brooke Bentham
Playing at: PATTERNS (UPSTAIRS) – 6:15pm Friday 18th

CHROMA
Playing at: LATEST MUSIC BAR – 12:45pm Thursday 17th

Deep Throat Choir
Playing at: SALLIS BENNEY THEATRE – 10:15pm Saturday 19th

Dream Wife
Playing at: BEACH CLUB – 8:45pm Thursday 17th

Elsa Hewitt
Playing at: KOMEDIA STUDIO BAR – 11:45pm Saturday 19th

Flohio
Playing at: EAST WING (BRIGHTON CENTRE) – 6:15pm Thursday 17th
KOMEDIA STUDIO BAR – 3:30pm Saturday 19th
SHOOSHH – 9:30pm Saturday 19th

Girlhood
Playing at: DR. MARTENS STAGE – 12:45pm Thursday 17th
THE HAUNT – 7:30pm Thursday 17th

Goat Girl
Playing at: THE ARCH – 9:15pm Thursday 17th

Hatchie
Playing at: KOMEDIA – 12:50pm Thursday 17th
HORATIOS – 1:00pm Friday 18th
THE ARCH – 6:00pm Friday 18th

Hero Fisher
Playing at: QUEENS HOTEL – 1:30pm Saturday 18th

Japanese Breakfast
Playing at: KOMEDIA – 11:15pm Thursday 17th

Jealous Of The Birds
Playing at: BAU WOW – 9:15pm Thursday 17th
JUBILEE SQUARE – 2:00pm Friday 18th

Men I Trust
Playing at: KOMEDIA – 7:15pm Thursday 17th

Nao
Playing at: BEACH CLUB – 10:00pm Friday 18th

Nelson Can
Playing at: DR. MARTENS STAGE – 1:00pm Friday 18th
STICKY MIKE’S FROG BAR – 10:30pm Saturday 19th

The Orielles
Playing at: BEACH HOUSE – 2:30pm Thursday 17th
HORATIOS – 9:00pm Thursday 17th

Phoebe Bridgers
Playing at: KOMEDIA – 9:15pm Friday 18th

Pillow Queens
Playing at: PRINCE ALBERT – 1:00pm Thursday 17th

Partner
Playing at: GREEN DOOR STORE – 1:30pm Thursday 17th
GREEN DOOR STORE – 7:15pm Thursday 17th
THE WALRUS – 2:15pm Saturday 18th

Queen Zee
Playing at: THE HOPE AND RUIN – 10:45pm Thursday 17th

REWS
Playing at: BEACH HOUSE – 9:15pm Friday 18th

The Regrettes
Playing at: HORATIOS 11:15pm Saturday

Soccer Mommy
Playing at: BEACH CLUB – 7:30pm Thursday 17th

Snail Mail
Playing at: BEACH CLUB – 6:30pm Thursday 17th

Stella Donnelly
Playing at: KOMEDIA – 8:15pm Thursday 17th
UNITARIAN CHURCH – 7:45pm Friday 18th
DR. MARTENS STAGE – 1:20pm Saturday 19th

The Ninth Wave
Playing at: HORATIOS – 3:30pm Thursday 17th
THE HAUNT – 9:30pm Friday 18th
MARINE ROOM (HARBOUR HOTEL) – 10:15pm Saturday 19th

The Vegan Leather
Playing at: HORATIOS – 1:45pm Thursday 17th
STICKY MIKE’S FROG BAR – 8:15pm Friday 18th

 

Get your tickets for The Great Escape here.

Kate Crudgington
@KCBobCut

LIVE: Goat Girl @ The Shipping Forecast, Liverpool, 12.04.18

Tonight’s gig being a sell-out show shouldn’t come as too much of a surprise – Goat Girl are the latest hype band of the moment, their debut album just released following some high-profile support slots. The gig taking place in the basement of Shipping Forecast, a tiny venue with a capacity of barely a couple of hundred can’t have hurt either: indeed, it feels pretty full long before tonight’s main support appear. Goat Girl have decided to do what they can with the stripped back stage area, and three papier-mache creatures with googly eyes adorn it, peering out towards the sound desk and bar.

Openers Hannah’s Little Sister maintain that air of the odd – with a loopy, up and down, freakazoid take on alt.rock. Opening growly and screamy, there’s shades of The Orielles once they settle into their wonky indie pop, particularly on ‘Bimbo’ with its smattering of keyboards. But where the Halifax trio are jangly, the Lancs four-piece are itchy, scratchy and tacky but very alive – none more so on the self-deprecating ‘Buzzkill’, an agonising stumble through angst. Closer ‘Payday Junkie’, meanwhile, sees HLS perfect the loud/quiet, super-sweet/bitterly sour dynamic, as laid out by Pixies. Raw power, with the grace of self-awareness.

Second act, The Mysterines, are a different prospect in most respects. A no-bullshit trio centred around lead singer Lia Metcalfe’s Wanda Jackson-style vocals, they specialise in 3 chord verses and one chord choruses. It’s a lean set too, with nearly no talking between songs – and, consequently, almost no song titles to put into reviews. The band, though, are the visual and aural equivalent of ‘Bad Sandy’ at the end of Grease – looking like they’ll steal and break your heart all in the same night. Their greaser garage is so slick, you almost expect them to ride off-stage on motorbikes. ‘Resistance’ is a particular stomper, whose bass-line just veers off into post-punk territory. ‘Take Control’ uses Lia’s voice as the gleaming centre of a scowler of a sound. There’s no bullshit to be found here.

And then, after those two equally perfect sets, it’s Goat Girl. Having bolstered their line-up with a violinist, the (now) quintet have doubled down on a kind of alt.indie-psych with extra country feedback. Snaky and spare, their songs have the feeling of rural chaos, like a riot at Stonehenge. There’s a folky vibe on ‘Creep On The Train’, whilst ‘Crack of Dawn’ brings a carnival to town, creeping around in a dark vaudevillian style. Lead singer Lottie’s vocals have the same nihilist blues feel as Marianne Faithful or Nico, lending a mournfulness to the rock and roll of ‘The Man’. With its harmonies and lilt, meanwhile, ‘Scum’ is less indie disco and more indie square dance. The cover of ‘Tomorrow’ from Bugsy Malone is made to sound less like a paean to one’s dreams, and more of an anthem for the strung-out, before closer ‘Country Sleaze’ rounds off the comedown. It’s a melancholy set, crackling with distaste and discomfort. And, in today’s climate, what more could you want?

John McGovern
@etinsuburbiaego