LIVE: Dream Nails – Old Blue Last, London 07.10.19

“You are not your job! Work is not your life!” belts lead vocalist Janey from feminist punk band Dream Nails – a validating statement that has their sold out crowd at Old Blue Last shouting back in agreement. Celebrating the release of their new single ‘Corporate Realness’ (from which the lyrics are taken); Janey, guitarist Anya, drummer Lucy, and bassist Mimi lit up the stage with their defiant anthems.

Get In Her Ears have been to many a Dream Nails gig, and we keep returning to see them for the same reasons: empowerment, solidarity, and comfort. Their songs about avoiding creepy grief thieves (‘Tourist’) and getting ghosted (‘Chirpse Degree Burns’) use humour to deflect from the stresses of navigating everyday life, but their ability to switch between the silly and the serious is what makes their live performances so vital.

Delivering their familiar and necessary chant of “women and non-binary people to the front, men to the back” three songs in, the band present an unshakable confidence as they blitz through their 40 minute set. Janey’s voice soars over the perfectly curated noise that Anya, Lucy & Mimi create, and is equally as commanding when she speaks about worthy causes and shameful statistics between songs.

Championing the cause of Solidarity Not Silence, Janey shouts out to the first support act of the night, Nadia Javed of The Tuts. She encourages the crowd to believe and support women who speak out against their abusers, and to follow the campaign that Nadia and other female musicians are a part of.

The band’s collective rage boils over during ‘Joke Choke’, a song that takes down people who think rape jokes are funny in a country where two women a week are killed by a current or former partner. It’s two minutes of frenzied guitar and crashing percussion, and a cathartic burst of righteous energy.

Much like second support act The Baby Seals – whose frontwoman Kerry described her sweat level as “bio-hazard” – Dream Nails know how to get their crowd working out. During their song ‘Jillian’, which is dedicated to cult fitness coach Jillian Michaels, the band ask everyone to squat down for a few moments, before leaping back up to join them in their poppy ode to the health guru.

It wouldn’t be a proper Dream Nails gig without renditions of iconic singles ‘DIY’ and ‘Deep Heat’. The first arrives mid-way through the set, with the crowd screaming back “Do It Yourself!” at all the right intervals. The latter closes the band’s set in furious style, proving that the band’s hex on Donald Trump and his British counterpart Boris Johnson is still as potent as ever.

With their militant mindset and knockout delivery, Dream Nails set at Old Blue Last was a reminder to all to keep fighting in the face of adversity, and to have a fucking good laugh whilst you’re doing it.

Follow Dream Nails on Facebook for more updates.

Photo Credit: Chloe Hashemi & Emily Barker

Kate Crudgington
@KCBobCut

Get In Her Ears w/ Bleak Terrain 21.02.19

Tash & Kate were back in the Hoxton Radio studio playing the freshest in new music from the likes of Maeve, Friedberg, Adryelle and Adia Victoria.

They were joined by the lovely Bleak Terrain in the studio, talking all things interpretive dance and about their upcoming 2019 tour.

Tune in next week when we’ll be back in the studio for a LGBT History Month special!

Listen back here:

@getinherears
@maudeandtrevor
@KCBobCut

ALBUM: Ruby Throat – ‘Stone Dress’

Far removed from her Riot Grrrl days fronting Daisy Chainsaw and Queen Adreena, Katie Jane Garside has returned under the moniker of Ruby Throat, with her brand new album Stone Dress (released via One Little Indian on 9th November). Garside has firmly remained a Grrrl at the front on her new venture; but everything else is stripped back, turned down, and mellowed out – revealing her softer side.

“After ten, fifteen years, I was done with the assault of drums and guitars obliterating me” explains Garside. “[It’s] a beautiful thing, on the one hand, but I enforced on Ruby Throat that it should be mainly acoustic, and there should be no drums. I wanted the voice to lead it, without being held down by someone else’s rhythm.” Accompanied by her long-time partner Chris Whittingham, Garside achieves just that on Stone Dress.

The title track showcases her gentle, wispy vocals which flow over carefully picked guitar for seven full minutes. The opener has particular significance for Garside, as she wrote it whilst pregnant with her daughter – which explains the cautious, dark-lullaby quality of her lyrics: “My stone dress is me walking through the world, weighed down by the agony of life, but I’m swimming with birds because, in utero, I’ve got a baby inside”.

The mythical sounding ‘Swan and the Minotaur’ follows like a haunting fable, with the relatable lyric “I’m in love with a troubled man” repeated in heartfelt style. ‘Also Elizabeth Daughter Of The Above’ is another fairytale-esque offering, with Garside’s wild wails counteracted by her softer, story-telling. The exquisitely rough ‘Dog Song’ is definitely one of the strongest tracks on the record, with brash lyrics and an infectious rhythm, allowing Garside to master her quiet-to-loud vocal delivery perfectly, whilst Whittingham’s reverb-strewn guitar guides her along.

‘Bus Stop On Holloway Road’ hosts tender reflections on time and place, people and their situations, whilst following track ‘Beneath My Undress’ is an understated, revealing ballad. ‘In The Arms Of Flowers’ sounds as poetic as its namesake, with Garside’s whispers lulling listeners through their “darkest hour”, and the wonderfully named ‘Marybell (rides Into Town On A Pig)’ has unusual swagger for an acoustic track, with the pair’s musical and lyrical convictions painting a vivid image of Marybell astride her chosen beast.

Garside gathers her thoughts on ‘Rake’, before her hushed vocals on ‘Billows Her Skirt’ act like the breeze that moves the fabric of her garments – her harmonies rising and falling in sublime style. Penultimate track ‘Hu’u’ flows in the same vein, before ‘Ghost Boy’ closes the record on an ethereal, tuneful note.

Existing fans of Katie Jane Garside’s music will be stunned by her simplistic approach on Ruby Throat’s debut Stone Dress, and new fans will be entirely captivated by her honest, intriguing new venture. Well worth a listen.

Order your copy of Ruby Throat’s debut album Stone Dress here.

Kate Crudgington
@KCBobCut

PLAYLIST: October 2018

The dark winter nights are creeping in, but our brand new October playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. If our selections are anything to go by, the October 5th is THE date to release a record, and we’re excited to share our track selections with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Health (feat. Soccer Mommy) – ‘Mass Grave’
I’m obsessed with this new track from L.A. noise rockers HEALTH, which features the divine vocals of Soccer Mommy. Produced by Corin Roddick (Purity Ring), ‘Mass Grave’ is a haunting fusion of alarming synths, apathetic vocals and spaced out percussion. (Kate Crudgington)

Kill J – ‘Strange Fruits of the Sea’
Kill J’s latest offering tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic ‘Strange Fruit’ (1939). Speaking about the track, Kill J explains: “It’s a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”. I’m a big fan of Kill J’s defiance, which she explores through hypnotising electronics. ‘Strange Fruits of the Sea’ is taken from her upcoming album Superposition, released 5th October via Nettwerk. (KC)

Pip Blom – ‘Come Home’
Catchy AF, ‘Come Home’is the latest single from Amsterdam favourites of mine Pip Blom, taken from their upcoming EP Paycheck which is out on 5th October. I had the pleasure of seeing these guys support The Breeders earlier in the year at the Roundhouse, an abundance of energy and an abundance of hair. Catch them if you can, they’re playing all over the UK this November including The Lexington on the 22nd. (Tash Walker)

Big Joanie – ‘Fall Asleep’
‘Fall Asleep’ is the latest single from Get In Her Ears faves Big Joanie, I only heard this for this first time a week or so ago but it’s firmly got into my head.  They’ve recently announced their debut album Sistahs is going to be released this November by The Daydream Library Series, and I can’t wait to hear the record in full! (TW)

Gold Baby – ‘What Party?
Having charmed us with their with their twinkling charisma and catchy offerings live at The Finsbury, East London’s Gold Baby have now shared new single ‘What Party?’. Reflecting on self-induced boundaries and the limits we often place on ourselves, ‘What Party?’ is propelled by a scuzzy, sparkling energy. Catch Gold Baby live at The Shacklewell Arms on 5th October. (Mari Lane)

Mammoth Penguins – ‘When I Was Your Age’
Having finally been lucky enough to catch Cambridge-based Mammoth Penguins supporting Adult Mom at The Shacklewell Arms last week, my love of their 2015 album Hide and Seek has been freshly revived, and I once again cannot stop listening to it. Fronted by Emma (also known for playing bass for GIHE faves Suggested Friends, and being part of the wonderful Indietracks Festival team), live the band ooze an utterly infectious, shimmering energy, with a highlight being the highly relatable (and seemingly appropriate – it’s Emma’s birthday) ‘When I Was Your Age’. Reflecting on the common pressures of growing up and habits of people to constantly compare themselves to each other, it’s a twinkling slice of impassioned indie-pop, fitting perfectly into the band’s collection of dreamy, scuzzy, emotion-filled delights. A totally uplifting set that stands me in good stead for crying the night away (in a good way) to the lush sounds of Adult Mom. (ML)

Chorusgirl – ‘No Goodbye’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better. Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. (ML)

Praa – ‘Y’
This new single from Praa was released at the end of September, and it’s all about questioning our human connection with virtual relationships maintained via our screens. I think it’s a beautiful example of modern neo-soul. Thank you Praa. (TW)

Hazel Iris – ‘A Prince’
‘A Prince’ by classically trained Hazel Iris, is a totally enchanting piece of music, loaded with emotion and fusing classical, indie folk, and a bit of jazz. Her debut album Nine Sisters is due out on 26th October and she’ll be performing at St Batholomew-the-Great in Smithfield’s on the same date, which will no doubt be a mesmerising show. The track’s not up on Spotify just yet, but you can listen to it below (TW)

Ah! Kosmos – ‘June’
Taken from her new album Beautiful Swamp (due 5th October via Compost Records), ‘June’ is another example of Ah! Kosmos’ stunning ability to create powerful, rapturous soundscapes. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist – and I can’t wait to review her new record for the website this week. (KC)

Aisha Badru – ‘Splintered’
Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering. A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. Pendulum, the latest album from Aisha Badru, is out now. (ML)

Varley – ‘Lonely Were The Days’
Reflecting on the ever-growing demands of today’s society from the effects of social media and the pressure this puts on a whole generation to “be something”, ‘Lonely Were The Days’ is an instantly infectious slice of dreamy alt-pop from Berlin-based Varley. As pulsating beats propel the track alongside the shimmering splendour of front woman Claire-Ann’s vocals, a captivating soundscape is created, leaving you no choice but to bask in its glorious, glistening glow. Catch Varley playing for us live at Notting Hill Arts Club on 1st December alongside Alyss, Elsa Hewitt and Temples Of Youth! (ML)

Art School Girlfriend – ‘Distance (Blank)’
Art School Girlfriend is the moniker of producer & multi-instrumentalist Polly Mackey. Her latest single ‘Distance’ is taken from her recent EP Into The Blue Hour, which was influenced by her move from London to the seaside town of Margate. I love her calm vocals and subtle, yet grand use of synthesizers on this track. She makes being “in over [your] head” sound so, so appealing. (KC)

TAYNE – ‘Sacrifice’
This TAYNE track dropped in to my inbox in January, and it’s been swirling around my head ever since. I’ve also been singing the lyrics incorrectly for the last nine months (the chorus is “I want hope”, not “I want her” as I initially thought) – but I’m not going to let a blip like that stop me from praising this synth-laden, noise-pop gem. TAYNE are celebrating the release of their debut album Breathe at The Old Blue Last on Thursday 4th October (with support from Birthmarks & Volkova Sisters). It’s a free gig, and you can pick up a copy of the clear magenta vinyl (which features ‘Sacrifice’) on the night, ahead of its official release on 2nd November. Us Get In Her Ears girls will all be there, so we’ll see you at the bar! (RSVP here). (KC)