LIVE: Fever Ray – The Troxy, London 20.03.18

There are plenty of reasons to admire Fever Ray (aka Karin Dreijer) after her sold out show at London’s Troxy last night, but not all of them are based around her electrifying music.

In Fever Ray’s space, she takes care to make sure no-one is an outsider: everyone is welcome in her warped and wonderful world.

Before the gig, signs around the venue explicitly stated she wanted fans not to use their phones to document the evening and immerse themselves in her performance. The same signs requested that women come to the front and taller people stand back if obscuring a shorter person’s view. Outside of the toilets, another sign indicated that for the duration of the night, toilet facilities were trans-friendly spaces and trans fans were free to use the bathroom they felt aligned with their gender identity.

Emerging from the lights in her trademark “I heart Swedish girls” t-shirt and bare scalp, she plunged in to ‘An Itch’ as her crystal clear vocals swept across her excited crowd. From start to finish, the sound was flawless: each lyric, synth sequence, and drum beat distinct and easily discernible from the next. She delivered only a simple “Hello” or “Thank You” between songs – scarcely interrupting the torrent of sound.

She tore through ‘A Part Of Us’ and ‘When I Grow Up’, before performing ‘Mustn’t Hurry’ and ‘This Country’ with full fervor. The politically charged lyrics on the latter: “Free abortions and clean water / destroy nuclear / destroy boring” were echoed back by the crowd, and erotically charged line “this country makes it hard to fuck” was passionately reciprocated too.

Plunge‘s lead single ‘Wanna Sip’ sounded every inch as intense live, followed by ‘I’m Not Done’, the superb ‘Red Trails’ and the ominous ‘Concrete Walls’. The luscious “To The Moon & Back” came next, with it’s upbeat electronics buoyant lyrics, bleeding into the infectious ‘IDK About You’. The eerie ‘Keep The Streets Empty For Me’ was a fitting penultimate track and prepared fans for a powerful encore of ‘If I Had A Heart’ and ‘Mamma’s Hand’.

Fever Ray’s fierce, focused, full-on performance at the Troxy proved she’s an inimitable talent with a vision, generosity and energy unlike any other. Simply put: if you weren’t there, you missed out.

Support came from the the fluorescent and fabulous Bunny.

Kate Crudgington
@KCBobCut

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Track Of The Day: BRYDE – ‘To Be Brave’

It’s been a busy year for London-based, Welsh-born musician Bryde. After setting up her own label Seahorse Music to publish records by like-minded women and help make them more visible in a male-dominated industry, Bryde finished up her debut LP Like An Island, while flitting between London and LA. Exploring themes of independence, liberation, and relationships, her candid indie rock sound were fully fleshed out with mixing help from Catherine Marks (Wolf Alice, PJ Harvey, St Vincent) and mastering by Mandy Parnell.

Lyrically, Bryde concentrates on life and human interaction, her songwriting persona wears her heart on her sleeve and new single ‘To Be Brave’ showcases this open attitude. Speaking about the track, the songwriter explains: “’To Be Brave’ was written as kind of a soft squeeze of the hand to many friends who have, like me, been through many a dark period and put on a brave face and just got on with it. It’s a comment about how we all live out certain episodes of our lives in such a public setting these days that I feel we almost edit them to appear flawless, nothing but smiles.”

We’re big supporters of Bryde’s bravery and can’t wait to hear her EP Like An Island when it comes out on 13th April. Listen to ‘To Be Brave’ below, and pre-order your copy of her EP here.

Follow Bryde on Facebook for more updates.

Photo Credit: Sarah Howells & Jamie Ahye

Kate Crudgington
@KCBobCut

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Darlington Music Collective Tracks Presents: Noisy Daughters Event

Following on from their successful Womenfolk event in October 2017, Darlington music collective Tracks have organised a FREE workshop & panel discussion on 3rd March – followed by a ticketed gig! – to celebrate females in music. The event aims to teach and inspire the next generation of girls and lead the way to equality in music. The showcase will take place at the new Theatre Hullabaloo space that’s recently opened in Darlington.

Tracks are a non-profit organisation and any money raised from ticket sales will go back into funding future Noisy Daughters events. The workshop is open to females only, but all are welcome at either the panel or the gig.

The free songwriting workshop for women runs from 1-3pm, and will be delivered by Liz Corney (The Cornshed Sisters, Field Music). Participants are encouraged to bring their instruments and are offered guidance in all things musical composition (places are limited; so booking is advised). This will be followed by a panel discussion from 3.30pm-4.30pm, which will centre around the issues facing women in the music industry today, and what can be done to change them.

Panelists include Rianne Thompson from BBC Tees, Hannah Van Thompson of The Van Ts, Claire Dupree from Narc Magazine, and Liz Corney of The Cornshed Sisters/Field Music. Sarah Wilson from Tracks/BIG Little Gigs will be chairing, and there will be an opportunity for the audience to ask questions at the end.

The day will conclude with a headline gig from The Van Ts, with support coming from the likes of BBC 6 Radio play-listed singer-songwriter Eve Conway, the much hyped hip-hop act Leddie MC, and energetic electro-pop pioneers Twist Helix.

(Pic: The Van Ts)

Sarah Wilson from Tracks said: “It’s vital to give women in music credible, female-led music events nationally, and it’s brilliant that we can do this in our hometown of Darlington. We’re hoping to inspire the next generation of female musicians, whilst giving a platform to the current batch of female artists that are leading the way”.

BBC statistics showed that last year, 84% of headliners at music festivals were men. Ents24.com demonstrated that this trend occurs not only at festivals but takes place on a daily basis at regular shows. On a randomly selected day(12th October 2017), they found that out of the 370 gigs listed on their website, 69% of the acts (255) were made up entirely of men, while just 9% (33) were female-only (half of these being solo artists).

Outside of the performance arena, a recent study by Georgina Born and Kyle Devine – titled ‘Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain’ – highlighted the “highly (male) gendered digital music field” in which approximately 90% of music technology students are currently white males. The outcome is that the creative field becomes dominated by male practitioners, male lecturers and male authors.

With all these negative headlines and a male dominated industry it’s easy to see why women are underrepresented in the world of modern music. Thankfully, organisations like Tracks are tackling the issue head on with their brilliant Noisy Daughters event.

Tickets for the gig are available online here. Physical tickets can be purchased from The Pennyweight in Darlington.

FYI – this is a 12 + event (under 16s must be accompanied by an adult).

RSVP to the free song-writing workshop & panel here.

Follow Tracks on Facebook and check out their website for updates & future events.

Kate Crudgington
@KCBobCut

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LIVE: Dream Wife – Sebright Arms, London 26.01.18

Pastel-coloured party balloons littered the basement floor of Hackney’s Sebright Arms last night as pop-punk power trio Dream Wife took to the stage to celebrate the release of their debut self-titled album. After tearing through a knockout rendition of ‘Hey Heartbreaker,’ vocalist Rakel thanked the crowd for joining the “intimate soiree.”

Having recently returned from New York to play the album launch show, there was no evidence of jet-lag or fatigue in their performance even though Alice admitted she was “sick as a dog.” ‘Lolita’ and ‘Fire’ sparked a frenzied but friendly mosh that was maintained for the majority of their set, and new tracks ‘Love Without Reason’ and ‘Right Now’ sparkled in a set-list full of gems. Old favourite ‘F.U.U.’ never fails to rile up the crowd and there’s something overwhelmingly liberating about watching the girls thunder through this track, gleefully threatening to undo your image with a vicious haircut.

The live impact of poignant anthem ‘Somebody’ never fades. Whether you’re a “Bad Bitch” at the front or an ally at the back, hearing Rakel speak her truth with defiant flare is always affecting – whether it’s your first, or fifth Dream Wife gig. It was seamlessly followed by new track ‘Act My Age’, the chorus of which sparked further po-going and pushing in the mosh. Rakel’s unapologetic, confident delivery lead her out in to the hands of the crowd, who lifted her up to the ceiling and made her feel “cradled like a baby.”

Dream Wife have built this creative, supportive community around them and they were happy to thank individual members of their team mid-set, as well as continuously speaking words of gratitude to their fans and sharing the champagne they’d opened at the beginning of the show. They closed the night by handing out pom-poms to fans, who cheer-leadered their way through the riotous final track, ‘Let’s Make Out’.

Dream Wife’s Sebright Arms gig proved that they’re one of the most cherished bands on the live circuit right now and they should be immensely proud of their debut album, their exceptional live delivery and their obvious dedication to making each other’s dreams of being in a brilliant band, a reality. #DreamWife4Lyf

Photo Credit: Joanna Kiely

Kate Crudgington
@KCBobCut

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