GUEST PLAYLIST: Bitch Falcon

Formed of Lizzie Fitzpatrick (vocals/guitar), Barry O’Sullivan (bass) and Nigel Kenny (drums), Bitch Falcon have been firm favourites of GIHE since they played live for us at The Finsbury Pub supporting Trash Kit in 2017. Since then, the Dublin-based trio have shared stages with the likes of Girl Band, Fontaines DC, Black Peaks and Pussy Riot, and now they’re gearing up to release their debut album Staring At Clocks via Small Pond Records on 6th November.

After repeatedly listening to their latest single ‘Gaslight’, we asked the band to put together a playlist of some of their favourite tunes. Featuring artists like Ultraista, CLT DRP, Big Thief, HAVVK, Brittany Howard, Percolator and Phoebe Bridgers, it’s an eclectic mix of International and Irish music that’s kept the trio going during a time when they’ve been mostly prevented from making music together.

Listen to the playlist below and follow Bitch Falcon on bandcamp, Spotify and Facebook for more updates.

 

Guest Playlist: Sink Ya Teeth

Covid 19 and the necessary restrictions surrounding it have brought about a number of cancellations of music events, including what would have been Get In Her Ears’ very first festival. Taking place this Saturday 18th July, it was set to be a pretty special day, filled with some of our favourite female and non binary artists. Fingers crossed we can finally make it happen next year…

One of the bands set to play was Norwich duo, Maria Uzor and Gemma Cullingford – aka Sink Ya Teeth. Creating their own unique dance-punk soundscapes, they’ve become firm favourites of ours over the last few years, having blown us away with their soaring, sparkling majesty at one of our earliest gigs at The Finsbury.

In the absence of our festival, and any gigs, at the moment, Gemma and Maria have put together a playlist of the songs that have been getting them through lockdown… Have a listen, and make sure you check out their latest album Two now!

Gemma’s Choices:
My song selections are songs by new (to me) bands, or songs that I’ve discovered during lockdown (mainly via playing Scrabble while listening to music!) or RE- discovered – songs that I’d forgotten how good they are.

Automatic – ‘Too Much Money’
Really enjoyed this album!

U-Bahn – ‘Turbulent Love’
Devo-esque greatness. The whole album is great!

Public Practice –  ‘Extra-Ordinary’
My favourite new band discovery via Lockdown. 

Le Tigre – ‘Friendship Station’
Listened to the whole album again for the first time in a long time and it was like “this song is my favourite, no THIS song is my favourite, no THIS song is my favourite…” – you get the jist!

French Vanilla – ‘Suddenly’
Love a bit of post-punk and sax.

This Human Condition – ‘God Kills Another Kitten’ 
A Bristol band that we were introduced to when doing a short interview for Punka/Wig in A Box All Out and Loud programme on Twitch. 

Spandau Ballet – Glow’ (12″ Version)
I’ll let this speak for itself. 

Eddy Grant – ‘Electric Avenue’
Was reminded of this great song by some American friends. Then became a massive ear worm for days on end!

The Bangles – ‘Walk Like an Egyptian’
As soon as I hear this, I wanna dance!

Juniore – ‘Adolescent’
ADORE this song! Perfect.  

A Certain Ratio –  ‘Always in Love’
Their new single from their upcoming album, which we’ve heard and can confirm is amazing!!! And we’re also proudly doing some vocals on a couple of songs on it.

Maria’s Choices:
Just feeling kinda mellow and summery. Enjoying the sunshine, wild flowers, and the slow pace of life. My choices are just a backdrop to that vibe…

Rare Silk – ‘Storm’
Falle Nioke/Ghost Culture – ‘BARKé’
The Style Council – ‘Long Hot Summer’
The Rah Band – ‘Messages From The Stars’
Sylvester – ‘I Need Somebody To Love Tonight’
Carly Simon – ‘Why’
Yasuaki Shimizu – Kakashi’
Jan Hammer Group – ‘Don’t You Know’
Virna Lindt – ‘Underwater Boy’
Lonnie Liston Smith and the Cosmic Echoes – ‘Summer Nights’ 

Listen to the full playlist on Spotify now!

Guest Playlist: Julie and Joanna from SelfMade

SelfMade is a platform that explores the unseen sides of the music industry through discussion, performance, art and zines. With a strong focus on women in music, their goal is to celebrate the work of DIY musicians and to create a supportive space to explore the realities of getting a music project or career off the ground. SelfMade is organised independently by artist, Joanna Bain, and musician/label co-founder Julie Hawk (HAVVK) in collaboration with a collective of Irish musicians.

Tomorrow, 25th May, SelfMade is hosting a Mind YourSelf: Mental Health and Music event (sponsored by IMRO) event at The Tara Building in Dublin. The two-part event will look at mental health in the Irish music scene and the challenges affecting developing musicians in their professional and personal lives. Featuring a workshop lead by psychotherapist, musician, researcher and BIMM lecturer, Aoife Ruth, in collaboration with Wyvern Lingo’s Caoimhe Barry, the event also sees an evening panel with a line-up of Irish artists, including Maria Kelly, Michael Pope (Le Galaxie) and Paddy Hanna, who have all used their creative work and social platforms to highlight career-related mental health and anxiety.

Ahead of the event tomorrow, SelfMade founders Julie and Joanna have chosen some of their favourite tracks that help them to process, wind down, blow off steam or simply kick-start a bit of self-love.

Read about their choices, and listen to the playlist below!

Joan Jett and the Black Hearts – ‘Bad Reputation’
This is reserved for when I need a true kick up the ass and a reminder that other people’s opinions can not topple my own sense of what’s right or who I am. Also a very good one for abolishing pre-gig nerves.
(Julie)

Scarlet – ‘Independent Love Song’
If I want to sing along at top volume in the car, this one is near the top of the list. Another old song (I still have the single on cassette at my parents’ house), but it has this incredible explosive anthemic chorus that’s a joy. It’s aged pretty well too, and every now and again it turns up in a bar or on a TV programme and it takes me right back.
(Joanna)

Yeah Yeah Yeahs – ‘Maps’
This song reminds me to love myself. It’s such a unique love song because it’s about reminding someone of their true value and that they are truly loved by someone. And to me, it’s even more powerful because it’s coming from Karen O, who is a huge hero of mine as a performer.
(Julie)

The National – ‘Daughters of the Soho Riots’
That crackling, lo-fi intro, the monotone vocal; the beautiful subtlety of it. I love everything about this song. Matt Berninger writes these incredible lyrics that convey a sense of time and place and a feeling without ever saying anything overt. I’ve always loved the line “I don’t have any questions, I don’t think it’s going to rain / You were right about the end, it didn’t make a difference”. It’s a masterclass in understatement and it brings instant calm.
(Joanna)

Jose Gonzales – ‘Crosses’
I’m a very sensitive person and I definitely get triggered by sad music, which can be great sometimes. But Veneer is one of the only albums I can actually work to or really sort out my thoughts to. There’s something about the sense of space around his voice and guitar that leaves room to think and process, rather than dwell on emotion.
(Julie)

Jose Gonzalez – ‘Heartbeats’
This whole album, Veneer, is an exercise in restraint – beautiful, intricate guitar playing and gorgeous melodies. If I want to wind down in the midnight hour I dim the lights, pick up a book, and set this to play in the background. This song in particular though, there’s something so tranquil but so melancholy about it; it makes me stop and breathe and just enjoy its loveliness.
(Joanna)

Robyn – ‘Every Heartbeat’
Probably not the most uplifting Robyn track but for me, it’s my ultimate ‘blowing off steam’ anthem. There’s something about the repetition and the builds in this song that keeps me grounded. Really good for running, trying not to focus on stress or bullshit, or mustering up the mood for a night out.
(Julie)

Bon Iver / The Staves – ‘Heavenly Father’
There’s a video floating around the internet somewhere that features Bon Iver performing this song live – a cappella, with the Staves, at the Sydney Opera House. It is one of the most beautiful bits of music I’ve ever seen or heard, and have listened it to death. If I want to be transported, I put this on loud and just listen to the layers of harmonies and the wall of sound they produce. Incredible.
(Joanna)

Maria Kelly – ‘Dark Places’
This song is just such a comfort. It is such a generous example of someone saying “hey, we all go through this sometimes and it’s not shameful or the end of the world”.
(Julie)

Radiohead – ‘Street Spirit (Fade Out)’
I was obsessed with this song and its video as a discerning 8 year old when it first came out, and it’s remained a favourite. I love that unmistakeable guitar line, and there’s something about that gradual build and release at the end of the second chorus that brings a feeling of total peace. I remember crying in a field when I heard this live for the first time over a decade a year or two ago in Lisbon – but I wasn’t the only one…!
(Joanna)

Huge thanks to Julie and Joanna for their choices! Listen to the playlist below, and find out more about SelfMade here.

 

Interview and Playlist: Amahla

Having played legendary venues such as The Jazz Cafe and The Roundhouse, and garnered support from the likes of BBC Radio 1 Extra and 6Music’s Tom Robinson, Hackney native Amahla was also been a recipient of the second ever MOBO Awards X Help Musicians Grant for her exceptional voice. Following the lush sounds of last year’s ‘Old Soul’, she’s now returned to grace our ears with poignant new single ‘Dorothy’s Verses’.

We had a little chat with Amahla to find out more, and asked her to pick a few of her favourite songs for a special guest playlist…

Hi Amahla, welcome to Get In Her Ears! Can you tell us a bit about yourself and what you do
Hey, I’m Amahla! I’m 22 and I’m a soul singer-songwriter from Hackney. Some of my music branches into folk because I write primarily with guitar but it’s definitely in the bracket of soul. I’ve been lucky enough to play some amazing venues so far, like the Jazz Cafe and Roundhouse main stages. Usually I play with my band but I’ve also been doing more intimate acoustic shows recently.

Your new single ‘Dorothy’s Verses’ is out on Friday, can you tell us what it’s all about?
‘Dorothy’s Verses’ is a story inspired by my grandmother. She came to the UK with my mum and Grandad in the early ’60s from Guyana. She’s always been super independent but three years ago she was diagnosed with Alzheimer’s and had to change her lifestyle. Since then my family and I have had to learn to see her world through this new lens. ‘Dorothy’s Verses’ is about her reflecting on her life, but also about the need to push women’s stories to the forefront into all of our collective memories more generally.

You’ve been compared to the likes of Lauryn Hill and Amy Winehouse, but who would you say are you main musical influences?
Have I? That’s nice! It’s hard to say who my main influences are, but here are a few on my mind at the moment… Amy is a huge one, I was 11 when Back to Black came out and she showed me that I could sing soul but still retain everything that makes me a London girl – the accent, the honesty – and not compromise my identity. Listening to Etta James taught me how to sing with conviction, plus the phrasing of lots of the early Jazz pioneers like Ella and Nat King Cole is just exquisite and has fed into the way I now write my melodies – it’s all about intention.

You graduated university with a first in Anthropology, how would you say what you’ve learnt about this feeds into your music?
I wrote my final thesis about the impact technology (particularly camera phones) has in recreating an archive of violence against the black body – one that the US government sought to repress after the civil rights movement. I think this thesis broadened my mind in terms of how I think about social movements, how they occur and why. These topics consumed my life for a year and I think you can hear its impact on my upcoming EP Consider This – thematically I explore similar themes of memory, justice and using one story to tell many.

And how important do you think it is for musicians to use their creative platform to address issues of politics and race?
At the moment it’s important for me to address issues of politics; I’ve always wanted in some way to impact social change in my lifetime. I don’t know how yet, but for me putting my thoughts into my music is a start. But, as much as music is a place to dissect these issues, it’s also a place to escape from them. Having the freedom to create and innovate is the most important thing.

And would you say movements such as Me Too have allowed more musicians to be more honest in their songwriting?
It’s an interesting question, I don’t know how anyone would go about quantifying its impact yet. I think that the impact of Me Too as a movement won’t really be felt on a broad level for a few years still.

 

We’ve asked you to pick some songs by artists and bands you admire for a special playlist, can you tell us a bit about each of your choices?

Miss Jacqui – ‘These Walls’
I’ve known Miss Jacqui for a while now, she is a songwriter and poet. She performed at the 2012 Paralympics ceremony but hasn’t released anything officially ’til this year. She’s exceptional. We need more voices like hers in the music industry.

Hejira – ‘I Don’t Belong To Anyone’
One of the most underrated bands in my opinion, their sound and visuals are so unique – every single is fire. The rhythm of this one particularly, captures you from the beginning.

Cosima – ‘Hymns For Him’
Cosima is uncompromising in her sound and has such a cutting tone to her voice, she reminds me of Prince. I love this song!

Fatima – ‘Westside’
The bassline in this track is something else and Fatima’s low register is gorgeous. I was lucky enough to support her at her Roundhouse show last month, she’s even more magical live. Her music came alive and her voice and presence filled the room, I haven’t been able to switch it off since.

Nai Palm – ‘Crossfire/ So Into You’
Her voice of course is out of this world, but there is nothing conventional about her songwriting. The way she uses guitar as harmony and percussion to complement her vocal lines is something I’ve admired for years.

Shae Universe – ‘Tell Me The Truth’
Shae’s voice is simply incredible. I’d love to write a song for her catalogue, the range and melodic possibilities with her voice are just gorge.

Massive thanks to Amahla for answering our questions! Listen to her guest playlist here:

 

And you can catch Amahla live at The Roundhouse on 19th February.