LISTEN: Bad Waitress – ‘Too Many Bad Habits’

A raucous, anthemic guitar tune designed to shake the angel and the devil off of your exhausted shoulders, Toronto-based punk band Bad Waitress have shared their latest single ‘Too Many Bad Habits’. Released via Royal Mountain Records, the track is a “working class battle cry” against the relentless frustrations of everyday life.

Formed of Kali, Katelyn, Moon, and Nicole, Bad Waitress create riotous, inclusive punk tunes for listeners to rage and rock out too. Formerly known as The Nude Dogs, under their new moniker the band have shared an EP titled Party bangers: Volume 1, and they’re gearing up to release their first full length album later this year. Their blend of heavy riffs and satirical, cathartic lyrics scorch the ears with a righteous fury, and new single ‘Too Many Bad Habits’ is no exception.

“Bad habits, we all have them and the guilt surrounding them eats us up,” the band explain about the track. “This song is a cathartic expression of the frustration that emerges from constantly teetering on the edge. It’s screaming into the faces of the devil and angel whispering in your ear.”

Watch the video for ‘Too Many Bad Habits’ below.

Follow Bad Waitress on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Calm Elliott- Armstrong

Kate Crudgington
@KCBobCut

PLAYLIST: March 2021

It’s been another long month of lockdown here in the UK, but the end is in sight with lighter evenings and the chance to see more than one friend in public on the horizon. The GIHE team have unearthed some more new music gems for you to listen to on our March Playlist. It’s an eclectic mix of indie anthems, alt-pop gems, intriguing electronics and raucous guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Grandmas House – ‘Small Talk’
This thumping new track from Bristol-based punk trio and GIHE faves Grandmas House speaks for itself. ‘Small Talk’ explores the times when you’ve had to unwillingly engage in idle conversations with strangers at the bar, when all you want to do is sit and have a pint with your friends. (Kate Crudgington)

ARXX – ‘Deep’
The new single from GIHE faves ARXX, ‘Deep’ offers an empowering ode to leaving behind all your anxieties and getting what you want. Propelled by a sweeping, impassioned energy, it interweaves an electro-infused, glitchy sound with the duo’s signature ferocious drive, instantly hitting you with its raw, anthemic rush and gritty, sensual prowess. A swirling slice of rousing power-pop. (Mari Lane)

CLAMM – ‘Liar’
Melbourne punk trio CLAMM are gearing up to release their debut album Beseech Me on 9th April, and single ‘Liar’ is a crash course in what to expect. “The song is about mental health,” the band explain. “It’s about wanting to break through a pattern of thinking that isn’t necessarily positive. It’s about dealing with an internal monologue that isn’t always telling the truth.” Through their thrashing guitars and relentless percussion, the band beat back their doubts on this raucous offering. (KC)

Gender Chores – ‘Night In The Woods’
A slice of fast-paced punk-pop, and inspired by a video game of the same name, ‘Night In The Woods’ reflects on slum landlords and the high costs of living in the city. As the Belfast band ooze a swirling, playful energy, the track builds to an immense whirring cacophony. A raging punk anthem, truly of our times; despite being coated in a buoyant, quirky charm, it’s no less powerful in its explicit enraged message. (ML)

CYNICS – ‘Idiots’
This high energy single from London-based four-piece CYNICS is lifted from their recent EP, restless in comfort. The band will be releasing a second EP in April, so keep your eyes peeled for that. (KC)

Du Blonde and Ezra Furman – ‘I’m Glad That We Broke Up’
Du Blonde joins forces with Ezra Furman on latest track ‘I’m Glad That We Broke Up’ which is an absolute tune released ahead of Du Blonde’s upcoming LP Homecoming, due on 2nd April. “It’s our take on a 60s girl group/glam rock explosion,” Du Blonde explains. “I feel like Ezra and I have been travelling towards a duet for years and we finally got our shit together.” (Tash Walker)

deep tan – ‘camelot’
Taken from their upcoming debut EP, deep tan’s ‘camelot’ is propelled by the majestic whirr of sparse hooks and throbbing beats, building with a quirky hypnotic splendour and fizzing tension. As swooning vocals glide across the angular soundscape, it creates another truly captivating sonic delight from the post-punk trio, leaving you longing for more of their exquisite stirring allure. (ML)

People Club – ‘Take Me Home’
The title track from their upcoming EP which is set for release on 7th May, this single from Berlin-based indie outfit People Club is about the realisation of mortality in old age. It’s an upbeat offering, but it explores the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. (KC)

ĠENN – ‘Mackerel’s Funky Mission’
Taken from their upcoming EP Liminal, ‘Mackerel’s Funky Mission’ is the latest single from Brighton-based ĠENN. Propelled by a quirky, playful energy and eccentric, colourful charisma reminiscent of the likes of The Orielles, it races with scuzzy hooks alongside the raw, gritty vocals of front woman Leona. Building to a fuzz-filled, psych-infused cacophony, it showcases all there is to love about ĠENN – a band set on continually developing their compelling sound and enrapturing our ears with their unique fantastical spirit. Liminal, the new EP from ĠENN, is out tomorrow 30th March via Everything Sucks Music. (ML)

45ACIDBABIES – ‘Mommy’s Favourite 1’
Following the success of last year’s ‘3 (Walk With Me)’, ‘Mommy’s Favourite 1’ is the latest single from Dutch band 45 ACIDBABIES. Propelled by a vibrant, playful energy, it races with swirling layers of sound creating an instantly infectious, danceable cacophony. As scuzzy, electro-driven hooks race alongside the soaring sultry power of Sophia De Geus’ vocals, a psychedelic haze ripples, creating an uplifting sonic fusion. (ML)

Boudicca’s Bass Service – ‘Egypt’s Over There’
This is the latest single from Somerset based 19-year-old Georgina Cotteril aka Boudicca’s Bass Service. I love her laid back vocals, trippy synths and the feel-good vibes of this track. Speaking about ‘Egypt’s Over There’, Georgina explains: “This song is about realising you’re doing fine, all things considered…this song brings with it the new growth of spring and provides a resting spot, a much needed escape, amongst the craziness of your mind – and the current world in which we live in.” (KC)

Notelle – ‘Doctor Sign’
Nashville-based, nightmare-pop artist Notelle’s latest single ‘Doctor Sign’ was heavily influenced by the intense, shadowy sounds of Nine Inch Nails. Writing the track was a form of emotional exorcism for Notelle, who gave herself permission to “lean into some unattractive emotions” on this new offering. (KC)

Debby Friday – ‘Runnin’
Vancouver-based audio-visual artist Debby Friday blends intoxicating rap verses, trippy beats and snaking rhythms together on this eccentric anthem about self-expression. Full of commanding rhythms and jagged synths, ‘Runnin’ marks a new musical direction for Friday, moving away from her abrasive earlier work into more sultry, effervescent territory. Dripping with unfazed confidence, Friday’s synth-rap tune smoulders with autonomous vibes. Love, love, love it. (KC)

Loraine James – ‘Simple Stuff’
This is the first single from Loraine James’ new album Reflection, which is set for release on 4th June. ‘Simple Stuff’ is a minimal, cathartic plea for equality and acceptance as a black, queer woman. I love the criss-crossing drums and Loraine’s straightforward vocals on this track. (KC)

Mykki Blanco – ‘Free Ride’
The latest single from queer pioneer and musician/rapper extraordinaire Mykki Blanco, ‘Free Ride’ was written back in 2018 after Blanco had just ended their first long-term relationship. Co-produced by FaltyDL and Hudson Mohawke, it oozes a funk-fuelled uptempo musicality and glistening soulful refrains alongside Blanco’s trademark flowing lyricism. Appearing less brash and perhaps more sentimental in sound than some of their previous offerings, it loses none of their distinctive wit and poignant spirit. The video for “Free Ride” was directed by Hannah Rosselin, produced by DIVISION, watch it here. (ML)

Ci Majr – ‘Guillotine’
This is the latest track from Atlanta-based, emerging non-binary artist Ci Majr. Taken from their upcoming debut EP Side Effects, set for release on 16th April, ‘Guillotine’ is a shimmering pop anthem about cutting off your own ego in order to grow in a new relationship. (KC)

Sofia Kourtesis – ‘La Perla’
One of my absolute favourite songs at the moment! Inspired by the sea and her father (written when he was dying of leukemia), the result is a kaleidoscope of synths and deep house. Kourtesis describes the song as about feelings that can’t be captured with words – ‘La Perla’. (TW)

Gemma Cullingford – ‘Wide Boys’
Known as one half of GIHE faves Sink Ya Teeth, musician and songwriter Gemma Cullingford has now announced the release of her debut album this summer. Taken from the album, ‘Wide Boys’ reflects on the need for us to wake up and take back control from those in power. Driven by a racing energy and interweaving immense hooks, including a fiercely flowing flute solo, it’s an instantly catchy funk-fuelled call to arms for these desperate times. (ML)

Elsa Hewitt – ‘Inhaler’
This new single from London-based, experimental electronic producer & GIHE favourite Elsa Hewitt soothes my tired mind. It’s taken from her upcoming album LUPA, which is set for release via Cargo Records on 30th April. (KC)

Fears – ‘vines’
Another poignant meditation on some of her darkest hours, Dublin-born London-based musician Fears aka Constance Keane penned her latest single ‘vines’ before she experienced a breakdown. Through her tentative beats and soft vocals, Fears taps into her pain and offers listeners a chance empathise and heal alongside her. I’m excited to hear her debut album Oíche when it’s released on 7th May via her own label, TULLE. (KC)

Penelope Trappes – ‘Nervous’
A graceful, evocative soundscape that tentatively traverses the inner thoughts of an anxious woman, this single from Australian-born Brighton-based artist Penelope Trappes is taken from her new album, Penelope Three. Set to be released on 28th May via Houndstooth, the track ripples with a sense of mystery and disquiet, both of which are beautifully reflected in the accompanying video. (KC)

Beckie Margaret – ‘FF’ 
Inspired by the Bob Marley quote “I don’t have that type of richness. My richness is life, forever,” ‘FF’ is the latest single from Essex songwriter Beckie Margaret, released via Cool Thing Records. Her voice melts me every time I hear it, and this lush, atmospheric new offering is no exception. (KC)

Ailbhe Reddy ft. Sacred Animals – ‘City Unfolds’
Dublin alt-folk artist Ailbhe Reddy and producer Darragh Nolan aka Sacred Animals have teamed up for this atmospheric new offering ‘City Unfolds’. Lyrically based on Ailbhe’s own experience of being close to a panic attack in the back of a taxi on her way to play a festival in Barcelona, the pair blend tentative keys and atmospheric beats to work through this heightened state of emotion. (KC)

Shamir – ‘DsharpG’ (Sharon Van Etten cover)
Shamir’s cover of Van Etten’s ‘DsharpG’ is just beautiful and will appear on Epic Ten, a special 10th anniversary edition of Van Etten’s second album, Epic. (TW)

Flock Of Dimes – ‘Hard Way’
Taken from her second solo album Head Of Roses, ‘Hard Way’ is the latest single from Wye Oak’s Jenn Wasner aka Flock Of Dimes. Reflecting on the power of the subconscious to hide truths from ourselves, it combines glitchy elements of modulated synths with a lilting musicality and the smooth, emotion-rich splendour of Wasner’s vocals, creating a truly exquisite enchanting soundscape. (ML)

Hanya – ‘Lydia’
Having previously captivated our ears playing for us live on more than one occasion, Brighton band Hanya have now shared a brand new single. Flowing with shimmering hooks and an effervescent, ethereal grace, ‘Lydia’ showcases the stirring emotion of Heather Sheret’s rich, glossy vocals alongside a swirling musicality, creating a beautifully dreamy slice of shoegaze-tinged indie; a soothing soundscape oozing a blissful tranquillity. (ML)

Thallo – ‘Mêl’
This is a lush offering from Welsh songwriter Thallo, sung in her native tongue. Of the track, she explains: “‘Mêl’ which is Welsh for ‘Honey’ is about fearing inevitable heartbreak, but only making a feeble attempt to avoid it and resist temptation.” Check out her latest single ‘The Water’ too. (KC)

Naz & Ella – ‘No (Doesn’t Mean Convince Me)’
Having just announced a new EP set for release this Spring, Naz & Ella have now shared a poignant new single. Reflecting on the all-too resonant theme of sexual harassment, ‘No (Doesn’t Mean Convince Me)’ oozes a gritty, grunge-infused aura alongside the duo’s traditional folk-inspired musicality. Tinged with an eerie majesty with shades of grunge pioneers Alice In Chains, it’s a beautifully stirring offering, exuding a subtle, stark power. Find out more in our recent interview with Naz & Ella. (ML)

Ayoni – ‘Unmoved (A Black Woman Truth)’
‘Unmoved (A Black Woman Truth)’ was released last year, but I only heard it for the first time recently. Described as her most vulnerable song to date, the song is about her journey and the struggles she’s endured as a Black woman growing up. In Ayoni’s words “This song is my every uttered whisper and prayer. It is every heartbreak, micro-aggression, breakdown in the bathroom, and every swallowed fit of rage. But most importantly it is every single moment I remembered the walking poems that are my Black sisters, the breathing reasons to continue fighting to forge a path forward. So here I remain unmovable and unmoved.” (TW)

Clever Girls – ‘Stonewall’
“I wrote ‘Stonewall’ about the distribution of emotional labour in relationships and what is often asked of us AFAB (assigned female at birth) individuals based on our perceived gender identities,” explains Clever Girls’ front person Diane Jean. “It’s really my own anthem of rebellion – against my own perfectionism and against the constant inner monologue that tells me to adapt to others’ needs and expectations.” I love this track, which is taken from the band’s recent album, Constellations. (KC)

Johanna Samuels – ‘Single File’ (Elliott Smith Cover)
Iconic riot grrrl label Kill Rock Stars turns 30 this year! To celebrate, they’re releasing a string of cover singles under the title Stars Rock Kill (Rock Stars), where several artists from around the world will cover tracks from the label’s expansive back catalogue. This dreamy cover of Elliott Smith’s ‘Single File’ by Johanna Samuels is their latest celebratory offering, full of lush vocals and soft guitars. (KC)

Amy Ellen – ‘This Life’
Dublin-based indie musician Amy Ellen says ‘This Life’ is about “loosing someone who meant something to you, but also appreciating those who come into your life and stick around.” She embraces life’s bittersweet nature via her clear vocals and rich guitar sounds on this single. (KC)

Vox Rea – ‘Dufferin Ave.’
Always a sucker for some silky sax, this latest track ‘Dufferin Ave.’ from Vancouver-based Vox Rea delivers with an abundance of ambience. As we look to warmer and lighter evenings, I’m looking forward to listening to this song glisten out over those hazy nights. (TW)

Nadine – ‘Hair Up’
An aspiring singer & rapper from Sudan who’s currently based in Cairo, Egypt, Nadine wrote this R&B-tinged offering after she spent a week living in sweatpants during quarantine. It’s a chilled tune that celebrates feeling confident in your natural state. (KC)

ALBUM: New Pagans – ‘The Seed, The Vessel, The Roots and All’

An intuitive rumination on the personal and the political, New Pagans‘ debut album The Seed, The Vessel, The Roots and All is a gritty, deeply poetic consideration of inequality and social injustice. Released via Big Scary Monsters, the Belfast band’s first full length record dives into the paraphernalia surrounding religion, romance and women’s pain, and resurfaces having transformed these tired archetypes into aural talismans of strength and defiance.

Formed of Claire Miskimmin, Cahir O’Doherty, Conor McAuley and Lyndsey McDougall, New Pagans blend elements of post-punk, grunge and pop to explore internal & external conflict in their music. On their 2020 debut EP Glacial Erratic, the band crafted six abrasive, yet melodic tracks that have formed the foundation for their first full length record. With the addition of five new songs, The Seed, The Vessel, The Roots and All is a sharper, fully fleshed out vision that sees the band’s scathing, yet sensitive approach to song-writing flourish with defiant flair.

“The demand for perfection is disturbing,” sings vocalist Lyndsey on opener ‘It’s Darker’. Based on a real life confrontation she had at a party with an aggressive male musician, the track will strike a chord with anyone who has had their opinion publicly devalued. “Everyone’s looking and I’m upset” she reveals, working through the unsettling feeling of being spoken down to via relentless riffs and commanding percussion.

Informed by overheard conversations on a Belfast bus, ‘Charlie Has The Face Of a Saint’ flows with a stream-of-consciousness narrative. Throwaway phrases like “I’m doing my part” or “You’re easy to have when you’re down on your knees” float above the loud/quiet verse/chorus structure, with the conflicting voices unable to provide answers, they simply exist in the ether. The spiralling ‘I Could Die’ follows, with its manic riffs and urgent vocals, before the powerful ‘Bloody Soil’ breaks through. It feels like the soundtrack to a social uprising, with its intense riffs and chant-able chorus.

A tribute to the sister of artists William Butler and Jack Butler Yeats, ‘Lily Yeats’ is an aural confidence boost to the song’s protagonist, and to the women who need encouragement to step out of their brother’s shadows. “My daughter needs to know that she can do the same,” sings Lyndsey over erratic riffs and pummelling beats, before dual male/female vocals drive home the message that it’s everyone’s responsibility to amplify the volume of women’s stories.

Lyndsey’s sharp focus on weaving her own stories of pain, self-autonomy and motherhood with other historic female narratives is the lyrical lifeblood of the album. She allows her own joy, grief and frustration to run parallel to others, with the band’s driving rhythms creating a musical space for the resilience and strength of these women’s histories to shine through. Singles ‘Harbour’ and ‘Yellow Room’ epitomise this.

On ‘Harbour’, Lyndsey celebrates the joy and the struggle of her own pregnancy, while on ‘Yellow Room’ she unravels the conversations around women’s mental health and the lack of support that new mothers often receive. Inspired by Charlotte Perkins Gilman’s semi-autobiographical short-story The Yellow Wallpaper, ‘Yellow Room’ is a racing, urgent exploration of female isolation. Through the medium of Gilmans’ text, the band traverse these underlying doubts via crystalline vocals and charged, powerful riffs, challenging and updating the narrative around women’s mental health.

A humble, shimmering ode to the perseverance that’s needed to keep a long-term relationship going, the band’s treatment of love and its many faults on ‘Admire’ is far more romantic than any Valentine’s bouquet. “Let’s preserve our old ways / let’s preserve them always” sings Lyndsey, her voice floating above atmospheric guitars and swirling bass lines. The song builds to a cacophony of shoegaze noise, removing all sense of doubt about remaining faithful to your partner.

On ‘Ode To None’, the band rip up more outdated traditions of conventional storytelling, declaring “We’re the new pagans / dedicated to nurture”, while on the aspirational ‘Natural Beauty’, Lyndsey dismantles what it means to be an ambitious artist. It serves as a reminder to take your art seriously and to have confidence in your abilities, which is wonderfully expressed in the empowering sentiment: “It’s in her destiny to be better than you.”

A riotous, refreshing call for accountability and a take down of sexist double standards, ‘Christian Boys’ seethes with righteous fury against the unfair judgement of women who are involved with hypocritical men. Based on the experiences of Lyndsey’s friend – who had been having an affair with a Christian leader in Northern Ireland before his marriage to a virgin bride – The urgency in the repeated lyric “Christian boys are the worst I know / Christian girls should take it slow” exposes the hypocrisy underscoring the track’s narrative, calling out those who blame others for their own mistakes. It’s a powerful and necessary statement to close the record with.

On The Seed, The Vessel, The Roots and All, New Pagans uproot musical genres, challenge stunted narratives around social history, gender and relationships and manage to cultivate a powerful sonic resilience against them. It’s a hugely refreshing and impressive album that deserves all of the praise it’s received so far.

Order your copy of The Seed, The Vessel, The Roots and All here.

Follow New Pagans on bandcampTwitterInstagramFacebook & Spotify

Kate Crudgington
@KCBobCut

LISTEN: The Kobras – ‘Fuck Boy’

A lively guitar tune that takes down the contemptible behaviour of the men it’s named after, London-based duo The Kobras have shared their debut single ‘Fuck Boy’. Taken from their upcoming EP which is set for release in June, the track is a burst of playful cynicism designed to help listeners laugh at their painful memories of being messed around by men who don’t deserve their time.

Formed of Bulgarian-born vocalist Dessy Baeva and London-bord guitarist Harry Thacker, The Kobras started making music together in 2020 when the world began falling apart due to Covid-19. Inspired by the likes of Jimi Hendrix, Moon Duo, Gil Scott-Heron and The White Stripes, the duo blend punchy lyricism and infectious guitar riffs with their love of Bulgarian eastern mysticism and British stiff upper lip cynicism to create their energetic sounds, with ‘Fuck Boy’ providing the first dose of their tongue-in-cheek song-writing style.

“We wrote the lyrics to ‘Fuck Boy’ one evening after having a few drinks and talking about all the crazy dating experiences we’ve had in the past,” the band explain. “Some of them were absolutely comical, so we couldn’t help but write something satirical just for the fun of it. It started as a joke, but everyone we showed the song to seemed to love it and found it relevant for a certain period of their life. We recorded it with our friend Harry Chambers in his studio in Woolwich. We hope the listeners find the humorous side of the track and take the message that even if you’ve been played by someone there is still something to laugh about in the end.”

Listen to ‘Fuck Boy’ below.

Follow The Kobras on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Victoria Rodriguez

Kate Crudgington
@KCBobCut