NEW TRACK: Lunch Machine – ‘Pipedream Graveyard’

Making the most of a cynical and uneasy feeling, Belfast-based alt rockers Lunch Machine provide a cathartic exhale on their latest single ‘Pipedream Graveyard’. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us.

Formed in Donegal back in 2017, Lunch Machine’s current lineup consists of Jude Barriscale (vocals and guitar), Pearse Owens (guitar), Robert Mulhern (bass and recording engineer) and Kieran Devlin (drums). Together, they create music that’s inspired by the lyrical wit of Courtney Barnett, the post-psych experimentation of King Gizz and the “good craic” goofiness of Ween. During the pandemic, the band lived together and jammed regularly, writing a new batch of music, performing occasional gigs and recording their upcoming material.

On ‘Pipedream Graveyard’, the four-piece blend the melodic angst of 90s grunge-pop with Barriscale’s bittersweet vocals to push past feelings of apathy. “Our generation and the ones that come after us seem doomed to sequester any dreams of a bright future,” she comments on the track. “It is exhausting knowing your road in life will end up surrounded in climate collapse, crumbling infrastructure, and regressive political ideals. Or, are we already there?” Despite this despair, Lunch Machine have created a hazy guitar tune that provides momentary relief from this reality.

The single is also accompanied by a video, shot by by Leeann Toland, which you can watch below.

Follow Lunch Machine on bandcamp, Spotify, Facebook & Instagram

Kate Crudgington
@KCBobCut

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NEW TRACK: Earthlung – ‘Joy¿’

A raucously relatable post punk tune that questions the mundane nature of everyday life, Brighton-based Earthlung have shared their latest single ‘Joy¿’. Full of sardonic spoken-word style vocals, cutting lyrics and distorted riffs, the band search for meaning and relief amidst the mind-numbingly ordinary tasks we undertake in order to keep living our best lives.

Formed of Ebony Grace (vocals & synth), Charles Backer (drums), Folly den Toom (guitar & production) and current bassist Alex Rushmer, Earthlung decided to experiment with their usual 80s-influenced pop sound on their new single. “Although our existing catalogue takes influence mostly from Ambient/Pop, with this track we fully embraced a Post Punk sound,” the band explain. Recorded in the Netherlands at Folly’s Low Road Studios, inspiration for ‘Joy’ sprang from moments of playful ridicule, and evolved into a sound that the band all wanted to embrace. Armed with a distorted riff and a disruptive energy, vocalist Ebony was quick to flesh out lyrics for the track.

“It was a matter of minutes before Ebony started mumbling words (whilst basically rolling on the floor),” the band continue. “She quickly grabbed a pizza box (still warm from the pizza consumed just moments earlier) and a pen, writing out most of the lyrics within minutes. In this moment we encouraged her to make it as cynical as possible. This gave such a clear direction to the track that we all instantly knew we didn’t want to over-complicate things. When we tracked it, the vocals were actually recorded through a harp mic with Ebony inverted hanging off a big leather chair.”

Earthlung channeled the track’s manic, direct energy into an accompanying video, which features vocalist Ebony prowling the streets of Brighton, trying not to choke on an insane amount of cornflakes and rum. The visuals perfectly encapsulate both the cynical and the silly sides of ‘Joy¿’.

Watch the video below.

Follow Earthlung on Spotify, Instagram, Tik Tok & Facebook

Kate Crudgington
@KCBobCut

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NEW TRACK: REWS – ‘Misery’

A riotous ode to resilience and self preservation in the face of adversity, REWS have shared their latest single ‘Misery’. Despite the pessimistic title, the track, released via Earache Records, is an empowering blend of heavy riffs and defiant vocals that urge listeners not to let life’s more difficult moments make them question their own abilities.

“This song was written when I was feeling…miserable!” laughs Shauna Tohill, who is the creative force behind REWS. “It is a representation of the many battles us creatives go through when trying to figure out if all the blood, sweat and tears are worth it. i.e. whether you should make that next album, or spend hours making an Instagram reel, or whether we should just throw the towel in and do something else completely! And, you know, its okay to do whatever is right for you!

But, I realised through writing this song, that sometimes misery comes when you’re plain burnt out and just need a change of scenery! Taking that break can teach us about ourselves and helps us find the reasons and energy to keep fighting and doing the things that make us happy – because that seems to bring the magic into life!”

Tohill has taken her overwhelming feelings of exhaustion and indecision and transformed them into a brooding, cathartic rock anthem on ‘Misery’. The Northern Irish songwriter’s vocals are the lifeblood of the track, her voice as commanding in its quieter moments during the verses as it is during the riotous chorus. The song is accompanied by a video featuring Tohill, which you can watch below.

Follow REWS on Spotify, Twitter, Facebook & Instagram

Photo Credit: Shona Cutt

Kate Crudgington
@KCBobCut

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LISTEN: King Isis – ‘in my ways’

A bittersweet grunge-infused anthem that tackles feelings of frustration, King Isis has shared their latest single ‘in my ways’. Taken from their upcoming debut EP, scales, which is set for release via Dirty Hit / No Matter later this year, the Oakland-based artist attempts to overcome their jaded thoughts through shimmering guitar sounds, driving beats and relatable lyrics on their new offering.

“‘in my ways’ is about being stuck in a cycle of your own creation,” King Isis explains. “You don’t quite know how to get out of it just yet, and you’re not really trying. It’s willfully ignoring shadows, but it’s ok cuz we’re dancing.” The multi-instrumentalist – whose name pays homage to their great-great-grandmother Omega King, one of the first Black opera singers in Chicago – seems to thrive in the uneasy space between light and shadow on their latest single. This is a theme that permeates their upcoming EP too.

“[My Grandmother’s] name holds a lot of power in my house and in my family,” Isis comments further, “A big part of the reason my artist name incorporates hers is to remind me that there is power in my voice, that music has always been a deep-rooted part of me, and to keep going.” This perseverance is reflected not just in King Isis’ sound, but in their activism too. They volunteer teaching music classes for low-income communities in Los Angeles, and have worked with the FreeStudio Program of Rikers Island, which creates a safe creative space for incarcerated youth and the children of incarcerated adults.

King Isis is an ardent believer in the empowering and healing nature of music, and their authentic and infectious indie-grunge sounds are a tonic for life’s more testing moments.

Listen to ‘in my ways’ below.

Follow King Isis on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Cole Maslansky

Kate Crudgington
@KCBobCut

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