ALBUM: Dizzy – ‘The Sun and Her Scorch’

Canadian quartet Dizzy bring candid tales of lost love, introspection and acceptance on their sophomore album, The Sun and Her Scorch. The four-piece – consisting of vocalist Katie Munshaw and instrumentalists Alex, Mackenzie and Charlie – showcase an impressive sonic duality on their latest record as they move away from raw chaos and frustrated buzz of their debut album Baby Teeth, in to the mellow simplicity and resigned reality checks that come with growing up.

Opening with the haunting, hazy soundscape of ‘Worms’, Dizzy immediately draw you in with unassuming intrigue, as Munshaw’s dreamy vocal delivery blends with smooth guitar-led instrumentals. The track paints a vivid picture of the band’s childhood in Oshawa, Ontario, before following track ‘Sunflower’ ejects the album out of the nostalgic setting with its deceptively vibrant sonics. Where ‘Sunflower’ echoes the central theme of youthful uncertainty, indie anthem ‘The Magician’ charms with its effortlessly upbeat candescence.

The stand-out offering is the lyrically nuanced and delicately melodic ‘Good and Right’, which establishes the songwriting and storytelling prowess of Dizzy. It’s a skill they employ in other tracks, including the expansive yet immersive ‘Roman Candles’ and the light, cosy setup of Daylight Savings Time’.

Whimsical and experimental, the album offsets chirpy vocals of tracks like ‘Good and Right’ with straight-edged break-up tune ‘Lefty’, and atmospheric, pop-tinged ballad ‘Primrose Hill’ to an impressive effect that speaks of the fickle nature of 20-something dreamers. Perfectly book-ending the nostalgia of the opener, with final track ‘Worms II’ the band inject a last bit of colour and vibrancy with its changed lyricism, but leaves the soundscape unscathed as the tight grasp of times past remain.

Overall, The Sun and Her Scorch is a collection of anxious musings, candid observations and heartfelt contemplations, sprinkled occasionally with much-needed mirth and good vibes. This is an alt-pop production with lots of substance and little bit of simplicity, and with their second record Dizzy have proved that the impact of their first was no fluke.

Order your copy of Dizzy’s new album here.
Follow the band on Facebook for more updates.

Photo Credit: Pooneh Ghana

Malvika Padin
@malvika_padin26

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Track Of The Day: REWS – ‘Today We’re Warriors’

A defiant guitar tune designed to empower and motivate listeners into action, REWS have shared their latest single ‘Today We’re Warriors’. Lifted from the band’s upcoming second album Warriors, which is set for release on 7th August via Marshall Records, the track mixes heavy riffs and catchy melodies to help spark the fires of personal revolution.

REWS front-woman and founder Shauna Tohill has been busy during the covid-19 lockdown period performing online gigs, and promoting her “Femme Focus” Sunday sessions where she speaks to other female musicians about their work (watch ep. 3 with Jen from False Advertising here). Now, she’s gearing up for the release of her second album, and ‘Today We’re Warriors’ is another shining example of her tenacity and passion as a songwriter.

Speaking about the track, she explains: “The song exclaims exactly what the name suggests! Every morning we wake up, we have a choice in what kind of journey we will lead. There are dark days where our path is unclear and blocked (some more than others) and that’s when I want to encourage everyone to keep fighting forward, to gather together in the spirit of music with those who are good in your life, to support and respect each other! Today, we got this, we will get through this and we will keep moving forward to see a better, positive, thriving and equal future for all women, men, children from all races and backgrounds. Today, we’re warriors!”

The track is accompanied by two music videos, an official video that shows Shauna running through the wilderness, and a fan video directed by GIHE photographer Jon Mo. The fan video also features one of the GIHE grrrls (spoiler: it’s Kate).

Watch both videos below and follow REWS on Facebook and Spotify for more updates.

You can pre-order REWS’ new album Warriors here.

Kate Crudgington
@KCBobCut

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FIVE FAVOURITES: Francis Of Delirium

Formed of 18 year old songwriter Jana Bahrich and collaborator Chris Hewett, Francis of Delirium create swirling guitar tunes that centre around Bahrich’s personal experiences. The Canadian-American duo recently released their new EP, All Change, via Dalliance Recordings and it’s full of fuzzed up, cathartic guitar sounds.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jana to ask about her “Five Favourites” – five albums that inspired her song-writing techniques. Check out her choices below, and scroll down to listen to Francis Of Delirium’s new EP at the end of this post.

 

1. Nick Drake – Five Leaves Left
I can pinpoint the exact moment I heard ‘River Man’ for the first time. That song is so special, everything about Nick Drake is really special. It legitimately made me feel like my soul was lifting out of my body. His voice, the chord progressions, the string arrangements, everything adds so much. It might’ve affected me so much because it’s this singer-songwriter but it feels presented in a way that is completely new and so grounded in the earth. Both Chris and I have a special love for Nick Drake. We played this kind of brutal show and then came into the studio the next day and watched a Nick Drake documentary so there’s something comforting about him and his music, in particular this whole album.

2. Caroline Polachek – Pang
I think this is just an excellent pop record. The vocal melodies she’s choosing are so angular and unexpected but accompanied with really emotional and lush production. She has such control of her voice. There’s a KEXP session she did that was just her and a piano and I had to keep pausing the video every few seconds because I was so overwhelmed by how insane her voice is. It sounds out of this world.

3. Solange – When I Get Home
As a listener it feels like there’s so much intent with everything Solange does, maybe I’m cheating because there is literally an interlude on the album that says “do nothing without intention”. Both visually and in an auditory sense. She did a performance that was a medley of songs from When I Get Home on Jimmy Fallon and that was really important to me. I love choreography and shows that are big and planned but have a way of maintaining intimacy. I think that’s really hard to pull off. It’s something I think about a lot for our live shows. Obviously venues we play are pretty small, so it feels important to keep a closeness between the performer and the audience but I would like to incorporate something theatrical without alienating the audience so it doesn’t feel like I’m not there with them anymore. To me, Solange achieved that with her performance on Jimmy Fallon and the album is great.

4. The Microphones – The Glow pt.2
Phil Elverum’s music always centres me. It reminds me why I like Chris and I figuring out how to record music on our own and how getting it wrong but it still feeling right and ultimately that being what matters the most is really important. Phil always creates such a wonderful sense of space which makes me feel like I belong in the album he’s making, in particular this one, there’s this sense of home. Whenever I listen to him I want to go and try new recording techniques and try new things, listening to his music is like instant inspiration for me.

5. James Taylor – Greatest Hits
We grew up with a lot of “best of” albums around the house, which I never really realized until a bit recently. We had the R.E.M CD with the hand on it, the Nirvana black album, the wings best of, The Beatles one album so I really grew up on bangers only. Sometimes I want to do these huge ambitious orchestral albums and I still want to make a musical but James Taylor always reminds me, if you have something simple and pure and honest it can be just as arresting as anything else. He makes it seem a lot easier than it is and always reminds me to really check and double check if what I’m adding is serving the song.

Thanks to Jana for sharing her favourites with us! Listen to Francis Of Delirium’s EP below.

Photo Credit: Patricia Marets

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Track Of The Day: Francis of Delirium – ‘Ashamed’

A hectic blend of grungy guitar riffs and insecure thoughts; Francis of Delirium have shared their latest single, ‘Ashamed’. Released via Dalliance Recordings, the track is lifted from the Canadian-American duo’s upcoming EP, All Change, which is set for release on 19th June.

Formed of 18 year old songwriter Jana Bahrich and collaborator Chris Hewett, Francis of Delirium create swirling guitar tunes that centre around Bahrich’s personal experiences. “‘Ashamed’ is about navigating how much of yourself you should be giving out to other people and then second guessing yourself, feeling like what you’re giving out isn’t enough, feeling inadequate, being ashamed of that” Bahrich explains. It’s this sensitivity that makes ‘Ashamed’ feel so relatable. With its indecisive lyrics – “I still stopped short of what I wanted” – and frenzied guitars, the track rushes through moments of concern in search of moments of clarity.

The single is accompanied by a colourful video, created by Bahrich during self-isolation. She explains the themes and ideas behind the visuals further: “There’s one moment where I hit my head and a red circle followed by white rings appears. It’s a visual representation of both the mental self-harm that the narrator is experiencing, and a mirroring of the Talking Heads’ video, ‘Once in a Lifetime’. I’ve always interpreted the song to be about achieving commonly accepted societal goals – the beautiful house, the beautiful wife etc. – and in ‘Ashamed’ I’m beating myself up for failing to achieve that idealised version of success”.

Watch the video for ‘Ashamed’ below, and follow Francis Of Delirium on Facebook & Spotify for more updates.

Photo Credit: Lynn Theisen

Kate Crudgington
@KCBobCut

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