LISTEN: 10 Years of GIHE! Celebrating on Soho Radio (03.02.25)

2025 marks 10 whole years of Get In Her Ears! That’s a whole decade of celebrating women, non-binary and LGBTQIA+ artists in new music! On this special edition of their monthly Soho Radio show, Tash, Kate and Mari celebrate and reflect on some of their favourite artists who they’ve had the joy of connecting with over the last 10 years, plus, there’s lots of love and special messages from the music community that Get In Her Ears are so privileged to be a part of.

Thanks to all of the artists that sent in their kind words about us and thank YOU for supporting us over the last decade. We’ve got loads of plans in the pipeline to help us celebrate this milestone which we’ll be sharing with you later this year…

Artists featured on the eclectic playlist include: Charlotte Adigery, Scrounge, Schande, ARXX, Nova Twins, Mykki Blanco, Tiece, GHUM, Chorusgirl, Circe, Gazelle Twin, Hinako Omori, Blonde Maze, Maria Uzor, ESYA, Brix Smith, Dogviolet, Whitelands, Noga Erez & more!

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 3rd March from 12-2pm
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
X-Ray Spex – Oh Bondage, Up Yours!
Charlotte Adigéry, Bolis Pupul – Ceci n’est pas un cliché
Scrounge – Starve
Schande – Gregor MacGregor
ARXX – Ride Or Die
Nova Twins – Hitlist
Mykki Blanco, ANOHNI, Kelsey Lu – French Lessons
Girlhood, Tiece – The Love I Need
GHUM – Saturn
Chorusgirl – Oh, To Be A Defector
Circe – Ruined Your Sons
Gazelle Twin & NYX Drone Choir – Deep England
Hinako Omori – A Journey
Blonde Maze – Awake / Asleep
Maria Uzor – Innocence
ESYA – Wild Nights
**GIHE chat about their origins**
Brix Smith – Fast Net
Dogviolet – Violets
Whitelands – Setting Sun
Noga Erez – Off The Radar
Bikini Kill – Rebel Girl

Kate Crudgington1 Comment

GIHE: Albums & EPs of 2024

After sharing our Tracks Of 2024 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These eclectic offerings resonated with us and we’ll be talking about them long into the future. Huge thanks to all of the bands and artists who submitted music to us this year. 

In alphabetical order…here are our top Albums & EPs of 2024 (including multiple Honorable Mentions at the end because we hate leaving people out…)

ALBUMS

Beckon – Between the Bridge And The Tree

Having been a big fan of bands like Suggested Friends and Chorusgirl, I’ve been following songwriter and musician Faith MacNeil Taylor for a number of years now and always find myself completely immersed in each of their heartfelt creations. This year, with new project Beckon (FKA Athabaska), Faith has collaborated with a group of five other wonderful musicians to create queer alt-folk anthems. We were lucky enough to have them play for us at one of our gigs at The Shacklewell Arms back in March and I was utterly spellbound, so I knew I would like new album Between The Bridge and The Tree. But it really is quite something quite special. Alongside Faith’s distinctive exquisite emotion-rich vocals, lilting folk-strewn melodies flow throughout with a raw heartfelt grace; a truly stirring creation of resonant offerings. Between The Bridge And The Tree was released in October.
(Mari Lane – Managing Editor)

BERRIES – BERRIES

BERRIES’ much-anticipated album captures the electrifying energy of their live performances, with a set of well-crafted songs by some very skilled musicians. Their signature guitar riffs shine throughout, paired with pounding, energetic drums and commanding basslines that keep the tracks driving forward. The tracks combine catchy melodies, dynamic musicality and at times, a satisfying thick wall of sound, bringing to mind early 2000s indie bands like The Strokes and Yeah Yeah Yeahs as well as garage rock influences, resulting in a sound that feels both nostalgic and modern. The album is also balanced with some quieter and delicate moments like ‘Balance’ – the album’s single acoustic track. Overall, this is an album that expertly builds tension, keeping listeners captivated from start to finish.
(Ella Patenall – GIHE Contributor)

Brimheim – RATKING

Multi-instrumentalist Helena Heinesen Rebensdorff finds strength in self scrutiny on her excellent second album, RATKING. Released at the end of March, the LP is just as raw as the Danish-Faroese artist’s debut offering, can’t hate myself into a different shape (2022), but on RATKING, she vivaciously embraces remnants of shame, hyper-sensitivity and unrequited love and sets them to a more melodic, pop-tinged backdrop. The result is a witty, cathartic reflection on the contradictions of love, underscored by her audaciously dark humour.

Whether it’s the fully fleshed band sound and distinctive instrumentation on tracks like ‘Dancing In The Rubble’ and ‘Keep Bleeding Diamonds’, the infectious pop melodies on singles ‘Literally Everything’, ‘Brand New Woman’ and ‘Normies’, or the sonically more expansive tracks like ‘No Liver, No Lungs’ and ‘Surgeon’, Brimheim and esteemed producer Søren Buhl Lassen (Blaue Blume) have crafted an eclectic and exhilarating collection of lush alt-pop anthems. Watching Brimheim perform her new album at The Lexington earlier this year was a live highlight for me too. Her confidence in her artistic vision and revelation that she was almost ready to give up making music just a few years ago was truly inspiring.
(Kate Crudgington – Features Editor)

Elsa Hewitt – Chaos Emeralds

Written and recorded intermittently over the course of four years, electronic artist & producer Elsa Hewitt’s eighth album, Chaos Emeralds, is a deeply evocative listening experience. Her intuitive mix of lilting vocals, hypnotic synth loops and eclectic field recordings have helped reduce the cortisol levels in my body significantly this year.

Her improvisational writing style pulls you into a warm hypnosis, where notions such as ‘Unimaginable Pain’ are transformed into soothing electronic lullabies. Her lyrics were originally poems which she penned separately, blending them with her music at different intervals throughout the creative process. The album’s title – a nod to Sonic The Hedgehog – hints at the paradoxical way in which life presents us with difficulties in order to teach us resilience and recovery. This is something Elsa Hewitt has mastered on many of her previous records, but on this collection of tracks she truly achieves something special. She has been prolific this year and she is currently in the process of teasing her ninth album, Dominant Heartstrings, which is set for release in the near future. (KC)

Fightmilk – No Souvenirs

I’ve made no secret of my super fandom of Fightmilk over the years. I’ve been following them since they first played live for us back in 2018 and now – after having had the honour of them headlining many more of our gigs and being obsessed with their albums Not With That Attitude and Contender – my fandom has only continued to grow with the recent release of this year’s No Souvenirs. Reflecting on themes of getting older, particularly as a woman in music, the album exquisitely showcases the band’s ability to hone their sound, creating perfect punk-pop; angsty and uplifting in equal measure. Instantly catchy singalong anthems, combining their trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion.

From fuzzy sentimentality to fierce tirades against patriarchal society, No Souvenirs is a perfect culmination of how Fightmilk have continued to refine their sound. With shades of noughties punk-pop, combined with an injection of fresh queer joy and raging emotion, it’s at once cathartic, validating and empowering. But, most importantly, fun. A sound that’s uniquely Fightmilk; truly distinctive in its colourful charisma, but consistently evolving into something more. No Souvenirs was released in November via Fika Recordings/INH Records. (ML)

Happy Accidents – Edit Undo

I’ve been a mega fan of Happy Accidents since first falling in love with the South London based duo at the late, great Indietracks Festival in 2018, and have been an avid follower of the active roles that both Rich and Phoebe have continued to play in the DIY music scene over the years, including their other musical projects, ME REX and Cheerbleederz. This year, they released their first album in a few years, the gorgeous Edit Undo, which marked a really fantastic return form combining the band’s trademark jangly hooks and emotion-rich twinkling harmonies with additional experimental, electronic soundscapes. I was lucky enough to catch their first live show in five years at Paper Dress Vintage in September, and it was a really special evening. Plus, Phoebe is also responsible for one of my other highlights of the year – learning drums at a First Timers Festival workshop with GIHE pal Kate. She was a really wonderful teacher, and inspired me to continue learning! Edit Undo was out in September via Alcopop! Records. (ML)

HAVVK – To Fall Asleep

Inspired by the complicated nature of sleep and bassist & vocalist Julie Hawks’s own experiences of insomnia, HAVVK’s third album, To Fall Asleep (released via VETA Records) is an urgent, cathartic listen that beguiles the senses and rattles the nerves in equal measure. The Irish alt-rock trio have been favourites of ours since they played our debut GIHE gig at The Finsbury pub back in 2016, and it’s been a privilege to watch them develop as a band over the last eight years.

Formed of front person Julie, guitarist Matthew Harris and former Bitch Falcon drummer Nigel Kenny, on To Fall Asleep, HAVVK interrogate the things that keep us awake at night. Whether they’re charging ahead on tracks like ‘Expiry’ – a vital anthem about the gendered double standards of ageing – or ruminating on anxiety on ‘Waste Of Time’, they create stirring, emotionally charged tracks that resonate long after the record has stopped spinning. It was a real pleasure to hear the band play some of their new tracks live this year when they headlined our GIHE gig at The Shacklewell Arms in March. (KC)

Jæd – I Loved The Gauntlet And There Was No Other Way

London-based, Irish-Puerto Rican musician Jæd played a GIHE gig for us in October 2022 supporting Pixie Cut Rhythm Orchestra and we were all blown away by her unique talent. Her stage presence, dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. The record is an eclectic cacophony of guitar sounds inspired by the uncertainty and hardship that Jæd has lived through, and it’s a testament to the endurance of her creative spirit. ‘Very Fond’ is my personal favourite, but every song on the album is a gem. (KC)

Midwife – No Depression In Heaven

On her fourth LP, No Depression In Heaven, Colorado based musician and producer Madeline Johnston aka Midwife pays tribute to life on the road, reflecting on the eccentricities of a transient existence and the characters that colour the views between locations on the map. Her ambient shoegaze sounds pacify the pain of the grief that informed many of the tracks. Whether it’s an ode to her trusty tour vehicle on ‘Vanessa’ or a cover of ‘Better Off Alone’ which was originally released in 1999 by European popstar Alice Deejay, Midwife treats these things with equal parts grace and grit. No Depression in Heaven is a beautiful body of work full of her poetic lyrical motifs and hazy lullaby-like reverb. (KC)

Our Girl – The Good Kind

Having fallen completely in love with their 2018 debut, Stranger Today, my adoration of London trio Our Girl has only grown with the release of this year’s The Good Kind. Reflecting on poignant themes such as the heartbreak of seeing illness affect someone you love, challenges faced due to gender and sexuality, and the strength that can be found in community, the overarching feeling that permeates whilst listening is a gentle, comforting optimism. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, each track fizzes with a glistening heartfelt emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind was released in November via Bella Union. (ML)

Pink Suits – Dystopian Hellscape

Having released their blazing debut, Political Child, back in 2021, Margate duo pink suits released their second album, Dystopian Hellscape, this year. Inspired by the relentless over saturation of bleak news cycles, it loses none of the band’s politically aggressive, anti-Tory, anti-Fascist, Feminist Queer Energy. Exploring the effects that modern society and neoliberal politics can have on our mental health with the duo’s trademark tenacious spirit and raw musicality, it reflects on themes of self-care, grief, gender identity, sexuality and queer joy, showcasing pink suits’ ability to channel frustration into a perfect raging catharsis. In addition to creating these necessary punk anthems, throughout 2024 Lennie and Ray brought tonnes of queer joy performing as a country duo – on tour with Paisley James, at their own completely wonderful Queer Cuntry event at The Southbank Centre, and as part of our GIHE queer country night at Sebright Arms with Dolly Parton tribute band, The Dumb Blondes (more on this coming in our ‘Personal Highlights’ feature). Dystopian Hellscape was released in April. (ML)

Rubie – Seek Sisters

Having been fans of exquisite songstress Rubie for a while now, both as a solo artist and as part of the incredible F*Choir, we were delighted that she released a stunning new album this year. Flowing with a swirling majestic allure, Seek Sisters interweaves quirky jazz-tinged melodies with a soaring musicality and Rubie’s distinctive heartfelt vocals, creating something truly spellbinding; each and every note glistening with an empowering heartfelt grace. We were lucky enough to have Rubie perform the album in full for us at The Divine in November, and it really did feel like such a special night; accompanied by a full band and choir, she completely captivated us all with her shimmering joyous energy and stirring creations. Seek Sisters was released in September. (ML)

Schande – Once Around

Noise-pop-shoegaze-tinged legends and friends of GIHE, Schande, this year released their debut album, Once Around. Following 2019’s EP Pedigree, and having charmed our ears playing live for us a number of times over the last few years, this new release perfectly captures the band’s immersive, shimmering soundscapes. Flowing with a lilting twinkling grace, it truly is a thing of pure beauty as front-person Jen cements herself as a songwriter capable of exquisitely conveying the fragility of life with each rich sonic tapestry, as a resonant raw emotion ripples throughout. Such a dreamy collection of songs that I find impossible to listen to just once, but instead need to play at least twice, or even three times, around in a row! Once Around was released in April 2024 via Thurston and Eva Moore’s record label, The Daydream Library Series. (ML)

Whitelands – Night-bound Eyes Are Blind To The Day

Initially formed from DIY grassroots music initiatives like First Timers Fest and Decolonise Fest, Whitelands are gently dismantling the expectations and stereotypes surrounding the traditionally white-male oriented guitar music scene. Released via iconic shoegaze label Sonic Cathedral, their debut album, Night-Bound Eyes Are Blind To The Day, is a disarming reflection on everything from politics, philosophy (the album title is taken from the book ‘The Prophet’ by Kahlil Gibran) to ADHD, depression and heartbreak.

Vocalist and guitarist Etienne’s songwriting is deeply poetic, something which becomes more apparent when you read the accompanying lyric sheet on the album’s vinyl insert. His soft floating vocals are accompanied by lead guitarist Michael’s soaring riffs, drummer Jagun’s driving beats and Vanessa’s brooding bass lines, all of which intermittently push the record into both melancholic and euphoric territory. It was wonderful to have Whitelands with us in the studio for our Soho Radio show in February this year talking about their debut record. Having caught them live at Hammersmith Apollo and EARTH supporting Slowdive, as well as at Cro Cro Land and their album launch show at Rough Trade East, Whitelands have provided some of my favourite musical memories of 2024, both live and on record. (KC)

EPs

all cats are beautiful – Just Kids

In 2021, London based duo All Cats Are Beautiful released their gorgeous mini album The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally felt ready to share new music with their EP Just Kids; a heart achingly poignant reflection on love and loss. Delving into stark reflections on the pain that comes with losing someone that you love so intensely, the EP glistens with a raw vulnerability and emotion alongside its twinkling electro soundscapes, creating a truly beautifully cathartic and honest collection. The band perfectly summarise – “grief is just love with no place to go.” Just Kids was released in October via Peach Records. (ML)

Piney Gir – Cosmic Upside Down 

This year prolific artist (and self-proclaimed witch) Kansas-born Piney Gir released her new EP, Cosmic Upside Down. Propelled by a twinkling, lilting energy and Piney’s distinctive lush honeysweet vocals, each track on the EP oozes a sparkling immersive splendour. Whilst its spiritual roots remain evident throughout, it also touches on themes ranging from climate change to feminism; offering a stirring yet uplifting reflection on the world today. In addition to the EP release, 2024 also marked twenty years since Piney shared her first album, Peakahokahoo, and to celebrate we helped her promote a special 20th anniversary gig at The Lexington with a superstar line-up of Anat Ben-David (Chicks On Speed) and Psycho Delia (Robots In Disguise) – a really dreamy evening! Cosmic Upside Down was released in August via No Distance Records. (ML)

SPIDER – object of desire

I’ve been watching Irish alt-pop artist SPIDER grow since the release of her debut single ‘Water Sign’ in 2021, and it’s been a joy to see her talents recognised in the alternative rock scene this year. Her third EP, object of desire, is bursting with riotous, angst-ridden tunes about coming-of-age in an antagonistic world that tries to dictate this deeply personal process. The title track is a formidable anthem that perfectly outlines all that SPIDER is capable of as an artist; her clear intonation, candid lyricism and loud-and-quiet grunge and pop punk dynamics are showcased perfectly. It was a privilege to watch her perform AT her debut London headline show at The Camden Assembly earlier this year. Read my full review here. (KC)

Softcult – Heaven

Marking a heavier development in their sound, Heaven is the fourth EP from Canadian twin sibling duo Softcult. By blending shoegaze sensibilities with dream-pop melodies and Riot Grrrl politics, Mercedes and Phoenix Arn-Horn tackle the pressures of existing in patriarchal society, the breakdown of platonic and romantic relationships and the fluctuating nature of mental health. Heaven is a cohesive, considered record that offers respite through heavy reverb and gloomy vocals, which the pair have perfected on this latest offering. Guitarist & vocalist Mercedes spoke eloquently about the inspirations behind the EP in an interview with me earlier this year. Read the full feature here. (KC)

Queen Of Nothing – The Pull

Recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie) independent alt-folk artist Abi Crisp aka Queen Of Nothing released her debut EP, The Pull, in November this year. It’s an atmospheric, brooding reflection on what it feels like to let go of heartbreak, uncertainty and fear and emerge as a truer version of ones self. I love her blend of shimmering and gritty guitar tones, tender vocals and dramatic volume shifts, which are epitomised on my favourite track ‘How Does It Feel’. (KC)

Honourable Mentions

Alien Chicks – Indulging The Mobs (EP)
ARXX – Good Boy
The Baby Seals – Chaos
Charley Stone – Here Comes The Actual Band
Chelsea Wolfe – She Reaches Out To She Reaches Out To She
Cherym – Take It Or Leave It
Coolgirl – Road Closures
Fears – affinity
Fraulein – Sink Or Swim
Julia-Sophie – forgive too slow
King Hannah – Big Swimmer
Los Bitchos – Talkie Talkie
Mammoth Penguins – Here
NikNak – Ireti
PostLast – Pull Me Into The Open Sea (EP)
Sassyhiya – Take You Somewhere
SOPHIE – SOPHIE
WISP – Pandora (EP)

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LISTEN: GIHE on Soho Radio with Shy Charles (09.12.24)

Tash, Kate and Mari were back on Soho Radio for the final GIHE show of 2024, playing some of their highlights from their favourite female, non-binary and LGBTQIA+ artists who released new music this year. They spoke about their top tracks and albums and they shared memorable live music moments from the past 12 months too.

Fabulous self-taught harpist and folk artist Shy Charles also dropped into the studio to talk about their festive EP, Shylent Night. They spoke about their journey into music, the inspirations behind their Christmas record, plus, they shared anecdotes about the accompanying video for their cover of Spice Girls’ iconic track ‘2 Become 1’ – watch it here!

Artists featured on the eclectic playlist include Whitelands, Roller Derby, Fightmilk, Midwife, Elsa Hewitt, Baby Rose, Schande, Dogviolet, Circe, TIIVA, ARXX, Jæd, Brimheim, HAVVK and more.

Listen back to the show below:

We’ll be back on Soho Radio in 2025! See you on Monday 6th January from 12-2pm
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
Poly Styrene & Celeste Bell – Black Christmas
Charli xcx ft. Billie Eilish – Guess
Baby Rose – Landslide (Fleetwood Mac Cover)
Whitelands – Cheer
ARXX – Crying In The Carwash
Tom Rasmussen ft. Romy – Never Look Back
Circe – Blue Love
TIIVA – Tornados
Pink Milk – You Will Follow Me To Hell
Amyl and the Sniffers – Hertz
pink suits – are you gay yet?
Midwife – Better Off Alone (Alice Deejay Cover)
Elsa Hewitt – Unimaginable Pain
Roller Derby – Dreams
Schande – Relevant Campaigns
Happy Accidents – Infinite Possibilities
Shy Charles – 2 Become 1 (Spice Girls Cover)
**Interview with Shy Charles**
Angeline Morrison – Black John
Luca Perry – Show Me
Luki – Seven Years Below The Flowers
Jæd – Very Fond
HAVVK – Waste Of Time
Brimheim – Normies
Fightmilk – No Souvenirs
Dogviolet – Violets

Kate CrudgingtonLeave a comment

PLAYLIST: November 2024

The Get In Her Ears team have put together another mix of alternative, grunge & shoegaze anthems, eclectic electronic soundscapes, alt-pop tunes and indie-folk musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Kills Birds – ‘Behind’
Mari & I saw LA band Kills Birds live at Hackney’s Moth Club back in 2022, and I remember front person Nina Ljeti being a colossal force on stage. It’s great to see that the band are back with ‘Behind’, a seething new anthem and their first new music since their second album, Married (2021). Check out the accompanying video for the track here.
(Kate Crudgington – Features Editor)

Girl Tones – ‘Fade Away’
A proper stomper of a track from sister duo Girl Tones here! ‘Fade Away’ is their debut offering, produced by Brad Shultz of Cage The Elephant and released via his label Parallel Vision. The pair blend visceral riffs, propulsive beats and defiant vocals together to create this irresistible cacophony of noise. Watch the accompanying video here. (KC)

Sacred Paws – ‘Another Day’
After a five year hiatus, we’re super excited that London/Glasgow duo Sacred Paws have returned to our ears. We love everything that Ray Aggs does and were honoured to have them headline one of our gigs earlier this year, and now the revival of this project with Eilidh Rogers comes as a very welcome surprise. Reflecting on the theme of remaining positive in the face of heartbreak, new single ‘Another Day’ flows with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, whilst introducing a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait!
(Mari Lane – Managing Editor)

Alien Chicks – ‘Babe’
I’ve been following Brixton trio Alien Chicks since Mari booked them for a GIHE gig back in 2022. Since then, their dynamic, blistering anthems have seen them support Mercury Prize winners English Teacher on their UK tour, and they’ve released their debut EP, Indulging The Mobs. ‘Babe’ is another antagonistic offering from the trio that playfully explores the idea that “we’re all masochists, politically and socially.” (KC)

Jæd – ‘Sight Gas Went Uh’
Another unique offering from London-based Irish-Puerto Rican musician Jæd here, taken from her debut album, I Loved The Gauntlet And There Was No Other Way. Set for release tomorrow (29th Nov) via cult Irish label The Delphi Label, the record is a visceral, eclectic cacophony of sounds inspired by the uncertainty and hardship that Jæd has lived through. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra and we were all blown away by her stage presence, dynamic vocal range and guitar playing. ‘Sight Gas Went Uh’ is the perfect example of all three. Watch the accompanying live performance video here. (KC)

Eilis Frawley – ‘Fall Forward’
Having recently headlined for us at New River Studios as part of Kara Delik, Berlin-based musician Eilis Frawley has now announced the release of a new solo album in March next year. Ahead of the album’s release, she has shared title track ‘Fall Forward’. Interweaving whirring layers of sound, it combines glitchy electronics with Frawley’s distinctive poignant lyric storytelling and propulsive drum beats. Building with a searing sense of urgency to a glistening cacophony, it showcases Frawley’s ability to create innovative kaleidoscopes of sound. Fall Forward, the upcoming album, will be released on 7th March, and is co-produced by Frawley and Kat Frankie. Eilis Frawley will also be over in the UK for some live dates with her band next May – keep your eyes peeled! (ML)

M(h)aol – ‘Snare’
“‘Snare’ is about countless conversations I’ve had since my first drum lesson on my ninth birthday about how bizarre it is that I play that instrument, or how I should be doing it differently,” explains M(h)aol’s lead vocalist and drummer Constance Keane. “The idea of society gendering an inanimate object like a drum kit, when it’s something that brings me so much joy and release, has always frustrated me hugely, and I thought it was time to sing about it.” I’ve been a big fan of Irish post-punks M(h)aol since they released their debut single ‘Laundries’ back in 2020, and despite recent lineup changes, it’s great to see that the band have lost none of their momentum. ‘Snare’ is another potent anthem about autonomy and empowerment, delivered with the band’s trademark visceral grit. (KC)

Glixen – ‘Lick The Star’
I’ve loved everything that Phoenix shoegazers Glixen have released this year. Taken from their upcoming EP, Quiet Pleasures, which is set for release on 21st February 2025, their latest single ‘Lick The Star’ smoulders with longing, building from it’s gentle atmospheric intro into a potent wall of sound. (KC)

Brutus – ‘Paradise’
Belgian heavy trio Brutus are back with this majestic new track ‘Paradise’. Originally written for the Streamz Original drama series Putain, it’s full of the band’s trademark heavy riffs and drummer Stefanie Mannaerts’ impressive vocals. (KC)

Disarme – ‘Change’
I love this bittersweet debut single from Franco-Malagasy artist Disarme. Driven by a palpable but sublime sense of melancholy, ‘Change’ is inspired by the loneliness and disillusionment that can come from living in fast-paced, expensive city environments. Through her gentle vocals and evocative guitar riffs, Disarme attempts to soothe these pangs of anxiety. (KC)

Claire Pitt Wigmore – ‘Cerebellum’
Creating swirling slices of psychedelia, Margate musician Claire Pitt Wigmore and her band have recently shared new a EP. With lyrics reflecting on Claire’s experience of cancer and the treatment that follow, it fuses together elements of psych, shoegaze and jazz, it offers a stirring exploration of facing this immensely challenging experience at such a young age. Title track ‘Cerebellum’ fizzes with whirring hooks alongside Claire’s emotion-strewn vocals; an immersive introduction to what this new Kent band are capable of creating. (ML)

Janita – ‘Real Deal’
Inspired by two of her favorite films – The 400 Blows and Butch Cassidy and The Sundance Kid – this pop rock track from Finland-born artist Janita celebrates the joy of rebellion. It’s taken from her upcoming album, Mad Equation, which is set for release in May 2025. (KC)

Gay Skeleton Club – ‘W3t L3g’
London based queer DIY band Gay Skeleton Club formed at First Timers Fest last year and have been total faves of mine since they played live for us at Matchstick Piehouse in December. I just love their fizzing pop-punk sounds and quirky, tongue-in-cheek energy, and this track about the the infamous band that everyone seems to love to hate really is a total bop. It’s taken from the band’s new 7 track demos EP, and showcases the band’s raging, fun-filled spirit. I cannot wait to have them play for us again soon. (ML)

Roller Derby – ‘Emily’s Dance’
Hamburg dream-pop duo Roller Derby recently announced the exciting news that they will be releasing their debut album in February next year and have now shared the fourth single to be taken from it. Reflecting on the juxtaposed feelings of powerlessness and fascination in the face of the universe, ‘Emily’s Dance’ interweaves atmospheric dream-pop with shades of ‘80s synth-pop, creating a swirling, mystical soundscape. This new single is accompanied by beautifully animated video, perfectly encapsulating the essence of the track – have a watch here. When The Night Comes, the debut album from Roller Derby, is set for release on 28th February, and the band will be over in the UK for a little run of dates in May – nab tickets here. (ML)

Joni – ‘Avalanches’
Having toured with the likes of Laura Viers and Aqualung and written for many of the biggest names in pop, London-based American artist Joni has now shared her brand new single. Oozing a glistening emotion, ‘Avalanches’ offers a poignant reflection on the duality of love and heartbreak, as it flows with lilting melodies and heartfelt- sugar-sweet vocals. (ML)

All Cats Are Beautiful – ‘livin a life on splitscreen’
In 2021 London based duo All Cats Are Beautiful released their gorgeous mini album, The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally feel ready to share new music with EP, Just Kids; a heart achingly beautiful reflection on love and loss. The opening track from the collection, ‘living a life on splitscreen’ oozes a swirling emotion-rich splendour. As delicate electronic hooks and a twinkling rippling energy provide the backdrop for the vulnerability and raw emotion of its nostalgic reflective lyricism, it offers glistening shades of hope as it reflects on a roadtrip across LA that Ky took with their partner a year before the tragedy occurred. The rest of the EP delves into stark reflections on the pain that comes with losing someone you love intensely; as the band so perfectly put it: “grief is just love with no place to go”. Thank you to Ky and Elena for sharing such a beautifully cathartic and honest collection with us. (ML)

Dirt Flirt – ‘Dramatic’
The solo project of London-based multi-instrumentalist Kit Eaton-Kent, Dirt Flirt reflects on queer identity, playfully combining introspective lyrics with glitchy beats and a playful energy. Exploring the complexities of being your own worst enemy, new single ‘Dramatic’ showcases her rich emotive vocals with a swirling empowering energy, creating an instantly catchy slice of alt-pop. (ML)

Cults – ‘Onions’
New York duo Cults have just rounded up their EU & UK tour, in celebration of their most recent album, To The Ghosts. This track ‘Onions’ features on the record, fizzing with its playful synths and Madeline Follin’s honeyed vocals. (KC)

paun – ‘counterintelligence’
‘counterintelligence’ is the latest single from Berlin-based, non-binary electronic artist paun. They lean into “grimey, futuristic and IDM-inspired” territory here, with their elastic synths and twitchy beats. paun is currently working on a new EP, which will be released in the near future, so keep your eyes peeled for that. (KC)

Birthday Problem ft. Molly O’Mahony – ‘The Language Of War’
Another eclectic creation from Irish collaborative electronica project Birthday Problem here. Formed of Matt Harris and Rocky O’Reilly, ‘The Language Of War’ is their seventh single, featuring songwriter Molly O’Mahony. Her vocals float over sci-fi synth textures and twitchy beats, creating a commanding soundscape inspired by the paradoxical nature of war. (KC)

afromerm – ‘reciprocity’
This track from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more. (KC)

Elsa Hewitt – ‘White Mirror’
Another exquisite electronic soundscape from GIHE fave Elsa Hewitt, lifted from her upcoming album, Dominant Heartstrings. Elsa also released an album called Chaos Emeralds earlier this year, which is one of my favourite records of 2024. (KC)

Kathryn Mohr – ‘Driven’
The music of Oakland-based artist Kathryn Mohr is new to my ears, but I was instantly captivated by her otherworldly sound. This track ‘Driven’ is taken from her upcoming album, Waiting Room, which is set for release on 24th January 2025 via The Flenser. Mohr wrote and recorded the LP over the course of a month, within the walls of a disused fish factory in Iceland and surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)

Penelope Trappes – ‘Sleep’
Newly signed to One Little Independent Records, I love this gloomy rumination from Brighton-based, Australian-born artist Penelope Trappes. Taken from her upcoming album, A Requiem, which is set for release on 4th April 2025, ‘Sleep’ is a reflection on the sublime power of nightmares and night terrors, with her haunting voice guiding listeners through her heavy atmospheric instrumentation. When I bumped into Penelope at Supersonic Festival in September earlier this year, she told me that she would be releasing this track and that the marvellous Maxine Peake and Kate Dickie would be starring in the accompanying video, directed by the excellent Agnes Haus. Watch it here. (KC)

MAUD THE MOTH – ‘Siphonophores’
Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH has shared this new single, alongside the announcement of her new album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore and Greek myth and poetry. ‘Siphonophores’ offers listeners a haunting insight into what they can expect from the record, filled with eerie keys, dramatic volume shifts and diaphanous vocals. Watch the captivating music video for it here. (KC)

Sharon Van Etten – ‘Afterlife’
Marking a new era with her band, long term favourite Sharon Van Etten has now announced the release of a new album, accompanying the news with an exquisite new single; an exciting taster of her new sound. Soaring with Van Etten’s distinctive rich, sumptuous vocals, ‘Afterlife’ builds with a celestial splendour to a soaring heartfelt anthem, tinged with shades of ‘80s Bruce Springsteen, whilst maintaining her own unique glistening raw emotion and innovative musicality. Sharon Van Etten & The Attachment Theory, The first album to be written and recorded in total collaboration with her band, is due out on 7th February via Jagjaguwar. (ML)

Julien Baker & Calvin Lauber ft. Soak, Quinn Christopherson – ‘Get Me Away From Here, I’m Dying’
After a few years of Julien Baker being one of my most listened-to artists, constantly seeking catharsis in the exquisite raw emotion and resonant reflections of her offerings, it was such a joy to finally see her live at one her five dates at Earth last week. And with beautiful support from Katie Malco and Soak, it really was an evening of (very emotional) dreams. I was there alone, in amongst a lot of teenagers and their parents, my heart gently shattering and tears falling down my silly 38 year old face throughout. For more eloquent words about the gig, a full review will be coming up on the website in the next couple of days. (ML)

Horsegirl – ‘2468’
With their second album due out in February next year, Chicago best-friend trio Horsegirl have now shared new single ‘2468’. Propelled by a jangly, playful energy, it showcases the band’s ability to interweave off-kilter sounds and influences into a perfectly scuzzy, musically rich taster of what’s to come on the upcoming LP. Phonetics, the new album from Horsegirl, is produced by Cate Le Bon and is set for release on 14th February next year. (ML)

Naima Adams – ‘Stay’
Described as “dub-fused percussive soul collision,” ‘Stay’ is the second single from South London-based artist Naima Adams. Her honeyed vocals and eclectic instrumentation fuse seamlessly together as she explores the difficulties of finding connection in everyday existence in the city. (KC)

Sunflower Thieves – ‘Same Blood’
This is the title track from Leeds alt-folk duo Sunflower Thieves latest EP, which is inspired by the strength of female friendship. Across five songs, the duo capture the shifts and nuances of long-term connections, shared experiences and growing pains, all underscored by their soft acoustic guitars and gentle vocals. (KC)

Aisha Badru – ‘In The Making’
Set to release her new album tomorrow (Nov 29th), Nigerian-American artist Aisha Badru offers beautifully stirring reflections on our life’s journey towards healing with a blissful charm and delicate effervescent grace. We recently caught up with Aisha about the album and her inspirations behind it, keep your eyes peeled for the interview over the next few days! The Sun Still Rises, the upcoming new album from Aisha Badru is set for release via Nettwerk. (ML)

May Payne – ‘Something Else’
Having received acclaim from Chris Hawkins on BBC 6 Music, and set to perform at the Royal Albert Hall tonight (28th Nov), young queer artist May Payne has been gradually garnering a large fan base since the age of 15 when they first started creating music while growing up in rural Dorset. With a delicate folk-strewn musicality, ‘Something Else’ showcases the rich sparkling grace of Payne’s exquisite emotion-rich vocals. It’s taken from recent EP release, High Demand. (ML)

Lauren Manning – ‘Melatonin’
For the past four years, South African born, London-based songwriter Lauren Manning has been working on her debut album. Set for release on 7th December, Four Walls blends all of her eclectic musical stylings together – indie, soul and jazz – and showcases her impressive vocal range. This single ‘Melatonin’ is lifted from the record, on which Lauren meanders through the restless thoughts that keep her awake at night. Lauren will be playing a headline gig in Peckham on 7th December to celebrate the release of Four Walls. Tickets and event details here. (KC)

Rattle – ‘Your Move’
Immense drumming duo Rattle first came to my attention when I saw them supporting The Julie Ruin at Koko in 2016, but since then they have released two albums and shared stages with other legends like Animal Collective and Thurston Moore. A spellbinding insight into rhythm and metre, new single ‘Your Move’ will immerse you in its mystical allure and tribal energy on first listen of each of its epic 15 minutes. Of the track, the band reflect: “The words Your Move might be about moving in an embodied way or freedom/movement/expression, but they are also an emboldening call to action…” (ML)

Bouche – ‘The King’
consistently centring queer, femme and other under-represented artists and DJs – Bouche has now shared a soulful new single. “The last song I’ll ever write about being disappointed or hurt by a man”, ‘The King’ offers an intimate reflection on relationships with a stripped-back jazz-tinged musicality and their soaring power of their pristine vocals. ‘The King’ is accompanied by a beautiful video, made in collaboration with Deniz Kavalali and incorporating elements of drag – Bouche makes their own drag beards out of their own hair! – an empowering ode to queer catharsis. (ML)

Emily Burns – ‘Die Happy’
This is the title track from British singer-songwriter Emily Burns’ debut album. Across twelve tracks, her confessional songwriting blossoms into an emotional catharsis for the artist, with ‘Die Happy’ showcasing her ability to create affecting indie pop anthems. (KC)

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