PLAYLIST: February 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure. Our February Playlist features riff-heavy anthems, shoegaze & dream-pop tunes, indie and alt-pop bangers, electronic musings and experimental sounds. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! You’ll also see that we’ve copied all of our previous GIHE playlists over to TIDAL as well. We’ve included YouTube/bandcamp links for all of the tracks below too, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

The Echograms – ‘Lovesick’
Having played live for us last year at The Cavendish Arms, Margate based Claire Pitt-Wigmore and her band The Echograms deliver swirling ‘bluegaze’ soundscapes with a gritty raw emotion. Taken from their debut EP, ‘Lovesick’ glistens with a fizzing atmospheric allure and fierce riffs, offering an immersive reflection on limerance and the realisation that people often don’t live up to our expectations of them. With its intricate and captivating musicality, this debut signals The Echograms as definite ones to watch.
(Mari Lane – Managing Editor)

VERO – ‘Dead Train’
Another month, another excellent single from Stockholm trio VERO. ‘Dead Train’ is the third track to be lifted from the band’s upcoming second album, Razor Tongue, set for release on 20th March via PNKSLM. Their new record is inspired by their restless, urgent spirit and I think that translates perfectly through their brooding, grunge-inspired riffs and angst-ridden vocals. VERO will be playing a London headline show at The Shacklewell Arms on 26th March. I can’t wait to hear these tracks in the flesh! (Kate Crudgington – Features Editor)

Pixie Cut Rhythm Orchestra – ‘I’ve Been Here Before’
I’ve been a big fan of Dublin’s Pixie Cut Rhythm Orchestra since Irish musician Fears recommended them to us on our Soho Radio show in 2021. I’m thrilled that they’re back with new single ‘I’ve Been Here Before’, which is a gritty reflection on the “performative lifestyles and the instability of modern city living”. As always, Sarah Deegan’s witty and cutting lyricism shines through, thanks to her distinctive vocals and the grinding riffs that underscore them. (KC)

Blackwater Holylight – ‘Bodies’
Having recently released their fourth album, Not Here Not Gone, LA based Blackwater Holylight combine dreamy psych-tinged soundscapes with a fierce power to create a sound that is entirely their own. Taken from the album, latest single ‘Bodies’ showcases the band’s ability to interweave immense, doom-laden soundscapes with an immersive transcendental majesty. Read about some of the albums that inspire drummer Eliese Dorsay the most in our recent Five Favourites feature. (ML)

Kathryn Mohr – ‘Property’
Oakland-based artist Kathryn Mohr is adept at capturing a heavy mood in her music and her latest single ‘Property’ is no exception. Lifted from her upcoming second album, Carve, which is set for release on 17th April via The Flenser, it’s an “amalgamation of dream images and visions” that Kathryn had throughout 2025, drenched in reverb and full of her potent vocals. Her upcoming record is a poignant reflection on love, grief, intimacy and isolation and how these things inform our understanding of ourselves over time. (KC)

Topsy Turvy – ‘Five Guitars’
Galvanized by their frustrations at the behaviour of a male touring musician in their hometown music scene, Vienna-based DIY rock trio Topsy Turvy penned their new album, the excellently titled Fighting the Ginormous Macho Nacho, in righteous retaliation. Set for release on 23rd May via Siluh Records, the album blends their garage-punk, psych-rock influences with upfront lyricism and direct vocals, with single ‘Five Guitars’ perfectly showcasing their new-found anarchic attitude. (KC)

Charley Stone – ‘Forever Your Love’
With February traditionally being a time to celebrate romance, GIHE fave Charley Stone has decided to share a lilting ode to unrequited love. As shimmering hooks fizz alongside Stone’s distinctive honey-sweet vocals and playful tongue-in-cheek lyricism, ‘Forever Your Love’ reflects on feelings of longing from a hopeless romantic for something unattainable. (ML)

Top Shortage – ‘Susan Stryker’
Having become a leading figure in Oxford’s queer community and DIY scene before even officially releasing any music, Top Shortage have now shared their first proper single. Oozing a fierce raw emotion with a driving post-punk energy, ‘Susan Stryker’ draws on an excerpt from transfeminist theorist Susan Stryker’s 1994 essay, My Words to Victor Frankenstein Above the Village of Chamonix, with a striking, impassioned drive. Pushing against the notion of bodies, sex and gender as natural and immutable, the track offers a timely and cathartic anthem calling for trans liberation. Vocalist Noa expands: “Trans people are so often seen as monstrous by a bigoted society – the essay, and this song, reclaims that monstrosity and makes it a rallying cry.’ (ML)

Lemonade Sin – ‘Murmurs and Creaks’
Consisting of members you may recognise from other bands over the years, London-via-Devon quintet Lemonade Sin create catchy slices of indie-pop based around the songwriting partnership of Lee Friese-Greene (Sidi Bou Said, Soup, Short-Haired Domestic) and Simon Aldous (Umbrella Heaven). With the addition of Jennifer Denitto (BCOS RSNS, Linus), Charlotte Beale (Joan, Soup) and Robin Morgan (Umbrella Heaven, Joan) to complete the line-up, they’re now set to release their third album this Spring. Our first taste of the album comes in the form of latest single ‘Murmurs and Creaks’. Inspired by the fictional pairing of Jane Eyre and Edward Rochester, it interweaves motorik rhythms with swirling synth patterns and distinctive vocal harmonies to create a driving, Stereolab-reminiscent indie-pop anthem. (ML)

WIDGET – ‘Chamois Leather’
Following on from their self-titled debut EP in 2024, East London post-punk supergroup (featuring members of Big Joanie, all cats are beautiful, Junodef and Zahra Haji Fath Ali Tehrani) WIDGET have now shared a genre-bending new single. Fusing together funk-fuelled hooks with a fierce groove and Ky’s stark spoken word vocals, the track cements this awesome collective as definite ones to watch, and we cannot wait for them to headline for us at New River Studios on 13th March, with support from Coventry jazz-punk band The Genes and DIY newcomers Lunar Riot. Tickets are on Dice now and as always, they are cheaper in advance – it’s going to be a lot of fun, hope to see you there! (ML)

Gemas – ‘Hola’
This joyful slice of grunge-tinged dream-pop comes courtesy of Costa Rica-based DIY band Gemas. Taken from the band’s recent EP, Miedo a perder (which roughly translates as “Fear Of Losing”), this track ‘Hola’ deftly captures their self-defined “soft but restless, intimate but charged” energy. (KC)

Lauren Auder – ‘Praxis’
I’m still hammering London-based composer and producer Lauren Auder’s track ‘the ripple’ (my favourite from her 2023 debut album, the infinite spine) but I’m ultra pleased to see that she’s back releasing brand new music. ‘Praxis’ is lifted from her upcoming second album, Whole World As Vigil, which is set for release on 27th March via untitled. I love her rich, sensual voice and her innovative layering of synths, vocals and samples here – including the sound of a power drill cutting through metal! (KC)

Miss Grit – ‘Stranger’
This shape-shifting alt-pop tune from New York-based, Korean-American musician Miss Grit is taken from their upcoming new album, Under My Umbrella, which is set for release on 24th April via Mute. ‘Stranger’ is Miss Grit’s attempt to escape feelings of betrayal, underscored by contrasting synth textures, compelling beat changes and their translucent vocals. (KC)

ESYA – ‘Heaven’
I was so happy to see new music from ESYA – the solo project of Ayse Hassan (Savages, Kite Base, 180db) – in my GIHE inbox! This single ‘Heaven’ is lifted from her upcoming debut album, Chasing Desire, which is set for release on 10th April via AOK records. It’s an industrial-tinged soundscape, blending ESYA’s yearning vocals with atmospheric synths and propulsive rhythms. Her previous EP releases were captivating collections of eclectic sound and I expect that her debut full length offering will be equally as impressive. (KC)

TEll A ViSiON – ‘IDLU’
Propelled by terse tribal beats and a fierce driving energy, ‘IDLU’ is the latest single from genre-defying Berlin-based artist TEll A ViSiON. A play on words, with the title being an acronym for ‘I Don’t Like You’, the track offers a visceral statement of empowerment and freedom, emanating a raw emotion and gritty sense of urgency. (ML)

Maria BC – ‘Rare’
Another ambient shoegaze gem from American artist Maria BC here. Taken from their upcoming third album, Marathon, which is set for release on 27th February via Sacred Bones, ‘Rare’ is Maria’s sonic rumination on insomnia and romantic infatuation. “This is a song about being in love with someone who never sleeps,” they comment. “I’m proud of the chaotic arrangement – the skittering percussion, the discordant twang of my ancient zither.” Maria has expanded their sonic palette even further on their upcoming release, and I’m looking forward to listening to it in full. (KC)

Laura Misch – ‘Echoes’
I first became aware of saxophonist and composer Laura Misch when London-based artist afromerm recommended her to us on our Soho Radio show back in 2023. Since then, she has consistently impressed me with all that she’s released, and her latest single ‘Echoes’ is no exception. Described as a “transportive saxophone and voice-led meditation,” the track is lifted from her second album, Lithic, which is set for release on 5th June via iconic label One Little Independent Records. ‘Echoes’ was inspired by Laura’s equally profound reactions to observing both the ancient Paleolithic figurines of the mythic Venus, and the instinctive sense of “wonder” she also felt watching her friend’s baby crawling across the floor. To celebrate the release of her new album, Laura will play her biggest headline show to date at London’s Barbican on 3rd July. (KC)

Lauren Von Bülow – ‘Black Beach’
Inspired by a deep connection to her natural surroundings on the South coast of England, ‘Black Beach’ is the debut single from Hastings-based songwriter Lauren Von Bülow. It’s an atmospheric, emotionally charged offering that sees her blend introspective lyrics with shadowy electronics and brooding vocals. ‘Black Beach’ is also accompanied by a music video that Lauren filmed locally, which you can watch below. (KC)

Monday’s Child – ‘Over Again’
A bittersweet declaration of pure love, ‘Over Again’ is the latest single from Belfast-based band Monday’s Child. It’s their first piece of new music since the release of their debut EP, Modern Affair (2025), full of dramatic fluctuations in rhythm in volume, reflecting the emotional turbulence that underpinned the track’s conception. Speaking about ‘Over Again’, lead vocalist Jen says: “This song was as difficult to write as it is to describe – it is a deeply introspective and personal look at my doubts and fears in the face of a pure love, and trying to decipher whether or not these thoughts are worth paying heed to or are just a normal part of relationships”. (KC)

Misty Coast – ‘Hallucinating’
I love this warm, hazy new track from Norwegian psych-pop duo Misty Coast. Formed of Linn Frøkedal and Richard Myklebust (from noise-rock outfit The Megaphonic Thrift), together they blend soft vocals with breezy synths and riffs to create their melodic musings. “‘Hallucinating’ is about trying to filter out what’s real in a chaos of noise and dopamine factories competing for your attention,” the band explain, “When the unrest and distractions become so overwhelming that you can no longer think your own thoughts, it’s time to hit the brakes.” (KC)

Dayydream – ‘Proximity’
Glasgow-based independent artist Chloe Trappes aka dayydream is gearing up to release her new EP, Trace, on 13th March. The follow up to her 2022 debut Bittersweet, the five track EP traces Chloe’s development as a songwriter and as a young adult, informed by a strong sense of nostalgia. This single ‘Proximity’ is a fitting introduction to her softer sound. Backed by a full band, she articulates sentiments about coming-of-age beautifully. (KC)

Leonor Arnaut – ‘Avé, Raposa’
Following her hypnotic debut single ‘Vida Cega’, Portuguese artist Leonor Arnaut has now returned to grace our ears with a stirring new offering. Made in LA under the mentorship and production assistance of Julia Holter and exploring themes of choice and desire, drawing on the possible symbolism of the fox in Phoebe Waller-Bridge’s series ‘Fleabag’, ‘Avé, Raposa’ ripples with an effervescent swirling majesty as Arnaut’s beautifully rich, celestial vocals soar. An exquisite insight into what to expect from this innovative new artist. (ML)

Montauk Hotel – ‘Never Quiet’
A melodic exploration of sensory overload in a chaotic world, ‘Never Quiet’ is the latest single from Dublin-based band Montauk Hotel. Through their considered lyricism and buoyant dream-pop riffs, the band extrapolate on the feelings of alienation that come from “living in a loud world where technology and political agendas distract from empathy and truth.” Recorded by the band in their home studio and mixed by Ryan McGroarty from Beauty Sleep, ‘Never Quiet’ gently distracts listeners from these overwhelming thoughts. (KC)

Sister Ghost – ‘Not Your Toy’
Having been a big fan of Northern Irish DIY rocker Shannon Delores O’Neill – aka Sister Ghost – for a number of years now, we’re super excited that she’s set to release a brand new EP this Spring. Taken from the EP, recorded in LA alongside producer Brad Wood (Liz Phair, Veruca Salt, Smashing Pumpkins, Placebo) and drummer Jeff Friedl (A Perfect Circle, DEVO), new single ‘Not Your Toy’ offers an empowering ode to survivors of coercive control whilst showcasing O’Neill’s seething, soaring power. Reflecting on the track, she explains: “Whilst it’s sadly very likely to be the case that many listeners will also identify with the subject matter, it’s my sincere hope that by being vocal about it we can help call out these coercive behaviours and reclaim our collective power.” (ML)

No Drama – ‘Doorstep’
This cathartic track from Toulouse-based indie punks No Drama is inspired by the brevity and in-continuity of relationships. It’s taken from their new EP, Isolated Areas, which is set for release on 6th March via Hidden Bay Records. Together, Christèle Gaye (drums), Manon Raupp (guitars, vocals, bass) and Daniel Selig (guitars, vocals) create loud, commanding alt-anthems that help to relieve the pressure of the grind of everyday life. (KC)

 

Shallow Honey – ‘The Bear’
Recently blowing us away with their fierce charisma and playful charm when playing live at The Waiting Room last month, Sussex band Shallow Honey have now released a raging new single. Released as an ‘anti-valentines’ anthem, ‘The Bear’ offers a gritty reflection on those men who became inexplicably furious and defensive over the conversation meant to highlight the safety issues faced by women and girls. An incredibly resonant and necessary subject right now, the track showcases the band’s ability to combine their trademark tongue-in-cheek wit with a ferocious riot grrrl-inspired energy. (ML)

Pondlife – ‘Cello’
Having just announced the release of a new EP later this year, London slacker rockers Pondlife have now shared title track ‘Cello’. Propelled by scuzzy hooks and swirling atmospherics, it’ll draw you in with a wistful allure, offering a hazy insight into the band’s shoegaze tinged soundscapes. (ML)

K Maybe – ‘Skin Hungry’
The latest single from Surrey band K Maybe, ‘Skin Hungry’ reflects on feelings of loneliness and that longing for human touch with a driving, relentless energy. As screaming guitars are juxtaposed with the delicate sense of melancholy that oozes through the lyrics, it offers an instantly catchy slice of stirring alt-rock. (ML)

Frances Murray – ‘Adults’
Essex-born, Brighton-based musician and producer Frances Murray – who used to go by the name BLAB – is back with brand new music! This single ‘Adults’ is taken from her upcoming debut solo album, Dreamer, which she’ll be self-releasing on 10th April. It’s a witty take on her “quarter life crisis” – something anyone over the age of 25 can definitely relate to. (KC)

 

CLICK HERE TO LISTEN ON TIDAL

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PLAYLIST: August 2025

We’re publishing our August Playlist slightly later than planned, but we hope our eclectic mix of punk anthems; indie and alt-folk gems, evocative beats, emotive electronic soundscapes & instrumentals will still provide the perfect soundtrack for your eager ears! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform, so we have included YouTube and/or bandcamp links for all of the tracks on this playlist. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on their social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

 

Breakup Haircut – ‘The Algorithm’s Trying To Kill Me’
We’re so so excited to see the return of DIY faves and First Timers alumni Breakup Haircut! Following 2022’s fantastic debut, Punk Dancing For Self Defence, they’ve now released the first in a string of new singles ahead of a second album – due for release this autumn via INH Records. A deeply relatable anti-capitalist anthem, ‘The Algorithm’s Trying To Kill Me’ showcases the band’s trademark playful sardonic wit and scuzzy punk-pop energy whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. I’m very much looking forward to hearing more from them soon, which we all can when they join us at New River Studios on 10th October, supporting Strange New Places with Junk Whale. Nab tickets on DICE now! (Mari Lane – Managing Editor)


Problem Patterns – ‘Classic Rock Has Become My Prison’
Ahead of their upcoming new EP, Boring Songs For Boring People, due via Alcopop! Records on 12th September, and following recent release ‘I’m Fine and I’m Doing Great’ (which was on the BBC 6Music playlist for four weeks!) Belfast queer punk pals Problem Patterns have now shared this immense new single. Offering a wonderful parody on the sexist ideals of many classic rock heroes, ‘Classic Rock Has Become My Prison’ was initially inspired by Bev feeling imprisoned by her neighbour’s daily blasting out of certain bands at an obnoxiously loud volume, and has developed into a fiercely raging ‘cock-rock’ anthem.

Of the track, Bev explains: “the more I thought about classic rock tunes, the more I thought about the sexism and misogyny rampant in the lyrics of even the most popular songs. Musically, we took on classic rock alter-egos, ripping solos, chugging riffs, hitting the drum fills just right, before letting loose that patented PP anger.” Prizes for anyone who can identify any of the twenty five cocky lyrical references patchworked into the song – I think I can name a few, which I might run by the band when THEY HEADLINE OUR 10TH BIRTHDAY ALL DAYER ON 27TH SEPTEMBER! We cannot wait. Tickets are now officially sold out, but feel free to join the waiting list on DICE in case anyone has to return theirs. If you have a ticket, we’ll see you at The Cavendish Arms on the 27th, along with so many other faves like Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more!
(ML)

Madame So – ‘Sick Of It All’
Indie art-punk artist Madame So is back with an aptly named new single ‘Sick Of It All’, a cathartic anthem inspired by the need to stand in solidarity with oppressed nations and victims of war crimes. It was originally written in 2024, but Madame So’s anger and lyricism remain just as relevant a year on. She wants to be clear that the song is not about exploiting suffering, but about “using music as a tool to open eyes and spark conversations that matter.” (Kate Crudgington – Features Editor)

CARNE – ‘VAST’
This is the second single from Brighton-based grunge four-piece CARNE, who are fronted by vocalist and guitarist Carmen Mellino. ‘VAST’ is both a “tribute” to a niche band of the same name that Carmen admires, as well as an exploration of the complexities of human connection and how this can be affected by the intensity of touring as a band. It’s full of crushing riffs and lush melodic vocals, inspired by iconic ’90s grunge icons like The Smashing Pumpkins and Hole. (KC)

Yuppie Supper – ‘Neocanine’
A new favourite band for sure, Leeds based DIY trio Yuppie Supper are set to release their second EP, The Mondegreen, on 10th October, and our first taste of that comes in the form of recent single ‘Neocanine’. Voicing their frustration at being forced to choose between the far right and more of the neoliberalism of the last 40 years, the band offer trans-lead, grunge-fuelled anthems, and I can’t get enough of their fiercely angst-driven energy. (ML)

Vanelle – ‘Blue Curls’
‘Blue Curls’ is an angst-ridden reflection on adolescence from Berlin-based trio Vanelle. Released via Beans On Toast Records, the newly launched sub-label of Duchess Box Records, the track is taken from the band’s upcoming self-titled EP, which is set for release on 3rd October. Through heartfelt lyrics and brooding guitar riffs, the band explore what it’s like to feel left out and like you don’t fit in when you’re growing up. (KC)

steel. – ‘DFTTM’
I was lucky enough to attend a day of Decolonise Fest at Signature Brew – a fantastic event promoting punks of colour and their community. Starting off with an incredibly inspiring and informative panel from YWMP, Good Night Out Campaign, Spark The Noise and Off Shoot Tours about creating safer spaces for marginalised groups to enjoy live music, the day and evening was filled with so much incredible live music, including the playful, jazz-tinged energy of Coventry’s The Genes, post-punk legends Bona Rays and the driving frenzied indie anthems of Liverpool’s ones to watch, steel. (ML)

adults – ‘patterns’
Set to release their second full-length album next month, South London indie-punks adults have now shared the first taste of what to expect. A nostalgic ode to London’s DIY scene, offering a wistful reflection on how the city’s changed and the deep sense of loss that has come with this, ‘patterns’ flows with the band’s trademark jangly energy and fuzzy hooks. As twinkling harmonies ripple with a gentle raw emotion, it builds with an anthemic sense of hope as sparkling synths conjure memories of dancing into the night at beloved venues like Moth Club and Power Lunches. I can’t wait to hear more of the band’s beautifully heartstring-tugging, head-bopping creations when they play the Divine Schism all-dayer at New River Studios next Saturday 13th September. the seeds we sow are sprouting buds nonetheless, the upcoming new album from adults, is set for release on 31st October via Fika Records. (ML)

Jessie Mac – ‘Trans Is Beautiful’
This is a powerful (and incredibly catchy) “sonic statement” from South East London trans DJ, producer and label owner Jessie Mac. By sampling the words of American actress and LGBTQ advocate Laverne Cox and combining them with her own shape-shifting club beats and electronics, Jessie has created an LGBTQIA anthem that is equal parts poignant, political and playful. (KC)

Tusks – ‘Adore’ remix by I.JORDAN
I loved the evocative, original version of ‘Adore’ by London-based artist Tusks (released back in 2024), lifted from her third album, Gold. This re-imagining by Doncaster-born, London-based DJ I.JORDAN is completely different – fueled by an infectious dance beat – but it still retains the emotive pull of Tusks’ original release. This track will feature on Tusks’ upcoming EP, Gold – The Remixes, due on 1st October via One Little Independent Records. (KC)

Stealing Sheep – ‘Take Me Back’
The latest single from Liverpool’s Stealing Sheep, ‘Take Me Back’ is propelled by glitchy immersive beats as euphoric, swirling synth-driven hooks create a “rave-drenched fever dream”. A playful, ‘80s-inspired ode to surrealist art-pop and the joyous glow of nights spent on dancefloors into the early hours. ‘Take Me Back’ is our first taste of GLO, the band’s upcoming new album. (ML)

Ho99o9 ft. Nova Twins, Pink Siifu, Yung Skrrt – ‘Incline’
A DREAM collaboration here from two personal favourites: rap-punk duo Ho99o9 and alt-heavy icons Nova Twins. The girls’ incendiary riffs perfectly underscore Ho99o9’s visceral verses. The track features on the Ho99o9’s upcoming album, Tomorrow We Escape, which is set for release on 9th September. The record will also feature a contribution from Chelsea Wolfe – I can’t wait to listen to it in full. (KC)

Pets and Doom and Gloom – ‘Mina’
This track from London-based dark electronic duo Pets and Doom and Gloom is peak “Gloomy Grrrl” territory. ‘Mina’ is lifted from the band’s debut EP, Lone and Level, which was released on 5th August to coincide with oil giant BP’s quarterly earnings announcement. The band’s apocalyptic sounds and haunting vocals are their way of pushing back against a damaged world; something that’s epitomised on ‘Mina’ which they describe as “a trip hop tale of vengeance.” (KC)

Tyler Holmes – ‘Copy’
Having first fallen in love with innovative artist Tyler Holmes’ poignant electronic soundscapes back in 2021 when they released their album, Nightmare In Paradise, I was excited to see their name crop up in my inbox again last week. Set to release an experimental new album at the end of the month, over the last few years Holmes has experienced a great deal of change in their life – including the death of a parent and heartbreak – though the new record focuses more on the theme of the natural world and how we accept our place in it. Beautifully interweaving stark reflections into textured soundscapes that evoke both the serene and brutal side of nature, the album is built on the bones of ‘The Southern Reach Trilogy’ by Jeff Vandermeer and ‘No.44, The Mysterious Stranger’ by Mark Twain. Patience, the upcoming new album from Tyler Holmes, is set for release on 26th September via Ratskin Records. (ML)

Sijya – ‘I Only Want To Crash’
Another idiosyncratic, atmospheric soundscape here from South Asian composer, producer and graphic artist Sijya. ‘I Only Want To Crash’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September. The track evolved from an instrumental to include her ambiguous lyrical motifs, affording Sijya the emotional release she craves. (KC)

feeo – ‘The Mountain’
London experimental artist feeo is new to me, but I was transfixed by her calm voice and ambient drone sounds on this single ‘The Mountain’. Released via label AD 93, the track is inspired by the “dualities of the natural world” and how it can be both brutal and beautiful. (KC)

VERA SACRA – ‘Burning’
I found listening to this soundscape from experimental cellist, vocalist and producer VERA SACRA strangely soothing. Lifted from her debut EP, sacred spring, released via EMI North & Launchpad+, ‘Burning’ is a beautiful reflection on the artist’s “fractured yet vivid inner world.” She wrote and recorded her EP whilst travelling between Latvia, Estonia, London, & Sheffield, whilst also struggling with psychosis at the time. The result is a glitchy but captivating collection of tracks that showcase her immense talent. (KC)

The New Eves – ‘Astrolabe’
Congratulations to Brighton-based four-piece The New Eves who released their debut album, The New Eve Is Rising, earlier this month! The band blew us away with their unique live performance of what they have coined as “Hagstone Rock” when we saw them at The Great Escape Festival earlier this year and we can’t wait to catch them again at their headline show at London’s Hoxton Hall on 7th October. (KC)

Daffo – ‘Dagger Song’
Set to release their debut album later this month, Gabi Gamberg – aka Daffo – has shared stirring new single ‘Dagger Song’. I’m such a big fan of the LA based artist and the sparkling, heartfelt emotion that seeps through all they create; even more so since seeing them live at The Great Escape this year. Watching them alongside Hanni and Clara from ARXX and Rach from Comic Sans was a big highlight of the weekend for me! Their debut album, Where The Earth Bends, is out on 26th September via Concord Records, and they will be playing a few dates in the UK in October, including The Lower Third in London on 31st October – a nice Halloween gig. (ML)

The Cords – ‘I’m Not Sad’
The latest single from Scottish duo The Cords, ‘I’m Not Sad’ offers a perfectly upbeat, short and sweet blast of joyous energy. Propelled by a lilting surf-pop energy and singalong refrains, it’s a gloriously glistening slice of indie-pop with shades of the likes of fellow Scots Camera Obscura or Belle and Sebastian. I can’t wait for the release of their debut album on 26th September via Skep Wax Records. (ML)

The Schla La Las – ‘1234’
A supergroup of sorts, lead by Piney Gir, The Schla La Las built up a reputation for their joyous live shows within the indie-rock scene of the early noughties. Now, after being away from our ears for eighteen years, they have returned with a wonderfully uplifting new single. Showcasing their punky, poppy energy and sugar-sweet allure perfectly, ‘1234’ is accompanied by a super cute, strangely empowering, lego-stop motion video for the song. Find out more on our premiere feature here. You can witness the sparkling allure of The Schla La Las live at Dream Bags Jaguar Shows on 15th November. (ML)

jasmine.4.t – ‘Woman’
GIHE favourite jasmine.4.t has recently shared a heartfelt fan film to accompany her song ‘Woman’. Of the song and video, she explains: “We wanted to show the world this queer love and solidarity, to show the world that trans people are loved, to show the world all of the beautiful responses we have to trans art. So we put out a call for video clips from fans of them responding to ‘Woman’, singing, playing, dancing. We edited the clips into this, a fan video for the song and I can’t believe how beautifully it has turned out.”

Watch the incredibly beautiful video and please have a look at the information shared by Not A Phase about the recent EHRC proposals for the mandatory exclusion of trans people from gendered spaces, the terrifying consequences this could have and next steps that we can take to stop it being put into effect. You could also donate to The Good Law Project who run loads of great campaigns and are challenging the Supreme Court’s ruling to overturn the Equality Act, as it seeks to take away further rights of trans people – breaking actual Human Rights Laws. (ML)

Ailsa Tully – ‘Choosing’
Following recent releases ‘Self Soothing’ and ‘Womb Room’, Welsh artist Ailsa Tully has now shared stirring new single ‘Choosing’. Written shortly after her father passed away, it offers a poignant reflection on moving and feeling unsettled; a plea for some stability. As a dark ethereal splendour shimmers alongside its lilting folk-strewn musicality, the heartfelt grace and twinkling delicate emotion of Ailsa’s celestial vocals shines throughout. A truly beautiful new offering, that I’m pleased to say is being shared with the world at a time when Ailsa is feeling more settled and has found somewhere – with someone she loves – that she feels able to call home. (ML)

Madison Cunningham – ‘My Full Name’
Ahead of the release of her new album next month, LA songwriter Madison Cunningham has shared ‘My Full Name’. A vulnerable reflection on heartbreak and loss, her sweeping crystalline vocals float alongside twinkling keys with a soaring delicate emotion. Ace, the upcoming album from Madison Cunningham, is set for release on 10th October. (ML)

Hand Habits – ‘Bluebird Of Happiness’
Having recently released their poignant new album, Meg Duffy – aka Hand Habits’ – latest single ‘Bluebird Of Happiness’ interweaves their distinctive rich vocals with fuzzy layers of sound amidst a shimmering subtle optimism. Of the track, they comment: “One day my partner asked what birdsong we were hearing through the window and I was like, ‘well that’s the bluebird of happiness obviously,’ and it became a joke song I would sing around the house, but then it grew wings… I also got curious about the history of the bluebird of happiness, and found that it has mythological significance.” Blue Reminder, the new album from Hand Habits, is out now via Fat Possum. (ML)

Kate Stables, Jesca Hoop, Lail Arad – ‘Raised On Robbery’
Having been lucky enough to attend a special Songs Of Joni Mitchell event at The Roundhouse last year, I was excited to hear that organiser Lail Arad, along with fellow artists Kate Stables (This Is The Kit) and Jesca Hoop, are set to release an EP of Joni covers this week to accompany their tour this autumn, continuing their heartwarming ode to the music of one of the world’s most inspirational artists. As a life-long fan of Joni, and a many-years-fan of these three artists, it’s such a joy to hear them celebrating her work, and creating their own sparkling renditions of some of my most favourite songs. They will be playing Shepherd’s Bush Empire on 13th November, along with a big run of UK dates throughout the autumn. The Songs Of Joni Mitchell Vol 1, the upcoming EP, is out on Friday 12th September. (ML)

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LISTEN: GIHE Live on Soho Radio (03.04.25)

Tash and Kate were live in the Soho Radio this month, playing plenty of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists. They spoke about upcoming GIHE gigs in April (Comic Sans and STRAIGHT GIRL), enthused about the artists they selected for their individual ‘Tracks Of The Show’ (HAAi, Eilis Frawley and Tamara & The Dreams) and Tash teased the story of her recent raunchy dream featuring Courtney Love. Mari also shared some of her musical musings too!

Check out the full list of artists featured on the eclectic playlist below.

Listen back to the show here:

 

We’ll be back on Soho Radio live on Thursday 1st May from 4-6pm!
Tune in via www.sohoradiolondon.com or ask your smart speaker to “Play Soho Radio”

 

Tracklist
HOLE – Plump
Scrounge – Buzz/Cut
otta – FULL OF YOU
WOOM – Circe
NYX – Awe
Sophia Warren – GRIN
Grandmas House – Haunt Me
Wet Leg – catch these fists
Um, Jennifer? – Delancey
Strange New Places – YATPYFL
Blood Orange, Yves Tumor, Ian Isiah – Smoke – Remix – Mixed
Kelly Lee Owens – Rise (Or:la Remix)
Slung – Thinking About It
Wife Patrol – We Who Are About To
RUBIE – To Change
Ella Fitzgerald – In A Mellow Tone (Live At The Coliseum)
HAAi – Can’t Stand To Lose (Tash’s Track Of The Show)
Eilis Frawley – Hallucinations (Kate’s Track Of The Show)
Tamara & The Dreams – Successful Bisexual (Mari’s Track Of The Show)
Neev – I Put It In A Frame
BERTY – Big Leap
Annie Dressner – For The Thrill Of It
Kat Five – Switch
Anika – Walk Away
HOTWAX – Strange To Be Here
Hot Wife – Queen
Dogviolet – Dandelion
Kedr Livansky – Easy Rider
Comic Sans – Mr President

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PLAYLIST: November 2024

The Get In Her Ears team have put together another mix of alternative, grunge & shoegaze anthems, eclectic electronic soundscapes, alt-pop tunes and indie-folk musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Kills Birds – ‘Behind’
Mari & I saw LA band Kills Birds live at Hackney’s Moth Club back in 2022, and I remember front person Nina Ljeti being a colossal force on stage. It’s great to see that the band are back with ‘Behind’, a seething new anthem and their first new music since their second album, Married (2021). Check out the accompanying video for the track here.
(Kate Crudgington – Features Editor)

Girl Tones – ‘Fade Away’
A proper stomper of a track from sister duo Girl Tones here! ‘Fade Away’ is their debut offering, produced by Brad Shultz of Cage The Elephant and released via his label Parallel Vision. The pair blend visceral riffs, propulsive beats and defiant vocals together to create this irresistible cacophony of noise. Watch the accompanying video here. (KC)

Sacred Paws – ‘Another Day’
After a five year hiatus, we’re super excited that London/Glasgow duo Sacred Paws have returned to our ears. We love everything that Ray Aggs does and were honoured to have them headline one of our gigs earlier this year, and now the revival of this project with Eilidh Rogers comes as a very welcome surprise. Reflecting on the theme of remaining positive in the face of heartbreak, new single ‘Another Day’ flows with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, whilst introducing a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait!
(Mari Lane – Managing Editor)

Alien Chicks – ‘Babe’
I’ve been following Brixton trio Alien Chicks since Mari booked them for a GIHE gig back in 2022. Since then, their dynamic, blistering anthems have seen them support Mercury Prize winners English Teacher on their UK tour, and they’ve released their debut EP, Indulging The Mobs. ‘Babe’ is another antagonistic offering from the trio that playfully explores the idea that “we’re all masochists, politically and socially.” (KC)

Jæd – ‘Sight Gas Went Uh’
Another unique offering from London-based Irish-Puerto Rican musician Jæd here, taken from her debut album, I Loved The Gauntlet And There Was No Other Way. Set for release tomorrow (29th Nov) via cult Irish label The Delphi Label, the record is a visceral, eclectic cacophony of sounds inspired by the uncertainty and hardship that Jæd has lived through. She played a GIHE gig for us in October last year supporting Pixie Cut Rhythm Orchestra and we were all blown away by her stage presence, dynamic vocal range and guitar playing. ‘Sight Gas Went Uh’ is the perfect example of all three. Watch the accompanying live performance video here. (KC)

Eilis Frawley – ‘Fall Forward’
Having recently headlined for us at New River Studios as part of Kara Delik, Berlin-based musician Eilis Frawley has now announced the release of a new solo album in March next year. Ahead of the album’s release, she has shared title track ‘Fall Forward’. Interweaving whirring layers of sound, it combines glitchy electronics with Frawley’s distinctive poignant lyric storytelling and propulsive drum beats. Building with a searing sense of urgency to a glistening cacophony, it showcases Frawley’s ability to create innovative kaleidoscopes of sound. Fall Forward, the upcoming album, will be released on 7th March, and is co-produced by Frawley and Kat Frankie. Eilis Frawley will also be over in the UK for some live dates with her band next May – keep your eyes peeled! (ML)

M(h)aol – ‘Snare’
“‘Snare’ is about countless conversations I’ve had since my first drum lesson on my ninth birthday about how bizarre it is that I play that instrument, or how I should be doing it differently,” explains M(h)aol’s lead vocalist and drummer Constance Keane. “The idea of society gendering an inanimate object like a drum kit, when it’s something that brings me so much joy and release, has always frustrated me hugely, and I thought it was time to sing about it.” I’ve been a big fan of Irish post-punks M(h)aol since they released their debut single ‘Laundries’ back in 2020, and despite recent lineup changes, it’s great to see that the band have lost none of their momentum. ‘Snare’ is another potent anthem about autonomy and empowerment, delivered with the band’s trademark visceral grit. (KC)

Glixen – ‘Lick The Star’
I’ve loved everything that Phoenix shoegazers Glixen have released this year. Taken from their upcoming EP, Quiet Pleasures, which is set for release on 21st February 2025, their latest single ‘Lick The Star’ smoulders with longing, building from it’s gentle atmospheric intro into a potent wall of sound. (KC)

Brutus – ‘Paradise’
Belgian heavy trio Brutus are back with this majestic new track ‘Paradise’. Originally written for the Streamz Original drama series Putain, it’s full of the band’s trademark heavy riffs and drummer Stefanie Mannaerts’ impressive vocals. (KC)

Disarme – ‘Change’
I love this bittersweet debut single from Franco-Malagasy artist Disarme. Driven by a palpable but sublime sense of melancholy, ‘Change’ is inspired by the loneliness and disillusionment that can come from living in fast-paced, expensive city environments. Through her gentle vocals and evocative guitar riffs, Disarme attempts to soothe these pangs of anxiety. (KC)

Claire Pitt Wigmore – ‘Cerebellum’
Creating swirling slices of psychedelia, Margate musician Claire Pitt Wigmore and her band have recently shared new a EP. With lyrics reflecting on Claire’s experience of cancer and the treatment that follow, it fuses together elements of psych, shoegaze and jazz, it offers a stirring exploration of facing this immensely challenging experience at such a young age. Title track ‘Cerebellum’ fizzes with whirring hooks alongside Claire’s emotion-strewn vocals; an immersive introduction to what this new Kent band are capable of creating. (ML)

Janita – ‘Real Deal’
Inspired by two of her favorite films – The 400 Blows and Butch Cassidy and The Sundance Kid – this pop rock track from Finland-born artist Janita celebrates the joy of rebellion. It’s taken from her upcoming album, Mad Equation, which is set for release in May 2025. (KC)

Gay Skeleton Club – ‘W3t L3g’
London based queer DIY band Gay Skeleton Club formed at First Timers Fest last year and have been total faves of mine since they played live for us at Matchstick Piehouse in December. I just love their fizzing pop-punk sounds and quirky, tongue-in-cheek energy, and this track about the the infamous band that everyone seems to love to hate really is a total bop. It’s taken from the band’s new 7 track demos EP, and showcases the band’s raging, fun-filled spirit. I cannot wait to have them play for us again soon. (ML)

Roller Derby – ‘Emily’s Dance’
Hamburg dream-pop duo Roller Derby recently announced the exciting news that they will be releasing their debut album in February next year and have now shared the fourth single to be taken from it. Reflecting on the juxtaposed feelings of powerlessness and fascination in the face of the universe, ‘Emily’s Dance’ interweaves atmospheric dream-pop with shades of ‘80s synth-pop, creating a swirling, mystical soundscape. This new single is accompanied by beautifully animated video, perfectly encapsulating the essence of the track – have a watch here. When The Night Comes, the debut album from Roller Derby, is set for release on 28th February, and the band will be over in the UK for a little run of dates in May – nab tickets here. (ML)

Joni – ‘Avalanches’
Having toured with the likes of Laura Viers and Aqualung and written for many of the biggest names in pop, London-based American artist Joni has now shared her brand new single. Oozing a glistening emotion, ‘Avalanches’ offers a poignant reflection on the duality of love and heartbreak, as it flows with lilting melodies and heartfelt- sugar-sweet vocals. (ML)

All Cats Are Beautiful – ‘livin a life on splitscreen’
In 2021 London based duo All Cats Are Beautiful released their gorgeous mini album, The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally feel ready to share new music with EP, Just Kids; a heart achingly beautiful reflection on love and loss. The opening track from the collection, ‘living a life on splitscreen’ oozes a swirling emotion-rich splendour. As delicate electronic hooks and a twinkling rippling energy provide the backdrop for the vulnerability and raw emotion of its nostalgic reflective lyricism, it offers glistening shades of hope as it reflects on a roadtrip across LA that Ky took with their partner a year before the tragedy occurred. The rest of the EP delves into stark reflections on the pain that comes with losing someone you love intensely; as the band so perfectly put it: “grief is just love with no place to go”. Thank you to Ky and Elena for sharing such a beautifully cathartic and honest collection with us. (ML)

Dirt Flirt – ‘Dramatic’
The solo project of London-based multi-instrumentalist Kit Eaton-Kent, Dirt Flirt reflects on queer identity, playfully combining introspective lyrics with glitchy beats and a playful energy. Exploring the complexities of being your own worst enemy, new single ‘Dramatic’ showcases her rich emotive vocals with a swirling empowering energy, creating an instantly catchy slice of alt-pop. (ML)

Cults – ‘Onions’
New York duo Cults have just rounded up their EU & UK tour, in celebration of their most recent album, To The Ghosts. This track ‘Onions’ features on the record, fizzing with its playful synths and Madeline Follin’s honeyed vocals. (KC)

paun – ‘counterintelligence’
‘counterintelligence’ is the latest single from Berlin-based, non-binary electronic artist paun. They lean into “grimey, futuristic and IDM-inspired” territory here, with their elastic synths and twitchy beats. paun is currently working on a new EP, which will be released in the near future, so keep your eyes peeled for that. (KC)

Birthday Problem ft. Molly O’Mahony – ‘The Language Of War’
Another eclectic creation from Irish collaborative electronica project Birthday Problem here. Formed of Matt Harris and Rocky O’Reilly, ‘The Language Of War’ is their seventh single, featuring songwriter Molly O’Mahony. Her vocals float over sci-fi synth textures and twitchy beats, creating a commanding soundscape inspired by the paradoxical nature of war. (KC)

afromerm – ‘reciprocity’
This track from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more. (KC)

Elsa Hewitt – ‘White Mirror’
Another exquisite electronic soundscape from GIHE fave Elsa Hewitt, lifted from her upcoming album, Dominant Heartstrings. Elsa also released an album called Chaos Emeralds earlier this year, which is one of my favourite records of 2024. (KC)

Kathryn Mohr – ‘Driven’
The music of Oakland-based artist Kathryn Mohr is new to my ears, but I was instantly captivated by her otherworldly sound. This track ‘Driven’ is taken from her upcoming album, Waiting Room, which is set for release on 24th January 2025 via The Flenser. Mohr wrote and recorded the LP over the course of a month, within the walls of a disused fish factory in Iceland and surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)

Penelope Trappes – ‘Sleep’
Newly signed to One Little Independent Records, I love this gloomy rumination from Brighton-based, Australian-born artist Penelope Trappes. Taken from her upcoming album, A Requiem, which is set for release on 4th April 2025, ‘Sleep’ is a reflection on the sublime power of nightmares and night terrors, with her haunting voice guiding listeners through her heavy atmospheric instrumentation. When I bumped into Penelope at Supersonic Festival in September earlier this year, she told me that she would be releasing this track and that the marvellous Maxine Peake and Kate Dickie would be starring in the accompanying video, directed by the excellent Agnes Haus. Watch it here. (KC)

MAUD THE MOTH – ‘Siphonophores’
Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH has shared this new single, alongside the announcement of her new album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore and Greek myth and poetry. ‘Siphonophores’ offers listeners a haunting insight into what they can expect from the record, filled with eerie keys, dramatic volume shifts and diaphanous vocals. Watch the captivating music video for it here. (KC)

Sharon Van Etten – ‘Afterlife’
Marking a new era with her band, long term favourite Sharon Van Etten has now announced the release of a new album, accompanying the news with an exquisite new single; an exciting taster of her new sound. Soaring with Van Etten’s distinctive rich, sumptuous vocals, ‘Afterlife’ builds with a celestial splendour to a soaring heartfelt anthem, tinged with shades of ‘80s Bruce Springsteen, whilst maintaining her own unique glistening raw emotion and innovative musicality. Sharon Van Etten & The Attachment Theory, The first album to be written and recorded in total collaboration with her band, is due out on 7th February via Jagjaguwar. (ML)

Julien Baker & Calvin Lauber ft. Soak, Quinn Christopherson – ‘Get Me Away From Here, I’m Dying’
After a few years of Julien Baker being one of my most listened-to artists, constantly seeking catharsis in the exquisite raw emotion and resonant reflections of her offerings, it was such a joy to finally see her live at one her five dates at Earth last week. And with beautiful support from Katie Malco and Soak, it really was an evening of (very emotional) dreams. I was there alone, in amongst a lot of teenagers and their parents, my heart gently shattering and tears falling down my silly 38 year old face throughout. For more eloquent words about the gig, a full review will be coming up on the website in the next couple of days. (ML)

Horsegirl – ‘2468’
With their second album due out in February next year, Chicago best-friend trio Horsegirl have now shared new single ‘2468’. Propelled by a jangly, playful energy, it showcases the band’s ability to interweave off-kilter sounds and influences into a perfectly scuzzy, musically rich taster of what’s to come on the upcoming LP. Phonetics, the new album from Horsegirl, is produced by Cate Le Bon and is set for release on 14th February next year. (ML)

Naima Adams – ‘Stay’
Described as “dub-fused percussive soul collision,” ‘Stay’ is the second single from South London-based artist Naima Adams. Her honeyed vocals and eclectic instrumentation fuse seamlessly together as she explores the difficulties of finding connection in everyday existence in the city. (KC)

Sunflower Thieves – ‘Same Blood’
This is the title track from Leeds alt-folk duo Sunflower Thieves latest EP, which is inspired by the strength of female friendship. Across five songs, the duo capture the shifts and nuances of long-term connections, shared experiences and growing pains, all underscored by their soft acoustic guitars and gentle vocals. (KC)

Aisha Badru – ‘In The Making’
Set to release her new album tomorrow (Nov 29th), Nigerian-American artist Aisha Badru offers beautifully stirring reflections on our life’s journey towards healing with a blissful charm and delicate effervescent grace. We recently caught up with Aisha about the album and her inspirations behind it, keep your eyes peeled for the interview over the next few days! The Sun Still Rises, the upcoming new album from Aisha Badru is set for release via Nettwerk. (ML)

May Payne – ‘Something Else’
Having received acclaim from Chris Hawkins on BBC 6 Music, and set to perform at the Royal Albert Hall tonight (28th Nov), young queer artist May Payne has been gradually garnering a large fan base since the age of 15 when they first started creating music while growing up in rural Dorset. With a delicate folk-strewn musicality, ‘Something Else’ showcases the rich sparkling grace of Payne’s exquisite emotion-rich vocals. It’s taken from recent EP release, High Demand. (ML)

Lauren Manning – ‘Melatonin’
For the past four years, South African born, London-based songwriter Lauren Manning has been working on her debut album. Set for release on 7th December, Four Walls blends all of her eclectic musical stylings together – indie, soul and jazz – and showcases her impressive vocal range. This single ‘Melatonin’ is lifted from the record, on which Lauren meanders through the restless thoughts that keep her awake at night. Lauren will be playing a headline gig in Peckham on 7th December to celebrate the release of Four Walls. Tickets and event details here. (KC)

Rattle – ‘Your Move’
Immense drumming duo Rattle first came to my attention when I saw them supporting The Julie Ruin at Koko in 2016, but since then they have released two albums and shared stages with other legends like Animal Collective and Thurston Moore. A spellbinding insight into rhythm and metre, new single ‘Your Move’ will immerse you in its mystical allure and tribal energy on first listen of each of its epic 15 minutes. Of the track, the band reflect: “The words Your Move might be about moving in an embodied way or freedom/movement/expression, but they are also an emboldening call to action…” (ML)

Bouche – ‘The King’
consistently centring queer, femme and other under-represented artists and DJs – Bouche has now shared a soulful new single. “The last song I’ll ever write about being disappointed or hurt by a man”, ‘The King’ offers an intimate reflection on relationships with a stripped-back jazz-tinged musicality and their soaring power of their pristine vocals. ‘The King’ is accompanied by a beautiful video, made in collaboration with Deniz Kavalali and incorporating elements of drag – Bouche makes their own drag beards out of their own hair! – an empowering ode to queer catharsis. (ML)

Emily Burns – ‘Die Happy’
This is the title track from British singer-songwriter Emily Burns’ debut album. Across twelve tracks, her confessional songwriting blossoms into an emotional catharsis for the artist, with ‘Die Happy’ showcasing her ability to create affecting indie pop anthems. (KC)

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