PLAYLIST: March 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our March Playlist features post punk anthems, Riot Grrrl ragers, grunge, shoegaze & dream-pop musings, indie & alt-folk tunes and some electronic & experimental sounds. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

VERO – ‘Dumb It’
Stockholm trio VERO have been firm favourites of mine since they released their debut LP, Unsoothing Interior, back in 2022. Fast forward two years, and they’ve shared a brand new equally as excellent record titled Razor Tongue. The band have retained their trademark sardonic lyrics and brooding riffs, but they deliver them with a potent new confidence, something which this track ‘Dumb It’ skilfully exudes. It was such a privilege to see them playing live at their debut London show at The Shacklewell Arms this week. You definitely missed out if you weren’t there.
(Kate Crudgington – Features Editor)

steel. – ‘Kismet’
Since being captivated by their swirling dark allure at Decolonise Fest last year, I’ve been a big fan of Liverpool post-punks steel., and I’d be surprised if you’re not a fan too after listening to new single ‘Kismet’. Instantly immersing you in their brooding majestic splendour, it showcases the band as purveyors of the most spellbinding of soundscapes. I cannot wait for steel. to play for us at The Great Escape on Saturday 16th May! They’ll be part of our showcase at The Beach Stage, along with other faves Problem Patterns, The Baby Seals, YAKKIE and Jessie Mac – keep your eyes peeled on our socials for more details.
(Mari Lane – Managing Editor)

Kathryn Mohr – ‘Doorway’
Taken from her second album, Carve, due on 17th April via The Flenser, Oakland-based artist Kathryn Mohr has provided another distinctively moody offering with this single. The lyrics to ‘Doorway’ were lifted from her own notebook, giving listeners a deep insight into her thoughts as she unravels them over restless, reverb-heavy riffs. Her upcoming record is a poignant reflection on the multi-faceted nature of memory, intimacy and isolation and how these things inform our understanding of ourselves over time. I can’t wait to hear it in full. (KC)

Upchuck – ‘Last Breath’
A track that lives up to its name! The urgency that underscores Upchuck’s latest single ‘Last Breath’ is palpable. It’s taken from their most recent album, I’m Nice Now, which smoulders with defiance and anarchic spirit. The Atlanta-based punk band will be returning to the UK in June this year to play gigs across the UK, including a headline show at Oslo in East London on 28th June. (KC)

CLT DRP – ‘What Is She For?’
A striking blend of jagged riffs, commanding beats and direct lyrics, Brighton-based art-punks CLT DRP have returned with this phenomenal new track. ‘What Is She For?’ dissects the notion of traditional gender roles and questions why these perspectives still haven’t shifted over time. “This single is a not-so-subtle protest to the endless requirements you have to meet as a DIY AFAB fronted band,” explains CLT DRP vocalist Annie Dorrett. Together with their bandmates, Annie is preparing to bring CLT DRP’s vital energy back to our eager ears with more new music in the very near future. (KC)

Lifeloose – ‘Lifeloose’
Described as “just two girls who want to let loose”, London-based experimental duo Lifeloose have sonically achieved just that on their debut self-titled single. Together Aldi Ho and Josie Silverman create playful, wonky electro-pop tunes shaped by their desire to overthrow their formal Guildhall Music School education and create their own sound. The result is an infectiously endearing blend of silliness and sincerity, all underscored by a really “good fucking beat”. (KC)

BIG|BRAVE – ‘the ineptitude for mutual discernment’
Capturing the complexity of how it feels to exist in the uncertainty of today’s world, acclaimed heavy trio BIG|BRAVE’s latest single is a disarming blend of gritty distortion and hypnotic vocals. ‘the ineptitude for mutual discernment’ is lifted from the band’s upcoming tenth album, in grief or in hope, which is set for release on 12th June. It’s a heavy record for heavy times, underscored by intense empathy and a desire to explore the binary oppositions of human nature. (KC)

Lauren Auder – ‘no outline’
Happy album release day to London-based composer and producer Lauren Auder! Today (27th March), she has shared her second LP, Whole World As Vigil, which this single ‘no outline’ features on. Described as “the most literal track on the record,” it was inspired by the overwhelming heartbreak Lauren endured whilst writing her new record. Her beautiful blend of tender keys, richly emotive vocals and electronic textures make for bittersweet listening. (KC)

Dose – ‘Chump Change’
I’m so pleased that Dublin four-piece Dose are back with new music! This single ‘Chump Change’ is a witty rumination on what it feels like to be left hollowed out by an unhealthy romantic connection. By deliberately incorporating elements of “slightly cheesy” rock and roll with their hazy dream-pop sounds, Dose make light of the uneasy feelings that inspired the tracks conception. ‘Chump Change’ is the first insight into what the band’s upcoming EP will sound like, due for release on Pizza Pizza Records this May. Check out the accompanying David Lynch-inspired video below, directed by guitarist & vocalist Lizzie Fitzpatrick and featuring bassist Lauren Heron. (KC)

deary – ‘Alma’
Following on from their gorgeous epic shoegaze single ‘Alfie’, London-based trio deary have shared another dreamy offering titled ‘Alma’. Lifted from the band’s upcoming debut album, Birding, which is set for release on 3rd April via Bella Union, ‘Alma’ is an airy blend of lush vocals and shimmering riffs, inspired by themes of growth, resilience and kindness. “I see ‘Alma’ as an embodiment of our band,” explains vocalist & guitarist Dottie. “It has been with us for a long time and changed with us along the way…In this song, I am talking to my younger self who made the decision to look after us and become a better person.” (KC)

Lemonade Sin – ‘Hold The Frame’
Ahead of the release of their upcoming third album, London-via-Devon supergroup Lemonade Sin have shared a dreamy new single. Reflecting on the dynamic between Baby and Johnny in the film Dirty Dancing, it ripples with a hazy Twin Peaks-reminiscent energy, as wispy vocals float over ethereal keys creating a blissful yet somewhat disconcerting soundscape. Nothing For A Pair, the new album from Lemonade Sin, is set for release on 17th April. (ML)

Misty Coast – ‘Spring’
Released to coincide with the Spring equinox, this aptly titled track from Norwegian duo Misty Coast is a breath of fresh air. ‘Spring’ is the third single the band have shared from their upcoming album, Always Sun, which is set for release on 24th April via Melodaze Records. Psychedelic riffs, soft vocals and field recordings of the duo’s winter stay in Tokyo permeate the track, providing listeners with a bright, lilting slice of psych-pop. ‘Spring’ is also accompanied by a DIY video, shot on location in Tokyo that you can watch below. (KC)

Gladie – ‘I Want That For You’
An exhilarating anthem inspired by friendship and self-compassion, ‘I Want That For You’ is the latest single from Philadelphia-based rockers Gladie. It’s taken from their recent album, No Need To Be Lonely, which they shared via Get Better Records earlier this month. Full of defiant lyrics and racing riffs, the track is a cathartic reflection on moving through times of struggle. Vocalist Augusta Koch explains the context further: “It kind of encapsulates to me the whole message of No Need To Be Lonely…I often think about how easy it is to see the beauty and wonderful qualities in someone else but how hard it is to apply that same love to yourself. ‘I Want That For You’ is basically about encouragement and wanting everyone to stick around, even when it’s really hard, including ourselves.” (KC)

IRKED – ‘Settle Down’
Described as “a garage-punk hate letter to the world,” North-East punks IRKED are gearing up to share their upcoming debut album, Grievance. Set for release on 1st May via Wrong Speed Records, it’s a deeply personal, visceral dismantling of the politics of gender, employment and class. On their latest single ‘Settle Down’, the band tackle the ingrained sexism that adds to the stresses of everyday life, that lead to women feeling exhausted and inadequate. (KC)

YAKKIE- ‘Lean Out’
Having been guests on our February Soho Radio show, and having blown us away with their immense live show on more than one occasion, epic supergroup YAKKIE have released one of the most powerful and resonant albums, not just of the year, but perhaps ever. Kill The Cop Inside Your Head really is a perfectly fierce and necessary catharsis for all women and marginalised communities, and comes complete with some of the most incredible, grunge-fuelled riffs you’ve ever heard. This track ‘Lean Out’ offers a seething retort against corporate feminism and how women’s labour has been historically undervalued, instead calling for real change which comes with community and collaboration, rising against the systems that oppress us. It’s now more important than ever to have bands like YAKKIE, not afraid to speak up for what’s right and use their platform as a real force for change. I’m extremely grateful they exist. (ML)

ScareBears – ‘Softboy Disco’
The second single from Bristol feminist punks ScareBears, ‘Softboy Disco’ explores themes of emotional manipulation and toxic masculinity as a seething sense of urgency and frenzied energy fizzes throughout. Another immense anthem from this supergroup of sorts (featuring members of The Menstrual Cramps and Mondo Wave), offering a scathing retort against that all-too-common ‘nice guy’ facade. We cannot wait for ScareBears to come and headline our next gig at The Cavendish Arms on 23rd April, with support from longtime faves Comic Sans and First Timers alumni Magpie Conspiracy (featuring Jemma Freeman). Tickets are on DICE now and cheaper in advance. (ML)

 

 

Gouge Away – ‘Figurine’
I still have Florida-based heavy band Gouge Away’s 2024 track ‘Stuck In A Dream’ embedded in my skull, but I’m glad to hear they’ve lost none of their potency on this new single. ‘Figurine’ is their first release on Run For Cover Records, and it’s inspired by vocalist Christina Michelle’s reflections on her childhood as a timid “people pleaser”. Full of her distinctive, dynamic vocals and the bands visceral beats and riffs, it’s a rallying cry for love and acceptance, whether you’re well behaved or not. (KC)

NEXT TO NADA – ‘Nan’s In a Punk Band’
London-based punks NEXT TO NADA are back with this excellently named new single. The band describe the track’s narrative as “the story of a punk band, a cannibal vicar and your nan,” which is set over fuzzy guitar riffs and off-kilter lyrics to create a devious slice of doom-pop. Recorded in a single day at Subfrantic Studios with Liam Gunning, the band used a myriad of equipment – including a Fender HodRod Deveille, an Ampeg SVT 3 Pro head and the legendary MIDAS H3000 analogue console – to bring their anarchic sounds to life. (KC)

The Empty Page – ‘A Feminine Ending’
Following impassioned recent single ‘Death On Our Side’ the latest single from long-time favourites, The Empty Page, offers a stark rejection of the beauty standards and expectations placed on women in a world largely dictated by the whims of problematic men. A searing critique of the patriarchy, the track seethes with the band’s trademark reverb-strewn hooks and fierce gritty energy. Kel from the band expands: “Women’s voices need to be louder than ever in 2026. Decades of progress driven by the feminist movement are in danger of being rapidly undone in a world of out-of-control male egos… it’s more significant than ever to criticise the pervasive and deeply concerning message that only young women are attractive, desirable, or of any value whatsoever.” (ML)

The Black Wizards – ‘Killing The Buzz’
New favourites for sure, Porto based trio The Black Wizards are storming into spring with their first new music since 2018. Propelled by relentless riffs and underscored by a fierce blues-driven groove, ‘Killing The Buzz’ offers a gloriously energised, yet impossibly cool, slice of rousing garage-rock. I can’t wait to hear more. (ML)

Black Water County – ‘People’
With the recent release of new EP, Second Best, Dorset folk-punks Black Water County trace a journey from individual alienation to a shared resistance, with each track on the collection exploring a different emotional response to the state of society right now, and ultimately celebrating the power of collective defiance. Whilst reflecting on the instinct to withdraw from the world when times are hard, focus track ‘People’ is propelled by lilting hooks and the fierce energy of front person Shan Byrom’s vocals, showcasing the band’s ability to fuse a resonant sense of rage together with their trademark uplifting spirit. An impassioned rallying cry to all who may be feeling demoralised by the world, Second Best offers a much-needed catharsis and message of hope at a time when we need it the most. The EP is out now via We Go To 11, the artist-lead sub-label of Trapped Animal Records. (ML)

Frances Murray – ‘The Woods’
Simmering with a slow-burning anger, ‘The Woods’ is the latest single from Essex-born, Brighton-based musician and producer Frances Murray (fka BLAB). Taken from her upcoming debut solo album, Dreamer, which she’ll be self-releasing on 10th April, the track begins with her deceptively steady vocals, but builds to an agitated chorus that bitterly laments a lack of self-autonomy. (KC)

Alice Mary – ‘Spiral’
Having played live for us many moons ago, songwriter Alice Mary has now shared her first single in four years. Born from the isolation of the covid lockdowns and produced by Grace Banks (Marika Hackman, English Teacher), ‘Spiral’ offers a lilting yearning for connection, oozing a raw emotion and gritty musicality. Self-described by Mary as “slow-burn indie-rock for overthinkers”. (ML)

Eleanor Hooper – ‘Every Fibre Of Me Is You’
Independent artist Eleanor Hooper provides a poignant reflection on maternal experience on this tender track. Inspired by “the first moment of separation after exclusive breastfeeding,” Eleanor uses her beautifully layered vocals, folk influences and choral textures to give this encounter the resonance she deeply feels it deserves. ‘Every Fibre Of Me Is You’ is lifted from her debut EP, FIBRES, which is available to listen to online now. (KC)

Lemoncello – ‘Articulate Animal’
I had such a lovely conversation with Irish duo Lemoncello for The Line Of Best Fit back in 2024, so I’m pleased to see that they’re sharing new music again. Released via the esteemed Claddagh Records, this track ‘Articulate Animal’ is a song that truly “gets to the heart of things” with its gorgeous vocal floating over a hypnotic cello drone. It will be the opening track on Lemoncello’s upcoming new album, Perfect Place, due on 8th May. (KC)

Modern Woman – ‘Daniel’
Set to release their debut album in May, London art-rock band Modern Woman offer an immersive, ethereal splendour with latest single ‘Daniel’. Written whilst songwriter Sophie Harris was camping near a lake in Wales, it captures the sparkling sense of calm and pastoral majesty that can be felt in nature; a raw and intimate moment amongst the quirky energy of some of the band’s other, livelier tracks. Johnny’s Dreamworld, the upcoming debut album from Modern Woman, is out on 1st May via One Little Independent Records. (ML)

Ailsa Tully – ‘Womb Room’
Having been big fans of Welsh songwriter Ailsa Tully for many years now, the GIHE team were really pleased to hear that she released her debut album earlier this month. Written in the year following her father’s death from cancer, Womb Room offers an intimate exploration of grief; raw with emotion and rippling with a desperate sense of longing and melancholy throughout, the album also shimmers with moments of hope and the comfort that love can bring us. As Tully’s distinctive resonant vocals flow seamlessly, different sonic elements are interwoven into each song; from rich keys, soaring strings and Tully’s unique bass-playing technique, to natural field recordings and even snippets of her father playing piano (‘He’s Leaving’). It’s truly an exquisite collection; a poignant and heartfelt reflection on grief and the search for a sense of belonging that can follow. An eclectic tapestry of soundscapes, each beautifully stirring in its own right. Womb Room, the debut album from Ailsa Tully, is out now. (ML)

ESYA ft. Jessy Lanza – ‘Chasing Desire’
‘Chasing Desire’ is the eponymous track from ESYA’s upcoming debut album, which is set for release on 10th April via AOK records. The solo project of Ayse Hassan (Savages, Kite Base, 180db) ESYA’s latest release features the sounds of Canadian Hyperdub artist Jessy Lanza. It’s another experimental, lilting soundscape from an artist who is committed to exploring all aspects of her sound. ESYA wants to encourage others to do the same and “demystify” the process of making electronic music by hosting Chasing Desire interactive exhibitions in London, Glasgow and Bristol in the lead up to the release. She will be at eARTH Space on Hoxton Street in London between 10th-12th April. More details here. (KC)

Gabi Garbutt ft. Jemma Freeman – ‘Radical Love’
Set to release their third album later this year, London artist Gabi Garbutt has now shared the first taste of what to expect. Featuring GIHE fave Jemma Freeman on backing vocals, guitars and synths, ‘Radical Love’ was initially inspired by writer/activist Sara Ahmed’s notion of ‘Queer Phenomenology’, as well as essays by legends such as Audre Lorde and Martin Luther King, and offers an empowering and uplifting anthem. Of the track, Garbutt explains – “[this song explores] how a radical love is urgently needed to face a world falling apart with humanitarian crisis and climate crisis.” (ML)

th’sheridans’ – ‘Painted’
After more than a decade creating music together, London-based band Adam Karenina Sherif and Julia Oertli aka th’sheridans returned to our ears with brand new music this month. Self-described as “blonking through the dystopia as best we know how”, they remain the perfect purveyors of scuzzy indie-pop; interweaving poignant issues whilst oozing an uplifting effervescent euphoria. Originally recorded back in 2023 and completely mixed and mastered by the band, new single ‘Painted’ offers a stirring resonance for right now, showcasing the band’s ability to create a sparkling sense of hope despite our fears and frustrations. ‘Painted’ is accompanied by an unlikely cover of Carly Rae Jepsen’s ‘Emotion’ as a virtual b-side. Originally commissioned by some friends to arrange the song for a wedding, the duo felt it thematically complemented their new single perfectly: whilst ‘Painted’ is rooted in reality as they experience it, ‘Emotion’ is about everything they could be doing if things were different. (ML)

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PLAYLIST: November 2025

The Get In Her Ears team have put together another eclectic mix of indie gems, dream-pop and shoegaze tunes, punk bangers, electronic musings & idiosyncratic experimental soundscapes for your listening pleasure. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we are moving away from using Spotify as our main playlisting platform. We have now set up an account on TIDAL, so feel free to follow us on there. You’ll see that we’ve now added all of our previous playlists to our account too!

We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix. You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

The Baby Seals – ‘Tamoo Trance’
Having been super mega fans of Cambridgeshire feminist punks The Baby Seals since they first played live for us back in 2017, and having recently had them back to play at our joyous 10th birthday celebrations, we’re very excited to have new music from them. A fierce take-down of consumer capitalism, combining the band’s trademark playful tongue-in-cheek wit with a gritty raging energy, ‘Tamoo Trance’ offers a seething anthem about getting stuck in a trance-like state in an (obviously completely fictitious) online shop. So, this Black Friday, instead of spending money on stuff that “will go directly in the bin”, perhaps consider supporting your fave DIY artists on bandcamp, or going along to a nice local gig. (Mari Lane – Managing Editor)

VERO – ‘Calico’
Stockholm trio VERO are back with this cathartic guitar tune, their first piece of new music since they released their excellent debut album Unsoothing Interior back in 2022. The band say that ‘Calico’ is a song about “tiring of someone else’s shit” – which they explore through breathy vocals, brooding basslines and acerbic riffs. VERO are set to release their second album via PNKSLM Recordings in 2026, which I am eagerly anticipating. (Kate Crudgington – Features Editor)

GENN – ‘Reverberations’
Anglo-Maltese four piece GENN have returned with this intensely moody new offering. The band teamed up with producer Johnny Hostile – who has worked with Savages & Jehnny Beth – to bring ‘Reverberations’ to life, marking another development in their already dynamic sound. GENN’s talent is definitely best appreciated live. They’ll be touring the UK in early 2026, with a London headline date at The Shacklewell Arms in Dalston on 26th February. (KC)

nazire – ‘junebug’
When I discovered ‘junebug’ by Istanbul-based artist nazire in my GIHE inbox, I was immediately hooked on her shoegaze inspired sounds. We all know I love the Gloomy Grrrl songs and ‘junebug’ definitely falls into that category! She’s set to release her debut album, Glitchfolk, at some point in the near future. I’ll be keeping my eyes and ears peeled for that. (KC)

Whitelands – ‘Songbird (Forever)’
We are such big fans of London-based shoegazers Whitelands here at GIHE, and that fandom increases each time they share new music. ‘Songbird (Forever)’ is the third track from the band’s upcoming second album, Sunlight Echoes, which is due to be released on 30th January 2026 via Sonic Cathedral. Full of lush riffs, disarming melodies, earnest lyrics and emotive string work by Iskra Strings, the track is an ode to vocalist & guitarist Etienne’s enduring spirit and his appreciation for all those who loved and cared for him. “It’s about my friends, the important people in my life, and my spirit,” he shares. “I was going through a very dark time, but love is a great thing. I’m loved by many incredible people, so I pushed myself with everything I had. Every day was a fight, but I wanted to win.” His lyrics reference both the title of Whitelands’ new album and the Seven Sisters cliffs in East Sussex, where Etienne and bassist Vanessa shot the endearing accompanying video for the track. (KC)

Mannequin Flowers – ‘Collision Course’
Following dreamy last single ‘Six Words’, London’s Mannequin Flowers are back with another ethereal soundscape. Flowing with sparkling hooks and luscious crystalline vocals, ‘Collision Course’ offers a heartfelt confession about falling for your best friend but being too afraid to tell them. (ML)

Hater – ‘This Guy?’
I remember hearing Scandinavian indie band Hater’s single ‘Cry Later’ back in 2017 and thinking they had a great name and a great sound – 8 years and I still think the same! The band are gearing up to release their new album, Mosquito, on 6th January via Fire Records, with single ‘This Guy?’ offering listeners the first taste of what’s to come. A captivating slice of dream-pop, the track is fuelled by a mysterious lyrical narrative about a “confused interloper, unidentified and unidentifiable”. (KC)

The Empty Page – ‘When We Gonna Run?’
It’s great to have Manchester trio The Empty Page back in our ears after being mega fans for pretty much the entirety of Get In Her Ears’ decade long existence! A stirring reflection on preparing to escape an apocalyptic hellscape, ‘When We Gonna Run?’ offers all the gritty grunge-fuelled energy we’ve come to know and love from the band, with an added sparkling shoegaze-tinged allure. Propelled by an anxiety-ridden sense of urgency, its sentiment seems particularly poignant right now. (ML)

HAVVK – ‘Happening Again’
Having played our first ever GIHE gig back in 2016, we’ve been such huge fans of Irish duo HAVVK ever since and I’m so excited to have them back in our ears with this swirling new single. A gritty and cathartic reflection on destructive patterns of behaviour, ‘Happening Again’ showcases the band’s ability to combine a fierce seething energy with the soaring, captivating allure of Julie’s raw vocals. I can’t wait to hear more new music from them very soon. (ML)

Queen Of Nothing – ‘Heaven Is Hurting’
London-based musician Abi Crisp aka Queen Of Nothing has consistently impressed me with all of her offerings, and this track is no exception. ‘Heaven Is Hurting’ is lifted from her recent EP, All the Love That’s Left, a record that explores the complexities of love and grief, and Abi’s personal reflections on both. (KC)

Shy New World – ‘Bridget Jones’
Initially meeting at a séance when the spirit of a popular chocolate brand told them under no uncertain terms to work together, Yel and Ross – aka Shy New World – follow previous punk-pop singles with the release of a perfectly timed festive number. A gloriously fuzzy ode to friendship with a big sound and a big heart, ‘Bridget Jones’ offers a perfectly lo-fi, perfectly catchy and perfectly cute accompaniment to any December gathering. (ML)

Um, Jennifer? – ‘Stunning’
Having first won me over with the playful energy of 2023 single ‘Girl Class’, New York trans duo Um, Jennifer? continue to be total faves with their latest scuzzy punk-pop ode to lust and obsession in the form of new single ‘Stunning’. Their band bio says “Fig and Eli met at a party in Brooklyn. Eli wanted to hook up with Fig’s friend. Now they make music together for nobody except the vengeful god, Jennifer. Jennifer thinks their music sucks.” I’d have to disagree with Jennifer. (ML)

Twat Union – ‘Tiny Shorts’
The latest single from theatrical feminist six piece punk outfit Twat Union, ‘Tiny Shorts’ offers a fiercely empowering anthem, showcasing the band’s trademark ability to combine their playful witty charm with a raging angst-fuelled drive. The band explain: “(it’s a) middle finger to all the cat-calling and demeaning behaviour we receive… it’s a call to treat women with respect no matter what they are wearing.” (ML)

Softcult – ‘She Said, He Said’
Another vital anthem from Ontario-based alternative sibling duo Softcult here. ‘She Said, He Said’ is a seething guitar tune about believing survivors of sexual assault, fuelled by the pairs visceral riffs, propulsive beats and call-and-response vocals. The track will feature on the band’s debut album, When A Flower Doesn’t Grow, which is due on 30th January 2026 via Easy Life Records. Softcult are currently touring the UK, and will play a headline show at The Dome in North London on 2nd December! (KC)

DELILAH BON – ‘Evil, Hate Filled Female’
Seamlessly combining honey-sweet pop with relentless metal-inspired hooks and a raging energy, DELILAH BON has been building a devoted fanbase over the last few years with her relatable, empowering messages. Receiving acclaim for last year’s Evil, Hate Filled Female album, and selling out a UK tour earlier this month, I’m excited to hear more of her visceral, bold, anti-patriarchy anthems. (ML)

Yakkie – ‘Kill The Cop Inside Your Head’
Having been privileged enough to attend Yakkie’s first ever gig back in 2023, and since witnessing their immense live presence on more than one occasion, it feels like it’s been a long wait for this debut single from the incredible supergroup. Fronted by interminable force of nature Janey Starling (formerly of Dream Nails) and featuring Robin Gatt (Personal Best, Petrol Girls), Laura Ankles (Colour Me Wednesday, The Dumb Blondes) and Maeve Westall (Jasmine.4.t, itoldyouiwouldeatyou), it’s been amazing to see this absolute epic collective of faves come together in all their seething punk-rock glory, offering the rage, joy and unity we all so desperately need.

A fierce rallying cry against self-defeat, ‘Kill The Cop Inside Your Head’ is propelled by relentless riffs and a swirling empowering energy – in Janey’s words: “If we want a better world, we must first be able to imagine one. To do that, we have to kill the cop inside our head. Go to the protest! Join your union!” It’s more important than ever to have bands like Yakkie, not afraid to speak up for what’s right and use their platform as a real force for change, and I’m extremely grateful they exist. (ML)

Black Water County – ‘Wreckless’
The latest single from Dorset folk-punks Black Water County, ‘Wreckless’ offers a frenzied, empowering anthem exploring the tensions between self-consciousness and self-liberation. Showcasing the band’s ability to channel defiance, camaraderie and catharsis into a perfect fusion of punk passion and folk heart, it’s an instantly infectious ode to endurance and the resilience of everyday life. Having previously shared stages with the likes of Less Than Jake and Flogging Molly, Black Water County are currently out on tour – I can’t wait to catch their fierce energy live at The Grace tonight! (ML)

Annabelle Chairlegs – ‘Concrete Trees’
Based in Austin, Texas, Lindsey Mackin aka Annabelle Chairlegs is set to release her new, Ty Segall-produced, album in January next year. Ahead of the album’s release, latest single ‘Concrete Trees’ offers a poignant ode to a late friend, propelled by surf-tinged memories and a sparkling uplifting energy. Of the track, Mackin adds: “This song is for friends who have passed that you wish you could have one more hang with. I often find myself asking those who have passed if they are here with us now.” Waking Up, the new album from Annabelle Chairlegs, is due for release on 30th January 2026 via TODO. (ML)

Tanzana – ‘Covet’
A band I’m very excited to have only recently come across, Glasgow’s Tanzana blend elements of sultry trip-hop with a soaring rock energy to create a sound which is uniquely theirs. Debut single ‘Covet’ represents feelings of obsession, building to a sweeping climax as fierce swirling vocals are accompanied by slick riffs. Already selected as part of The Great Escape’s First Fifty, these Scottish newcomers are definite ones to watch in 2026. (ML)

The Dead Zoo – ‘In The End 2025’
Genre-defying post-punks The Dead Zoo return with an exhilarating and unrecognizable revision of their 2021 release ‘In the End’. Revamped and reimagined, it offers a shimmering and jubilant ode to transformation; a powerful validation of trans identity propelled by pulsating, multi-layered soundscapes. Kaoru from the band explains: “The lyrical theme is founded on my gender transition experience. The sense of keeping faith in an envisioned future and using that goal to overcome difficulties and stay on course; though I think it carries a more universal message of hope and optimism we all need in these dreadful times, where those commodities are scant for many minority voices.” (ML)

MIRI – ‘Freedom Is The Purpose’
The latest single from London-based innovative songwriter and longtime GIHE fave MIRI, ‘Freedom Is The Purpose’ offers a soulful call to unite, rally against those in power and support those communities who need us most. Interweaving the trademark gritty emotion of her vocals with uptempo reggae-inspired beats, the single is available to buy on bandcamp and encourages listeners to support fundraisers for four Palestinian families’ fundraisers. (ML)

Sheherazaad – ‘Gulukara’
A huge fan of Brooklyn-based artist Sheherazaad since first falling in love with 2023’s debut single ‘Mashoor’, I’ve been lucky enough to immerse myself in her captivating live presence twice and now find myself (unsurprisingly) utterly entranced by new single. Translating as ‘songstress’, ‘Gulukara’ features childhood friend and Kodaikanal-bred rapper Irfana and offers an exquisite nocturnal hymn, highlighting the historical confluence of sex work and female artistry. (ML)

Penelope Trappes – ‘Bleed’
Another shadowy, moving offering from GIHE favourite Penelope Trappes. After sharing her poignant album, A Requiem via One Little Independent Records earlier this year, the Brighton-based Australian artist has now shared a companion LP titled Æternum, featuring this track ‘Bleed’. Penelope has also shared a stunning accompanying video for the track, directed by her long-time visual partner Agnes Haus (who is also featured on this playlist), shot inside the walls of a mysterious cave. Penelope will be playing a headline show at St Matthias Church in East London on 29th November. (KC)

Agnes Haus – ‘Faust’
A spinetingling experimental soundscape from Brighton-based non-binary sound artist Agnes Haus here. ‘Faust’ is lifted from their upcoming album, Inexorable Ascent, set for release on 5th December via Penelope Trappes’ label Nite Hive. Described as “a hallucinatory polyphonic study of external perceptions of what it means to live in a perpetual liminal state,” Agnes locked themselves in an attic studio every night between the hours of 12 and 4am to create these idiosyncratic sounds. I am deeply intrigued by this artistic process and look forward to hearing Agnes’ new record in full. (KC)

PostLast – ‘Scavenge’ (Birthday Problem remix)
This is a superb collaboration between Irish alt-pop duo Post Last and Irish alternative electronic duo Birthday Problem. We’ve been following both bands for a while here at GIHE and we’re always excited when they share new music with us, and this remix of ‘Scavenge’ is certainly one of my favourites to date. (KC)

Twin Rains – ‘Creation’
Another iridescent, shape-shifting tune from Toronto dream-pop act Twin Rains here. Vocalist Christine Stoesser was inspired to write ‘Creation’ after reading J.R.R. Tolkien’s The Silmarilion. “I didn’t expect to be so moved by the creation myth of the Elves,” she shares, “It’s some of the most beautiful writing I’ve ever read”. The band have translated Christine’s reflections on the book into upbeat, shimmering electronic sounds. (KC)

Death Hags – ‘Space x Time’
It’s been a while since I’ve heard from independent LA musician and multimedia artist Death Hags, but I’m glad she’s back with this eclectic piece of electronica. Taken from her album Big Grey Sun #5 – the fifth volume of her ongoing seven album project! – ‘Space x Time’ enraptures with its seamless blend of atmospheric synths, dance-inspired beats and ethereal vocals. The whole album is a sonic TRIP. (KC)

Floralis – ‘black combat boots’
‘black combat boots’ is the opening track to British born, Indo-Trinidadian antifascist transfeminine artist Floralis’ superbly named album, Saboteur Club Anthems Vol. 1. With its stomping dance-inspired beats and chant-worthy lyrics, it’s an infectious slice of “anarchist electro punk” that kicks off a truly eccentric and essential record that aims to dismantle fascism in all its forms. (KC)

Kloyd ft. Circe – ‘Girl’
I’m already a big fan of dark-pop artist Circe, but Yorkshire-born, London-based producer Kloyd is new to me. I love this collaboration between the two of them, featuring Circe’s seraphic vocals and Kloyd’s lilting electronics. Speaking about the origins of the track, Kloyd explains: “I had a session with Alexa (Circe) and she came up with this really beautiful vocal line and I couldn’t stop listening to it. It channels the sentiment of this new work truly. I imagined when making the track someone seeing a woman they felt so beautiful they fall head over heals in love with her, before realising what they were getting themselves in for. A love so captivating it feels like magic and turmoil at the same time.” ‘Girl’ is taken for a larger project that Kloyd will be announcing soon. (KC)

SESTRICA – ‘Intuition’
“A Way to Ananda is my experience of coming back to life and bliss after going through divorce,” explains Barcelona-based artist SESTRICA about her upcoming EP release. Due on 5th December, her new EP features this single ‘Intuition’, which was inspired by her decision to trust her instincts and move to a new country to pursue her musical dreams. Propelled by intense beats and layers of eclectic synth sounds; the track provides listeners with a blissful, heady moment of electronic catharsis. (KC)

False Idah – ‘Gaslight’
Having been big fans of the sultry beats and genre-defying heartfelt offerings of London-based songwriter and producer Jay Brown, under her previous guise as Amaroun, we’re now excited to hear that she’s back with a new project. False Idah takes all that we loved about Amaroun, but develops it into something more as Brown immerses herself in the vulnerability of stripped-back songwriting and the inspiration that can come with the freedom to express yourself in a true and honest way. I was lucky enough to catch an intimate live performance at Servant Jazz Quarters back in September, ahead of the release of this beautifully raw new single. (ML)

Perfume Genius – ‘Me & Angel’
I first fell in love with Perfume Genius on hearing ‘Queen’ when it was released back in 2014 – it seemed to offer something completely unique, something beautifully queer that I sought a great deal of comfort in. Since then, I’ve followed his career with each new album, as well as becoming quite obsessed with the raw vulnerability of earlier releases Learning and Put Ur Back Into It, but every time he’s played in London something’s cropped up which has meant I’ve not been able to go. That was until earlier this month, when I finally got to immerse myself in the utterly compelling, truly cathartic experience of seeing him live at The Roundhouse. Treating us to older favourites, as well as the majestic grandeur of newer songs like this one from his recent album Glory, it was a memorable evening that left me feeling soothed and hopeful. (ML)

Lowli – ‘Window In The Woods’
‘Window In The Woods’ is the title track from Irish composer & songwriter Lowli’s debut album, which she released via VETA records in October. It’s a beautiful, introspective record which sees Lowli process unsettling memories and emotions through her tender keys, crystalline vocals and atmospheric electronics. (KC)

Ailbhe Reddy – ‘So Quickly, Baby’
This is the second single from Dublin-born songwriter Ailbhe Reddy’s upcoming second album, KISS BIG, which is set for release on 30th January 2026 via Don Giovanni Records. ‘So Quickly, Baby’ is described by the artist as “the meltdown song, the album’s neurotic heartbeat,” which is why it packs such an emotional punch. Inspired by the tumultuous aftermath of a big breakup, Ailbhe’s new record promises to be just as raw and relatable as her previous efforts. (KC)

Jasmine.4.t & Jacob Alon – ‘Find Ur Ppl’
A completely dream collaboration between two total faves, ‘Find Ur Ppl’ was written by Jasmine early in her transition and offers a truly beautiful ode to the queer community; a heartfelt message of hope about finding people you love who you can be yourself around. It’s taken from charity compilation, All Things Go: 10 Years, a collection featuring loads of other artists from ATG Records including Kesha and Joy Oladokun, with all proceeds going to The Ally Coalition. (ML)

Snocaps – ‘Coast’
Being a huge fan of both Waxahatchee and Swearin’, I’m pretty excited by new supergroup Snocaps; featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook. The stuff dreams are made of, basically. Taken from their recently released self-titled album, ‘Coast’ showcases the gorgeous, fuzzy allure of this new collaboration perfectly. (ML)

Tenderness – ‘Database Blues’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Following previous single ‘We’ll Always Have Paris 1919’ a recent tour with Willy Mason, latest offering ‘Database Blues’ offers a gorgeously country-tinged reflection on a world of streaming algorithms as Young’s rich vocals create a soothing, immersive warmth. Of the track, she explains: “Sending a song to a crush is obviously one of life’s purest joys but what does it mean when the algorithm plays it back to you later? Can you still call it a sign? I was an MSN Messenger teenager so there have always been screens in my romances – screens as a connector and amplifier as well as a barrier.” (ML)

SASAMI – ‘Just Be Friends’ (Soccer Mommy Version)
Genre-bending artist SASAMI has shared a collaborative version of her track ‘Just Be Friends’, featuring indie artist Soccer Mommy. Originally featuring on SASAMI’s album, Blood On The Silver Screen, this new version encapsulates the artist’s pure love for modern country music, as she explains further: “Country songs have to be some of the most effective and cutting examples of peak pop songwriting- wit, drama, humour, sadness, and the most human of all – horniness. My song ‘Just Be Friends,’ was definitely inspired by modern country, but I knew if I wanted it to be truly authentic I would need to enlist an actual southern princess. This new version featuring Soccer Mommy, pedal steel and all, delivers on the country magic that I had always wished could be in that song. That’s the best part about collaboration, all hat all cattle.” (KC)

Lucy Leave – ‘Go To The Show (I Just Wanna)’
Ahead of the release of their upcoming album, Feelings Explorer I & II, in spring next year, Oxford indie-pop trio Lucy Leave have now shared a new triple (!) A-side single. Accompanying the scuzzy hooks of ‘Steve Lamacq Wants To Know’ and ‘The Letter P and The Number 7’, ‘Go To The Show (I Just Wanna)’ reflects on singer Mike’s experience as someone with cerebral palsy, and the reality that attending and playing gigs post pandemic is pretty much impossible for the covid-vulnerable. (ML)

CLICK HERE TO LISTEN THE PLAYLIST ON TIDAL!

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LISTEN: GIHE on Soho Radio with Blue Loop (23.10.25)

Tash, Kate and Mari were all back in the Soho Radio studio together, bringing listeners their usual eclectic mix of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists. They were also joined by London-based electronic musician and producer Emma Hall aka Blue Loop to talk about her upcoming debut album, Cycles.

Set for release on 7th November, Cycles is a deeply personal work for Emma, inspired by her experiences of being diagnosed with and undergoing treatment for breast cancer – for which she is now in remission. Emma spoke candidly about the context and inspiration behind specific tracks, the people she collaborated with on the record, and shared her excitement for the listening event and Q&A session she’ll be hosting on Saturday 8th November at The Cavendish Arms in Stockwell, South London, to help celebrate the release. You can grab a ticket here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Thursday 13th November from 16:00-18:00 (GMT)
 Make sure you tune in via DAB or download the new Soho Radio app!
You can also listen at www.sohoradiolondon.com

Tracklist
Planningtorock x Bronski Beat – Smalltown Boy
Kelly Lee Owens – ASCEND
Nourished by Time – Crazy People
feeo – The Hammer Strikes The Bell
better joy – steamroller
Samia – Cinder Block
Whitelands – Glance
skullcrusher – dragon
Dogviolet – Now
Hadda Be – New To The Office
F*Choir – Ceasefire (You Cannot Stop The Sun)
Beverley Glenn Copeland – La Vita
Blue Loop – All Of You
**Interview with Blue Loop**
Beth Gibbons – Whispering Love
Pien – Totally Honest
HAAi – Voices (Tash’s Track Of The Show)
Hilary Woods – Taper (Kate’s Track Of The Show)
Breakup Haircut – I’m Okay (I Lied) (Mari’s Track Of The Show)
congratulations – This Life
No Other News – Flowers
Brain Leak – Moon Eyes
Madi Diaz – Ambivalence
Ailbhe Reddy – Align
Shy Charles – Come Little Children

Kate Crudgington1 Comment

GIHE: Albums & EPs of 2024

After sharing our Tracks Of 2024 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These eclectic offerings resonated with us and we’ll be talking about them long into the future. Huge thanks to all of the bands and artists who submitted music to us this year. 

In alphabetical order…here are our top Albums & EPs of 2024 (including multiple Honorable Mentions at the end because we hate leaving people out…)

ALBUMS

Beckon – Between the Bridge And The Tree

Having been a big fan of bands like Suggested Friends and Chorusgirl, I’ve been following songwriter and musician Faith MacNeil Taylor for a number of years now and always find myself completely immersed in each of their heartfelt creations. This year, with new project Beckon (FKA Athabaska), Faith has collaborated with a group of five other wonderful musicians to create queer alt-folk anthems. We were lucky enough to have them play for us at one of our gigs at The Shacklewell Arms back in March and I was utterly spellbound, so I knew I would like new album Between The Bridge and The Tree. But it really is quite something quite special. Alongside Faith’s distinctive exquisite emotion-rich vocals, lilting folk-strewn melodies flow throughout with a raw heartfelt grace; a truly stirring creation of resonant offerings. Between The Bridge And The Tree was released in October.
(Mari Lane – Managing Editor)

BERRIES – BERRIES

BERRIES’ much-anticipated album captures the electrifying energy of their live performances, with a set of well-crafted songs by some very skilled musicians. Their signature guitar riffs shine throughout, paired with pounding, energetic drums and commanding basslines that keep the tracks driving forward. The tracks combine catchy melodies, dynamic musicality and at times, a satisfying thick wall of sound, bringing to mind early 2000s indie bands like The Strokes and Yeah Yeah Yeahs as well as garage rock influences, resulting in a sound that feels both nostalgic and modern. The album is also balanced with some quieter and delicate moments like ‘Balance’ – the album’s single acoustic track. Overall, this is an album that expertly builds tension, keeping listeners captivated from start to finish.
(Ella Patenall – GIHE Contributor)

Brimheim – RATKING

Multi-instrumentalist Helena Heinesen Rebensdorff finds strength in self scrutiny on her excellent second album, RATKING. Released at the end of March, the LP is just as raw as the Danish-Faroese artist’s debut offering, can’t hate myself into a different shape (2022), but on RATKING, she vivaciously embraces remnants of shame, hyper-sensitivity and unrequited love and sets them to a more melodic, pop-tinged backdrop. The result is a witty, cathartic reflection on the contradictions of love, underscored by her audaciously dark humour.

Whether it’s the fully fleshed band sound and distinctive instrumentation on tracks like ‘Dancing In The Rubble’ and ‘Keep Bleeding Diamonds’, the infectious pop melodies on singles ‘Literally Everything’, ‘Brand New Woman’ and ‘Normies’, or the sonically more expansive tracks like ‘No Liver, No Lungs’ and ‘Surgeon’, Brimheim and esteemed producer Søren Buhl Lassen (Blaue Blume) have crafted an eclectic and exhilarating collection of lush alt-pop anthems. Watching Brimheim perform her new album at The Lexington earlier this year was a live highlight for me too. Her confidence in her artistic vision and revelation that she was almost ready to give up making music just a few years ago was truly inspiring.
(Kate Crudgington – Features Editor)

Elsa Hewitt – Chaos Emeralds

Written and recorded intermittently over the course of four years, electronic artist & producer Elsa Hewitt’s eighth album, Chaos Emeralds, is a deeply evocative listening experience. Her intuitive mix of lilting vocals, hypnotic synth loops and eclectic field recordings have helped reduce the cortisol levels in my body significantly this year.

Her improvisational writing style pulls you into a warm hypnosis, where notions such as ‘Unimaginable Pain’ are transformed into soothing electronic lullabies. Her lyrics were originally poems which she penned separately, blending them with her music at different intervals throughout the creative process. The album’s title – a nod to Sonic The Hedgehog – hints at the paradoxical way in which life presents us with difficulties in order to teach us resilience and recovery. This is something Elsa Hewitt has mastered on many of her previous records, but on this collection of tracks she truly achieves something special. She has been prolific this year and she is currently in the process of teasing her ninth album, Dominant Heartstrings, which is set for release in the near future. (KC)

Fightmilk – No Souvenirs

I’ve made no secret of my super fandom of Fightmilk over the years. I’ve been following them since they first played live for us back in 2018 and now – after having had the honour of them headlining many more of our gigs and being obsessed with their albums Not With That Attitude and Contender – my fandom has only continued to grow with the recent release of this year’s No Souvenirs. Reflecting on themes of getting older, particularly as a woman in music, the album exquisitely showcases the band’s ability to hone their sound, creating perfect punk-pop; angsty and uplifting in equal measure. Instantly catchy singalong anthems, combining their trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion.

From fuzzy sentimentality to fierce tirades against patriarchal society, No Souvenirs is a perfect culmination of how Fightmilk have continued to refine their sound. With shades of noughties punk-pop, combined with an injection of fresh queer joy and raging emotion, it’s at once cathartic, validating and empowering. But, most importantly, fun. A sound that’s uniquely Fightmilk; truly distinctive in its colourful charisma, but consistently evolving into something more. No Souvenirs was released in November via Fika Recordings/INH Records. (ML)

Happy Accidents – Edit Undo

I’ve been a mega fan of Happy Accidents since first falling in love with the South London based duo at the late, great Indietracks Festival in 2018, and have been an avid follower of the active roles that both Rich and Phoebe have continued to play in the DIY music scene over the years, including their other musical projects, ME REX and Cheerbleederz. This year, they released their first album in a few years, the gorgeous Edit Undo, which marked a really fantastic return form combining the band’s trademark jangly hooks and emotion-rich twinkling harmonies with additional experimental, electronic soundscapes. I was lucky enough to catch their first live show in five years at Paper Dress Vintage in September, and it was a really special evening. Plus, Phoebe is also responsible for one of my other highlights of the year – learning drums at a First Timers Festival workshop with GIHE pal Kate. She was a really wonderful teacher, and inspired me to continue learning! Edit Undo was out in September via Alcopop! Records. (ML)

HAVVK – To Fall Asleep

Inspired by the complicated nature of sleep and bassist & vocalist Julie Hawks’s own experiences of insomnia, HAVVK’s third album, To Fall Asleep (released via VETA Records) is an urgent, cathartic listen that beguiles the senses and rattles the nerves in equal measure. The Irish alt-rock trio have been favourites of ours since they played our debut GIHE gig at The Finsbury pub back in 2016, and it’s been a privilege to watch them develop as a band over the last eight years.

Formed of front person Julie, guitarist Matthew Harris and former Bitch Falcon drummer Nigel Kenny, on To Fall Asleep, HAVVK interrogate the things that keep us awake at night. Whether they’re charging ahead on tracks like ‘Expiry’ – a vital anthem about the gendered double standards of ageing – or ruminating on anxiety on ‘Waste Of Time’, they create stirring, emotionally charged tracks that resonate long after the record has stopped spinning. It was a real pleasure to hear the band play some of their new tracks live this year when they headlined our GIHE gig at The Shacklewell Arms in March. (KC)

Jæd – I Loved The Gauntlet And There Was No Other Way

London-based, Irish-Puerto Rican musician Jæd played a GIHE gig for us in October 2022 supporting Pixie Cut Rhythm Orchestra and we were all blown away by her unique talent. Her stage presence, dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. The record is an eclectic cacophony of guitar sounds inspired by the uncertainty and hardship that Jæd has lived through, and it’s a testament to the endurance of her creative spirit. ‘Very Fond’ is my personal favourite, but every song on the album is a gem. (KC)

Midwife – No Depression In Heaven

On her fourth LP, No Depression In Heaven, Colorado based musician and producer Madeline Johnston aka Midwife pays tribute to life on the road, reflecting on the eccentricities of a transient existence and the characters that colour the views between locations on the map. Her ambient shoegaze sounds pacify the pain of the grief that informed many of the tracks. Whether it’s an ode to her trusty tour vehicle on ‘Vanessa’ or a cover of ‘Better Off Alone’ which was originally released in 1999 by European popstar Alice Deejay, Midwife treats these things with equal parts grace and grit. No Depression in Heaven is a beautiful body of work full of her poetic lyrical motifs and hazy lullaby-like reverb. (KC)

Our Girl – The Good Kind

Having fallen completely in love with their 2018 debut, Stranger Today, my adoration of London trio Our Girl has only grown with the release of this year’s The Good Kind. Reflecting on poignant themes such as the heartbreak of seeing illness affect someone you love, challenges faced due to gender and sexuality, and the strength that can be found in community, the overarching feeling that permeates whilst listening is a gentle, comforting optimism. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, each track fizzes with a glistening heartfelt emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind was released in November via Bella Union. (ML)

Pink Suits – Dystopian Hellscape

Having released their blazing debut, Political Child, back in 2021, Margate duo pink suits released their second album, Dystopian Hellscape, this year. Inspired by the relentless over saturation of bleak news cycles, it loses none of the band’s politically aggressive, anti-Tory, anti-Fascist, Feminist Queer Energy. Exploring the effects that modern society and neoliberal politics can have on our mental health with the duo’s trademark tenacious spirit and raw musicality, it reflects on themes of self-care, grief, gender identity, sexuality and queer joy, showcasing pink suits’ ability to channel frustration into a perfect raging catharsis. In addition to creating these necessary punk anthems, throughout 2024 Lennie and Ray brought tonnes of queer joy performing as a country duo – on tour with Paisley James, at their own completely wonderful Queer Cuntry event at The Southbank Centre, and as part of our GIHE queer country night at Sebright Arms with Dolly Parton tribute band, The Dumb Blondes (more on this coming in our ‘Personal Highlights’ feature). Dystopian Hellscape was released in April. (ML)

Rubie – Seek Sisters

Having been fans of exquisite songstress Rubie for a while now, both as a solo artist and as part of the incredible F*Choir, we were delighted that she released a stunning new album this year. Flowing with a swirling majestic allure, Seek Sisters interweaves quirky jazz-tinged melodies with a soaring musicality and Rubie’s distinctive heartfelt vocals, creating something truly spellbinding; each and every note glistening with an empowering heartfelt grace. We were lucky enough to have Rubie perform the album in full for us at The Divine in November, and it really did feel like such a special night; accompanied by a full band and choir, she completely captivated us all with her shimmering joyous energy and stirring creations. Seek Sisters was released in September. (ML)

Schande – Once Around

Noise-pop-shoegaze-tinged legends and friends of GIHE, Schande, this year released their debut album, Once Around. Following 2019’s EP Pedigree, and having charmed our ears playing live for us a number of times over the last few years, this new release perfectly captures the band’s immersive, shimmering soundscapes. Flowing with a lilting twinkling grace, it truly is a thing of pure beauty as front-person Jen cements herself as a songwriter capable of exquisitely conveying the fragility of life with each rich sonic tapestry, as a resonant raw emotion ripples throughout. Such a dreamy collection of songs that I find impossible to listen to just once, but instead need to play at least twice, or even three times, around in a row! Once Around was released in April 2024 via Thurston and Eva Moore’s record label, The Daydream Library Series. (ML)

Whitelands – Night-bound Eyes Are Blind To The Day

Initially formed from DIY grassroots music initiatives like First Timers Fest and Decolonise Fest, Whitelands are gently dismantling the expectations and stereotypes surrounding the traditionally white-male oriented guitar music scene. Released via iconic shoegaze label Sonic Cathedral, their debut album, Night-Bound Eyes Are Blind To The Day, is a disarming reflection on everything from politics, philosophy (the album title is taken from the book ‘The Prophet’ by Kahlil Gibran) to ADHD, depression and heartbreak.

Vocalist and guitarist Etienne’s songwriting is deeply poetic, something which becomes more apparent when you read the accompanying lyric sheet on the album’s vinyl insert. His soft floating vocals are accompanied by lead guitarist Michael’s soaring riffs, drummer Jagun’s driving beats and Vanessa’s brooding bass lines, all of which intermittently push the record into both melancholic and euphoric territory. It was wonderful to have Whitelands with us in the studio for our Soho Radio show in February this year talking about their debut record. Having caught them live at Hammersmith Apollo and EARTH supporting Slowdive, as well as at Cro Cro Land and their album launch show at Rough Trade East, Whitelands have provided some of my favourite musical memories of 2024, both live and on record. (KC)

EPs

all cats are beautiful – Just Kids

In 2021, London based duo All Cats Are Beautiful released their gorgeous mini album The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally felt ready to share new music with their EP Just Kids; a heart achingly poignant reflection on love and loss. Delving into stark reflections on the pain that comes with losing someone that you love so intensely, the EP glistens with a raw vulnerability and emotion alongside its twinkling electro soundscapes, creating a truly beautifully cathartic and honest collection. The band perfectly summarise – “grief is just love with no place to go.” Just Kids was released in October via Peach Records. (ML)

Piney Gir – Cosmic Upside Down 

This year prolific artist (and self-proclaimed witch) Kansas-born Piney Gir released her new EP, Cosmic Upside Down. Propelled by a twinkling, lilting energy and Piney’s distinctive lush honeysweet vocals, each track on the EP oozes a sparkling immersive splendour. Whilst its spiritual roots remain evident throughout, it also touches on themes ranging from climate change to feminism; offering a stirring yet uplifting reflection on the world today. In addition to the EP release, 2024 also marked twenty years since Piney shared her first album, Peakahokahoo, and to celebrate we helped her promote a special 20th anniversary gig at The Lexington with a superstar line-up of Anat Ben-David (Chicks On Speed) and Psycho Delia (Robots In Disguise) – a really dreamy evening! Cosmic Upside Down was released in August via No Distance Records. (ML)

SPIDER – object of desire

I’ve been watching Irish alt-pop artist SPIDER grow since the release of her debut single ‘Water Sign’ in 2021, and it’s been a joy to see her talents recognised in the alternative rock scene this year. Her third EP, object of desire, is bursting with riotous, angst-ridden tunes about coming-of-age in an antagonistic world that tries to dictate this deeply personal process. The title track is a formidable anthem that perfectly outlines all that SPIDER is capable of as an artist; her clear intonation, candid lyricism and loud-and-quiet grunge and pop punk dynamics are showcased perfectly. It was a privilege to watch her perform AT her debut London headline show at The Camden Assembly earlier this year. Read my full review here. (KC)

Softcult – Heaven

Marking a heavier development in their sound, Heaven is the fourth EP from Canadian twin sibling duo Softcult. By blending shoegaze sensibilities with dream-pop melodies and Riot Grrrl politics, Mercedes and Phoenix Arn-Horn tackle the pressures of existing in patriarchal society, the breakdown of platonic and romantic relationships and the fluctuating nature of mental health. Heaven is a cohesive, considered record that offers respite through heavy reverb and gloomy vocals, which the pair have perfected on this latest offering. Guitarist & vocalist Mercedes spoke eloquently about the inspirations behind the EP in an interview with me earlier this year. Read the full feature here. (KC)

Queen Of Nothing – The Pull

Recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie) independent alt-folk artist Abi Crisp aka Queen Of Nothing released her debut EP, The Pull, in November this year. It’s an atmospheric, brooding reflection on what it feels like to let go of heartbreak, uncertainty and fear and emerge as a truer version of ones self. I love her blend of shimmering and gritty guitar tones, tender vocals and dramatic volume shifts, which are epitomised on my favourite track ‘How Does It Feel’. (KC)

Honourable Mentions

Alien Chicks – Indulging The Mobs (EP)
ARXX – Good Boy
The Baby Seals – Chaos
Charley Stone – Here Comes The Actual Band
Chelsea Wolfe – She Reaches Out To She Reaches Out To She
Cherym – Take It Or Leave It
Coolgirl – Road Closures
Fears – affinity
Fraulein – Sink Or Swim
Julia-Sophie – forgive too slow
King Hannah – Big Swimmer
Los Bitchos – Talkie Talkie
Mammoth Penguins – Here
NikNak – Ireti
PostLast – Pull Me Into The Open Sea (EP)
Sassyhiya – Take You Somewhere
SOPHIE – SOPHIE
WISP – Pandora (EP)

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