indie – Page 42 – Get In Her Ears

Track Of The Day: Barry – ‘Neolithic Homosex’ / ‘No More Boys’

Having received acclaim from the likes of BBC 6Music’s Marc Riley, as well as sharing stages with Franz Ferdinand and Adulkt Life, South London based Barry follow their eponymous 2019 album with a new double A side release.

First up, ‘Neolithic Homosex‘ ponders the all-important issue of what gay sex was like in ancient times. Propelled by driving, breezy beats and joyously jangly hooks, whirring keys flow alongside brazen vocals and added cheering hand claps, oozing an uplifting, sunny energy. With a fizzing, playful charisma it offers a scuzzily splendid sonic delight.

Accompanying single ‘No More Boys‘ flows with a lilting zest as it reflects on those post-breakup feelings of self-pity, and unfulfilled promises to stave off any vices going forwards. With a twinkling musicality providing the backdrop for the refreshingly relateable, wit-tinged lyricism, it’s another buoyant belter; transforming life’s worries into fun-filled indie-pop goodness.

A band whose mission statement it is to “make you laugh and dance”, I’d say that Barry most certainly succeed in this. And I couldn’t be more grateful for this vibrant, quirky respite from the struggles of everyday life.

‘Neolithic Homosex’ / ‘No More Boys’ is out now. Download on bandcamp now.

Mari Lane
@marimindles

August 20, 2021

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LISTEN: Teah Lewis – ‘Magnolia’

Sheffield-based singer-songwriter Teah Lewis has released ‘Magnolia‘ – a stunning new single, which blooms as beautifully as the flower it is named after. A perfect addition to your summer playlists, the music is bright and sensuous, blending modern folk styles with hints of electronica.

Depicting the walk home on the morning after a night out, ‘Magnolia’ combines both the fresh brightness of spring and the hazy warmth of summer as Teah’s vocals flow with a soulful ease. Her music always feels effortlessly graceful and manages to capture something incredibly honest, and this track is no different. Led by her gorgeous vocal melodies and lilting guitar, ‘Magnolia’ builds steadily guiding you with ease along a musical journey. The understated bass and restrained percussion work to guide the journey. Before you know it, you realise you’ve been lifted into some otherworldly place. It’s utter bliss as the banjo, guitar, and harp weave around you, vocal and trumpets shine, hints of synthesisers and synth strings add a sprinkling of electronic ambiance, creating a magical atmosphere. It’s a truly ethereal experience.

The track comes together with the collaboration of Sheffield musicians, each bringing their own flair to the track: folk power-duo Kate Griffin (Mishra) and Manon McCoy (Shivelights) provide luscious banjo and harp accompaniment that flourishes in the spaces between the vocals, and Teah’s long-term collaborator, the composer Emily Compton, plays poignant trumpet melodies which add to the euphoria of the tracks’ crescendo. In addition to these musicians, Philippe Clegg (Oh Papa) plays bass, Josh Knight (I Set the Sea on Fire) appears on drums, and Ben Allen (Life Aquatic Band) features on the synthesizer and slide guitar.

You can hear shades of legendary artists such as Joni Mitchell and Laura Marling in how ‘Magnolia’ is driven by infectious melodies and reflective lyrics, as well as harmonies as mellifluous as The Staves. If you are in need of a warm hug, ‘Magnolia’ will be able to provide the musical equivalent. It’s a beautifully crafted song that is sure to lift your mood.

Jaz Kelly
@surfjaz

August 5, 2021

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LISTEN: Bleach Lab – ‘Real Thing’

Fusing hope and hesitation with heart-wrenching ease, Bleach Lab’s latest single ‘Real Thing’ is a dream-pop delight. Following on from their debut EP A Calm Sense of Surrounding, the South-London based indie group’s latest track shows Bleach Lab at what they do best: endearing, emotional indie with a hint of electronica.

Like candy that can kill, there’s a sweet sadness to ‘Real Thing.’ “It’s about wanting to find a more meaningful and lasting connection with someone,” explains vocalist Jenna Kyle. “I had been processing a lot of issues over the last couple of years to do with previous relationships and personal development, and I had finally reached a place where I felt I was in the right state of mind to be open to looking for something new.”

Saturated with the shoegazy sounds like Slowdive and Mazzy Star, it’s no surprise that the single was produced by alt-rock genius Stephen Street, who has produced tracks from The Smiths, Blur and The Cranberries in the past. The song’s acoustic guitars, soft electronic drumbeats and reverb depict the rectifying promise of budding romances. Kyle envelops her lyrics with longing as delicately as silk sits on skin: “I really wanna see you again / I wanna be more than friends,” which seems more like a prayer than a refrain.

Tender, touching and tactful, the new track emulates the melancholy melodies of Heaven or Las Vegas. If you find the slightly soul-crushing sounds of the Cocteau Twins comforting, Bleach Lab is the band for you.

Listen to ‘Real Thing’ below.

Follow Bleach Lab on bandcamp, Spotify, Instagram, Twitter & Facebook

Jay Mitra
@punkofcolour

August 3, 2021

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LISTEN: girlhouse – ‘happy now’

Showcasing a new emotional maturity to her song-writing, Portland-born Nashville-based musician girlhouse has shared her latest single ‘happy now’. Whilst the track starts out deceptively dreamy, lyrically there’s no mistaking how girlhouse aka Lauren Luiz feels – especially in the biting lines “your promises stink like gasoline” and “are you f****g happy now?”

Listeners could be fooled into thinking this song is about lost love, but Luiz is actually pleading with herself on this new release. “’happy now’ started as an angry poem towards someone in my life that was really emotionally challenging to me,” she explains. “As we started producing it and I started looking at the lyrics from a different perspective, I realized I was projecting everything I hated about myself towards this other person. ‘happy now’ is my heart, gladiator screaming ‘are you not entertained?!’ to my body after doing all the things and following all the people that should, in theory, make me happy but in the end left me feeling empty.”

Through her grunge laden guitar and melodic voice, Luiz vents her frustration throughout the track, arriving at a place of acceptance and growth.