INTERVIEW: Pillow Queens

“Kate, you’re two minutes late! We were worried about ya!” joked Pillow Queens guitarist & vocalist Sarah as I walked in to The Irish Cultural Centre to interview her and her band mates last week. I’s been walking in circles following Google Maps trying to find the venue, and I was relieved by her kindness and secretly impressed by her adherence to the clock. The conversation flowed effortlessly from there.

Before watching them play a knockout gig for The Irish Jam alongside TAYNE, Video Blue and Delorentos, I chatted away to Pamela (Guitar/Bass/Vocals), Rachel (Drums/Vocals), Cathy (Guitar/Vocals) and Sarah for what felt like no time at all. We spoke about playing gigs, their new EP State Of The State, and what it was like to be surrounded by dogs on the set for their music video ‘Favourite’ (spoiler: it was a dream come true…)

Hello Girls. You’re playing a gig for The Irish Jam tonight, what are your anticipations for the show?

Cathy: Fame…

Sarah: …and inevitably fortune. Today’s the release of our new record, State Of The State, which is coincidental, but it’s a very big day for us. What are we anticipating?

Rachel: A bit of craic?

Cathy: Definitely a bit of craic. We’re also anticipating breaking all of the gear we borrow off the other bands.

Sarah: We haven’t brought anything with us. We’re sharing everything. Sharing, borrowing, stealing…

Cathy: I just showed up with a plectrum and was like “I’ve arrived!”

Pamela: I guess we’re anticipating more London fans as well?

Sounds cool! You’re also in town for St Patrick’s Day tomorrow too. What are your plans?

Pamela: We’re in Camden all day. We’ve got an acoustic set at Voodoo Rays and then we’re playing the Dr Martens boot room.

What would you be doing if you were back in Ireland?

Pamela: Staying. Away. From. Town. (laughs)

Is it really that bad?

Pamela: It gets pretty hectic. Loads of the roads in and out of town are closed, so it’s hard to get anywhere. Usually on St Patrick’s Day I go to my friends house and we get all of his couches and we put them out in the back garden and we take the TV out there and we chill out and watch movies.

Cathy: Why, is it always sunny or something? (laughs)

It won’t be this year, apparently the ‘Best From The East’ is back so it’s going to snow…

Congratulations on releasing your EP State Of The State today! How are you planning to celebrate the occasion?

Pamela: We’re probably going to be quite tame this evening because we have gigs tomorrow.

Sarah: We’re quite tame generally speaking though. Even last year when we were on tour, I was always like “alright girls, come on, time to go to bed!”

Cathy: That didn’t mean that we weren’t hungover though…

Pamela: I didn’t drink for most of the tour really.

Rachel: What? How did I miss that?

You were drunk?

Cathy: (To Pamela) You did fall down the stairs though…

Pamela: Ughh yeah, I did do that. No wait, I fell up a step! I think we’ll just celebrate by having a good time and hopefully making people buy our record.

Sarah: We sold our first one today! The record is so nice. You know when you see an album on your computer screen and you’re like “that looks like it could be amazing” and then you see it in real life, and it’s just like “Oh my God, it’s actually perfect”.

Pamela: They probably don’t have any songs on them or anything, but they look cool.

I’ll be grabbing one after your set this evening!

On a surface level, your songs are upbeat and catchy but your lyrics touch on darker emotions like guilt, paranoia and frustration about situations you’re trying to change. Do you think it’s important to take negatives emotions like this and turn them in to something positive? Is it a conscious decision you make when you’re writing new music?

Pamela: I know it’s something I definitely do, because I absolutely love writing pop songs. I love being like “d’ya know what? I’m gonna make people sing along to a song that’s actually really fucking sad.” That’s the way I’ve always done it. I love seeing people bobbing away and singing and being really happy, but if you actually listen to the lyrics, you’ll realise I’m dead inside.

That’s my favourite kind of music! It’s like you’re tricking people…

Pamela: Yeah definitely. I love listening to sad music as well, but sometimes I feel inclined not to listen to it just because it kind of puts you into a warped sadness. You want to divulge when you’re sad, but you don’t want to get sad, so if I’m like that I’m sure other people are like that too. Which is why I want to trick them. So if you want to listen to a banger that will make you dance, well, I’ll give you that – but I will also give you all my emotional baggage too.

Nothing wrong with that. I’ll take the baggage. Do you each have a favourite song on the EP, or one that you’re most proud of?

Sarah: For me, it’s ‘Puppets’. I know that’s narcissistic because it’s the song that I sing on and it’s a song that I wrote, but for me it’s a song that I’d listen to even if it wasn’t by us. That’s probably because I find it to be really relatable, obviously, because I wrote it, but I think it was due to me learning song-writing techniques whilst being in the band.

It’s kind if like what Pamela was saying, where you take negative feelings and turn them into a sing-along, it’s an empowering thing. That’s really attractive to me. When I listened back to ‘Puppets’ I was like “God, I was so sad when I wrote this, but now it sounds so happy” and that just feels great.

Cathy: I’d say ‘Puppets’ too, because I felt like it was the most challenging song and we all went outside of our comfort zones a bit. I’m just so happy with every track on the EP, there’s nothing I would change.

Rachel: It’s really hard because I love them all, but it has to be ‘Favourite’. I’m sorry Sarah.

Sarah: It’s okay! It’s not a competition. If Pamela and I ever had any sense of rivalry, it would be about how much Vietnamese soup we could eat in one sitting, I don’t think it would ever be anything to do with song-writing. What’s your favourite song Pamela?

Pamela: It’s not actually one of my own, it’s ‘Cuckoo’. I learned how to play the bass on that track. It’s the first song where I felt like I’d played the bass really well.

Rachel: That’s it! It’s the sense of accomplishment within the band. All of the tracks for me are absolute bangers because they’re about the coming together of the band. That’s why I like ‘Favourite’ so much. I had a sound for it in my head and we achieved exactly that sound. I listen back to it and I get goosebumps, I’m like “Wow, we are soooo good!” (laughs). Peter helped us to get that sound as well. He’s our friend and he produced it.

Pamela: He really captured what we were looking for and I don’t even know whether knew that was the sound we wanted? But it turned out really well and I’m so proud of it.

That’s great. Speaking of favourites, the video you released for the track is brilliant. Talk me through how that came about…

Sarah: We love dogs. We really, really love dogs. We met with the Director, (Bob Gallagher, but initially we were a bit worried about working with external people on videos because it’s kind of a personal thing. Pamela directed the video for ‘Rats’, so we all had an input. But as soon as we sat down with Bob, he didn’t want to go with a romantic element, so he suggested a dog show and we were like “that’s the most perfect thing you could say to us.”

Cathy: We didn’t need to hear his other ideas. We were just like “That’s it. We’re going with the dogs.”

Sarah: I was like “Do you need any help? I will be at all of the dog shows if you need me to be there!” and I was. 7am the day after Christmas? I was like “Let’s do this, my Mum’s gonna drop me over.”

Pamela: I wasn’t sure how he was going to make the parts filmed at the dog show and the parts filmed with the actors be cohesive, but now I don’t think you can tell who are the actors and who are the normal people? There are some just, normal people who are acting like they’re mad, like, there’s someone who smacks her head with her mobile phone…

Rachel: Is she not an actor?!

Pamela: No!

Sarah: Straight after that scene there’s a bit where a guy who wins the dog show blows on a woman’s hair and although he’s an actor, but that’s improvised!

Pamela: When we were filming at the National Show Centre, two of the people didn’t have dogs. They were just running around pretending to hold leads!

Rachel: I wish you and Sarah had been pretending to be the dogs.

That really would’ve been really impressive. The footage looks great though!

You’re back in London at The Sebright Arms on April 10th…

Sarah: Ohhh, is that how you pronounce it? We were like “Is it Seh-bright?”

I say it like it’s “See-bright”. I hope that’s right? It’s in Hackney…

Cathy: Hackney? I can’t wait!

It’s a great venue. I’ll be there!

Sarah: Will you be late again?

I’ll never be late to anything again after tonight…

After London, you return to Ireland to close your tour by playing your biggest headline show to date at The Workman’s Club in Dublin. It must feel pretty good to be finishing the journey with that in mind?

Pamela: It’s going to be great, but we’re also going to feel tired and a bit shite, and we’ll be a bit smelly, but our fans will be there and they know how bad we smell. So it’s going to be great!

Cathy: Do you not have a shower in your own house? We’ve sold a lot of tickets apparently, so it’s all good.

As a new music blog, we always ask bands what new music they’ve been listening to. Are there any new bands or artists that you can recommend to us?

Cathy: I’m listening to Totorro. They’re a math-rock band from Belgium (I think).

Sarah: I’ve been listening to a lot of Soccer Mommy.

ME TOO! I missed her show at Moth Club earlier this month…

Sarah: She’s touring again in September and we’re like “please can we support you?” that’d be amazing. I found her on YouTube and there were all these live sessions and I just think she’s great.

Rachel: You all know what I’m going to say…

P/S/C: Ailbhe Reddy!

Rachel: I can’t help it! She’s an Irish artist and she’s great. She knows I’m obsessed with her. She’s savage, and Phoebe Bridgers. Strangers In The Alps is my album of the year.

Pamela: There’s an Irish folk band called Lankum that I’ve been listening to who are great.

I’ll have to check them out! Finally, what does the rest of 2018 hold for Pillow Queens?

Sarah: Jesus, we’ve no idea…

Pamela: Festivals!

Sarah: Yes, but we haven’t announced them yet. I’m always living in fear of them just changing their minds last minute and just being like “mmm, no”

Kathy: We can say that one of the festivals is in the UK and one potentially in Europe…

Sarah: I never went to festivals growing up because it was too expensive, but now we get to go for free!

Cathy: We’ll have the craic at festivals and then I think we need to write.

Sarah: We have new ideas that are being shaped and we’re actually just discovering now how we write together. Now all four of us are contributing to every stage of the writing process so we’ve got a lot of learning to do, but a lot of really fun learning to do as well.

Thanks so much to Pillow Queens for answering my questions.

You can buy State Of The State here

Catch them on their upcoming UK & Ireland tour. Click here for more info.

Kate Crudgington
@KCBobCut

ALBUM: Belako – ‘Render Me Numb, Trivial Violence’

A “head twisting mix” of punk, techno, indie, & electro, Spanish band Belako have shared their third album Render Me Numb, Trivial Violence via Primavera Sound’s label El Segell. The group were already well versed in fusing different genres and their talent for doing so has thrived on this record.

Upbeat cacophony ‘Maskenfreiheit’ kicks things off in trademark Belako style, with a manic mix of electronics, guitar riffs and lush vocals. There’s no time to catch your breath as ‘Lungs’ immediately follows, still bursting with the same organised musical chaos.

‘Two Faced Simulation’ impresses with its gritty bass lines, restless guitar riffs and heavier vocal delivery, whilst following track ‘Over The Edge’ keeps up the momentum with sharp, persistent percussion and more driving bass lines. ‘Nice Church’ is a joyful tune, combining both buoyant and dense synths with watery-fx vocals and more powerful percussion. Even when they sing of losing emotional focus on ‘Stumble’, Belako keep everything together musically. ‘Stumble II’ is equally as well constructed, with gentle keys tripping over more lush vocals.

The stripped back, hazy ‘Strangers In A Box’ follows, before brief instrumental ‘Render Arp’ leads in to title track ‘Render Me Numb’, which is permeated by forceful beats. The uplifting party-style synths on ‘The Fiend Thinker’ will get listeners feet moving, whilst the happily named ‘Something To Adore (Arinau)’ rolls out in the same passionate vein.

Penultimate track ‘Hegodun Baleak II’ meanders musically for five minutes, before the brief ‘Maskenfreiheit II’ bookends this fusion of manic indie and alternative sounds. With Render Me Numb, Trivial Violence, Belako have shown their skill for creating carnivalesque, yet ornate and considered music.

Render Me Numb, Trivial Violence is available now. Follow Belako on Facebook for more updates.

Kate Crudgington
@KCBobCut

EP: After London – ‘After London’

If you’re looking for a slice of anthemic, alternative indie-rock, look no further than After London. The five-piece have released their eponymous debut EP, and it’s a record that shows they’re well-rehearsed, wickedly talented and ready for bigger things.

‘Bitter Man’ kicks things off with sardonic yet sublime vocals that recollect a blur of sexist poison and disappointment. Following track ‘Dreams’ flickers with the energy of over-active pupils during a case of REM sleep, and fans of London-rockers Anteros will approve of this indie tune.

On the penultimate ‘Highlife’, vocalist Francesca sings “you don’t like the taste of my despair” – but it’s hard to imagine anyone not savouring the sweet qualities of her voice, even if they do lament the sourness of dejection. The opening lyric on final track ‘Waiting For You’ feels particularly poignant – “Silence says more than what you think / it colours things that you can’t see” – and paves the way for an anthemic four minutes of taut percussion and melodic guitars.

Listen to After London’s EP in full on Spotify, and head down to their launch party at Hoxton Square Bar & Kitchen on 7th February to hear the record live. (RSVP here).

Follow After London on Facebook for more updates.

Kate Crudgington
@KCBobCut

Interview: Pale Honey

Gothenburg alternative duo Pale Honey returned to London on Tuesday night to play a free gig at Old Blue Last in celebration of the release of their second album, Devotion, and they disarmed the crowd with their modest, melodic sounds.

I had the pleasure of meeting Tuva (vocals/guitar) and Nelly (drums) backstage before the show, where we sat down to talk about devoted fans, their favourite tracks from their new record, and highlights from their current European tour…

How are you feeling about tonight’s gig?

Nelly: I think there’s going to be lots of people.

Tuva: Me too, I hope so.

Nelly: We have some friends coming and some people we’ve emailed with for a very long time who we’ll meet for the very first time – so that’s exciting!

Tuva: And a guy who came to see us in Malmo in Sweden last Friday, who actually lives here in London, but he didn’t know we were playing this gig so he flew all the way out to see us!

That’s true dedication. You’ve just played shows in Iceland & Sweden. What were the highlights from these gigs?

N: I liked all the drinks that we got – well – that I took…

‘Got’, ‘took’, ‘stole’ – I mean, what’s the difference?

N: Yeah, it doesn’t matter. ‘Tomato – Tomahto’ (laughs). I’m surprised that so many people came to the shows actually.

T: I think the highlights have been that people are singing along to the songs when we’re playing and some people even play air drums!

N: Yeah! here was one lady standing in the front row playing air drums and I was like “you go girl! I see you!”

That’s a genuine level of fandom! You recently released your second album Devotion. Can you tell us how it differs from your 2015 self-titled debut record?

N: Our debut album had songs on that we wrote when we’d just met, so there’s some really old songs and lyrics on them. We didn’t really have the courage back then to change anything. We didn’t want to change or touch anything.

T: We got signed on that album based on those songs, so we thought we couldn’t change them because this is what fans and our label like, you know?

N: So second time around, we just tried and re-tried things and we had a lot more courage, and we were a bit more spontaneous. I’d be like “Okay, I have an idea, it might be good, it might be bad – but lets try it anyway.”

Do you have a favourite track on the record? If so, why?

T: The fourth song ‘The Heaviest Of Storms’. It was very easy to write the song, it just came out…

N: Because you’re a genius…

T: It just felt so natural, and it’s also very fun to play live.

N: It’s not so good for my right arm when we play live though. I’m so small and fragile, I get tired easily. Mine is ‘Why Do I Always Feel This Way’. It’s quite an old release, but I remember listening to the demo and I could barely hear what Tuva was singing. I wasn’t sure if it was in Swedish or English, but I remember hearing it and thinking (sighs). My boyfriend was like “What song is that? Is it a famous song?” and I was like “Shut up! This is work!”

I also remember when we were recording it we tried to sing it in a different key and it changed the whole song. I was like “this is wrong, it sounds like a Disney song!” So we changed it back and I was happy again.

Great choices, my favourite is ‘Get These Things Out Of My Head’ by the way…

I’ve noticed there’s quite a lot of electronic/indie music coming out of Gothenburg and Sweden in general – including ShitKid. Would you say Gothenburg in particular is a hub for new music and musicians?

N: I think people are very welcome to play new music live there. Even as kids growing up, they were always like “If you want to play here when you turn 18, you can play at our place”. It’s always been a music city, lots of indie and metal kids.

It’s such a cool name for a city too, it sounds like it’s something out of a comic book. As a female-focused new music blog, we’re always keen to know what new music our favourite artists have been listening to. Any bands/artists you can recommend?

NWe always recommend Shitkid, so it’s good that you’ve already mentioned her. She’s very eccentric. She spilled blood on my drums, destroyed some things, but she was great to see live! Pink Milk are another Swedish band we like. They opened a couple of shows for us. They actually live near me, but I’ve never seen them out. I was like “What do you guys do?” and they were like “We just sit at home”…

Hibernating between shows?

TKind of like us really…

N: True. I just watch Netflix all day and pretend to be a musician sometimes.

If you had to describe your music in three words, what would they be?

N: Fun?

T: Minimalistic?

N: “Minimalistic”, really?

T: Yes…

N: There you go: Fun, Minimalistic, Yes! – actually, I would say we are more dynamic than minimalistic… so “Fun, Dynamic, Yes!”

Perfect choices. Finally, what does 2018 hold for Pale Honey?

T: Everything. We really hope for more recording and definitely some more shows here in the UK.

N: We’ve played here too many times to not have a full tour in the UK now!

Huge thanks to Tuva & Nelly for answering my questions. Follow Pale Honey on Facebook for more updates.

Kate Crudgington
@KCBobCut