PLAYLIST: February 2024

The Get In Her Ears team have put together another eclectic mix of alternative anthems, grunge & shoegaze tunes, electronic sounds and indie & folk musings for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Whitelands – ‘Cheer’
GIHE fave London shoegazers Whitelands came into the Soho Radio studio earlier this month to chat to us about their debut album, Night-bound Eyes Are Blind To The Day, and I have been listening to the record on a loop since its release. I saw them live supporting Slowdive at Hammersmith Apollo, and it was wonderful to hear their magnetic sounds ring out around the walls of such a prestigious venue. The GIHE team are so excited to see them again at their London album launch gig at Rough Trade on 5th March.
(Features Editor -Kate Crudgington)

Hypsoline – ‘Disposable Girl’
Firm favourites who we’ve been lucky enough to have play for us a couple of times now, Brighton’s Hypsoline have now shared new single ‘Disposable Girl’. Written from the viewpoint of a heartbroken teenage girl, the track oozes the band’s scuzzy power and versatility of front person Trilby’s rich vocals. Building with a hazy allure, it showcases the band’s ability to create instantly catchy rock anthems, and I can’t wait to hear more from them this year. (Managing Editor – Mari Lane)

HAVVK – ‘Take It From Me’
We’re extremely excited to have Irish trio HAVVK return to play live for us at our next gig on 28th March at Shacklewell Arms. Having headlined the first ever gig we hosted back in 2016, it feels pretty special to be hosting them again, and – with support from lovely bands like Athabaska and Rats-Tails – it promises to be a dreamy night! This latest single showcases all the gritty, grunge-fuelled energy and celestial splendour we’ve come to know and love from the band. To Fall Asleep, the new album from HAVVK, is set for release on 15th March. Come and celebrate its release with us at The Shacklewell Arms! Tickets here. (ML)

Projector – ‘Don’t Give Anything Up For Love’
Congratulations to Brighton trio Projector on the release of their debut album, Now When We Talk It’s Violence. Unsurprisingly, it’s a superb record that showcases the band’s evolution in sound, full of grinding riffs, intense vocals and propulsive beats. This is my favourite track from the record. (KC)

Wisp – ‘Once Then We’ll Be Free’
19 year-old San Francisco-based musician Wisp has been on my radar for a while now. I’ve been soaking up her lush shoegaze sounds, and this single ‘Once Then We’ll Be Free’ is another potent blend of her hushed vocals, swirling riffs and driving beats. (KC)

Nightbus – ‘Average Boy’
Released via So Young Records, ‘Average Boy’ is the dreamy new release from Northern trio Nightbus. Speaking about the track, the band explain: “‘Average Boy’ is a narrative I’m sure many of us can relate to. The feeling of inadequacy, dysphoria, a longing for something that might never materialise. Those small moments that feel like destiny are reduced to bittersweet memories. We all search for something, we get caught in cycles, we lose our way, half the time we don’t even know what we’re looking for. Gender, perspective, culture, we are all in some way the average boy.” (KC)

Brimheim – ‘Normies’
I’m a big fan of Danish-Faroese artist Brimheim, and this single has been swirling around my head all month. Taken from her upcoming second album, RATKING, which is set for release on 22nd March, her new record explores shame, self-deception and tragic love. I adored her debut album, can’t hate myself into a different shape, and think her new offering will be equally as excellent. She’ll be playing The Lexington on Weds 22nd May. (KC)

Baby In Vain – ‘Afterlife’
This is the title track from Danish trio and longtime GIHE favourites Baby In Vain’s latest album. The record showcases a softer, more shoegazey approach to the band’s songwriting, compared to earlier heavier releases, but it still retains the slow-burning tenderness that makes all of their music so compelling. (KC)

total tommy – ‘microdose’
This is the debut single from Australian songwriter total tommy, who has recently singed to [PIAS] Recordings. A lovely hit of lo-fi indie-grunge, ‘microdose’ was written in total tommy’s bedroom studio in Sydney on a stormy night, and reflects on an addictive, all-consuming crush. (KC)

Tusks – ‘Strangers’
Another affecting, evocative offering from London-based electronic artist Tusks here. ‘Strangers’ is lifted from her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. She will be playing at Rough Trade East on 13th April to celebrate the release of the album. (KC)

Tolü Makay – ‘Mind & Body’
Nigerian-Irish artist Tolü Makay has returned with this wonderful new single about the importance of being present in the moment, with her emotive voice guiding listeners through this process. Speaking about the track, Tolü explains: “’Mind & Body’ explores the anxiety we feel when our body is numb to the moment while our mind is drowning in senses, screaming for us to be present in the here and now. It’s about allowing ourselves to breathe, about taking care of our bodies, about being present even when everything is moving so rapidly. In this cultural moment we are so concerned and cornered by our thoughts, our appearance, our voices and narratives that we tell ourselves. It is so hard to simply just be. ‘Mind & Body’ is a reminder to be present. To come together. Not just with yourself, but with each other. In Mind and Body.” (KC)

Elsa Hewitt – ‘Citrinitas’
I saw Elsa Hewitt play live again recently at Loki in Brixton, and I was hypnotised by her lo-fi, but very intricate synth loops and vocal improvisations. This wonderful soundscape ‘Citrinitas’, is taken from her upcoming eighth album, Chaos Emeralds, which is set for release on 12th April. Chaos Emeralds is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark magnetic electronica. (KC)

Sheherazaad – ‘Dhund Lo Mujhe’
Following last year’s completely spellbinding debut single, ‘Mashoor’, Brooklyn-based composer and vocalist Sheherazaad has now shared the second taste of her upcoming album. As stirring waves of sound intertwine with a somewhat buoyant energy, ‘Dhund Lo Mujhe’s celebratory tone is at once juxtaposed with a disconcerting undercurrent. Building to a swirling rich cacophony, it offers a stark reminder to embrace our own unique joy in the face of damaging stereotypes. Qasr, the upcoming debut album from Sheherazaad, is set for release on 1st March via Erased Tapes. (ML)

M(h)aol – ‘Pursuit’
Irish post punks M(h)aol have returned as a four piece with this cutting new single ‘Pursuit’. Drummer and vocalist Constance Keane explains more about the pent up frustration and fear that underscored the track’s conception: “’Pursuit’ is about the experience of being followed home. Sadly, I think it’s something most women have experienced, and something that makes you change your behaviour on a very practical level. It first happened to me when I was 12, and it stayed with me for a long time. The experience of choosing your outfit based on how quickly it could help you get out of a dangerous situation is something I don’t even notice I’m doing sometimes, and that in itself scares me. What am I doing choosing shoes I know I can run fast in, rather than the ones that would go better with my outfit? As a whole, the song is built out of frustration that has accumulated over the past 30 years of being a woman in public.” (KC)

Lambrini Girls – ‘God’s Country’
Currently taking the world by storm, Lambrini Girls are not afraid to call out the government and those complicit in the deterioration of society. Offering a brutal condemnation of ‘Great’ Britain, latest single ‘God’s Country’ seethes with an immense energy and angst-driven power, emanating a raging sense of urgency throughout, cementing Lambrini Girls once again as a truly formidable force that we need now more than ever. Of the track, the band clarify: ““God’s Country is our long, overdue call-out of the government and rise of the far right… Great Britain. Think colonial, shit-hole, chunk of land. Thriving off unhinged nationalism, fed to us by the right red hand of unelected prime ministers… We could deep dive into inspirations and influences- but the song’s about politics, not us. We hope the song speaks for itself. Rishi, Cameron, Cummings, Starmer – you’re all on our shit list.” (ML)

CLT DRP – ‘Until You Showed Me’
Described as a “gender-fluid love sing”, this is the first new material from Brighton-based art punks CLT DRP since they released their second album, Nothing Clever, Just Feelings, via Venn records last year. Speaking about the track, powerhouse vocalist Annie Dorrett explains: “Femininity is a word that has haunted me my whole life, whereas Masculinity is something that I’ve longed for. ‘Until You Showed Me’ is a love song to my current partner for making my gender fluidity something that they nourish and make room for rather than dismiss or ignore. It’s no secret that a lot of people feel the need to lean into a gender role in order to gain respect or normalcy and if they mess with anything outside the binary it can seem threatening. Funnily enough I’ve found myself playing with my femininity a lot more now that I’ve found comfort in my skin again. This song is a little ode to the queers and anyone who strays from the binary in any way small or large. Break the wall from either side, that’s how we get ‘em to listen.” (KC)

Loose Articles – ‘I’d Rather Have A Beer’
Having recently announced the release of their debut album later this year, Manchester’s Loose Articles bring all the racing, roaring energy in latest single ‘I’d Rather Have A Beer’. Offering a warning about those toxic people who won’t make the same effort for you that they expect from you, it’s a perfect, post-punk ode to prioritising your own self worth, having fun with with your pals (over a nice pint) and moving on with your life. (ML)

Bridget. – ‘Take Me Down’
Taken from her debut EP, Damage Reversal, ‘Take Me Down’ is an anthemic offering from Essex-based grunge punk artist Bridget. She will be playing a gig at Luna in Leytonstone on 16th March as part of her EP tour, so if you like what you hear, make sure you grab a ticket to go and see her. (KC)

SPIDER – ‘an object of desire’
‘object of desire’ is the title track from Irish-born, London-based alt-pop artist SPIDER’s brand new EP. The record is a gritty, candid offering, exploring “the unholy trinity of young adulthood” and the web of sex, objectification and self-worth. We interviewed SPIDER on our Soho Radio show for our Great Escape Festival special last year, and she was a breath of fresh air. We’re so excited to see her getting the attention she deserves. SPIDER will play her first ever London headline show at London’s Camden Assembly on March 20th. (KC)

Gouge Away – ‘Dallas’
I was hooked on ‘Stuck In A Dream’, the powerhouse previous single from Florida-based alternative five piece Gouge Away. ‘Dallas’ marks a gear change in sound for the band, but it’s still a heady, corrosive sonic dive into what it feels like to hit rock bottom. It’s taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish Inc. (KC)

Heave Blood & Die – ‘Men Like You’
I love this intense offering from Norwegian post-punk collective Heave Blood & Die. It’s lifted from their fourth album, Burnout Codes, which they released back in January. Dedicated to bassist Eivind Imingen, who decided to end his life just following the recordings of the album, Burnout Codes shows the Norwegian collective offering their most textured and innovative album to date, acting as a tender tribute to the talent of their bandmate. (KC)

Dissolved Girl – ‘Silt’
This London-based four piece are named after one of my favourite Massive Attack songs. Dissolved Girl have been meticulously crafting their debut album over the past four years, and this track ‘Silt’ is the second hint at what’s to come. Brooding riffs, trip-hop style beats and a potent vocal all blend together to create a captivating, grunge-infused soundscape. (KC)

CHERYM – ‘Alpha Beta Sigma’
Having just released their debut album, Take It Or Leave It, this month via Alcopop! Records, Northern Irish trio Cherym have been big faves of ours since I first fell in love with them playing Paper Dress Vintage back in 2021. And I was lucky enough to re-live this experience last Saturday as they returned to the venue, delivering an even more wonderful set to an even bigger and adoring crowd. Fizzing with all the colourful punk-pop energy we’ve come to know and love, ‘Alpha Beta Stigma’ offers a fierce reflection on the immense gender inequality and violence against women that still permeates Irish society. One of the most exciting bands around at the moment, I fully expect to be seeing and hearing lots more of Cherym throughout 2024. (ML)

Laura Jane Grace – ‘Birds Talk Too’
Having just released their new album, Hole In My Head, earlier this month, legendary Against Me! Front-person, author and transgender activist Laura Jane Grace offers an uptempo ode to the city of Amsterdam in latest single ‘Birds Talk Too’. I love how its fuzzy punk energy propels the distinctive resonant power of Laura’s vocals, creating a fiercely fun-filled anthem. (ML)

The Empty Page – ‘Cock Of The Fifth Year’
The new single from Manchester’s The Empty Page, ‘Cock Of The Fifth Year’ offers a raging reflection on those ‘jock-type’ guys who often use their size and gender as a means of intimidating others. Of the track, front person Kel explains: “Unfortunately, there are still a lot of blokes like that I encounter when walking around my home city of Manchester. Swaggering, mouthy bellends who can be pretty intimidating when you’re a woman just trying to get from a to b.” I love its gritty energy and the raw power of Kel’s vocals, and can’t wait for the release of The Empty Page’s new album, Imploding, on 24th May. (ML)

Bleach Brain – ‘Crack’
Bleach Brain are a Liverpool-based punk/grunge trio who create anthems filled with heavy riffs and distorted vocals. This track ‘Crack’ is lifted from their excellently named EP, EAT SHIT, which they released at the beginning of the month. The band describe their new record as “a rebellious, angry, energetic EP with songs about violence, abuse, and capitalism.” (KC)

Charley Stone – ‘A Scream’
If you live in London and go to gigs, you probably already know Charley Stone. With a musical CV too long to list, and currently a gigging guitarist in bands such as Sleeper and Desperate Journalist, she has now announced the release of her debut solo album. The first song that Stone ever wrote on electric guitar (back in the last century!), it offers an insight into her creative process and artistic license. With scuzzy hooks that ripple alongside distinctive vocals oozing luscious delayed tones, it builds with a whirring energy to a colourful cacophony. Here Comes The Actual Band, the debut album from Charley Stone, is set for release on 29th May. (ML)

NEXT TO NADA – ‘Whine, Lips’
This track is lifted from London-based noise makers NEXT TO NADA’s upcoming EP, WHINE // MOTHS, which they will be self-releasing on the 15th March. It’s a grinding, punk-infused reflection on pent up frustrations, which vocalist, guitarist and lyricist Georgie explains further: “‘Whine, Lips’ is a self-lament/piss-take that I wrote whilst in a particularly lengthy period of self-destructive behaviour. Dissociation, jealousy, unease, apprehension and defeatism were all running amok in the closed quarters of a brain – leading to (what feels like) a tiresome, vicious circle of poor coping mechanisms and pessimism.” NEXT TO NADA will be playing live at the Dublin Castle on 30th May. (KC)

Um Jennifer? – ‘Glamour Girl’
Having first fallen in love with New York trans duo Um Jennifer last year when I couldn’t get enough of their single ‘Girl Class’, I’m now equally obsessed with latest offering ‘Glamour Girl’. With its playful energy and catchy hooks, it reflects on the pros and cons of recurring patterns in relationships. It’s a fuzzy lo-fi slice of punk-pop perfection that leaves me excited to hear the entirety of Um Jennifer’s new EP, The Girl Class EP, which will be out on my birthday (5th April, for those who don’t know). (ML)

Parsnip – ‘The Light’
A new discovery for me, Melbourne band Parsnip have just announced details of their upcoming album, Behold, which will be released on 26th April via Upset The Rhythm. New single ‘The Light’ fizzes with jangly hooks and an uptempo Raincoats-esque energy; the perfect uplifting antidote to our dreary British weather. (ML)

Lilith Ai ft. Kimya Dawson – ‘Fawn’
Taken from her upcoming album, Serial Killers Prefer Blondes, which is set for release on 13th September via Cruisin Records, this track from London-based indie-rock artist Lilith Ai is an affecting blend of confessional lyrics, atmospheric guitars and rousing beats. (KC)

Emily Magpie – ‘Sunflowers’
Long time favourite, Bristol’s Emily Magpie, has announced that her new album, There Are Other Forms Of Strength, will be released on 19th April. Our first taster of the album comes in the form of glistening new single, ‘Sunflowers’. Flowing with a shimmering energy as Emily’s soulful vocals ripple alongside an uptempo funk-fused allure. (ML)

KIN – ‘Party Anthem’
The new single from London’s KIN, ‘Party Anthem’ offers a poignant reflection on women’s safety. Written back in 2020, inspired by the Reclaim The Streets movement, it oozes a captivating dark allure. Flowing with Grace Strickland De Souza’s crystalline vocals and a swirling instrumentation, a stirring melancholic soundscape is created. (ML)

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LISTEN: GIHE on Soho Radio with Whitelands (05.02.24)

The full Get In Her Ears team were back on Soho Radio’s airwaves this month, playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists. Tash, Mari and Kate enthused about the eclectic tracks on the playlist, which included Seraphina Simone, pink suits, Tusks, Fraulein, Ski Lift, Worse Off, pecq, NYX Drone Choir, The Baby Seals, Fears, Grace Petrie, Moor Mother, Alvidrez, otta, Slowdive, Dermabrasion and more.

London-based shoegaze band Whitelands also joined them in the studio to talk about their upcoming debut album, Night-bound Eyes Are Blind To The Day, which is set for release on 23rd February via Sonic Cathedral. Etienne, Jagun, Michael and Vanessa chatted about their beginnings as a band at First Timers Fest and Decolonise Fest, the inspirations behind their latest single ‘Tell Me About It’, and their anticipations for their upcoming sold out tour supporting shoegaze icons Slowdive.

Whitelands will also be playing a series of headline in-store shows at Rough Trade, including London’s Rough Trade East on 5th March to celebrate their album release. We’ve all got tickets, so we’ll see you there!

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 4th March from 12-2pm!
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
Dolly Parton – Dumb Blonde
Amy Gadiaga – Paloma Negra
Seraphina Simone – Better Days
Tusks – Adore
Fraulein – Wait and See
Ski Lift – Double Yellow
pink suits – C.O.F.F.E.E.
The Baby Seals – Mild Misogynist
pecq – closer
Maud – Wherever I Go
Worse Off – Memorialise My Horribleness
The Menstrual Cramps – Abortion
otta – overflow
Birthday Problem ft. Ailbhe Reddy – E.L.E
Alvidrez – Hymn For The Corner
Moor Mother – Guilty
Whitelands ft. Dottie – Tell Me About It
Slowdive – Kisses
**Interview with Whitelands**
Dermabrasion – Halbadier
Bonnie Banane – Franchement
Fears – 4th of the 1st
Schande – Relevant Campaigns
Grace Petrie – Start Again
Waxahatchee – Right Back To It
Smerz, Allina – My Producer
NYX – Void
Destiny’s Child – Girl

Kate Crudgington2 Comments

PLAYLIST: January 2024

The Get In Her Ears team have put together another eclectic mix of post punk anthems, grunge & shoegaze musings, indie & alternative tunes and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

HAVVK – ‘You Say You Won’t’
Ahead of the release of their upcoming new album in March, GIHE faves HAVVK have shared another spellbinding taste of what’s to come. As front person Julie’s celestial vocals emanate throughout, ‘You Say You Won’t’ showcases the Dublin trio’s ability to create a shimmering immersive grace whilst touching on poignant subject matter. I really can’t wait for them to come and headline for us at The Shacklewell Arms on 28th March, especially as they headlined the first ever gig we hosted back in 2016 – it’s going to be a pretty special evening, with support from Athabaska and Rats-Tails. Grab a ticket here! To Fall Asleep, the upcoming album from HAVVK, is out on 15th March via VETA Records.
(Mari Lane – Managing Editor)

Fraulein – ‘Wait and See’
Unsurprisingly, the GIHE team all love this latest single from Northern Irish/Dutch duo Fräulein. ‘Wait and See’ focuses on the contradictory nature of anxiety, and how we clench our teeth through it, rather than treating the issue underneath it. It’s another seamless blend of the band’s trademark gritty-yet-melodic riffs and considered, hard-hitting beats. I can’t wait to see Fräulein play live at Scala supporting art punks JOHN on 29th Feb.
(Kate Crudgington – Features Editor)

SPRINTS – ‘Heavy’
We’re big fans of SPRINTS here at GIHE, so watching their stellar debut album, Letter To Self, receive so much love and acclaim when it was released at the beginning of this month was a real joy. The Dublin-based band are a formidable force on the stage, and this track in particular showcases their intense, dynamic songwriting talents. (KC)

Gouge Away – ‘Stuck In A Dream’
This angst-ridden anthem from Florida-based five piece Gouge Away has been stuck in my head for an entire month. Visceral vocals, heavy riffs and relentless beats – I’m obsessed. ‘Stuck In A Dream’ is taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish. (KC)

The Baby Seals – ‘Mild Misogynist’
Cambridgeshire punk trio The Baby Seals are back, and I could not be happier about it. Following a little hiatus for life stuff, they have now announced the release of their debut full length album and shared a typically catchy, witty and gently raging tune that’ll lodge itself firmly in your ears on first listen. Reflecting on those men we all (sadly) come across on a daily basis who claim to be feminists because they happen to have a wife/daughter/mother, but are actually a huge part of the problem with their damaging micro-aggressions and embedded sexist views, with its gritty energy and danceable hooks, ‘Mild Misogynist’ is the perfect re-introduction to The Baby Seals’ ability to deliver their all-too-necessary message with a fizzing sense of fun. (ML)

Self Torque – ‘No Rest’
I’m so impressed that Brighton-based Self-Torque has managed to transform feelings of desperation and inadequacy into a frenzied, vibrant anthem on ‘No Rest’. Taken from their recent EP, No Rest For The Depressed, it’s a potent reminder that there are always better days on the horizon, and that you are more capable than you think you are. (KC)

Ski Lift – ‘Double Yellow’
Following last year’s catchy ‘Living The Dream’, London trio Ski Lift are back with a stirring new single. With bassist Lizzie Walsh taking the lead on vocals, ‘Double Yellow’ flows with a whirring splendour as lush harmonies intertwine with a sparkling energy. Inviting us all to take a step back and absorb the often overlooked beauty of our surroundings with a lilting warmth, it showcases songwriter Benji Tranter’s ability to turn even the most everyday of situations into genuinely heartfelt, and instantly catchy, indie-pop anthems. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps have now shared this raging, honest and utterly necessary pro-choice anthem at a time when we need it more than ever. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, the track seethes with a fierce angst, whilst showcasing front person Emilia’s trademark stark wit and ferocious energy. With their return, The Menstrual Cramps continue to create a perfect balance of unifying joy and rage that has never felt more urgent. I can’t wait to hear more of their cathartic, empowering anthems over the next few months. Find out more here. (Also, some welcome slightly positive news regarding abortion in the UK here.) (ML)

pink suits – ‘C.O.F.F.E.E.’
Following last year’s riotous single ‘Refuse The Rules’, total faves pink suits have now shared another taster of their upcoming second album in the form of a new tongue-twisting punk anthem. Although seemingly less politically charged than some of the Margate duo’s previous offerings, ‘C.O.F.F.E.E.’ touches on themes of addiction and exhaustion but with a racing, fun-fuelled energy, oozing the band’s playful charisma. Whilst essentially Lennie and Ray’s soundcheck song, it showcases all there is to love about the immense formidable force that is pink suits. Watch the caffeinated new video for ‘C.O.F.F.E.E.’ here. Dystopian Hellscape, the upcoming second album from pink suits, is set for release on 1st April. (ML)

Dermabrasion – ‘Magic Missile’
Another brooding, ominous cacophony from Toronto-based duo Dermabrasion. The band have just shared their superb debut album, Pain Behaviour, via Hand Drawn Dracula and it is well worth your attention. Industrial-tinged post punk noise: 100% a bit of me. (KC)

GHLOW – ‘Big City’
Stockholm alternative duo GHLOW are back with a brand new album, Levitate, which is set for release on 8th March via PNK SLM. This track, ‘Big City’ is the first exciting, intense glimpse of what listeners can expect from the new record. (KC)

The Fauns – ‘Shake Your Hair’
Following a decade-long hiatus, Bristol based shoegaze ensemble The Fauns have now returned to charm our ears, releasing their new album this month. Showcasing the sweeping ethereal soundscapes that we’ve come to know and love from the band, whilst dipping into newer, electro-driven sounds, the album as a whole oozes a mystical allure as glistening instrumentals provide a backdrop for Alison Garner’s exquisite emotion-rich vocals. I’ve had it on repeat since first hearing it, immersed in its captivating blissful haze. Read about the five songs that have inspired Garner’s vocal style the most here. How Lost, the new album from The Fauns, is out now via Invada. (ML)

Heart Rot – ‘Anchors To Elsa’
Inspired by the quiet-loud dynamics of the ‘90s grunge scene, New York band Heart Rot deliver their ethereal yet gritty creations with a fierce allure. A completely DIY project, the band draw influence from their experience as girls and connection to the natural world in their songwriting, and pride themselves as artists honing their craft; not just in creating their music, but in their merch too, hand-making it all from second-hand clothes. With just two songs out so far, they’re a new favourite for sure; I can’t wait to hear more of their raw, bewitching soundscapes. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the album is a dynamic, intricate musing on the shifting nature of love, time and change. I look forward to hearing it in full. (KC)

Fears – ‘4th of the 1st’
I’m so glad that Dublin-born, London-based interdisciplinary artist Constance Keane aka Fears is back! Taken from her upcoming second album, affinity, which is set for release on 22nd March via TULLE, this single ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. It’s a poignant reflection on emotional resilience and self-soothing. Watch the accompanying video for it here. (KC)

Birthday Problem ft. Ailbhe Reddy – ‘E.L.E’
‘E.L.E’ is the atmospheric debut release from Birthday Problem, a collaborative electronica project between Irish musicians and producers Matt Harris (HAVVK) and Rocky O’Reilly. Released via VETA Records, ‘E.L.E’ – which stands for ‘Extinction Level Event’ – follows the narrative of a fictional character who is in an underground post-apocalyptic world. The track also features vocals from GIHE fave Ailbhe Reddy. (KC)

KÁRYYN – ‘Anthem For Those Who Know’
Marking her first new music release in four years, ‘Anthem For Those Who Know’ is a defiant return to form for Armenian-American songwriter, composer & producer KÁRYYN. It’s a poignant statement about self autonomy and the significance of advocating for yourself and others in the face of adversity. Co-produced with Hudson Mohawke and released via Mute, ‘Anthem For Those Who Know’ is a rumination on the importance of protest in all its forms. (KC)

Schande – ‘Relevant Campaigns’
I can’t seem to stop listening to this song and crying. A thing of pure beauty. Its twinkling grace. The whirring to-ing and fro-ing, like the constant rippling of the tide that keeps going even when everything else seems like it’s stopped. The shimmering hooks that rise and fall. Jen’s whispering vocals fading in and out with an understated melancholy. Written while her mother was terminally ill, it’s an exquisite rumination on the fragility of life and the strength of love. Watch the beautiful accompanying video here, and keep you eyes peeled for Schande’s upcoming new album, Once Around, set for release this year via Thurston Moore’s The Daydream Library Series. (ML)

Moor Mother – ‘Guilty’
Following critical acclaim for her 2021 album Black Encyclopedia Of The Air, innovative artist Camae Ayewa – aka Moor Mother – has now announced the release of her 9th studio album. Our first taste of the album comes in the form of ‘Guilty‘, a collaboration with Lonnie Holley, Mary Lattimore and Raia Was. Oozing a mystical energy, it encapsulates the sentiment of the album – a poignant and necessary message, bringing to our attention crimes committed by our ‘fair isle’. As the glistening musicality provides a backdrop to lists of ‘great’ Britain’s injustices against humanity and the harsh realities of colonialism, the juxtaposition of the horror of ‘Guilty’s message with the beauty of its musicality is stark. A hauntingly beautiful offering; an urgent message encased in an evocative sonic grace. The Great Bailout, the ninth album from Moor Mother, is set for release on 8th March via ANTI-. (ML)

Allison Lorenzen – ‘Words’ (Low Cover)
Taken from the upcoming album, Your Voice Is Not Enough – a tribute to the band Low – Allison Lorenzen’s cover of ‘Words’ made the hairs on the back of my neck stand up when I first listened to it. The album was born from a conversation between Planning For Burial’s Thom Wasluck and record label The Flenser, who were inspired by the “nuanced beauty” of Low’s discography. Whether you’re a fan of Low or not, Allison’s cover and the renditions on the record are well worth your attention. The album features contributions from Midwife, Amulets, Planning for Burial and more. (KC)

Katy Kirby – ‘Hand To Hand’
Flowing with lilting melodies and rich, sumptuous vocals, Brooklyn artist Katy Kirby’s new single reflects on what she calls ‘heteropessimism’ and the gory collapse of several relationships, with a twinkling, yet gritty, allure. The single comes ahead of the release of Kirby’s second album, Blue Raspberry, later this month, which sees her delving into her sexuality and the ways we present ourselves during the quest for love. The album’s out on 26th January via ANTI, and I can’t wait to hear more of Kirby’s beautifully honest creations. (ML)

bedbug – ‘halo on the interstate’
Originally a solo project from non-binary artist Dylan Gamez Citron, LA-based bedbug has now expanded its lineup to include Owen Harrelson, Minerva Rodriguez, Meilyn Huq and Drew Cunningham. Together, the band are preparing to release their fourth album, pack your bags, the sun is growing, on 15th March via Boston’s Disposable America label. This single ‘halo on the interstate’ showcases their fully fleshed out new sound perfectly. (KC)

Grace Petrie – ‘Start Again’
Having been a big fan of Grace Petrie for a number of years now, and being lucky enough to interview her back in 2021, I’m super excited to hear that she’ll be releasing her third album in March. With its chiming piano alongside Petrie’s heartfelt vocals, new single ‘Start Again’ offers a stirring first taste of the album; a rousing ode to the power of solidarity. Building with a gentle emotive spirit, it showcases her ability to create beautifully catchy folk-strewn anthems that ripple with an undercurrent of politically-charged urgency. Build Something Better, the upcoming album from Grace Petrie, is out on 8th March on The Robot Needs Home Collective. (ML)

Waxahatchee ft. MJ Lenderman – ‘Right Back To It’
Kansas based artist Katie Crutchfield aka Waxahatchee’s been one of my most played artists of the last few years – her heartfelt Americana-tinged ballads just get me every time. And latest single ‘Right Back To It’, is no different. Featuring MJ Lenderman on backing vocals, their voices intertwine to create blissful heartfelt harmonies alongside lilting banjo melodies; my favourite combination of sounds. It’s just exquisite and I can’t wait to hear more on the upcoming new album, Tiger’s Blood, set for release on 22nd March via ANTI-. (ML)

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GIHE: Tracks Of 2023

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times, and generally saw us through 2023.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2023’ ahead of features on our favourite albums, ‘Highlights’ and ‘Ones To Watch 2024’… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! (In addition to listening to the playlist, if you particularly love any of the tracks, please do follow the artists on social media and, if you can, buy their music and merch via Bandcamp or their websites).

pink suits – ‘Refuse The Rules’
Margate queer punk duo pink suits have been big faves of mine for a couple of years now, and have blown us away playing live for us at Shacklewell Arms a couple of times. ‘Refuse The Rules’ is the first taster of their upcoming (and perfectly named) second album, Dystopian Hellscape, which is set for release in Spring next year. The track offers a scream for space; a refusal of the rules that have been historically created to limit people’s lives and freedoms. A short and sharp rallying cry inciting us to stand up and make our voices heard in the face of suppression and aggression. Something we need now more than ever. Also, while I’m talking about my love of pink suits, I think one of the most fun events of the year for me was attending their first London Queer Cuntry with fellow GIHE writer and door person extraordinaire Kirstie. They’ve been hosting them regularly in Margate for some time, but are now building on its success and this was hopefully the first of many more in London… It really was such a joyous night; performances ranging from acoustic country ballads, to drag and cabaret, all with an unapologetically queer energy and unifying spirit.
Find out more about pink suits here.
(Mari Lane – GIHE Co-Founder)

Jock – ‘Spoilsport’
I love this driving, potent anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. Newly signed to one of our favourite labels VETA Records, I’m looking forward to hearing more from the band in 2024.
Find out more about Jock here.
(Kate Crudgington – GIHE Co-Founder)

Scrounge – ‘Starve’
I got to see long time GIHE faves Scrounge in the tiny but intimately delightful basement of Third Man Records last month. The sound in there is fantastic, what a venue to hear Scrounge banging out their tunes – as expected Lucy and Luke were brilliant. We love them.
Find out more about Scrounge here.
(Tash Walker – GIHE Co-Founder)

Gender Chores – ‘Dysphurious’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast punks Gender Chores create empowering anthems defending reproductive rights, resisting the patriarchy and documenting the human cost of late-stage capitalism. A reflection on coming out as non-binary – a subject that’s very close to the band’s hearts – ‘Dysphurious’ offers an energising boost of confidence to be your true self in the face of adversity. The track was recorded at Belfast’s Start Together studios with GIHE fave Rocky O’Reilly. Find out more about Gender Chores here. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room.
Find out more about Touch Excellent here. (KC)

Panic Pocket – ‘Get Me’
Natalie and Sophie – aka Panic Pocket – released their debut album Mad Half Hour this year via Skep Wax records, and it’s been a definite highlight. I’ve been a huge fan of these two since they first played live for us back in 2019, and just can’t get enough of their uplifting indie-pop and tongue-in-cheek wit that fizzes throughout each release. ‘Get Me’ offers a sassy take on the “claustrophobic questions about settling down”, and showcases the duo’s new-found rockier sound, with the addition of ‘back pocket’ band members Healey Becks (Fightmilk) and Laura Ankles (Colour Me Wednesday). I’m super excited that Panic Pocket will be playing for us again at our next gig at Shacklewell Arms on 2nd Dec, supporting German band Roller Derby – nab tickets on Dice now. Find out more about Panic Pocket here. (ML)

Small Crush – ‘Rumblin’ Tummy’
Having released their second album, Penelope, this year, Bay area band Small Crush have been one of my favourite new discoveries. With their own distinct brand of dreamy surf-pop, I can’t get enough of their shimmering energy and whimsical nostalgic charm. They just seem to be able to perfectly balance vulnerable a raw emotion with blissful, carefree vibes and glistening allure. Find out more about Small Crush here. (ML)

Softcult – ‘Haunt You Still’
I’m a big fan of Toronto-based sibling duo Softcult. This track is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup, whether that’s platonic or romantic. Full of their trademark shadowy, swirling riffs and soft dual vocals, they explore accountability and atonement on this bittersweet offering. Haunting in all the right ways. Find out more about Softcult here. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum the first time I heard it. The solo project of Projector’s Lucy Sheehan, O Hell tenderly navigates the uncertain territory between romantic and platonic love on this track; dismissing the idea that we always need to burn bridges in the aftermath of a relationship. Over atmospheric beats, cinematic synths and idiosyncratic samples, Sheehan acknowledges that we need time to recover, but true closure comes from accepting change, and moving forward with optimism, even if that goes against the grain. Find out more about O Hell here. (KC)

Hand Habits – ‘The Bust Of Nefertiti’
LA based artist Meg Duffy – aka Hand Habits – released their EP Sugar The Bruise earlier this year; a collection of songs focused on being in the moment. The EP was written after Duffy had taught a month long songwriting class last summer, in which they discovered a newfound clarity in embracing the unknown. I just really love this track’s driving emotion and cinematic soundscape – it’s been one of my most-listened to songs of 2023 for sure.
Find out more about Hand Habits here. (ML)

girl with dream – ‘H.R.T’ (Heart Replacement Theory)
One of my favourite songs of this year, from girl with dream who I first heard almost a year ago when they reached out to me via email. Girl with dream is the project of trans singer-songwriter Chris Lawson and Rhy Climenhage. And this song is all about the sacred power found in embracing yourself and participating in the an act of healing, guided by self-love and harnessing agency. Something that we can all lean into a bit more I think, and a lovely note to take us from 2023 to 2024. Find out more about girl with dream here. (TW)

Becca Mancari (ft. Julien Baker) – ‘Over and Over’
Having collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari released latest album, Left Hand, this year. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. I was lucky enough to chat to Becca back in September, have a read! Find out more about about Becca Mancari here.
(ML)

Nina Keith – ‘Blow Up Yr Life (U Need To)’
A comforting reminder to let go of negativity and doubt, ‘Blow Up Yr Life (U Need To)’ is a gentle offering from LA-based trans artist, producer and composer Nina Keith. Featuring the vocals of indie pop artist Barrie and composer and musician Qur’an Shaheed, the track is a considered, delicate blend of lilting electronics, fragmented voices and crisp production, all of which melt together to create an exquisite, emotive listening experience.
Find out more about Nina Keith here. (KC)

Sheherazaad – ‘Mashoor’
One of my most-listened to songs of the year comes from New York based artist Sheherazaad with her debut single, ‘Mashoor’. Reflecting on her South Asian sonic lineage, it draws on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. It’s just exquisite and I can’t wait to hear more from Sheherazaad in 2024.
Find out more about Sheherazaad here. (ML)

Twin Rains – ‘You’re The Only One’
This apocalyptic reflection on love from Toronto-based Twin Rains has been swirling around my skull all year. Full of intoxicating riffs and smooth vocals, it’s a potent blend of dream pop and psych rock with an electronic edge, and I can’t stop listening to it.
Find out more about Twin Rains here. (KC)

Brenda – ‘Microscopic Babe’
Glaswegian band Brenda joined us on the radio show earlier this year. I love their self-titled album, each song is like a different fairground ride, chaotic bangers! We’ve had some amazing guests joining us here in the studio at Soho Radio throughout 2023. So, remember you can always listen back to our past shows here! Find out more about Brenda here. (TW)

Girl Ray – ‘Everybody’s Saying That’
I think ‘Everybody’s Saying That’ showcases all there is to love about Girl Ray. It’s taken from this year’s album Prestige, which is inspired by the ballroom scene of the 1980s, and oozes bucketfuls of queer joy throughout. Being one of my total faves, it was a real honour to interview Girl Ray this year – they were even lovelier than expected! I also was lucky enough to catch them live (an experience that always leaves me feeling super happy and nourished) for about the fifth time a couple of weeks back at Village Underground – a night filled with blissful vibes, celebrating the new album and all the band has achieved. I continue to love everything that Poppy, Sophie and Iris do – and can’t wait to see what they do next. Find out more about Girl Ray here. (ML)

Say She She – ‘Astral Plane’
I caught Say She She in all their glory at Village Underground earlier this year and they were honestly exceptional. If you get the change to catch Say She She live, grab it with all your fingers! I had the best night bopping along in the crowd.
Find out more about Say She She here. (TW)

Bas Jan – ‘No More Swamp’
London collective, and long time faves, Bas Jan, released their new album Back To The Swamp this year, and this fellow swamp-themed track ‘No More Swamp’ perfectly showcases the band’s trademark quirky energy and perceptive songwriting ability. Reflecting on how the band’s lives have changed over the years, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. Find out more about Bas Jan here. (ML)

Sylvan Esso – ‘Echo Party’
This track by Sylvan Esso came out at the beginning of 2023. What an epic tune, the production is just sublime, and it has not stopped me dancing since I first played it on our February radio show at the beginning of the year. How good is that!! 
Find out more about Sylvan Esso here. (TW)

jellyskin – ‘Bringer of Brine’
Leeds-based electronic duo jellyskin were one of my favourite new music discoveries this year. ‘Bringer of Brine’ is taken from their debut album, In Brine, which they released via Wrong Speed Records back in June. They’ve combined throbbing beats, hypnotic vocals and industrial-techno inspired synths to create this manic and massively enjoyable anthem.
Find out more about jellyskin here. (KC)

Gabriel Gifford ft. Apthy Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, ‘Voice From The Wind’ is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well.
Find out more about Gabriel Gifford here. (KC)

Maria Uzor – ‘Ventolin’
I think it’s fair to say that Maria Uzor is one of our GIHE all time fave artists, and this has been such an amazing year for her. It’s such a joy watching an artist you support and admire receive the deserved praise and accolades they deserve. And, to round it all off with an amazing album Soft Cuts which she released this autumn, celebrating with a fantastic launch party at the Windmill in Brixton. Sublime. 10 out of 10. And this is one of my favourite tracks from the album – shout out to all my fellow ventolin users out there!
Find out more about Maria Uzor here. (TW)

Lauren Auder – ‘the ripple’
Lifted from her highly anticipated debut album, the infinite spine, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Her album is a potent, pop-drenched exploration and celebration of her true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus.
Find out more about Lauren Auder here. (KC)

Dermabrasion – ‘Halbadier’
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, ‘Halbadier’ is a heavy, brooding gothic anthem that rumbles with discontent. Find out more about Dermabrasion here. (KC)

afromerm – ‘held’
Oram Award-winning artist and producer afromerm shared her debut single ‘held’ exclusively on bandcamp back in July. Formerly known as CIL (who we named as one of our ‘Ones To Watch‘ in 2022) under her updated moniker, afromerm is marking a “new era” of her journey into sound. ‘held’ is an eclectic rumination on the duality of emotion, flowing with afromerm’s instinctive musicality. It was a pleasure to interview her on our November Soho Radio show this year too. Listen back here. Find out more about afromerm here. (KC)

Massive thanks to all the artists and bands creating wonderful tunes this year – be sure to check them out and support their work! And keep an eye out for our Albums & EPs Of The Year, 2023 Highlights and Ones To Watch for 2024.

Listen to our Tracks Of 2023 playlist now!

 

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