LIVE: The Great Escape 2022 (Photos & Highlights)

We were back at The Great Escape for the first time in 3 YEARS at the weekend, stomping around Brighton trying to catch some of our favourite women and LGBTQ+ artists in new music. Spread across multiple venues in the city, the festival showcased an eclectic line-up of talent, and our Features Editor Kate Crudgington and official photographer Jon Mo were there to capture just some of the highlights of the prolific 3 day event.

Of course, clashes, queues and timing issues meant we inevitably missed some artists, including sets from ZAND, Ailbhe Reddy, Mykki Blanco, A.A. Williams, Witch Fever, Bad Waitress, Kills Birds, LibraLibra, PEANESS and Grandmas House, but we tried to get to as many gigs as possible on Thursday & Friday. Read about the performances we did manage to catch and take a look at our pictures below…

 

ARXX remain one of our favourite bands, both on and off stage

Whether it’s vocalist & guitarist Hanni casually saying “let’s break up this wall of men” as we moved towards the front for Fräulein’s set at Queens Hotel, or drummer Clara cracking up the crowd with her story about a seagull stealing her croissant during their own set (she’s a Brighton resident as well, rookie mistake) – ARXX truly are the definition of an iconic duo. Their set at The Hope & Ruin was so packed we couldn’t get in, but it was worth running up the hill to Brighton Youth Centre to catch them performing later on the same day. Full of their trademark riotous riffs, anthemic vocals and knockout percussion, the duo tore through renditions of ‘Deep’ and ‘Call Me Crazy’ as well as previewing their new single, ‘Couldn’t Help Myself’. We can’t wait to have them headline for GIHE again at The Shacklewell Arms on the 22nd July. (tickets here)

Fräulein are your new favourite grunge duo

Joni & Karston aka Fräulein blew us away when they headlined our first GIHE gig of 2022 back in January at The Victoria in Dalston. Since then, the duo have been playing across London non-stop and have been out on tour with The Mysterines and Coach Party too. They performed their brooding, captivating grunge sounds to a full house in the basement at Queens Hotel on Thursday afternoon, with singles ‘And I Go (La La La)’ and ‘Drag Behind’ being set highlights. They played a show on each day of the festival over the weekend, so if you didn’t catch at least one of their sets, you definitely missed out.

We are in love with Brimheim and her band

We had a lot of FEELINGS watching Danish artist Brimheim perform to a packed crowd at seafront venue WaterBear – and all of them were GOOD. Clearly loving every moment of her set alongside her equally enthusiastic band, she thrashed around with her guitar, enjoyably scowling down at her mic as she delivered her pitch perfect vocals. Performing songs from her debut album, can’t hate myself into a different shape, she thundered through ‘favourite day of the week’ and ‘baleen feeder’, her exquisite, confessional lyrics were given a new edge by her raw, more abrasive live performance. We cannot wait to see her live again.

The Irish showcase at Prince Albert is always a festival highlight

Year after year, the line-up for the Irish showcase at the Prince Albert continues to impress us. Even when we can’t physically get into the venue to see the bands (we heard SPRINTS sounding HUGE as we stood in the queue on the stairs) the atmosphere and the talent is always worth sticking around for. We caught Tolu Makay in her stunning sequin-drenched outfit on Thursday, performing infectiously fun tracks from her debut album Being, including ‘Me, Myself & I’ and ‘You Are Enough’. On Friday, we were front row for CMAT’s show (read more on that below) and to catch Kynsy live for the first time. Since the release of her debut single ‘Cold Blue Light’ in 2020, we’ve been keen to see her show and she did not disappoint. Accompanied by her band, she ripped through singles ‘Happiness Isn’t A Fixed State’ and ‘Elephant in the Room’, her voice sounding superb despite her saying she was “a little croaky” on the day.

Tolu Makay

KYNSY

CMAT is Queen

Despite their best efforts to make things work, CMAT’s band couldn’t play along with her due to tech difficulties, so the Irish pop sensation shrugged it off and performed a superb solo acoustic set instead. Armed with her guitar and her trademark white cowboy boots, she performed seamless renditions of ‘I Wanna Be a Cowboy, Baby!’, ‘Nashville’ and a “lounge version” of ‘No More Virgos’ with keyboard player Colm, all taken from her debut album, If My Wife New I’d Be Dead. A mix of stand up comedy and stand out vocals, CMAT’s sets are always a total joy to witness, and listening to other folks in the crowd sing along to ‘I Wanna Be a Cowboy, Baby!’ never gets old.

Lido Pimienta is a L.E.G.E.N.D.

Full of her stunning vocals, metal-esque screams, sharp wit and strong pro-choice vibes, award-winning Colombian-born, Toronto-based artist Lido Pimienta had the crowd dancing, cheering and laughing along during her set at Jubilee Square. Performing tracks from her 2020 album, Miss Colombia, including a flawless rendition of ‘Eso Que Tu Haces’, Pimienta cracked jokes about the Queen’s Jubilee between songs and made valid comments about the importance of respecting women’s reproductive rights. Her charisma, euphoric live energy and candid comments will remain embedded in our memories for weeks to come.

We want to join Softcult

We’ve been looking forward to catching Canadian twin siblings Mercedes and Phoenix aka Sofcult live since the release of their debut EP, Year Of The Rat, in 2021. Informed by their experiences of sexism and objectification as young women in the music industry, the pair performed their bittersweet grunge-pop anthems to a packed crowd at Volks, with songs ‘Boys Will Be Boys’ and ‘Gaslight’ providing an empowering and cathartic moment to push back against toxic masculinity.

We want to scream in tune like Lucy from Projector

Brighton band Projector have always impressed us with their live shows, but their set at The Tempest Inn on Friday evening truly excelled all other times we’ve seen them play. The four piece smashed through a set full of visceral alternative noise, with bassist & vocalist Lucy’s cord-ripping screams absolutely decimating our ear drums (in the good way), especially during the band’s latest single ‘hell in my head’.

Like most major UK festivals, The Great Escape has room for improvement

Whilst our experience of The Great Escape was a positive one, we know that’s not the case for everyone who attends or plays at the festival. We saw a tweet from artist Billy Nomates explaining that there was “no water no towel no buy out no rider [and] a microphone that doesn’t work” – therefore she couldn’t perform to the best of her ability at her set on Friday night.

We also saw a tweet from the band PEANESS, rightfully lamenting the lack of opportunities for artists playing the festival to have access to complimentary food and drinks, whilst delegates are often bombarded with these invites. It was both disheartening and comforting to see replies on these threads that echoed similar sentiments, especially as artists (particularly female artists) are often labelled as ‘unappreciative’ or ‘difficult’ when they highlight these issues. It’s not fair that people’s experiences of the same festival differ so vastly.

There are plenty of artists, promoters and PR teams working towards a better and more equal music industry – we met and saw some of them at The Great Escape! – but until everyone is on the same page, we will continue to elevate the conversations that challenge the unfair “norm”.

In terms of its line-up, 2022’s Great Escape really did feel like one of its most diverse and entertaining yet. But there’s always more to learn, more work to do both on and off stage, and more reason than ever to speak out when you think you’re being treated unfairly. Respect to the artists who were bold enough to do so this year.

CIEL

BERRIES

Gen & The Degenerates

Words: Kate Crudgington / @KCBobCut
Photos: Jon Mo / @jonmophotography

GUIDE & PLAYLIST: The Great Escape Festival 2022

We’re excited to be heading back to The Great Escape Festival in just 3 days time (12th-14th May) to tread Brighton’s pebbled beach and trek around the city trying to catch some of the best new female, non-binary and LGBTQ+ music talent.

GIHE favourites ARXX, Brimheim, Fräulein, Bad Waitress, Mykki Blanco and Ailbhe Reddy will all be singing by the seaside over the long weekend, but we’re excited to discover some brand new artists too. Below is a list of set times of the acts we’re keen to catch at the festival. You can get better acquainted with them by listening to our accompanying Spotify Playlist!

Get your tickets for The Great Escape here.

Don’t forget to check out the line-up for the Alternative Escape too!

 

Thursday 12th May

Fräulein
Playing at: Queens Hotel – 12:15pm-12:45pm

Bad Waitress
Playing at: TGE Beach Stage – 12:30-1:00pm

Grandmas House
Playing at: The MVT Stage – 12:30pm-1:00pm

HIGH SCHOOL
Playing at: Komedia Basement – 12:40-1:00pm

Tolu Makay
Playing at:
Prince Albert – 1:00-1:30pm
Brighthelm – 7:30-8:00pm

EFÉ
Playing at: Prince Albert – 2:00-2:30pm

flowerkid
Playing at: 2:00-2:25pm

Brimheim
Playing at: Waterbear 2:15pm-2:45pm

Kills Birds
Playing at:
TGE Beach Stage – 2:30pm-3:00pm
Horatios – 9:15-9:45pm

Ailbhe Reddy
Playing at: Revenge – 3:20-3:40pm

ARXX
Playing at:
The Hope & Ruin – 3:30-3:50pm
Brighton Youth Centre – 5:10pm

Mykki Blanco
Playing at: The Old Market – 5:15-5:45pm

Bleach Lab
Playing at: Latest Music Bar – 7:15-7:45pm

Spill Tab
Playing at: The Arch – 7:30-8:00pm

Kynsy
Playing at: The Hope & Ruin – 8:00-8:30pm

CASSYETTE
Playing at: Chalk – 8:15-:8:45pm

HUSSY
Playing at: Green Door Store – 8:15-8:45pm

MUNA
Playing at: Amazon New Music Stage – 8:15-8:45pm

Softcult
Playing at: Volks – 9:00-9:30pm

Billy Nomates
Playing at: Komedia Basement – 9:15-9:45pm

Goat Girl
Playing at: Amazon New Music Stage – 10:15-10:45pm

Let’s Eat Grandma
Playing at: The Old Market – 10:15-10:45pm

Lunar Vacation
Playing at: Green Door Store – 10:15-10:45pm

November Ultra
Playing at: One Church – 10:30-11:00pm

 

Friday 13th May

ZAND
Playing at: Revenge – 12:15-12:45pm

SPRINTS
Playing at: Prince Albert – 1:00-1:30pm

Bleach Lab
Playing at: Komedia Basement – 1:15-1:45pm

Gemini Aaliyah
Playing at: Latest Music Bar – 1:15-1:45pm

PEANESS
Playing at: Zahara – 1:15-1:45pm

ALEWYA
Playing at: TGE Beach Stage – 1:20-1:40pm

AMARIA BB
Playing at: Patterns downstairs – 1:30-2:00pm

CMAT
Playing at:
Prince Albert – 2:00-2:30pm
Komedia Basement – 10:15-10:45pm

Fräulein
Playing at: Zahara – 2:15-2:45pm

LIBRALIBRA
Playing at: The MVT Stage – 2:15-2:45pm

Panic Shack
Playing at: Brighthelm – 2:30-3:00pm

Kynsy
Playing at: Prince Albert – 3:00-3:30pm

tora-i
Playing at: TGE Beach Stage – 3:20-3:40pm

Bad Waitress
Playing at:
Green Door Store – 4:00-4:30pm
The Hope and Ruin – 11:00-11:30pm

Rachel Chinouriri
Playing at: Amazon New Music Stage – 6:15-6:45pm

Connie Constance
Playing at: Casablanca – 6:30-7:00pm

Projector
Playing at: The Tempest Inn – 7:00-7:30pm

Witch Fever
Playing at: Volks – 7:00-7:30pm

GROVE
Playing at: Coalition – 7:15-7:45pm

HIGH SCHOOL
Playing at: Horatios – 7:15-7:45pm

Priya Ragu
Playing at: Amazon New Music Stage – 7:15-7:45pm

Stella Donnelly
Playing at: Chalk – 7:15-7:45pm

CIEL
Playing at: Paganini Ballroom (The Old Ship) – 7:30-8:00pm

A.A. Williams
Playing at: The Old Market – 8:00-8:30pm

flowerkid
Playing at: Zahara – 8:00-8:30pm

LIDO PIMIENTA
Playing at: Jubilee Square – 8:15-8:45pm

APRIL
Playing at: Patterns Upstairs – 9:00-9:30pm

EFÉ
Playing at: Komedia Studio – 9:15-9:45pm

ENNY
Playing at: Brighton Dome Concert Hall – 9:15-9:45pm

Panic Shack
Playing at: Three Wise Cats (Casablanca) – 9:15-9:45pm

Prima Queen
Playing at: Horatios – 9:15-9:45pm

ARXX
Playing at: The Mucky Duck – 9:45pm

Let’s Eat Grandma
Playing at: Amazon New Music Stage – 10:15-11:00pm

Lime Garden
Playing at: TGE Beach Stage – 10:15-11:00pm

Wallice
Playing at: Horatios – 10:15-10:45pm

Momma
Playing at: Horatios – 11:15-11:45pm

Nuha Ruby Ra
Playing at: Komedia Studio – 12:15-12:45am

Porij
Playing at: Komedia Basement – 12:30-1:00am

 

Saturday 14th May

Maria Uzor
Playing at: Revenge – 12:10-12:40pm

Dream Nails
Playing at: Three Wise Cats (Casablancas) – 12:15-12:45pm

HAWXX
Playing at: Volks – 1:00-1:30pm

C’est Karma
Playing at: Prince Albert – 1:15-1:45pm

Fräulein
Playing at: Volks – 2:00-2:30pm

Softcult
Playing at: Green Door Store – 2:30-3:00pm

WOOM
Playing at: One Church – 3:00-4:00pm

Gemini Aaliyah
Playing at: Zahara – 3:30-4:00pm

Stella Donnelly
Playing at: 3:35-4:00pm

Jessica Winter
Playing at: The Arch – 6:15-6:45pm

CASSYETTE
Playing at: Concorde 2 – 6:30-7:00pm

Kay Young
Playing at: The Arch – 7:15-7:45pm

Sinead O’Brien
Playing at: Coalition – 7:15-7:45pm

Gen and the Degenerates
Playing at: The Hope and Ruin – 9:00-9:30pm

SPRINTS
Playing at: Prince Albert – 9:00-9:30pm

Coach Party
Playing at: Coalition – 9:15-9:45pm

LIDO PIMIENTA
Playing at: One Church – 9:15-9:45pm

Rachel Chinouriri
Playing at: Patterns downstairs – 9:30-10:00pm

Kate Crudgington
@KCBobCut

PLAYLIST: Pride 2021

As many of our regular readers will know, at Get In Her Ears we strive to support LGBTQIA+ artists all year round via our website, radio show and our live music nights. This Pride Month, we continue to celebrate and share the work of these artists, and take some time to reflect on the history & impact of LGBTQIA+ artists in music and in wider creative spheres too.

Our co-founder Tash Walker, who is also the Co-Chair of the charity Switchboard LGBT+ Helpline & co-producer of the award-winning The Log Books podcast, wrote this powerful intro to our Pride Playlist last year. We’re sharing her words again to let our LGBTQIA+ readers and allies know: we see you, we support you and we love you – this month, and every month. If you need support during Pride Month or at any time, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630.

Tash: “It’s more important than ever to remember why Pride started. Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the black and transgender and gender non-conforming communities.

Covid-19 and its multiple lockdowns have had an unimaginable impact on all of us, especially folks from marginalised communities – magnifying any existing situation people may be in from domestic violence to transphobia, biphobia, homophobia but especially loneliness and isolation. Something members of the LGBTQIA+ communities have been battling heavily against for a while now.

What Pride means to everyone within the LGBTQIA+ communities will be different, but as a queer person I stand and I protest for every single one of those people’s rights. For LGBTQIA+ rights, for anti-racism, for black people, for people of colour, for transgender and gender non-conforming people and every intersectionality in-between. We have to learn from our history and we have to work together where we support the human rights of each and every one of us. People should be free to live without fear of judgement or discrimination. People should not have to fear for their lives because of their sexuality, gender identity, race, socio-economic class, disability or religion.

If your pride flag doesn’t include black and brown stripes, it’s outdated. If your pride flag doesn’t include the transgender flag, it’s outdated. So wherever you are, at whatever Pride you are supporting, spread the word and make it known – equality is for everyone, but most importantly, black lives matter, trans lives matter, black trans lives matter.”

Read about our track choices for our Pride 2021 playlist below and scroll down to the end of the post to listen to it on Spotify.

Ma Rainey – ‘Prove It On Me Blues’
This 1928 song by Ma Rainey, who is unarguably the mother of blues, is possibly one of the first references to queer lesbian culture. Ma Rainey, a queer woman sings, “Went out last night with a crowd of my friends. They must’ve been women, ’cause I don’t like no men.” An essential to any LGBT+ playlist. (Tash Walker)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on our GIHE radio show, included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (TW)

Big Freedia – ‘Judas’ (Lady Gaga Cover)
I’m absolutely loving Big Freedia’s cover of Lady Gaga’s ‘Judas’ which features on Gaga’s Born This Way Reimagined album, celebrating the 10th anniversary of her second record. Gaga has also enlisted the help of Kylie Minogue and Orville Peck to embellish her evergreen sentiments about self love, having the freedom to love anyone you want and to express that love however you want to. (Kate Crudgington)

Lido Pimienta – ‘Declare Independence’ (Björk Cover)
This is such a beautiful cover by Colombian-Canadian artist Lido Pimienta, released as part of Spotify’s Pride campaign. I was lucky enough to interview her last year about her amazing album Miss Colombia, and on this new offering her defiant spirit and powerful voice shine through just as brightly. Pimienta released this track as a statement of solidarity with the LGBTQ+ communities, and also for Colombian and Palestinian people struggling for freedom and dignity in their homelands. (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist. (KC)

Robyn – ‘Dancing On My Own’
Robyn is an outspoken ally for LGBTQ+ rights. I think it’s important to recognise the role that allies play within LGBTQ+ history and the movement’s continued fight for equality. Being an ally is about educating yourself, it’s about listening, being visible, challenging inequality and helping to educate others. Being an ally isn’t just about LGBTQ+, it applies to any under-represented, marginalised section of society worldwide. As Stonewall says “If we want to live in a world where people are accepted without exception, we all need to be part of the solution.” (TW)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Mykki Blanco – ‘Free Ride’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is also such an incredible artist and their music is just oh so gooooood. (TW)

Desire Marea – ‘Tavern Kween’
This amazing track by Durban, South Africa-based artist Desire Marea was inspired by Desire’s aunts who went against social norms to find their own forms of freedom in the usually male-occupied taverns in their hometown of Amandawe. Desire explains: “It’s an ode to them, an ode for defiance and feminine manifestations everywhere, an ode to people who come alive at night, to people who enjoy being free and also an ode to people who are fierce about claiming their freedom.” The accompanying video is also sublime. (KC)

Witch Prophet – ‘Makda’
I have Tash to thank for introducing me to the majestic sounds of Ethio queer hip-hop fusion artist Witch Prophet. ‘Makda’ is a celebration of the Ethiopian Queen of Sheba and, as Witch Prophet explains, “the power of Black women and mothers” which she highlights in the track’s beautiful accompanying video. (KC)

Planningtorock – ‘Non Binary Femme’
This track is take from one of my favourite albums of all time, Planningtorock’s Powerhouse. Unarguably paving the way for not only a better understanding of what those words mean, but also leading in acceptance for transgender and gender non-conforming people, Planningtorock and their music has unquestionably helped me on my own gender identity journey and I’m sure many others. (TW)

Ragdoll, Husk – ‘Throwback’
A collaboration between trans, non-binary artist and GIHE fave Husk and non-binary drag queen Ragdoll, ‘Throwback’ offers a wittily nostalgic dance anthem, sparking many fond memories for us millennials. A massively uplifting, fun-filled banger, complete with Husk’s smooth, soulful vocals and a wonderfully infectious groove, it’s a perfect accompaniment to any Pride party. (Mari Lane)

Crisp&Classy X Rookes – ‘Basic’
Electro-pop duo CRISP&CLASSY (aka producer Kat Knix and singer-songwriter Plushy) pride themselves on bringing sexual liberation and self-acceptance to the UK pop scene. Collaborating with GIHE fave, London-based artist and promoter of queer female identity, Rookes, ‘Basic’ is a vibrant, uplifting dance-floor anthem. Blasting into the ears with an explosive fizzing energy, it’s an effervescent ode to being yourself and silencing anyone who chooses to get in your way. (ML)

ARXX – ‘DEEP’
The latest single from GIHE faves Brighton duo ARXX, ‘DEEP’ is an empowering ode to leaving behind all your anxieties and getting what you want. Interweaving a more electro-infused, glitchy sound than previous releases with their signature ferocious grunge-fuelled drive, it instantly hits you with its raw, anthemic rush and gritty, sensual prowess. ARXX have now also released a number of remixes of ‘DEEP’ – including one by Dream Wife’s Alice Go. (ML)

Ci Majr – ‘Ultraviolet’
Non-binary Atlanta artist Ci Majr creates uplifting, emotion-filled pop anthems with a twinkling sensitivity. Taken from their latest EP Side Effects, ‘Ultraviolet’ sparkles with a heartfelt sense of hope alongside a scintillating energy and instantly catchy, shimmering hooks. (ML)

Alex Loveless – ‘Meet Me Tonight’
There’s something about Hackney-based DIY electronic artist Alex Loveless’ music that’s just effortlessly chill. ‘Meet Me Tonight’ is their latest single, but I would also recommend checking out their recent EP, Phone Keys Wallet too. (KC)

Amaroun – ‘Perish’
Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. It’s one of my faves. (TW)

BISHI – ‘Who Has Seen the Wind’
As part of Southbank Centre’s 2019 Meltdown Festival, Kate and I had the privilege of meeting Bishi. She’s an incredibly talented singer, electronic rock-sitarist, producer and performer born in London of Bengali heritage. She is also the co-founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary in tech through commissions, performances & panels. (TW)

STRAIGHT GIRL – ‘Limón’
Describing themselves as “fiercely and fearlessly queer,” Leeds-based electronic artist STRAIGHT GIRL is a master at exorcising their demons and developing them into their own brand of “grave rave” sounds. I love this track ‘Limón’ which is a vibrant, jagged soundscape inspired by disjointed and self-critical thoughts. (KC)

Gordian Stimm – ‘Though My Love Is Always Still’
I am such a huge fan of everything Gordian Stimm aka Maeve Westall of itoldyouiwouldeatyou releases. They’ve crafted so many experimental gems in the last year, from their debut album Your Body In On Itselfto this single for Amateur Pop Inc.’s compilation record, their offerings are intensely eclectic & so well produced. (KC)

Twin Pixie – ‘Firestarter’
Philadelphia-based hyper-pop duo TJ Cole and Aiv Rubino aka Twin Pixie are inspired by the likes of SOPHIE and Grimes and explore themes of queerness and the supernatural in their majestic, ethereal soundscapes. Propelled by glitchy beats, ‘Firestarter’ races with a sweeping cinematic allure as poignant spoken-word vocals soar, tearing into the sexist norms of society. (ML)

Khx05 – ‘Trouble’
I have Nova Twins to thank for introducing me to North Carolina-based artist Khx05. They feature on the duo’s compilation album Voices For The Unheard, a blistering collection of alternative anthems that showcase the eclectic, tenacious range of talent from artists of colour in the heavy & alternative music scenes. (KC)

Ms Mohammed – ‘Pandora’
‘Pandora’ and its rolling, rumbling drums – such a tune by Ms Mohammed who we had a total blast with in the Get In Her Ears studio a few years ago. As well as being an artist in her own right, Ms Mohammed founded the Clit Rock movement in 2013 as a way of speaking out against female genital mutilation. As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBTQIA+ rights and visibility, Ms Mohammed is challenging prejudice through her music and we stand by her every step of the way! (TW)

pink suits – ‘pink suits everyone’
Margate based queer punk-rock duo pink suits incorporate politically driven rage, dance and even theatre into their work, exploring issues of sexuality, mental health and a resistance of binary gender. Taken from their recently released album, political child, ‘Pink Suits Everyone’ oozes a rousing, stirring intent. Offering a vibrant message of inclusivity and hope, here the duo urge us to come together and unite against the powers that seek to contain us. Watch the new video for ‘Pink Suits Everyone’ here. (ML)

Ezra Furman – ‘Suck The Blood From My Wound’
Having recently come out as a Transgender woman, and shared beautiful images of herself with her child, Ezra Furman has long been a favourite of mine, since I first fell in love with her 2018 album Transangelic Exodus. This Pride, I think it’s particularly important to celebrate the Transgender community whilst drawing attention to how society’s acceptance of trans and gender non-conforming people still has a long way to go. As Furman poignantly states in her coming out message: “I’m telling you I’m a mom now for a specific reason. Because one problem with being trans is that we have so few visions of what it can look like to have an adult life, to grow up and be happy and not die young. When our baby was born I had approximately zero examples that I had seen of trans women raising children. So here’s one for anyone who wants to see one. I’m a trans woman and a mom. This is possible.” (ML)

Chuck SJ – ‘Sink Your Teeth In’
This single is taken from DIY multi-instrumentalist Chuck SJ’s upcoming debut album Resist.Recharge.Revolt, which is set for release later this year. Full of atmospheric guitar riffs, sparse beats and glitchy electronics, it’s an industrial-tinged rumination on the forces that construct, influence and sometimes dismantle our ways of thinking. Chuck is also one half of punk duo Byenary who you can check out here. (KC)

Bitch Hunt – ‘Shapeshifter’
Non-binary band Bitch Hunt originally formed at the amazing First Timers fest, and have just released their debut EP via Reckless Yes. The title track of the EP, ‘Shapeshifter’ is a stirring slice of effervescent punk-pop, reflecting on themes of transition and gender identity, and how we are consistently ‘shape-shifting’ depending on our circumstances. A resonant yet ultimately uplifting offering, oozing a sparkling sense of optimism. (ML)

Grace Petrie – ‘Pride’
Taken from 2018’s album Queer As Folk, Grace Petrie’s ‘Pride’ offers a reflection on the strides that have been made for the LGBTQIA+ movement over the years, whilst also drawing attention to how far we still have to go to end all forms of discrimination. With her poignant, heartfelt lyricism oozing both a stirring sense of solidarity and hope, as well as frustration and rage (“I know you don’t want to face the fact / that each and every day we’re still being attacked…”), it’s a perfectly resonant anthem drawing attention to why we still need Pride, over 50 years on from the Stonewall Rebellion. (ML)

Naz and Ella – ‘Internalised’
Having been guests on our radio show back in 2019, alt-folk duo Naz & Ella recently released their new EP, De-Humanize. Taken from the EP, ‘Internalised’ is a deeply poignant offering about overcoming internalised queerphobia. Oozing a gritty edge and sweeping, stirring majesty, it’s an empowering ode reflecting the heartfelt message running throughout the EP as a whole, as the band explained in a recent interview with us: “… you don’t have to participate in your own dehumanisation to comply with social norms.” (ML)

Arlo Parks – ‘Black Dog’
I cannot get enough of Arlo Parks and her mesmerising music, so full of emotion I get lost in every second. ‘Black Dog’ is no different, a frank, heart-breaking insight into the the darkness of depression. Mental health awareness within the LGTBQIA+ communities is so important, especially with rising levels of isolation and loneliness. From talking, to supporting, to asking and reaching out for help is so important and totally OK to do. The more we can look out for each other, the more we can encourage and show people that asking for help is a sign of strength not weakness. (TW)

Kele – ‘Smalltown Boy’ (Bronski Beat Cover) 
I was lucky enough to speak to Kele Orekeke about his new album The Waves Pt. 1 earlier this month for The Line Of Best Fit, and he was incredibly generous with his time. I regret that I was too shy to tell him how much of my late teens & early twenties I spent dancing to Bloc Party and his first album The Boxer, so I thought I’d mention it here instead. His cover of Bronski Beat’s iconic LGBTQ+ anthem ‘Smalltown Boy’ is really beautiful, fore-fronting the track’s unique melancholy in an understated and moving way. (KC)

GIHE: Personal Highlights Of 2020

2020 has been a year unlike any other and we’ll be glad to see the back of it, but before we wave goodbye, the GIHE team would like to share some of their personal highlights. Thanks to everyone who has been following, reading or listening to GIHE this year. It really does mean the world to us and we couldn’t do this without you.

Shared Highlights

Seeing the GIHE name appear in a PHYSICAL BOOK was a landmark moment for the team this year. Music journalist Lucy O’Brien mentioned us in her 25th anniversary edition of She Bop, a fantastic book that explores the role of female artists and how they’ve helped to shape the music industry. You can buy your copy here.

Fellow GIHE Co-Founder Tash Walker was super busy recording & producing series 2 of The Log Books throughout 2020, a podcast which explores the history of the LGBTQ community via the phone archives of LGBT+ charity Switchboard. Tash is a co-chair at Switchboard and she is dedicated to celebrating and supporting the LGBTQ community through her work with them, and through her work with GIHE. She is one of the most resilient, informed and hilarious people we know and it’s a privilege to work alongside her and call her a friend. The Log Books are a truly necessary listen for all.

Now for some personal highlights…

Kate Crudgington (Features Editor)

GIHE usually takes up a big part of my life, but it was a lifeline for me during March of this year when the government text me (lol) telling me to shield for 12 weeks. Thanks to the magic of the internet, I was able to talk to the people who were making the music that was distracting me from the panic-inducing headlines, reminding me what a huge privilege it is to have access to this amazing platform.

As our followers already know, Lockdown 1.0 instantly put a stop to our weekly GIHE new music shows on Hoxton Radio. We had 16 weeks off air, so when it was “safe” for me to go back in to the studio in July I was buzzing with excitement (which you can hear in my voice if you listen back to the show here.)

Like most platforms during the pandemic, we embraced technology and started interviewing artists over Zoom instead of inviting them in to the studio for the usual chat and live session. We managed to get time with Jessica Winter, BISHI, Lucy O’Brien, Tessa from Girlhood, Julia-Sophie, Lizzie from Bitch Falcon, Grave Goods, Problem Patterns, ZAND, Hannah from PELA, Seraphina-Simone & Penelope Trappes. It was so lovely to see Tash in person in the studio most weeks, and while we both missed seeing Mari a great deal, her weekly track contributions to the show still made it feel like a GIHE team effort.

At the beginning of the year, I was invited by Niall Jackson, one of the hosts of Riverside Radio’s The Irish Jam, to be a contributor to their New Music Sunday section. Co-hosted by Kealan, Mel and Rob, The Irish Jam is a London based radio show that celebrates and promotes music from Irish artists. The crossover of favourite bands between GIHE & the Jam is huge and something I’ve enjoyed chatting to the team about both on and off air. They’ve introduced me to the likes of CMAT, fears, Denise Chaila, Silverbacks and Celaviedmai, whilst I’ve shared tracks by Kynsy, Party Fears and CAMI with them. Listening to their show on a Sunday evening continues to be a wonderful distraction from life.

Who could’ve predicted that bandcamp would become the musical hero of 2020? When the streaming platform announced that on the first Friday of every month they’d be waiving their fees so that 100% of profits would be going directly to artists, my newsfeeds were awash with new music recommendations. Moving home to Essex from London in March meant I actually had some expendable income to buy new records, so I was furiously typing bespoke recommendation threads on Twitter every time the date rolled around. bandcamps’ generosity meant you were able to genuinely support your friends (and the artists you secretly wish you were friends with) during a truly depressing year for music.

Normally, we’d be picking our live music highlights too, but for obvious reasons, we’ve hardly been to any gigs this year. Mari had to cancel half of the gigs GIHE she had booked pre-pandemic and it’s fucking depressing to not know when it will be (properly) safe for her to book more. That’s why I feel incredibly fortunate to have wedged in one last GIHE gig before Lockdown 1.0. GIHE worked together with Sofar Sounds to put together a special International Women’s Day gig at their Hackney HQ in March, with Beckie Margaret, Amahla and Indian Queens on the bill. It was so exciting (and nerve-racking) to host the evening with fellow GIHE pal Tash too. Even if I’d had a year full of gigs, this one still would’ve made my highlights list.

One last gloat – I published some of my all-time favourite features on our website this year. My Zoom interviews with the wonderful A.A Williams, the hilarious CMAT and the ultra talented Lido Pimienta are well worth a read.

Mari Lane (Managing Editor)

It goes without saying, most of the highlights I’d normally mention at this time of year were not able to go ahead in the void of 2020. They would normally consist of the monthly gigs that I host at The Finsbury, whereas this year I was only able to put on two before Covid hit. And, in addition to having to cancel at least seven of our regular gigs, we were pretty heartbroken to cancel what would have been our very first festival, due to take place in July. However, I did manage to fit in a couple of memorable live experiences before being confined to being permanently pyjama clad; my only weekly highlight being our regular beer delivery from Croydon’s Art & Craft bar.

The first gig I hosted this year felt particularly special. Personal Best headlined a night filled with all the best vibes. Drawing the night to a memorable close, front person Katie Gatt dedicated their set closer to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see / ’cause this is what we look like,” the poignancy of the lyrics was overwhelming and an empowering sense of unity took hold. The night also included the shimmering folk-strewn offerings of Athabaska, the quirky energy and sparkling charisma of Nun Habit and the sun-drenched swirling anthems of Hurtling. There is nothing quite like that joyous sense of togetherness that comes from hosting gigs filled with like-minded wonderful people.

I was also lucky enough to fit in seeing one of my all time favourite bands with a few of my all time favourite people. The last time that Tash, Kate, Paul and I were all together pre-Covid was for Sleater Kinney at Brixton Academy – a pretty special night. Not only did I get to see the legendary Carrie Brownstein deliver her distinctive gritty, scuzz-filled riffs alongside Corin Tucker’s unmistakable swooning vocals in the flesh, conjuring up massive feelings of awe and nostalgia, but they were supported by one of our favourite current bands. The second time we’d seen Big Joanie on the Brixton Academy stage (the first being opening for Bikini Kill last year!), they showcased just how deserving they are of their rising success; with their unique, raw, post-punk soundscapes and poignant lyricism, they delivered an absolutely incredible set. A truly memorable night.

My last ‘outing’ before lockdown was to the BBC 6Music festival for International Women’s Day at The Roundhouse. An epic line-up consisting of some incredible women and non-binary folk that I’m incredibly grateful I got to witness before everything fell apart. In addition to the immense poignant power of Jehnny Beth, the utterly beguiling splendour of Nadine Shah (who I fell in love with there and then), and the completely mind-blowing presence of hero Kim Gordon, Kae Tempest delivered a fiercely moving, truly breath-taking headline set.

And then gigs were gone. To be replaced by online streamed “events” which I think have had mixed reviews over the last few months – they’re of course no replacement for the “real thing” and it’s hard to feel motivated to “attend” things when you’ve been on the sofa in your pjs for weeks. However, I have managed to organise a few GIHE Instagram ‘Takeovers’, featuring some of our favourite bands and artists. From ARXX’s drum and guitar lessons, LibraLibra’s quirky tele-sales style feature and Tiger Mimic’s interviews with others on the scene, to inspiring chats with Amaroun, Eckoes, Foundlings and Husk, beaut “live” sessions from Gold Baby, Scrounge and KIN, and King Hannah’s EP run through, I feel grateful that so many creatives have wanted to be involved.

It’s a strange time, no doubt, but one which is made that much better by a sense of togetherness within the community. One positive from all this really has been the mutual support and genuine care that I’ve seen musicians and those within the industry show for each other.

John McGovern (Contributor)

On the one hand, there’s been almost no gigs, no festivals, much fewer physical releases and closed record shops. On the other, BBC 6Music’s response helped me stay indoors and make the most of my furlough life. Lauren Laverne‘s show was extended to cover the late morning, running to nearly double the length of most of the other shows on the station and basically saw her appointed as chief mood-lifter for the BBC’s flagship alternative music station. Amongst the days of uncertainty, where even leaving the house offered the risk of serious illness, with no guarantee of a job at the end of the summer, having Lauren there to soundtrack breakfast/brunch made a world of difference. It produced a kind of odd stasis: the background radiation of a pandemic, but an excellent range of music, usually featuring a smattering of classics, new music and obscure gems. The only disappointment was when the schedule reverted back to usual come the end of lockdown. Hopefully, that same semblance of normality will be back for us all, soon.

Thanks to everyone who took the time to read our highlights!

You can read about our GIHE Albums of 2020 here and our GIHE Tracks Of 2020 here.

Keep an eye out for our Ones To Watch in 2021 feature next week!