Track Of The Day: LIINES – ‘Sorry’

Having received acclaim from the likes of Sleaford Mods, John Kennedy and BBC 6Music’s Steve Lamacq, as well as blowing us away headlining for us at The Finsbury, Manchester trio LIINES consistently impress with their distinctive, raw post-punk. And latest single ‘Sorry’ is no exception.

Oozing the band’s trademark dark, brooding power, ‘Sorry’ builds with deep, intense bass lines, the gritty, commanding growl of vocalist Zoe McVeigh and Leila O’Sullivan’s consistent pummelling beats. Propelled by a thrashing sense of urgency, an eerie swirling majesty encompasses the listener, captivating the ears with its punk-fuelled bewitching allure.

Of the track McVeigh explains:

“… it’s about whether somebody is present or absent, you’re trying to make someone feel sorry for you, but as the song speeds up it becomes a bit more of a manic notion and sort of bordering on obsessive. LIINES songs are more of a mental state than a specific event – they are an emotion, a feeling.

 

Produced by Paul Tipler (Elastica, Placebo), ‘Sorry’ is out now (with B side ‘On and On’), with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Order via LIINES’ Bandcamp now. 

 

Mari Lane
@marimindles

PLAYLIST: October 2020

Whether you’re feeling apprehensive about the darker evenings after the pesky BST clock change, or you’re fed up of the ongoing Covid-restrictions that are full of contradictions, our October playlist is here to distract you. There’s an eclectic mix of dancing beats, atmospheric electronics, indie and alternative guitar tunes and some seasonal Halloween pop treats! Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of the page.

Nina Simone – ‘I Put A Spell On You’
The inimitable Nina Simone and her rendition of ‘I Put A Spell On You’ was an obvious choice for a Halloween-esque track, and it gives me goosebumps whenever I hear it. (Kate Crudgington)

Phoebe Bridgers – ‘Halloween’
Fun fact – I’m in love with Phoebe Bridgers. I more or less constantly have one of her songs running through my head, and spend a lot of time musing about how cool she is. So, for our October playlist it seemed only right to include her ode to the spooky season. Taken from her recent (perfect) album Punisher, ‘Halloween’ oozes Bridgers’ majestically haunting vocals and spellbinding splendour. And with the opening lyrics “I hate living by the hospital / The sirens go all night”, as someone who lives round the corner from Croydon hospital, I feel a deep hard relate on each listen. (Mari Lane)

Two Tribes – ‘Cruel Sensuality’
Full of commanding beats, jagged synths and soaring vocals, Two Tribes‘ latest single is a cathartic oscillation between emotional resilience and the unexpected apathy that comes with the ending of a relationship. Taken from their upcoming EP, which is set for release in 2021, the London-based trio blend vivid electronic textures with jolting rhythms to create an anthemic new sound. (KC)

CIRCE – ‘Ruined Your Sons’
A dark-pop gem that challenges toxic masculinity, ‘Ruined Your Sons’ is the latest single from London-based artist CIRCE. It’s taken from her upcoming debut EP She’s Made of Saints, which is set for release via Jazz Life on 25th November, and it’s a cinematic reflection on the apathy and disillusionment young men face while living under the thumb of patriarchal society. (KC)

Beckie Margaret – ‘Divine Feminine’
“’Divine Feminine’ is a song for people who stop you reaching your highest self,” explains Essex songwriter Beckie Margaret. “I wanted to write a sonically aggressive song that reflected this idea.” Through her commanding sounds and effortless vocal delivery, Margaret balances this aggression with elegance as she warns those trying to silence her to “stay out of my way.” I can’t wait to hear her debut album, which she’ll be releasing through Cool Thing Records at some point in the future. (KC)

Arlo Parks – ‘Green Eyes’
‘Green Eyes’ is the latest single from GIHE fave Arlo Parks. The track is taken from her debut album Collapsed In Sunbeams, which is set for release on 29th Jan via Transgressive Records. She’s yet to release something that don’t collectively adore here at GIHE, and I can’t wait to hear the full record next year. (KC)

Sans Soucis – ‘Air’ 
I have Kate to thank for sending this song my way, the latest single from the London based artist Sans Soucis and I cannot get enough of it. ‘Air’ evolves sonically under pitch perfect vocals, to put forth a message of protest against an era of human disconnection and destructive self-doubt. (Tash Walker)

Rihanna – ‘Disturbia’
Disturbia by absolute babe of babes Rihanna, taken from her 2008 album Good Girl Gone Bad: Reloaded. I think this is one of her best songs to date and I’m resurrecting it as a little Halloween treat for you all. (KC)

Eckoes – ‘The Light’
Alongside strobing synths and shimmering guitars, in ‘The Light’ the truly spellbinding power of Eckoes’ vocals soars, lulling the listener into a cathartic sense of hypnosis with its alluring grace. And we’re super excited that, having blown us away playing for us live at The Finsbury a few years back, Eckoes will be joining us for a special Instagram takeover next Wednesday 4th November – keep your eyes peeled on our socials for details! (ML)

Penelope Trappes – ‘Eel Drip’
A goose bump inducing, emotionally charged electronic soundscape, ‘Eel Drip’ is the title track from London-based, Australian-born musician Penelope Trappes’ recent EP. It’s a dark, delicate rumination on accepting the inevitability that our lives will all be touched by death at some point, and I’m a little bit obsessed with it. (KC)

Witch Prophet – ‘Tesfay’
‘Tesfay’ translated as “my hope” from queer artist Witch Prophet, inspired by the memory of Witch Prophet’s late grandfather who raised five daughters as a single father in Ethiopia after the passing of her grandmother. Instead of focusing on the traditional roles for women in his day, he pushed his daughters towards education and empowerment – a radical move for the time. The video is fantastic as well, go check it out. (TW)

LIINES – ‘On and On’
One of the latest singles from GIHE faves LIINES, ‘On and On’ reflects on not being able to express your true feelings. Oozing the band’s trademark dark, brooding power, it builds to a high-octane climax of raging riffs and throbbing bass lines, propelled by the utterly commanding vocals of Zoe McVeigh and a punk-fuelled bewitching allure. ‘On and On’ is the B-side to new single ‘Sorry’’, out on 6th November, with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Pre-order via LIINES’ Bandcamp now. (ML)

Bitch Falcon – ‘How Did I Know?’
Is it even a GIHE Playlist if I don’t include a Bitch Falcon track? (Long answer: no.) The Dublin alternative trio have shared this new single ahead of the release of the debut album, Staring At Clocks, on 6th November via Small Pond Records. Vocalist & guitarist Lizzie says this single is “an expression of frustration around someone I love and their problems. When someone you love is at the edge of your grasp, it can be so terrifying that your reaction is to let go.” (KC)

Total Rubbish – ‘What’s Your Damage?’
The latest single from Philadelphia-based trio Total Rubbish, whose sound reminds me a little bit of Garbage or L7 – which is never a bad thing. ‘What’s Your Damage’ is featured on their upcoming EP Triple Negative, which is set for release on 20th Nov via Born Losers Records. (KC)

Middle Kids – ‘R U 4 Me?’
With an uplifting jangly groove, Aussie band Middle Kids offer a swirling emotion and warm melodies with latest single ‘R U 4 Me?’. A perfect burst of sunny energy for this time of year, it’s a scuzzy indie pop anthem, leaving me excited to hear what this trio have in store for us next. (ML)

Landshapes – ‘Drama’
The new single from GIHE faves and one of our first guests on the radio show back in 2015, Landshapes, ‘Drama’ reflects on the imbalance of emotional labour that’s often seen between men and women. Soaring with a whirring synth-filled musicality and sweeping electro-driven hooks as the lustrous distinctive power of Luisa Gerstein’s vocals flows, it’s set to captivate on first listen with its majestic, funk-fuelled groove. ‘Drama‘ is out now, along with accompanying single ‘Let Me Be‘. Both are taken from Landshapes’ upcoming new album, Contact, set for release on 20th November via Bella Union. (ML)

Miri – ‘Just Breathe’
The latest single from London artist MIRI, ‘Just Breathe’ was released to coincide with Mental Health Awareness Day earlier this month. Reflecting on the negative impact some social media can have, whilst delivering a message of love and hope, it’s propelled by a soothing, soulful splendour and emotion-strewn majesty. As the soaring heartfelt power of Miri’s distinctive vocals flows, it’s filled with an uplifting musicality, oozing an endearing sense of hope. Of the track, MIRI explains: “Just Breathe is my message to anyone struggling mentally to please reach out for help. We are living in an incredibly stressful and intense time especially with the pandemic.” (ML)

Lande Hekt – ’80 Days Of Rain’
‘80 Days of Rain’ “is about moving away and missing someone, and how that person taught me to get angry about climate change,” songwriter Lande Hekt explains. It’s a humble, emotive guitar tune about the state of the planet, lifted from Hekt’s upcoming album Going to Hell, which is set for release on 22nd January 2021 via Get Better Records. (KC)

Swallow Cave – ‘Cold Moon’ 
‘Cold Moon’ comes from Bristolians Swallow Cave. Reflecting on mental health, I love the intonation in the vocals that resonate in those long guitar chords, reverberating right into my soul. It’s out now via Sad Club Records. (TW)

Bel Cobain & Lex Amor – ‘At The Bay’
‘At The Bay’ is a beautiful track that was made as part of a Hackney based community movement called The Silhouettes Project. They’re shining a light on artists in the shadows and protecting local spaces from gentrification. The Silhouettes Project provides an open space – a recording studio and live venue (located within the Total Refreshment Centre in Hackney, London) – where MCs, singers, musicians and producers can connect and create. (TW)

Thigh High – ‘Go Slow’ 
The latest single from queer glam-rock band Thigh High and I’m loving it. It’s a song about wanking, masturbating, about that annoying moment when your dildo’s batteries die and you have to raid the remote control. Incredible. Turn up those dials. (TW)

Spill Tab – ‘Santé’
‘Santé’ by LA-based, French Korean artist Spill Tab is intimate bedroom-pop at its best, mixing hypnotic dark-pop vocals with an urgent throbbing bass. Nice. (TW)

Tokky Horror – ‘Sleeper’
Dance-punk trio Tokky Horror have shared two new bangers just in time for Halloween. The explosive ‘Sleeper’ is one of them, with Demonoid Phenomenon – a Rob Zombie cover – being the other. You can download both from their bandcamp page now. (KC)

Lady Gaga – ‘Monster’
Taken from her 2009 album The Fame Monster, this track by Mother Monster herself is guaranteed to get me dancing at a Halloween party (even if that party consists of only me in my bedroom due to the current covid-19 restrictions.) (KC)

Pet Wife – ‘.B.L.O.O.D.O.R.A.N.G.E.’ 
PET wife, are a trans/nonbinary couple and art-pop duo from Bushwick, Brooklyn. This single, ‘.B.L.O.O.D.O.R.A.N.G.E.’ is accompanied with an incredible music video which you can watch here, that they describe as an homage to the vampire lesbian exploitation films of the 1970s with an all-trans/gender non-conforming crew and queer cast. Loving this track! (TW)

Soho Rezanejad – ‘Half The Shore’
The new single from Danish artist Soho Rezanejad, ‘Half The Shore’ is a beautifully ethereal soundscape. With Rezanejad’s work often rooted in mythological storytelling, this latest offering oozes a spellbinding majesty that’ll captivate on first listen. A much needed sea of calm. ‘Half The Shore’ is taken from Rezanejad’s upcoming album Perform And Surrender, set for release on 4th December via Silicone Records. Listen to the track here. (ML)

Sonic Youth – ‘Halloween’
The unmistakable sound of Kim Gordon’s voice over these eerie, strung out guitar sounds should be enough to create a wonderful sense of dread for you all this Halloween weekend. (KC)

Track Of The Day: LIINES – ‘On and On’

Following their 32-date tour around the UK with Sleaford Mods, GIHE faves and previous headliners for us at The Finsbury, LIINES return to the scene with their brand new single. A year after the release of their debut album Stop-Start, ‘On And On’ builds on their trademark rhythm-driven offerings with fantastically bright vocals and melodies.

Of the track, guitarist/vocalist Zoe McVeigh explains: “’On and On’ is about keeping everything down inside and driving yourself mad with the same looped thoughts.

‘On and On’ plays on this idea with its repeating chorus structure and lyrics, completely holding its own. Prominent guitar riffs and thrashing percussion behind the breathtakingly bold vocals create LIINES’ stand-out post-punk vibe, setting them apart as wholly individual. Packing a mighty punch, it’s another truly impressive offering from the trio. 

 

‘On and On’ is out 24th May via Reckless Yes. Pre-order on Bandcamp and pre-save on Spotify now. Catch LIINES live:

30th May – Thousand Island, London (w/ fellow faves Chorusgirl, Art Trip and The Static Sound)
31st May – Bodega, Nottingham
1st June – Yes, Manchester

Bekky Smart
@bekkymays

Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.

(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…