INTERVIEW: Lilith Ai

Self-described as “a singer-songwriter who performs poignant tales of modern city life,” Lilith Ai writes relatable guitar tunes exploring turbulent emotions in a humble and engaging way. When I catch up with her via Zoom, she’s sat on a comfy looking bean-bag in the music shed which she’s currently sound proofing. She tells me she’s spent her morning at a power-pump weightlifting exercise class, because she’s keen to feel healthy again after “basically just eating pies” throughout the Covid-19 pandemic. We laugh about how everyone buried their feelings in take-away food instead of dealing with the mental toll of multiple lockdowns in 2020.

Modest, self-deprecating but incredibly warm and open to talking about all aspects of her life and art, Lilith speaks to me about her recent album, Folk You Hard, her upcoming performance at Loud Women Fest – who just awarded her their prestigious Hercury Prize Award – and what drives her to keep creating music despite the many challenges that life brings…

Hello Lilith! Who or what first inspired you to start making music?

I think I’ve always made music, but I don’t know what first inspired me. I wanted to be a writer when I was very little but I’m dyslexic so I couldn’t really write anything. I just liked to sing songs. I don’t think I’m naturally good at music. I know I have a nice sounding voice, but some people can pick up a song and play it on guitar the first time they hear it on the radio and I’m not like that. I wish I was like that! I’m actually better at art than I am at music, but I don’t enjoy it as much as I enjoy making music.

I grew up with a lot of stress because I had so many learning disabilities, so school was difficult and my family life was really mad. I did a lot of extracurricular things that were not music. I had dance classes, I went to Brownies and Girl Guides, I did track running and I had art. Music was a thing that I didn’t tell anybody about. I just kind of did it in my brain and made songs up!

I’ve had a weird year where I’ve been doing a lot of therapy and I’ve had so many revelations about myself. I’ve had to kind of white knuckle most of my life until quite recently.

So, how did I get into music? I don’t know. I just I did it secretly until I joined a band. I was in a lot of really terrible bands and they all kept falling apart. So, in 2015/16 I just decided to do my own solo project. I didn’t really know how to play guitar at the time, so I was a bit shit. I was completely oblivious to that at the time though. I didn’t really know how terrible my playing was until I started playing on my own! I was like, “I need to be way better than this,” so I did a lot of gigs. A lot. Probably hundreds that were just not very good, but I don’t think it matters. I think a little bit of delusion is good as a musician. It doesn’t really matter how good you are at the start; you’ll get good eventually if you keep doing it.

Perseverance is key! You mentioned being in therapy, would you say creating your music has helped you make sense of things that have happened to you as well? Do you find writing songs can be quite cathartic for you? It seems that way on your most recent album, Folk You Hard.

The reason why I make music is because I want to connect with people. Because of the way I grew up, I really, really struggled to make friends. I have a best friend now, but it took me five or so years to really believe that she liked me when we were growing up, even though she wanted to hang out with me and called me every day! So, with music, I wanted to do something so that I could say “do you feel like this? Because I feel like this,” to other people.

Music is also a way of escaping for me too. Some of my songs are more like me being how I wish I was, rather than how I actually was at the time. You can still see me in them, but songs like ‘Rude Grrrl’ and ‘Riot’ are more what I want to be like. I want to be confident or strong. I think there was definitely a thing when I was writing Folk You Hard, where these things slowly toppled into who and where I am now. That album is just me being very frank about stuff. That’s the most frank I’ve ever been and I think I’m going to continue to try and do that.

But sometimes, I’m not thinking like that and I write stuff really quickly. I have a notebook that I put all of my ideas in and then when I’ve got enough ideas, I’ll sit down and be like, “okay, I’ll write a song now” and I’ll write it in half an hour. I wrote the song ‘Michaela Coel’ after watching her series I May Destroy You. I’ve always liked her ever since she did Chewing Gum and I did actually meet her at an event a couple of years ago. We talked about stuff and she was so amazing. So I just sat down and wrote that song. It doesn’t always happen like that, but sometimes it does.

That’s so cool, I think ‘Michaela Coel’ is one of my favourite songs on your album. Do you have a favourite song? If so, why?

I really like the single that I’m about to drop, ‘Bloodlines’, which is the first one I wrote for that record. But I think my favourite is probably the last song I wrote which is ‘F’. It was very easy to write and I think I’m saying stuff on it that I haven’t really said before. They’re both kind of songs about my Mum, which is weird, because I have an estranged relationship with my Mum at the moment. But ‘F’ could also be about so many things. It’s written in the key of F, it’s about family and it’s also ‘F’ for “fuck” and for Folk You Hard.

Another song I love on the record is ‘Bare Radical’. I really like the lyric “I’m not bitter / I’m better” – it almost sounds like a mantra…

I mean, I’m not sure I am better, but I’m trying to be! It’s a continuous thing. That song is about dating a person who was just like, not the person. But I try to remember that everybody is on their own journey, I think very few people deliberately do things to be a dick. Though I know I need to get away from that person, I try not to be bitter…but it is hard!

The only way that you can “win” is to be like, “Okay, I’m actually genuinely going to be happy now” – that trumps everything. This is going to sound a bit weird, but I’ve wanted to join a gym for ages, but it’s so expensive and I knew it would take up a big chunk of my money. But I realised, if I was dating someone and they wanted that gym membership – I would probably give them the money, instead of spending it on myself. So, to be like “Oh, I need this! I’m going to buy this for myself because I deserve it,” you know? I want to look after myself and that is actually me “winning.” It definitely is a long process, I’m not 100% there yet, I’ve got a long way to go. All we can do is try to be better, to get away from toxic people and encourage toxic people to get help.

That’s genuinely good advice.

You’re going to be performing at Loud Women Festival on 18th September. There are so many GIHE faves performing too – ARXX, Vulpynes, Breakup Haircut, MIRI, Deux Furieuses, Jelly Cleaver, GENN, Sister Ghost – what bands are you looking forward to seeing on the day?

I think this is my fourth time playing the festival and I can’t wait. I really want to see Jelly Cleaver. I haven’t seen her play for ages. I really like her as a person too. MIRI, who I have seen lots of times and who I love, she’s really good. I’m excited to see ARXX as well. There are a lot of bands on the line-up who I don’t know, so I’m looking forward to hearing them as well. I’ll be there in the morning with soooo much merch – I’ve made my own bracelets and everything – so I’ll be there all day.

Great stuff. Finally, as we’re a new music blog, we always ask artists to recommend a few bands they’ve recently been listening to. Any suggestions?

One is Nathan Day who I really got into last year and I just think their music is amazing. It’s literally like someone reached into my head and made the music that I want to make. Probably my favourite song is ‘Fade Like You’ but they’re all good songs.

Pom Pom Squad are also so, so, so good! And Eliza Shaddad. I really want to go on tour with her!

Thanks to much to Lilith for chatting with us!

Follow Lilith Ai on bandcamp, Spotify, Twitter, Facebook & Instagram

Grab a ticket to see her live at Loud Women Fest 5 here

PLAYLIST: May 2021

The GIHE team have unearthed some more new music gems for you to listen to on our May Playlist! There’s an eclectic mix of indie tunes, dark-pop gems, electronic bangers and gritty guitar tracks. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Solidarity Not Silence – ‘This Is Sisterhood’
With members of The Tuts, Petrol Girls, Personal Best and Colour Me Wednesday collaborating, as well as a snippet of the legendary Kathleen Hanna speaking about the cause, ‘This Is Sisterhood’ sees members of the DIY feminist music community come together to raise funds for the legal costs of a group of women who are fighting a defamation claim made against them. A truly impassioned and empowering creation, ‘This Is Sisterhood’ is a totally necessary call to arms; a plea to unite in solidarity against the patriarchal norms seeking to hold us down. Find out more about the cause and how to donate here.
(Mari Lane)

LOUD WOMEN – ‘Reclaim These Streets’
LOUD WOMEN’s ‘Reclaim These Streets’ is an uncompromising feminist anthem that centers women’s experiences of harassment and fears for their safety in public spheres. The idea for the collaborative charity single was sparked by the conversations around the deaths of Blessing Olusegun and Sarah Everard, which prompted LOUD WOMEN’s founder Cassie Fox to invite a collective of female and non-binary musicians to rage alongside her on this vital musical statement. The track features over 60 female voices from the independent & alternative UK music scenes and all proceeds from the track will be donated to UK charity Women’s Aid.
(Kate Crudgington)

Deep Tan – ‘Hollow Scene’
Following their uplifting last single ‘camelot’, Hackney-based trio deep tan have now shared another stirring taste of what’s to come from their upcoming debut EP. Propelled by glitchy beats and twinkling hooks, ‘hollow scene’ captivates the ears with the vocals’ compelling seductive allure. (ML)

Krush Puppies – ‘Slay The Dragon’
Establishing themselves on the London scene for a few years now, Krush Puppies’ latest offering comes in the form of the medieval-inspired ‘Slay The Dragon’. A poignant reflection about “transcending the monsters we’ve all had to endure”, the track builds with a gritty, swirling energy and a raw, haunting majesty reminiscent of fellow London post-punkers Goat Girl. (ML)

CIRCE – ‘Going Down’
I’ve been obsessed with London-based, dark-pop sensation Circe since the release of her debut EP, She’s Made Of Saints, last year. This new offering is all about celebrating female sexuality and embracing the head-rush that comes with a new romantic infatuation. (KC)

Girl Ray – ‘Give Me Your Love’
The new single from total faves Girl Ray, ‘Give Me Your Love’ is filled with funk-fuelled beats and swirling synths, alongside the distinctive soothing allure of Poppy’s vocals. Produced and mixed by Joe Goddard and Al Doyle from Hot Chip, the track offers a more electro-driven sound than previous releases, whilst maintaining the band’s knack for creating lilting sonic delights, fizzing with plenty of vibrant, uplifting vibes and even some twinkling steel pans. Watch the new video for ‘Give Me Your Love’ here. (ML)

Ladyhawke – ‘Mixed Emotions’
This fab new single is taken from Ladyhawke’s upcoming album Time Flies, which is set for release on 8th October. It’s a buoyant exploration of the turbulent feelings you can experience with one person, sometimes over the course of a single day. (KC)

Mumble Tide – ‘Sucker’
Formed of Gina Leonard and Ryan Rogers, Bristol-based Mumble Tide originally met through a Gumtree ad and everything they create is entirely self-produced, including their own videos and artwork, proving that all you need is good company and a comfortable atmosphere to make meaningful art. (KC)

Talking Violet – ‘Superego’
The latest single from Ontario band Talking Violet, ‘Superego’ captivates the ears with its shimmering, shoegaze-inspired allure. Tackling unhealthy friendships, it flows with a brooding splendour as reverb-strewn riffs sizzle alongside dreamy harmonies, building to a perfectly scuzzy, angst-driven climax. (ML)

CIEL – ‘Never Alone’
I love this new offering from Brighton dream-pop trio CIEL. Front-woman Michelle Hindriks penned the song about her own feelings of anxiety and isolation, which will strike a chord with many of us in this post-lockdown world. (KC)

MAITA – ‘Dumb’ (Nirvana Cover)
One of my favourite Nirvana songs covered by Oregan based MAITA, fronted by Maria-Maita Keppeler. This is the second cover track the band have shared as part of iconic Riot Grrrl label Kill Rock Stars 30th anniversary celebrations. Maria said she wanted to cover ‘Dumb’ because she feels like Nirvana gave her “permission for unadulterated release” back in their heyday, and that’s what she wants listeners to embrace now. (KC)

PinkFiz – ‘Pleaser’
18 year old, Cambridgeshire artist PinkFiz penned ‘Pleaser’ after feeling the unwanted pressure of trying to satisfy someone else at the expense of her own self-esteem. This track is taken from her recent EP The World Of PinkFiz, which explores her experiences as a young, bisexual woman. (KC)

Fräulein – ‘Pretty People’
Having been winning us over since we first became pretty obsessed with last year’s single ‘Drag Behind’, South London based duo, Joni Samuels and Karsten van der Tol – aka Fräulein – have now shared their first single on Practise music, ‘Pretty People’. Reflecting on the shallow world of fashion, the track builds with a captivating dark energy and visceral, grunge-infused splendour. I cannot recommend these two strongly enough; I really think they have something wonderfully nostalgic, yet ultimately unique to offer. (ML)

Alice Hubble – ‘Power Play’
Described as “the closest thing (she’s) written to a protest song”, ‘Power Play’ is London artist Alice Hubble’s response to the #MeToo movement. Flowing with a euphoric, synth-driven energy and glitchy ‘80s-inspired musicality, it flows with Hubble’s majestic soaring vocals as the lyrics offer a poignant reflection on the disparities of sexism and gender-based violence. (ML)

SPELLLING – ‘Boys At School’
Taken from her upcoming album The Turning Wheel, set for release on 25th June via Sacred Bones, SPELLLING’s latest single sees her step back into her younger teenage self and explore feelings of angst, desire and disillusionment. I can’t wait to hear the album in full. (KC)

Janette King ft. DijahSB – ‘Cool Me Down’
The latest single from Canadian artist Janette King, ‘Cool Me Down’ flows with a funk-fuelled groove as rapper DijahSB’s gritty spoken-word lyricism complements King’s luscious, soulful vocals perfectly. What We Lost, the debut album from Janette King, is set for release 25th June via Hot Tramp Records. (ML)

Alex Loveless – ‘Idk U’
I’m a big fan of everything London-based artist Alex Loveless releases and this new super chill single is no exception. (KC)

Deap Vally ft. Jennie Vee – ‘I Like Crime’
Two names that need no introduction and a track that speaks for itself! I can’t wait to hear Deap Vally’s upcoming EP American Cockroach when it’s released on 18th June. (KC)

Tokky Horror – ‘Eden On Acid’
This banger is lifted from Liverpool-London trio Tokky Horror’s debut EP, I Found The Answers And Now I Want More, released via Alcopop! Records. It’s a wild blend of drum & bass beats, dance music rhythms and punk-infused energy and their whole EP gatecrashes multiple musical genres with pure anarchic flair. (KC)

Cherym – ‘Listening To My Head’
The new single from Derry trio Cherym, ‘Listening To My Head’ is inspired by the Netflix series Dirty John. A jangling slice of punk-pop, it’s propelled by driving beats and an uplifting, empowering energy, as swirling hooks accompany luscious angst-driven honey-sweet vocals. Oozing a wonderfully fuzzy sense of nostalgia as the tongue-in-cheek wit of the lyrical storytelling and a colourful charismatic musicality flows, ‘Listening To My Head’ is guaranteed to put a smile on your face, a clench in your fist and a spring in your step in the face of cheating men everywhere. (ML)

Fightmilk – ‘Hey Annabelle’
The latest single from faves Fightmilk, ‘Hey Annabelle’ is a perfectly scuzzy ode to an ex, oozing jangling melodies and the band’s trademark anthemic power-pop energy. Of the track the band explain: “Putting the ‘angry’ in ‘Shangri-La’s’, this is arguably our pettiest song. ‘Hey Annabelle!’ is about that very specific thing you do when you’ve split up with someone and part of moving on entails just very casually asking mutuals what they’re up to and, more importantly, whether they’re also miserable.” Contender, the new album from Fightmilk, is out now via Reckless Yes. (ML)

LISTEN: LOUD WOMEN – ‘Reclaim These Streets’

An uncompromising feminist anthem that centers women’s experiences of harassment and fears for their safety in public spheres, LOUD WOMEN have shared their new collaborative charity single ‘Reclaim These Streets’. Sparked by the conversations around the untimely deaths of Blessing Olusegun and Sarah Everard, LOUD WOMEN’s founder Cassie Fox invited a collection of female and non-binary musicians to rage alongside her on this vital musical statement, with all proceeds from the track being donated to UK charity Women’s Aid.

“Two women a week are killed by men. Refuge services are having to turn away one in two survivors of violence – and yet refuge funding has been cut by one quarter since 2010,” Cassie explains. “This is a song of feminist solidarity and hope – all women and gender non-conforming people have a right to walk safely on every street, and be safe in their own home.” Backed by the voices of Siobhan Fahey (Bananarama, Shakespears Sister), Brix Smith Start (The Fall/Brix & The Extricated) and Patsy Stevenson (the face of the Clapham vigil) and with instrumentation provided by members of My Bloody Valentine, Salad and T-Bitch, ‘Reclaim These Streets’ is a powerful and necessary punk offering that demands the right to exist in a world free from gender-based harassment and violence.

The track features over 60 female voices from the independent & alternative UK music scenes, including Estella Adeyeri (Big Joanie), Janey Starling (ex-Dream Nails), Nadia Javed (The Tuts), Ren Aldridge (Petrol Girls), Jo Bevan (Desperate Journalist), Siân Alex (Gold Baby), MIRI, Kat Five (Feral Five), Holly Carter (Berries), Angela Martin (Bugeye), Elis Sarv & Kelly Chard (Noise Noir) and many more.

‘Reclaim These Streets’ simmers with a palpable, justified rage and provides a cathartic burst of relief for female and non-binary listeners who have been living under the shadow of street harassment for most of their lives.

Watch the video for the track below. Download ‘Reclaim These Streets’ via bandcamp.

Kate Crudgington
@KCBobCut

Full list of ‘Reclaim These Streets’ contributors:
Abby Werth of I, Doris and Argonaut
Amber of Hadda Be
Angela Martin of Bugeye
Bec Jevons of IDestroy
Brix Smith Start
Caroline Gilchrist of Hot Sauce Pony
Cassie Fox
Charley Stone
Debbie Googe
Debbie Smith
Dungareen Jean
Elis Sarv from Noise Noir
Ella Patenall of Naz & Ella
Emily Eagle of The Pukes
Emma Sky of Slut Magic
Erika Severyns
Estella Adeyeri of Big Joanie
Gail Something-Else of Muddy Summers & the Dirty Field Whores
Gemma Cullingford of Sink Ya Teeth
Georgie Willsher of Beverley Kills
Gilan
Harriet Doveton
Helen McCookerybook
Holly Carter of Berries
Jade Ellins
Janey Starling
Jen Macro
Jo Bevan
Joyce Raskin
Julie Riley of I Am HER
Karen of Hagar the Womb
Kat Five of Feral Five
Kel of The Empty Page
Kelly Chard
Kimmi Watson
Kristina Stazaker
Lee Friese-Greene
Lilith Ai
Liz Hayward of Ode to Sleep
Lorna Tiefholz of Rabies Babies
Marijne van der Vlugt
Michelle Marti of Girls Rock Indiana
Minni Moody
MIRI
Molly Energi
Nadia Javed
Ngaire Ruth
Nicki Mirage of Brazen Hussy/KNM
Patsy Stevenson
Paul Maps – Joyzine
Penfriend
Priya
Ren Aldridge of Petrol Girls
Ros Cairney of Deux Furieuses
Roshi Nasehi
Rowanna Chown
Sam McCann of Gender Chores
Shona MacMillan
Siân Alex of Gold Baby
Siobhan Fahey
Stevie B of T-Bitch
Suteki Hegg
The Pukes
Umbilica

PLAYLIST: April 2021

The GIHE team have unearthed some more new music gems for you to listen to on our April Playlist! There’s an eclectic mix of indie anthems, alt-pop gems, electronic soundscapes and gritty guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Noga Erez – ‘Fire Kites’
GIHE favourite and pop renegade Noga Erez’s new record KIDS has barely left my turntable since it was released in March. The record is bursting with her trademark charisma and energy, epitomised by this track ‘Fire Kites’. Keep and eye on our GIHE socials for an exciting announcement involving Noga very soon…
(Kate Crudgington)

Miss Eaves – ‘3 Jobs’
This banger from Brooklyn-based rapper Miss Eaves features on Loud Women’s third compilation album, which is bursting with anthems from DIY bands from both sides of the Atlantic. The record also features tracks from ARXX, GÉNN, LibraLibra, Vulpynes, Bugeye, Jelly Cleaver, Breakup Haircut and Pleasure Venom. Grab your copy from bandcamp now. (KC)

Little Simz – ‘Introvert’
The latest single from innovative artist Little Simz, ‘Introvert’ may just be her most powerful offering yet. A poignant reflection on the last year and an empowering rallying cry to break free from societal limitations, the track is propelled by an immense sense of grandeur and cinematic instrumentation. A heartbreakingly impassioned anthem, touching on themes of governmental corruption, poverty and race, it’s a truly magnificent and necessary listen. “I’m a Black woman and I’m a proud one / We walk in blind faith not knowing the outcome / But as long as we unified then we’ve already won.” (Mari Lane)

Sans Soucis – ‘I’m On’
An uplifting blend of lush vocals, warm synth textures and smooth beats, songwriter & producer Sans Soucis’ single ‘I’m On’ is a genre-bending reflection on her own experiences of recovering from an extended period of depression and the joy she experienced when she was able to re-connect with herself again. (KC)

Ruti – ‘Daylight’
Essex-based songwriter Ruti may only be 21 years old, but she has a distinctive, soulful voice that shines with a majestic, mature glory on ‘Daylight’. This track is taken from her recent EP, All At Once. (KC)

People Club – ‘Damn’
This smooth new offering from Berlin-based five-piece People Club is an exploration of the behaviours surrounding addiction to internet pornography. “We wanted to examine how porn addicts can actually be super high-functioning and never get ‘found out’, yet actually can suffer seriously as a result of their habit,” the band explain about the track. ‘Damn’ features on People Club’s new EP Take Me Home, which is set for release on 7th May. (KC)

Nun Habit – ‘Righteous Jerk’
Having wowed us with their sparkling charisma playing for us at The Finsbury back in 2020, the London-based queer five-piece Nun Habit have now announced their debut album, set for release in August. Taken from their recent double a-side release, ‘Righteous Jerk’ oozes an eerie mysticism before building with thrashing beats and scuzzy, reverb-strewn riffs, alongside Kate’s sweeping soulful vocals. ‘Righteous Jerk’ is out now alongside double a-side ‘Slip n Slide’. hedge fun, the upcoming album from Nun Habit, will be released in August, with an accompanying celebratory launch party on 16th August at The Victoria in Dalston. (ML)

Maya Lakhani – ‘Walk Alone’
Inspired by the current conversations that are happening around women’s safety, the culture of victim-blaming and pure desire to walk alone as a women, British-Indian artist Maya Lakhani’s latest single is propelled by a gritty, emotion-strewn power. Flowing with the soaring, raw splendour of her vocals alongside a majestic, otherworldly musicality, it oozes a captivating sense of grandeur and poignant sentiment. (ML)

Softcult – ‘Take It Off’
I’ve been listening to Softcult aka twin sisters Phoenix and Mercedes Arn Horn’s debut EP Year Of The Rat so much recently. It’s a bittersweet collection of lush, grunge-infused songs that culminate their thoughts on sexism, misogyny and objectification, and ‘Take It Off’ aches with with their subdued anger. Lyrically, it’s directed at catcallers, but it doubles up as a care-free dismissal of ridiculous trophy wife standards too. (KC)

Bitch Hunt – ‘Eau Claire’
The latest single from London based non-binary band Bitch Hunt, ‘Eau Claire’ offers the first taste of the band’s upcoming debut EP. An ode to a Wisconsin town where singer Sian used to live, with its stripped back jangling hooks and raw, heartfelt vocals, it builds in momentum to an effervescent slice of perfect punk-pop. Shapeshifter, the debut EP from Bitch Hunt, is set for release on 28th May via Reckless Yes. (ML)

Wallice – ‘Hey Michael’
It was love at first listen when I heard this single from LA-based Wallice. I love her candid lyrics on this playful lament about having your ear chewed off by a mediocre man at a party. Watch the accompanying video for the track here. (KC)

Fightmilk – ‘Overbite’
The recent single from total faves Fightmilk, ‘Overbite’ is taken from their upcoming new album. Oozing a track’s subtle romanticism and tongue-in-cheek wit, the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment alongside an infectious, shimmering energy. The perfect, alternative fuzzy love-song. Contender, the new album from Fightmilk, is set for release on 14th May via Reckless Yes. (ML)

PACKS – ‘New TV’
This brooding offering from Toronto-based PACKS is a hazy ode to “other people’s garbage.” I love the sound of Madeline Link’s vocals and the grungy, hazy guitars on this track. The band will be releasing their debut LP Take The Cake on 21st May via Royal Mountain Records/Fire Talk. (KC)

Tirzah – ‘Send Me’
The latest single from Tirzah, the first we’ve heard from her in two years and boy am I glad she’s back. Teaming up again with previous collaborators Coby Sey and Mica Levi, Tirzah delivers us another beautiful song with futuristic subtlety. The amount of emotion and longing that’s conveyed in her music blows me away every time, leaving me with all the feels. Fingers crossed the release of ‘Send Me’ is only the beginning of more music to come from Tirzah. (Tash Walker)

Deap Vally – ‘Give Me A Sign’
Us GIHE girls are super excited to hear Deap Vally’s new EP American Cockroach, which this new track ‘Give Me A Sign’ is lifted from. Set for release on 18th June via Cooking Vinyl, the LA-based duo have collaborated with Jennie Vee (Eagles of Death Metal) and the brilliant Ayse Hassan (Savages/ESYA) for this record, which the duo describe as “songs for the underdog, the outlaw, the defeated, for the days when you feel like no one understands you or you can’t do anything right.” (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist and it’s been bouncing around my head for weeks. (KC)

Shygirl – ‘Tasty’
One thing that is getting me through my weeks at the moment is listening to music that makes me just want to dance. Especially this track from the incredible Shygirl. Pull up those hoods and get moving. (TW)

Mykki Blanco – ‘Free Ride’
Firm fave Mykki Blanco released ‘Free Ride’ alongside the news that they’d signed to Transgressive Records at the beginning of this year. Speaking about the track, Mykki explains “Some of the most intimate moments and conversations I have ever shared were with my mother on long drives in the Southern countryside when I was a teenager. The music that soundtracked these memories on our daily journeys was the stuff of my mother’s generation. I would find myself daydreaming, reflecting and envisioning the kind of life I would like to create for myself.” With all its feel-good vibes, this song has been buzzing around my head constantly since I first heard it – I LOVE IT. (TW)

DEELA ft. T6lu – ‘FIT’
A fun, provocative cut from British-Nigerian rappers DEELA and T6lu, ‘FIT’ is all about being able to say what you want, when you want. Their slick lyrical delivery and dense beats reflect the pair’s direct approach to making empowering, unapologetic anthems. (KC)

Alex Loveless – ‘Through 2 U’
This is a slow-burning offering full of hazy beats and brooding vocals from Hackney-based DIY electronic artist Alex Loveless. Released via Loveless’ own label Dirty Mind (named after their own club night inspired by the Prince record) ‘Through 2 U’ is an intoxicating combination of smouldering alt-pop hooks and melancholy-tinged lyrics. (KC)

Pallas Athene – ‘Gimme Gimme’
Toronto-based artist Pallas Athene contributed this ambient track to Object Ten, a compilation album that features original pieces of experimental, electronic music by new and established artists. Put together by London drone-pop band The Leaf Library, the album is a real breath of fresh air for anyone looking for a departure from their usual listening habits. (KC)

Tokky Horror – ‘Godliness’
London-Manchester-Liverpool trio Tokky Horror have taken things down a notch on their latest offering ‘Godliness’, which is taken from their debut EP I Found The Answers And Now I Want More, set for release on 21st May via Alcopop! Records. “I think we show our more expansive side on ‘Godliness’,” Zee Davine explains. “Where our first two singles were the ‘flag-in-ground’ moment when we wanted to assert our presence with intensity, ‘Godliness’ is us letting our guard down a bit for something more genuine.” (KC)

GHLOW – ‘Not Fit For This’
A visceral blend of distorted guitars, energetic beats and commanding vocals, this single from Russian-Swedish heavy duo GHLOW is taken from their debut album Slash and Burn, recently released via PNK SLM Recordings. I love their intense rhythms and jagged riffs and recommend listening to the full album if you like what you hear. (KC)

A Place To Bury Strangers – ‘End Of The Night’
With a change in lineup and a new EP titled Hologram on the way, Brooklyn’s A Place To Bury Strangers have unleashed this caustic new tune that buzzes with unrest. Founding member Oliver Ackermann has been joined by John Fedowitz (bass) and Sandra Fedowitz (drums) for this record, which is released on 16th July. (KC)

SPITBOY – ‘In Your Face’ (Remastered)
Don Giovanni Records have announced that they’re releasing trailblazing San Francisco based 90s feminist hardcore band SPITBOY’s discography on 25th June. Titled Body Of Work (1990-1995), 100% of the profits from the record will be going to the National Women’s Law Center. This is the first time SPITBOY have appeared on my radar and I’m loving their grungy, riot grrrl sound. (KC)

The Bug Club – ‘Checkmate’
Set to release their debut EP this Friday, Welsh trio The Bug Club’s ‘Checkmate’ showcases their uniquely uplifting, frenetic brand of garage rock perfectly. Propelled by a vibrant, driving energy, it oozes a playful sense of euphoria as gloriously scuzzy hooks race alongside blissful harmonies. Launching Moondream One, the upcoming debut EP from The Bug Club, is out 30th April via Bingo Records. Read our interview with Tilly from the band here. (ML)

Queens & Kings – ‘Going Through Hell’
Propelled by a fuzzed-out visceral energy and gentle blues-rock twang, ‘Going Through Hell’ reflects on Toronto duo Queens & Kings’ 10+ year relationship and the struggles they have gone through both personally and as a band. As Alissa’s gritty swooning vocals flow with a stirring, soulful drive alongside scuzzy hooks, it’s a powerful Americana-tinged slice of garage-rock brimming full of anthemic emotion. (ML)

GracieSouz – ‘Brian Cox’
Having just released her stirring debut EP Better In Space, GracieSouz creates sweeping, ethereal soundscapes. Paying ode to the famed scientist with Gracie’s soaring, crystalline vocals and a cinematic splendour, it oozes a bewitching, majestic grace. A shimmering slice of brooding electro-pop. Better In Space, the new EP from GracieSouz, is out now. (ML)

MELÓ – ‘Castle’
Taken from her upcoming EP Youthless, Canadian-Hungarian artist MELÓ’s latest single ‘Castle’ reflects on themes of mental illness. Evoking images of escapism, it oozes a sweeping, ethereal soundscape propelled by the soaring power of the soulful vocals. Flowing with a shimmering majesty, it’s a captivating slice of dreamy alt-pop. (ML)

Gillie – ‘Retirement Paradise’
The title track from her recent EP, Welsh songwriter Gillie tentatively explores what it means to slow down and reflect on what you truly need on ‘Retirement Paradise’. “I think this is the track that defines me as who I am today,” she explains. “I’m now aware that the people whom I previously thought lived slow and boring lives, have become the people I take note from. I often joke that I could go into retirement right this moment and live quite happily, and so that’s how this track developed.” (KC)

Be Charlotte – ‘We Are Burning’
Taken from her debut EP Dreaming With The Lights Off, Be Charlotte’s ‘We Are Burning’ soars with a twinkling emotion and lilting, folk-tinged melodies. Propelled by Charlotte’s distinctive luscious Scottish vocals, it’s a sparkling pop anthem, calling us to action at a time when hope may seem to be lost. (ML)

All cats are beautiful – ‘(u know) u mean a long minute to me’
The first single to be taken from their upcoming EP, all cats are beautiful (acab)’s ‘(u know) u mean a long minute to me’ is a truly stirring slice of twinkling lo-fi indie pop. A shimmering, swirling soundscape, it wraps itself around the ears and heartstrings with beautiful harmonies and woozy beats. A wonderfully soothing offering oozing an emotive sparkling splendour. the things we made, the upcoming new EP from all cats are beautiful, is set for release on 6th August via Moshi Moshi. (ML)

Thigh High – ‘Because The Night’ (London 2021)
I first heard Thigh High’s cover/performance of ‘Because The Night’ as part of Patti Smith’s celebrations around the inauguration of President Biden. The track is now available for you to download and it’s just beautiful. I had the pleasure of interviewing Thigh High last year and I recommend you check out the rest of their catalogue – a band truly dedicated to celebrating and centering queer joy in their music! (TW)