Five Favourites: Electric Pets

Having previously received acclaim for catchy singles ‘Don’t Leave Me’ and ‘That Way‘ from the likes of BBC Introducing, Emma Buckley, Phil Wagg, Adam Grace and Pete Darrington – aka Electric Pets – have today released their second EP, Elephant. Showcasing front woman Emma’s raw, impassioned vocals and the band’s trademark gritty, scuzz-strewn musicality, it’s a collection of garage-infused rock anthems, all propelled by a fierce energy and empowering spirit.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Elephant, we caught up with Emma Buckley of Electric Pets to ask about the music that has inspired her the most. See below for her choice of her five favourite albums.

Lucia & The Best Boys – Cheap Talk
Lucia, now known as Lucia & The Best Boys have been on my radar since 2018. I came across ‘Summertime’ on a playlist and fell in love with their in your face, feel-good, indie-pop sound. Their discography combines big ’60s pop choruses with punk riffs. Lucia’s vocals have the perfect blend of sweetness and angst which sit perfectly on a bed of grunge guitars. I respect the bolshy synth work and fully support the themes of female empowerment. Oh, and of course I’ll never get tired of seeing a female front woman in an over-sized blazer playing the electric guitar!


Hamilton Leithauser + Rostam – I Had A Dream That You Were Mine 
It was actually Phil (lead guitarist in Electric Pets) who introduced me to this masterpiece. Leithauser, lead vocalist of The Walkman and Rostam, founding member of Vampire Weekend and in my opinion one of the greatest indie-rock producers of his generation. This collaboration features a variety of vintage production that inspired some of the influences of soul & early ‘rock n roll’ you hear in Electric Pets. It never conforms to the verse-chorus structure and doesn’t dwell on lyrical content. This album played a large part in my ability to trust the natural flow of a song’s narrative. It taught me not to get hung up on the story and appreciate a song in its entirety.

Bon Iver – 22, A Million
This album marked a shift in my appreciation for the art of production. As much as I’d been party to an indie-folk outfit, I’d never heard influences of hip-hop and electronic music fuse with folk in this way. Before this album, I was impressed mostly by a story and a hook but Bon Iver’s production transported me to different world. After getting over the initial meditative state I found myself in when listening, I naturally attempted to dissect the layers of instruments and their place in the ensemble. This album represents the power music has to shift a mental state for me. It’s obscure and none conventional but beautifully peaceful.

P!nk – I’m Not Dead
It wasn’t Pink’s recorded material that impressed me, but her spellbinding live performance. I was eleven when I received tickets to her Misunderztood tour as a birthday gift. I had a pre-conceived idea she was like any other female RnB/pop star but stood corrected. A singer, songwriter, performer, instrumentalist and true trailblazer. She had it all – a complete force of nature. She redefined the concept of a popstar and commanded the stage like a born rockstar. I made it my mission to go to as many of her tours as I could, which over the years have turned into acrobatic masterpieces. P!nk’s ability to combine show-stopping spectacles with simple, acoustic masterpieces are what make her truly unique. Off stage, she’s committed to her community and has inspired a generation to embrace themselves for exactly who they are – a message that shaped my youth and a baton I hope to carry for others.

Eminem – The Eminem Show
I’m not exaggerating when I say ten year old Emma lived for this album. It was the first time I truly understood the power of words when it came to expressing pain and evoking emotion through music. Most girls my age were busy dancing to the Spice Girls (which I was very much party to) but. in the comfort of my own room, I meticulously studied the lyrical genius that formed these troubled verses from Eminem. I think part of the excitement and charm was that I definitely shouldn’t have been exposed to such narrative at that young age but as my Dad always said –  “Emma, this is art and I won’t restrict access to art whatever your age… Just never tell your mother!”

Massive thanks to Emma for sharing her Five Favourites with us! Listen to current single ‘Show’ below:

Elephant, the brand new EP from Electric Pets, is out today via Reckless Yes. Buy/stream on Bandcamp now, and make sure you catch Electric Pets live at their first headline show on 18th November at West Hampstead Arts Club.

Track Of The Day: Lucia & The Best Boys – ‘Perfectly Untrue’

Following their Eternity EP earlier this year, Lucia & The Best Boys have already announced the release of a brand new EP, and shared a heartfelt new single taken from the collection.

Showcasing the impassioned, swooning vocals of front woman Lucia Fairfull, ‘Perfectly Untrue’ is propelled by gritty hooks and a fierce, swirling emotion. Laying bare a raw, heartfelt splendour and dark majestic melancholy, it’s an instantly catchy slice of anthemic indie-rock. Of the track, Lucia explains:

When you are in a weird or dark headspace you see many versions of yourself that you didn’t even know existed. Perfectly Untrue’s “Happy Go Lucky” sound portrays the fake joy I push myself to feel in order to avoid the sad truth, which is displayed in the lyrics that are also coated in glitter and glamour – “dressed up in gold” and “dance until I die”.”

 

Lucia & The Best Boy’s new EP The State Of Things is out 9th October via Sweet Jane Recordings. And the band will be supporting Dream Wife on their 2021 April/May tour. 

Mari Lane
@marimindles

Photo Credit: Oli Erskine

Track Of The Day: Lucia & The Best Boys – ‘Good Girls Do Bad Things’

In an eerie and roaring manner Lucia & The Best Boys (previously LUCIA) serve us a riveting new taste with their single ‘Good Girls Do Bad Things’. Stepping beyond their roots, the band, in collaboration with producer Carlos De La Garza (Paramore, Best Coast), embark on a soundscape that marries lively ‘80s synth pads with the edge of ‘90s grunge.

‘Good Girls Do Bad Things’ is a pulsing feminist anthem that demands attention from its listeners the moment the striking snare hits. Opening up the song, frontwoman Lucia Fairfull’s powerful vocal melody immediately conveys passion and fierceness that embodies the single’s feeling entirely. With sharp melodic strumming the dirty guitar tone glistens in the name of assertiveness as the perfect correspondence with the song’s ethereal synth preparing listeners for an enchanting, explosive chorus.

As the mix thickens and fast-paced percussion fuels an immense energy, ‘Good Girls Do Bad Things’ creates its own troubled yet addictive universe in its cathartic singalong chorus. The melody portrays both celebration and the hurt of a woman who has presumably sacrificed to survive, a harsh reality for some but a feeling not dwelled upon by Lucia.

‘Good Girls Do Bad Things” is the sound of a woman’s backbone in a realistic world of “bad habits and nothing new”. It is filled with vengeful intentions but sustains an emotional disposition throughout, illustrated by both its lyrics and instrumental tones. Lucia & The Best Boys leave listeners on the edge with their single’s quick conclusion. ‘Good Girls Do Bad Things’ is the ideal taste teaser for their upcoming EP eagerly expected in 2020.

Jillian Goyeau
@jillybxxn

Photo Credit: Tony Wooliscroft