GIHE: International Women’s Day 2023

International Women’s Day is a time to celebrate the achievements of women, and a time to reflect on and evaluate the work that still needs to be done to achieve true gender equality. As you already know, these are some of the core values of Get In Her Ears! We champion women & non-binary folk who make the music that we love every day.

Last year, we put together a round-up of some of the brilliant organisations who work tirelessly to make local music scenes and the wider music industry a safer, more enjoyable place for women to create their art.

Today, we’ve updated that list to include more initiatives and events that are taking place across the month of March. We’ve also included links to some UK based charities who stand up for women’s rights, informative & fun podcasts, and there’s even some reading recommendations too.

We’ve also put together a celebratory IWD Playlist to accompany this information, which you can listen to at the end of this post. You can find plenty of new music on our website and on our Spotify page too.

Solidarity to all of our followers. Thank you for supporting GIHE and all of the wonderful artists & initiatives that we help to promote all year round. x

 

Level Up! International Women’s Strike (8th)

Where & When: Wednesday 8th March, Trafalgar Square, London 6.30pm

Organised by the Feminist community for gender justice, Level Up, the Transnational Strike of all Women and Gender Non-Conforming folks takes to the streets this IWD to resist capitalist, colonial and patriarchal exploitation. With Trans and migrant rights currently under attack from the far right and the government, it seems particularly important to be drawing attention to these issues right now, especially whilst the police remain a violent institution, protecting the interests of those who systemically continue to abuse us. In the words of Level Up: “Around the world, our sisters shout WOMEN LIFE FREEDOM from Kurdistan to Peru. They fight for liberation and sovereignty against violent and repressive states. We stand with them because this is our fight here too”.

Find out more at Level Up’s Instagram and visit their website

Come Away With ESG by Cheri Percy (9th)

Where & When: Thursday 9th March, Rough Trade East, London 7:00pm

Journalist and broadcaster Cheri Percy has written a new book that champions South Bronx sister trio ESG. Featuring insights from Peter Hook, Karen O and punk professor Vivien Goldman, the book shares how this group of young women and their primal beats paved the way for modern dance music today.

Cheri will be celebrating the launch of her new book with an event at Rough Trade East. She will be in conversation with Hacienda DJ Dave Haslam and Melissa Rakshana Steiner (The Quietus), discussing the album’s decade-spanning influence on modern music some 40 years on from its original release. The panel will be chaired by journalist and Green Man Literature Tent host Michelle Kambasha.

Grab your ticket on DICE here

WOW Festival: Queers On The Map Panel (10th)

Where & When: Friday 10th March, Southbank Centre, London 12:00-1:00pm

Our very own Tash Walker will be speaking at Women Of The World Festival as part of the Queers On The Map panel! The discussion will run from 12:00-1:00pm and you will need a day pass to attend the event (tickets here). Full event details below.

“A look at the story behind the recent census data on the LGBTQIA community. The 2021 census was the first to ask people about their gender identity and sexual orientation, and so revealed for the first time data about queer life in Britain today. We look at the story behind the data, and revisit some of the activism and milestones along the way. Why has it taken so long for the LGBTQIA community to be included in the national story? And what impact does this recognition have for a community that still struggles for equality?

Speakers include host and producer of The Log Books podcast Tash Walker; journalist and presenter Shivani Dave; award-winning trans and queer creative Fox Fisher; Gayathiri Kamalakanthan from the School of Sexuality Education; and writer, producer and presenter Abi McIntosh.”

Safe Gigs 4 Women Event (11th)

Where & When: Saturday 11th March, Bush Hall, London, 3:00pm

“An initiative established by regular gig goers with the aim of creating a safer environment for women at gigs.”

Inspirational and innovative organisation Safe Gigs For Women are hosting an awesome sounding event on Saturday to celebrate International Women’s Day. With live music from the likes of The Pearl Harts and GENN, it’ll be a perfect opportunity to celebrate some incredible women in music and network with some of the incredible people behind the scenes working to create safe spaces for us all.

Tickets on Dice now. Visit their website for more information.

Whose Song Is It Anyway? Panel Event (22nd)

Where & When: Wednesday 22nd March, The House Of Commons, London

A special event to celebrate the launch of ‘Whose Song Is It Anyway’ – a podcast discussing copyright and creativity in the music industry. Hosted by Dr Hayleigh Bosher, it will include panel discussions with the likes of rock legend Brix Smith, songwriter and founder of the OWHL Foundation (Overseeing Welfare, Human Rights and Liberty within the creative industries) Katie Waissel and Charlene Brown. Panel discussions will be followed by live music and networking opportunities.

Register to attend by emailing whosesongisitanyway@gmail.com

Decolonise Fest

“A London-based festival created by an for punx of colour.” They’re taking a break from organising their annual festival this year, but visit their website for more information on upcoming events and how you can support them in their future efforts.

First Timers Fest

A DIY music festival encouraging people to pick up instruments for the first time and learn how to play in a low pressure, friendly environment. We spoke to some of the team on our February Soho Radio show, which you can listen to here. Visit their website for more information about this year’s edition of the festival.

Girls Rock London

A charity based in Hackney who focus on increasing access to music for young and adult women, trans and non-binary people. Visit their website

LOUD WOMEN

London-based promoter, blog and radio show “putting women on stage and turning up the volume!” Visit their website

Girls Against

Organisation fighting against sexual assault at live music events. Visit their website

OMNII Sound Collective

A London-based collective “aiming to inspire women, trans and non-binary sound enthusiasts to operate in all aspects of audio production.” Visit their website

Music Production For Women

“A global movement, community and online education platform which aims to encourage and empower women who are taking their first steps into music production.” Visit their website

Ladies Music Pub

A London-based community open to all women, non-binary and gender variant people in music. Visit their website

WXMB 2

A “community of womxn connecting and coming together with a shared mission: to take on inequality within the music industry.” Visit their website

WITCiH

“An inclusive platform supporting Women in Tech. WITCiH is an online and real world platform for research, creation, performance and networking.” Visit their website

Content Is Queen

A “podcasting agency and community that’s been amplifying minority voices since day dot.” Visit their website

The Log Books

An award-winning podcast telling the untold stories from Britain’s LGBTQ+ History. Founded by fellow GIHE grrrl Tash Walker. Listen here

Black and Gay, Back In The Day

Black and Gay, Back in the Day brings to life a photo archive of Black LGBTQIA+ life in Britain, from the 1970s through to the early 2000s. This podcast is about the experience of Black LGBTQIA+ communities with open discussion about racism, homophobia, transphobia and sexual discrimination. You can listen here

Black and Gay, Back in the Day is an Aunt Nell Production (who GIHE Co-founder Task Walker also works with!)

We Wear Black

A fun podcast that focuses on what it’s like for women & non-binary people living an alternative lifestyle, talking about everything from “sex, racism and gigs to Myspace and emo fashion.” Listen here

Girls Twiddling Knobs

A podcast “for female identifying musicians eager to start self-recording their music” hosted by Isobel Anderson, featuring interviews with Gazelle Twin, Jessica Paz and Emily Nash. Listen here

Unglamorous Music Project 

This Leicester-based local initiative, founded by Ruth Miller back in 2021, aims to mentor, coach and support women of all ages to start playing a musical instruments. This year, they encouraged women to get involved, form a band, and then perform live for their International Women’s Day gig!

Find out more about the gig & what they do by visiting their website

Sisters Uncut

UK based charity “taking direct action for domestic violence services.” Visit their website

Why Solange Matters by Stephanie Phillips

Author, Journalist, Activist and one third of GIHE faves Big Joanie, Stephanie Phillips’ book looks at more than just the career of Solange Knowles. Why Solange Matters is a book about “what freedom could look like for Black women, in which Phillips provides a framework [and] a vision of a new world, one she hopes Solange would be proud to be a part of.”

Buy your copy here

Lead Sister: The Karen Carpenter Story by Lucy O’Brien

Mari Lane (GIHE Co-Founder & Managing Editor)

“Having had somewhat of a fascination and tender spot for Karen Carpenter since first hearing that unique crystalline voice on ‘Close To You’ as a child, I was extremely happy to hear that one of my favourite authors/journalists Lucy O’Brien was releasing a new book about the late star. With Lead Sister, O’Brien looks to shine a light on the often overlooked strength, talent and humour of Carpenter, whilst of course delving in with poignant insight into the musician’s infamous tragic fate.

The Karen Carpenter song on our IWD Playlist is taken from her solo album (which was sadly never released in her lifetime due to the record label not approving of her change in direction), which she recorded in New York during the last few years of her life. Although it’s a Paul Simon cover, I love how you can hear the joy in Karen’s voice – free to experiment creatively, and delve into her love of disco and blues.”

Buy your copy of Lucy’s book here

 

GIHE: IWD Playlist 2023

We’ve put together another eclectic playlist of new music and classic tunes from women who we love for personal and political reasons. Featuring genre pioneers SOPHIE, ESG, Queen Latifah, The Runaways and Jackie Shane, pop heroes Lady Gaga, Shania Twain and Lizzo, and GIHE faves such as ARXX, Problem Patterns, Circe, Maria Uzor and Fraulein…we hope this mix provides the perfect soundtrack to your activism and your after-party this International Women’s Day!

 

Get In Her EarsLeave a comment

GIHE: Personal Highlights Of 2020

2020 has been a year unlike any other and we’ll be glad to see the back of it, but before we wave goodbye, the GIHE team would like to share some of their personal highlights. Thanks to everyone who has been following, reading or listening to GIHE this year. It really does mean the world to us and we couldn’t do this without you.

Shared Highlights

Seeing the GIHE name appear in a PHYSICAL BOOK was a landmark moment for the team this year. Music journalist Lucy O’Brien mentioned us in her 25th anniversary edition of She Bop, a fantastic book that explores the role of female artists and how they’ve helped to shape the music industry. You can buy your copy here.

Fellow GIHE Co-Founder Tash Walker was super busy recording & producing series 2 of The Log Books throughout 2020, a podcast which explores the history of the LGBTQ community via the phone archives of LGBT+ charity Switchboard. Tash is a co-chair at Switchboard and she is dedicated to celebrating and supporting the LGBTQ community through her work with them, and through her work with GIHE. She is one of the most resilient, informed and hilarious people we know and it’s a privilege to work alongside her and call her a friend. The Log Books are a truly necessary listen for all.

Now for some personal highlights…

Kate Crudgington (Features Editor)

GIHE usually takes up a big part of my life, but it was a lifeline for me during March of this year when the government text me (lol) telling me to shield for 12 weeks. Thanks to the magic of the internet, I was able to talk to the people who were making the music that was distracting me from the panic-inducing headlines, reminding me what a huge privilege it is to have access to this amazing platform.

As our followers already know, Lockdown 1.0 instantly put a stop to our weekly GIHE new music shows on Hoxton Radio. We had 16 weeks off air, so when it was “safe” for me to go back in to the studio in July I was buzzing with excitement (which you can hear in my voice if you listen back to the show here.)

Like most platforms during the pandemic, we embraced technology and started interviewing artists over Zoom instead of inviting them in to the studio for the usual chat and live session. We managed to get time with Jessica Winter, BISHI, Lucy O’Brien, Tessa from Girlhood, Julia-Sophie, Lizzie from Bitch Falcon, Grave Goods, Problem Patterns, ZAND, Hannah from PELA, Seraphina-Simone & Penelope Trappes. It was so lovely to see Tash in person in the studio most weeks, and while we both missed seeing Mari a great deal, her weekly track contributions to the show still made it feel like a GIHE team effort.

At the beginning of the year, I was invited by Niall Jackson, one of the hosts of Riverside Radio’s The Irish Jam, to be a contributor to their New Music Sunday section. Co-hosted by Kealan, Mel and Rob, The Irish Jam is a London based radio show that celebrates and promotes music from Irish artists. The crossover of favourite bands between GIHE & the Jam is huge and something I’ve enjoyed chatting to the team about both on and off air. They’ve introduced me to the likes of CMAT, fears, Denise Chaila, Silverbacks and Celaviedmai, whilst I’ve shared tracks by Kynsy, Party Fears and CAMI with them. Listening to their show on a Sunday evening continues to be a wonderful distraction from life.

Who could’ve predicted that bandcamp would become the musical hero of 2020? When the streaming platform announced that on the first Friday of every month they’d be waiving their fees so that 100% of profits would be going directly to artists, my newsfeeds were awash with new music recommendations. Moving home to Essex from London in March meant I actually had some expendable income to buy new records, so I was furiously typing bespoke recommendation threads on Twitter every time the date rolled around. bandcamps’ generosity meant you were able to genuinely support your friends (and the artists you secretly wish you were friends with) during a truly depressing year for music.

Normally, we’d be picking our live music highlights too, but for obvious reasons, we’ve hardly been to any gigs this year. Mari had to cancel half of the gigs GIHE she had booked pre-pandemic and it’s fucking depressing to not know when it will be (properly) safe for her to book more. That’s why I feel incredibly fortunate to have wedged in one last GIHE gig before Lockdown 1.0. GIHE worked together with Sofar Sounds to put together a special International Women’s Day gig at their Hackney HQ in March, with Beckie Margaret, Amahla and Indian Queens on the bill. It was so exciting (and nerve-racking) to host the evening with fellow GIHE pal Tash too. Even if I’d had a year full of gigs, this one still would’ve made my highlights list.

One last gloat – I published some of my all-time favourite features on our website this year. My Zoom interviews with the wonderful A.A Williams, the hilarious CMAT and the ultra talented Lido Pimienta are well worth a read.

Mari Lane (Managing Editor)

It goes without saying, most of the highlights I’d normally mention at this time of year were not able to go ahead in the void of 2020. They would normally consist of the monthly gigs that I host at The Finsbury, whereas this year I was only able to put on two before Covid hit. And, in addition to having to cancel at least seven of our regular gigs, we were pretty heartbroken to cancel what would have been our very first festival, due to take place in July. However, I did manage to fit in a couple of memorable live experiences before being confined to being permanently pyjama clad; my only weekly highlight being our regular beer delivery from Croydon’s Art & Craft bar.

The first gig I hosted this year felt particularly special. Personal Best headlined a night filled with all the best vibes. Drawing the night to a memorable close, front person Katie Gatt dedicated their set closer to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see / ’cause this is what we look like,” the poignancy of the lyrics was overwhelming and an empowering sense of unity took hold. The night also included the shimmering folk-strewn offerings of Athabaska, the quirky energy and sparkling charisma of Nun Habit and the sun-drenched swirling anthems of Hurtling. There is nothing quite like that joyous sense of togetherness that comes from hosting gigs filled with like-minded wonderful people.

I was also lucky enough to fit in seeing one of my all time favourite bands with a few of my all time favourite people. The last time that Tash, Kate, Paul and I were all together pre-Covid was for Sleater Kinney at Brixton Academy – a pretty special night. Not only did I get to see the legendary Carrie Brownstein deliver her distinctive gritty, scuzz-filled riffs alongside Corin Tucker’s unmistakable swooning vocals in the flesh, conjuring up massive feelings of awe and nostalgia, but they were supported by one of our favourite current bands. The second time we’d seen Big Joanie on the Brixton Academy stage (the first being opening for Bikini Kill last year!), they showcased just how deserving they are of their rising success; with their unique, raw, post-punk soundscapes and poignant lyricism, they delivered an absolutely incredible set. A truly memorable night.

My last ‘outing’ before lockdown was to the BBC 6Music festival for International Women’s Day at The Roundhouse. An epic line-up consisting of some incredible women and non-binary folk that I’m incredibly grateful I got to witness before everything fell apart. In addition to the immense poignant power of Jehnny Beth, the utterly beguiling splendour of Nadine Shah (who I fell in love with there and then), and the completely mind-blowing presence of hero Kim Gordon, Kae Tempest delivered a fiercely moving, truly breath-taking headline set.

And then gigs were gone. To be replaced by online streamed “events” which I think have had mixed reviews over the last few months – they’re of course no replacement for the “real thing” and it’s hard to feel motivated to “attend” things when you’ve been on the sofa in your pjs for weeks. However, I have managed to organise a few GIHE Instagram ‘Takeovers’, featuring some of our favourite bands and artists. From ARXX’s drum and guitar lessons, LibraLibra’s quirky tele-sales style feature and Tiger Mimic’s interviews with others on the scene, to inspiring chats with Amaroun, Eckoes, Foundlings and Husk, beaut “live” sessions from Gold Baby, Scrounge and KIN, and King Hannah’s EP run through, I feel grateful that so many creatives have wanted to be involved.

It’s a strange time, no doubt, but one which is made that much better by a sense of togetherness within the community. One positive from all this really has been the mutual support and genuine care that I’ve seen musicians and those within the industry show for each other.

John McGovern (Contributor)

On the one hand, there’s been almost no gigs, no festivals, much fewer physical releases and closed record shops. On the other, BBC 6Music’s response helped me stay indoors and make the most of my furlough life. Lauren Laverne‘s show was extended to cover the late morning, running to nearly double the length of most of the other shows on the station and basically saw her appointed as chief mood-lifter for the BBC’s flagship alternative music station. Amongst the days of uncertainty, where even leaving the house offered the risk of serious illness, with no guarantee of a job at the end of the summer, having Lauren there to soundtrack breakfast/brunch made a world of difference. It produced a kind of odd stasis: the background radiation of a pandemic, but an excellent range of music, usually featuring a smattering of classics, new music and obscure gems. The only disappointment was when the schedule reverted back to usual come the end of lockdown. Hopefully, that same semblance of normality will be back for us all, soon.

Thanks to everyone who took the time to read our highlights!

You can read about our GIHE Albums of 2020 here and our GIHE Tracks Of 2020 here.

Keep an eye out for our Ones To Watch in 2021 feature next week!

Get In Her Ears1 Comment

Get In Her Ears w/ Lucy O’Brien 05.11.20

Kate and Tash were back in the Hoxton Radio studio this week with a playlist full of tunes from women & non-binary artists. Tash caught up with author of She Bop Lucy O’Brien to talk about the 25th anniversary reissue of her book (which includes a mention of GIHE!) and her amazing experiences as a music journalist. You can order a copy of Lucy’s new book here.

Listen back:

Tracklist
Mazzy Star – Fade Into You
Scrounge – Etch
Technoir – II Male
Girlhood – It Might Take A Woman
Blonde Maze – Not All Flowers Bloom
CATBEAR – Girl Crush
Julia-Sophie – Breathe
Lido Pimienta – Eso Que Tu Haces
Seraphina Simone – O.M.D.
Amparo feat. AgesWild – Coral Eyes
Jessica Winter – Sad Music
Bitch Falcon – How Did I Know
Sister Ghost – Season Of The Witch
Cyndi Lauper – She Bop
**Interview with Lucy O’Brien**
Two Tribes – Cruel Sensuality
GRAMN. – Minimum
Tokky Horror – Sleeper
Screaming Toenail – Get Cute
Lizzy Laurance – Famous
Wallice – Punching Bag
Noga Erez – NO News On TV
Nina Simone – Ain’t Got No, I Got Life

Kate CrudgingtonLeave a comment