Track Of The Day: Gary, Indiana – ‘Nike Of Samothrace’

Following previous singles ‘Berlin’ and ‘Pashto’, Manchester-based Gary, Indiana have now signed to Fire Talk Records and shared a brand new single.

Propelled by thrashing beats and scuzzy, distorted hooks alongside the visceral spoken-word vocals of Valentine Caulfield, ‘Nike Of Samothrace’ builds with eerily disconcerting undertones to a playfully innovative post-punk soundscape. A wondrous, whirring cacophony, it’s the perfect ode to the chaotic emotions swirling around our heads this year: an intense, cathartic sonic experience. Of the track, the band explain:

“We wanted ‘Nike of Samothrace’ to be like a blunt instrument, both lyrically and musically. It’s purely brute force, gouging away with all dials turned up full, including the gutteral bass line, which was inspired by Thomas Bangalter’s score for Irreversible and Hans Zimmer’s score for Blade Runner 2049. We’re very much driven by rhythm and movement and also wanted to experiment with a Liquid Liquid style percussive breakdown, we love when genres and dynamics are smashed together in an untidy way… we love to butcher things.” 

Directed by Will Shields, watch the immersive new video for ‘Nike Of Samothrace’ here:

‘Nike Of Samothrace’ is out now via Fire Talk Records.

Mari Lane
@marimindles

Photo Credit: Will Shields

Track Of The Day: LIINES – ‘Sorry’

Having received acclaim from the likes of Sleaford Mods, John Kennedy and BBC 6Music’s Steve Lamacq, as well as blowing us away headlining for us at The Finsbury, Manchester trio LIINES consistently impress with their distinctive, raw post-punk. And latest single ‘Sorry’ is no exception.

Oozing the band’s trademark dark, brooding power, ‘Sorry’ builds with deep, intense bass lines, the gritty, commanding growl of vocalist Zoe McVeigh and Leila O’Sullivan’s consistent pummelling beats. Propelled by a thrashing sense of urgency, an eerie swirling majesty encompasses the listener, captivating the ears with its punk-fuelled bewitching allure.

Of the track McVeigh explains:

“… it’s about whether somebody is present or absent, you’re trying to make someone feel sorry for you, but as the song speeds up it becomes a bit more of a manic notion and sort of bordering on obsessive. LIINES songs are more of a mental state than a specific event – they are an emotion, a feeling.

 

Produced by Paul Tipler (Elastica, Placebo), ‘Sorry’ is out now (with B side ‘On and On’), with a limited number of black 7” vinyl editions available for direct mail order and through independent record shops, via Reckless Yes. Order via LIINES’ Bandcamp now. 

 

Mari Lane
@marimindles

Track Of The Day: The C33s – ‘Harpurhey Hostility’

Surf-rock doesn’t always need a beach. For Manchester three-piece, The C33s, the genre that grew out of the Californian coastline is perfectly suitable for their rattling takes on contemporary life. In latest single ‘Harpurhey Hostility’, turning their collective eye on the area of their home town named “the worst place in England” in a 2007 headline by the Manchester Evening News. Throwing the genre’s snappy guitar lines in with a blast of Anglo punk lyricism gives the band’s observations on deep-seated urban decay all the power it needs to be stuck in your head for weeks.

Dogs bark, a siren wails and a dirt bike engine revs – as introductions go, this one’s about as uncompromising as the song that follows. There’s no gentle lead-in for ‘Harpurhey Hostility’; it’s straight into the riffs, slamming into top gear, replete with a few quintessentially surf yelps courtesy of drummer Judy Jones, who takes lead vocals here.  There’s no verse-chorus-verse either: just twelve lines sung either side of an instrumental section. That being said, there’s an appeal to the sparseness of the lines – reflecting the setting of the song, and its video – and the mentions of local politician and Harpurhey councillor Patrick Karney and “wasps instead of worker bees” are a fond ribbing of Mancunian sensibilities. Pleasantly raw as it develops, the track reveals it owes as much to garage as it does to surf, with kicking bass and blamming drums that only lull slightly to allow for a trigger-finger lead guitar solo, before kicking back in for the song’s final twenty seconds. And, after the music echoes out, it closes out with a magnificent vocal snarl – what else?

The accompanying video opens with a quote from one-time Harpurhey resident, and literary explorer of society’s disenfranchised, Anthony Burgess: “It is as inhuman to be totally good as it is to be totally evil”. It’s a fitting choice – a defiant and seemingly contrarian statement about human nature under pressure, much like the track that follows it. The narrative of the video features three Harpurhey residents, and their activities, culminating in a lager and crisps-fuelled revel. That too, seems a conscious choice by the band (who cameo, offering a fag at a bus stop), almost as if to say that those three people could be them, or anyone, if born and raised in a hostile setting, living off their wits. Fortunately for us, Judy, Cav and Ste play music instead.

John McGovern
@etinsuburbiaego

Track Of The Day: Peaness – ‘Kaizen’

Following last year’s ‘Breakfast’, and support from the likes of Huw Stephens, John Kennedy and BBC 6Music’s Marc Riley, Manchester/Chester based trio Peaness have now returned to our ears with their new single ‘Kaizen’.

An instantly catchy blast of hope, it’s propelled by jangly hooks and an uptempo energy, as sugar sweet vocals and twinkling harmonies flow. A reflective and honest dose of ‘Pea-Positivity’, ‘Kaizen’ is the perfect antidote to these grim January days. Of the track, the band explain:

“It’s a song to remind myself that with every act of kindness and every crime, we affect the future, and that those choices go on to shape others, and our beautiful planet, long after we’re gone. The word ‘Kaizen’ is a Japanese word that literally translates to ‘change for the good’, and that’s what we’re hoping for.

Watch the Japanese pop culture-inspired new video for ‘Kaizen’ here:

Peaness are about to embark on their biggest UK tour to date. Catch them live:

27th January – Leicester, Firebug
28th January – Birmingham, The Hare and Hounds
29th January – Guildford, The Boileroom
30th January – Brighton, The Prince Albert
31st January – Southampton, Heartbreakers
1st February – Oxford, The Wheatsheaf
7th February – Manchester, Soup Kitchen
8th February – Leeds, The Lending Room
28th February – Bristol, Ritual Union (w/ Marika Hackman + more)
6th May – London, The Lexington

 

Mari Lane
@marimindles