Track Of The Day: Errunhrd – ‘Rain (Sun Is Gone)’

An evocative electronic soundscape that deals with emotional burnout, Niagara Falls based multi-instrumentalist and producer Errunhrd has shared her latest single ‘Rain (Sun Is Gone)’. Laced with melancholy vocals, cinematic synths and sparse, clicking percussion, the track embraces a difficult topic but is underscored by Errunhrd’s hope that things will eventually improve.

“‘Rain (Sun is Gone)’ is about being emotionally overwhelmed during the pandemic while my grandma got diagnosed with colon cancer and is still going through treatment,” Errunhrd aka Shirin Ghoujalou explains. “It’s also my way of letting everyone out there struggling right now know that I hope we’ll be okay and get through this, while keeping the anger and frustration of the situation in there.”

Influenced by the likes of New Order, Grimes, Daughter and London Grammar, Errunhrd creates music that has “some kind of melancholy hope” and writes lyrics directly from her life experiences. ‘Rain (Sun Is Gone)’ epitomises her creative outlook, diving deep into her vulnerabilities and fears about her own well-being, as well as extending an olive branch to her Grandmother and to her listeners who are struggling to tread water in these testing times.

Watch the video for ‘Rain (Sun Is Gone)’ below.


Follow Errunhrd on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington

Track Of The Day: NØELLE – ‘LVCIE’

An enchanting musing on the ways we cope with our anxious thoughts, DIY chamber-pop artist NØELLE has shared her latest single ‘LVCIE’. Full of emotive vocals and atmospheric keys, the Welsh musician’s fears and vulnerabilities are personified by the character the track is named after, allowing her to vicariously examine her insecurities from a safe distance.

“My character, LVCIE, was a character I created to deal with the lowest points within my anxiety,” NØELLE explains. Through this helpful medium she channels her need to open up about feelings of dependence and vulnerability. Keen to give a platform to “the voices we choose to ignore,” NØELLE blends tentative lyrics with atmospheric sounds to work through her mixed emotions. Inspired by the likes of Aurora, Florence & The Machine, Billie Eilish, KARYYN and Lorde, NØELLE’s cautious approach to song-writing rings with a charming melancholy.

Listen to ‘LVCIE’ below.


Follow NØELLE on Spotify, Facebook & Instagram for more updates.

Kate Crudgington

ALBUM: Chelsea Wolfe – ‘Birth Of Violence’

Poetic, intimate, and exquisitely melancholic; Chelsea Wolfe’s new album Birth Of Violence is a collection of instinctive songs galvanized by exhaustion, loneliness and doubt. Set for release on 13th September via Sargent House, the record is gentler on the ears compared to 2017’s LP Hiss Spun, but it still flows with Wolfe’s trademark macabre darkness.

Written and recorded in the solitude of her home in Northern California, Wolfe worked alongside longtime collaborator Ben Chisholm, and ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola) to create Birth Of Violence. This simple set-up has given her the freedom to create a record filled with understated, but poignant grandeur.

Vulnerable opener ‘The Mother Road’ centers around Wolfe’s voice and her revalatory lyrics. “Guess I needed someone to break me / Guess I needed someone to shake me up” she muses, prompted by large stretches of time spent on the road touring, which simultaneously bruised and heightened her consciousness as a songwriter. It bleeds in to the toxic yet seductive ‘American Darkness’, on which she broods “All my old ways have started kickin’ in / And my bad days are comin’ round again”. This urge to escape old habits and emerge from the shadows permeates the record.

“I’ve come to know what I need, I visualize while I bleed” reflects Wolfe on eponymous track ‘Birth Of Violence’, proving that clarity can be found even when one is at the peak of suffering. It’s followed by the moody ‘Deranged For Rock & Roll’ which smolders with smooth confidence. Powerful ambition is treated modestly on ‘Be All Things’, with its orchestral elements underscoring Wolfe’s beautiful howl throughout. The pensive ‘Erde’ is laced with fears about our poisoned planet – its final minute rising and falling like an anxious heartbeat.

The deliciously named ‘When Anger Turns To Honey’ dissolves any pre-existing angst or hostility, and is an aural elixir designed to transform states of emotion. Wolfe proves she is the “daughter of sorrow” across ‘Dirt Universe’ and the sparse ‘Little Grave’ which addresses the tragedy in the aftermath of a high school shooting. Her treatment of the social/political themes on Birth Of Violence is all the more devastating because of its subtlety. The contexts of both ‘Erde’ and ‘Little Grave’ only really become clear after repeated listens.

Despite the pensive, morose nature of the majority of the tracks on the album, there is an optimism in Wolfe’s realist approach to an ambiguous grief. On ‘Preface to a Dream Play’ she sings: “Everything is possible / Throw a spear in to the unknown” – displaying enviable bravery when faced with the metaphorical abyss. This continues on penultimate track ‘Highway’, her vocals meandering along an unknown stretch of road, accompanied by ominous, looping guitar.

Closing track ‘The Storm’ is a one minute audio of thunder and rain, perhaps signalling that the thunder clouds that overshadowed Wolfe prior to Birth Of Violence have now finally dispersed. “These songs came to me in a whirlwind” explains Wolfe about her new music, and what a turbulent, devastating whirlwind it must have been. It’s a privilege to be able to weather the storm with her.

Chelsea Wolfe’s Birth of Violence is released via Sargent House on 13th September. Pre-order your copy here.

Kate Crudgington

WATCH: Penelope Trappes – ‘Carry Me’

Sublime, haunting vocals and beautifully shot images make up the video for Penelope Trappes‘ latest single ‘Carry Me’. The track is taken from her sophomore album Penelope Two, which is set to be released via Houndstooth on October 26th.

Originally from Australia but now based in London, Penelope’s dark, pensive, melancholy soundscapes are formed around “field recordings…guitars and synth drones, piano and reverb”. They declutter the mind and ensnare the senses, and ‘Carry Me’ is a beautiful example of her ability to blend tender vocals, layers of sound, and divine visuals with artistic flair.

Speaking about her upcoming album Penelope Two, Trappes extrapolates: “I spent 2017 being an empath with two dear friends, who lost very close loved ones. One lost nearly her whole family in an accident and the other lost his partner of 23 years, after she gave birth to their third child. Echoing distance, pain, love and infinity – this album is dedicated to them”.

Trappes transforms real pain in to other-worldly comfort, proving her worth as a confidant and as an artist. Watch the video for ‘Carry Me’ below and follow Penelope Trappes on Facebook for more updates.

Pre-order your copy of Penelope Two here.

Photo Credit: Agnes Haus

Kate Crudgington