ALBUM: Chelsea Wolfe – ‘Birth Of Violence’

Poetic, intimate, and exquisitely melancholic; Chelsea Wolfe’s new album Birth Of Violence is a collection of instinctive songs galvanized by exhaustion, loneliness and doubt. Set for release on 13th September via Sargent House, the record is gentler on the ears compared to 2017’s LP Hiss Spun, but it still flows with Wolfe’s trademark macabre darkness.

Written and recorded in the solitude of her home in Northern California, Wolfe worked alongside longtime collaborator Ben Chisholm, and ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola) to create Birth Of Violence. This simple set-up has given her the freedom to create a record filled with understated, but poignant grandeur.

Vulnerable opener ‘The Mother Road’ centers around Wolfe’s voice and her revalatory lyrics. “Guess I needed someone to break me / Guess I needed someone to shake me up” she muses, prompted by large stretches of time spent on the road touring, which simultaneously bruised and heightened her consciousness as a songwriter. It bleeds in to the toxic yet seductive ‘American Darkness’, on which she broods “All my old ways have started kickin’ in / And my bad days are comin’ round again”. This urge to escape old habits and emerge from the shadows permeates the record.

“I’ve come to know what I need, I visualize while I bleed” reflects Wolfe on eponymous track ‘Birth Of Violence’, proving that clarity can be found even when one is at the peak of suffering. It’s followed by the moody ‘Deranged For Rock & Roll’ which smolders with smooth confidence. Powerful ambition is treated modestly on ‘Be All Things’, with its orchestral elements underscoring Wolfe’s beautiful howl throughout. The pensive ‘Erde’ is laced with fears about our poisoned planet – its final minute rising and falling like an anxious heartbeat.

The deliciously named ‘When Anger Turns To Honey’ dissolves any pre-existing angst or hostility, and is an aural elixir designed to transform states of emotion. Wolfe proves she is the “daughter of sorrow” across ‘Dirt Universe’ and the sparse ‘Little Grave’ which addresses the tragedy in the aftermath of a high school shooting. Her treatment of the social/political themes on Birth Of Violence is all the more devastating because of its subtlety. The contexts of both ‘Erde’ and ‘Little Grave’ only really become clear after repeated listens.

Despite the pensive, morose nature of the majority of the tracks on the album, there is an optimism in Wolfe’s realist approach to an ambiguous grief. On ‘Preface to a Dream Play’ she sings: “Everything is possible / Throw a spear in to the unknown” – displaying enviable bravery when faced with the metaphorical abyss. This continues on penultimate track ‘Highway’, her vocals meandering along an unknown stretch of road, accompanied by ominous, looping guitar.

Closing track ‘The Storm’ is a one minute audio of thunder and rain, perhaps signalling that the thunder clouds that overshadowed Wolfe prior to Birth Of Violence have now finally dispersed. “These songs came to me in a whirlwind” explains Wolfe about her new music, and what a turbulent, devastating whirlwind it must have been. It’s a privilege to be able to weather the storm with her.

Chelsea Wolfe’s Birth of Violence is released via Sargent House on 13th September. Pre-order your copy here.

Kate Crudgington
@KCBobCut

WATCH: Penelope Trappes – ‘Carry Me’

Sublime, haunting vocals and beautifully shot images make up the video for Penelope Trappes‘ latest single ‘Carry Me’. The track is taken from her sophomore album Penelope Two, which is set to be released via Houndstooth on October 26th.

Originally from Australia but now based in London, Penelope’s dark, pensive, melancholy soundscapes are formed around “field recordings…guitars and synth drones, piano and reverb”. They declutter the mind and ensnare the senses, and ‘Carry Me’ is a beautiful example of her ability to blend tender vocals, layers of sound, and divine visuals with artistic flair.

Speaking about her upcoming album Penelope Two, Trappes extrapolates: “I spent 2017 being an empath with two dear friends, who lost very close loved ones. One lost nearly her whole family in an accident and the other lost his partner of 23 years, after she gave birth to their third child. Echoing distance, pain, love and infinity – this album is dedicated to them”.

Trappes transforms real pain in to other-worldly comfort, proving her worth as a confidant and as an artist. Watch the video for ‘Carry Me’ below and follow Penelope Trappes on Facebook for more updates.

Pre-order your copy of Penelope Two here.

Photo Credit: Agnes Haus

Kate Crudgington
@KCBobCut