PLAYLIST: August 2024

The Get In Her Ears team have put together another mix of eclectic electronic tracks, alt-pop tunes, indie anthems and alternative & shoegaze sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

ARXX – ‘Trouble’
The latest single from biggest faves, Brighton duo ARXX, ‘Trouble’ showcases a bit of a grittier electronic side to the duo than we may be used to. Reflecting on the mixed feelings that follow a break-up, the track oozes a Peaches-esque bass-heavy seductive allure as it builds to a soaring, anthemic pop anthem. It’s wonderful to see Hanni and Clara experimenting with their sound and flexing their creative muscles so beautifully; whatever they create, whatever its genre or influences, ends up being an instantly addictive hit without fail, and leaves me filled with excitement about what they might do next. Following an incredible summer, wowing festival crowds across the country – including their first time at Glasto – ARXX will be releasing their second album on 4th October and playing a headline tour across the UK and Europe to celebrate. We can’t wait!
(Mari Lane – Managing Editor)

Circe – ‘Heaven’s The Other Way’
Following on from her bittersweet single ‘Blue Love’, this is the latest creation from dark-pop artist Circe. She captures a moment of intense loneliness on ‘Heaven’s The Other Way’ via her poetic lyrics, seraphic vocals and glistening electronics. Circe performed this track during her set supporting The Midnight at Camden’s Electric Ballroom back in July and it sounded just as rapturous in the flesh. Read the full review of her show here.
(Kate Crudgington – Features Editor)

Tiiva – ‘Golden’
Electronic artist, producer & GIHE fave Tiiva is back with this shimmering new single. Full of their lush vocals, lilting synths and evocative beats, ‘Golden’ explores the mixed emotions that come when you’re persevering through an uncertain time. Of the track, Tiiva explains: “‘Golden’ is about holding on when things feel like a lot, a conversation between two voices kindness and feeling overwhelmed and rebuilding.” (KC)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this is the latest single from indie band Ideal Host. ‘Dust Collector’ is their poppiest offering to date and I love the way Heather’s soft vocals blend seamlessly with buoyant riffs, lilting electronics and catchy beats. (KC)

Lazy Day – ‘Concrete’
Set to release their debut album in November, London based artist Tilly Scantlebury – aka Lazy Day – has now shared shimmering new single ‘Concrete’. Rippling with a stirring twinkling emotion, the track’s somewhat disjointed structure and fluctuating musical layers reflect the poignant sentiment of its lyrics: “Concrete was a helpful metaphor… It’s strong and sturdy, as well as being extremely heavy. It was a useful framework for thinking about relationships which felt stable, but at the same time weighed me down.” Open The Door, the debut album from Lazy Day, is set for release on 8th November via Brace Yourself Records. (ML)

Cuushe – ‘Faded Corners’
A euphoric slice of ambient dream-pop, ‘Faded Corners’ is the latest single from Japanese artist Cuushe. Glistening with a spellbinding delicate splendour, a beautiful lullaby is created; set to soothe even the most anxious of minds as the summer comes to an end. (ML)

Grand Pax – ‘MB BB’
The latest single from London based queer artist Grand Pax, ‘MB BB’ flows with glitchy beats and dreamy synths as the sparkling splendour of her vocals soar. A blissful soundscape reflecting on the emotions following a break-up, she says of the track that it’s “about wanting to hold onto something but knowing it’s not possible. It’s the process of it leaving your body, but acknowledging it as you let it go.” Crush, the new EP from Grand Pax, is out now. (ML)

Yellow Belly – ‘Crux’
This atmospheric track by Australian-born, Cardiff based experimental musician Yellow Belly is taken from her recent album, Ghostwriter. The record is a hypnotic reflection on a difficult time for the artist, explored through her shape-shifting electronica, melancholic lyrics and hushed vocals. (KC)

Chelsea Wolfe – ‘Tunnel Lights’ (††† Remix)
The original version of this Chelsea Wolfe track – taken from her excellent seventh album, She Reaches Out To She Reaches Out To She – was already a shape-shifting, shadowy offering, but this treatment by ††† (Crosses), featuring Chino Moreno’s distinctive vocals and Shaun Lopez’s industrial beats, is equally as intense. It’s lifted from her remix EP, UNDONE, which is out now via Loma Vista. (KC)

Birthday Problem ft. HAVVK – ‘Same Face’
I have been consistently impressed by everything that Irish collaborative electronica project Birthday Problem have released this year. Formed of Matt Harris and Rocky O’Reilly, ‘Same Face’ is their fifth single, featuring vocals from GIHE fave Julie Hawk (HAVVK). Haunting synths, layered vocals and sparse beats all combine to create another disarming and unusual listen from this eclectic pair. (KC)

Nina Eba – ’13’
I love this track by Ukrainian-born, Austrian-based producer & songwriter Nina Eba, which is taken from her self-released debut album, MORPHO. Inspired by the metamorphosis of the morpho butterfly, the record reflects on Nina’s experiences to self-acceptance and unrequited love. Nina’s sound is reminiscent of FKA Twigs, Bjork and Sevdaliza. (KC)

Lollise – ‘Iron Woman’
Brooklyn via Botswana Afro-Futuristic artist Lollise tackles an important issue on her zealous single ‘Iron Woman’, which is taken from her upcoming album, I hit the water, set for release on 6th September. Through her intense electronics, driving beats and direct lyricism, she explores the plight of black women who suffer from severe fibroids who are often overlooked by the US health care system. Lollise explains the context of ‘Iron Woman’ further: “Most of my black friends with uteruses have had hysterectomies or undergone multiple myomectomies. In this song I talk about my experiences dealing with fibroids and menorrhagia going in and out of various emergency and hospital rooms. “Phallic science” talks about male dominance in science and how much money is allocated to studying men’s virility and very little is dedicated to women’s health and black women’s health specifically.” Watch the track’s accompanying video here. (KC)

Midwife – ‘Vanessa’
On this slow-burning, atmospheric track, Colorado based musician and producer Midwife personifies and pays tribute to her old tour van ‘Vanessa’. Lifted from her upcoming album, No Depression in Heaven, which is set for release on 6th September via The Flenser, it’s another disarming piece of her blissful ambient shoegaze. I can’t wait to hear the record in full. (KC)

Tanukichan ft. Wisp – ‘It Gets Easier’
I’m new to California based artist Tanukichan, but when I saw that she had collaborated with shoegaze star Wisp, I instantly became a fan. ‘It Gets Easier’ is a dreamy blend of their lush vocals, swirling riffs and their driving beats. The track is featured on Tanukichan’s upcoming EP, Circles, which is set for release on 20th September. (KC)

the IV – ‘Same Old Story’
This brooding new anthem from elusive band the IV dropped into my inbox earlier this month. Created by vocalist and drummer Ingvild Nærum, ‘Same Old Story’ reflects on our role as consumers of culture through the lens of Freud’s dream-work theory. The rumbling bass lines, atmospheric riffs and staccato drumming make for captivating listening. (KC)

Hello Mary – ‘Down My Life’
New York trio Hello Mary continue to impress me with each single they share from their upcoming second album, Emita Ox. Set for release on 13th September, the record showcases their ability to blend their quiet-to-loud vocals, grungy riffs, considered instrumentation, and bruising beats perfectly. The band will be making their London live debut at The Shacklewell Arms in Dalston on 4th September and they’ll be playing at The Windmill in Brixton on 5th September too. I’ll be there on the 5th to hear ‘Down My Life’ in the flesh. (KC)

Girl Gordon – ‘The Need’
I love the gritty, reverb-heavy intro to this sardonic anthem by Cincinnati-based DIY indie punks Girl Gordon. ‘The Need’ is taken from their recent EP, Corruptor, and it “speaks to the pressures of societal beauty standards” that are often perpetuated by social media. (KC)

Scrunchies – ‘Generator’
The latest single from Minneapolis based Scrunchies, ‘Generator’ blasts into the ears with its raw punk energy. New favourites for sure, I can’t get enough of this new riot grrrl-inspired band’s scuzzy hooks and fierce empowering allure. ‘Generator’ is taken from Scunchies’ new album Colossal, one of the last albums that the legendary Steve Albini recorded and mixed. It’s also accompanied by a fantastically fun music video, created in collaboration with Los Angeles-based “dance aerobics celebration” Pony Sweat – watch it here. (ML)

Rottweiler – ‘Sarah’
This slow-burning single from Brighton rockers Rottweiler showcases their ability to balance atmospheric riffs with powerful vocals and crashing percussion. Inspired by the likes of Jeff Beck, Smashing Pumpkins and Paramore, ‘Sarah’ is a swirling cacophony of angst-ridden noise. (KC)

Queen Cult – ‘To Be A Boy’
Having released their new EP Be Better earlier this month, our favourite Macclesfield trio, Queen Cult have been wowing us for a couple of years now with their fierce raging energy and captivating charisma. Taken from the EP, ‘To Be A Boy’ showcases all their is to love about Maisie and co; propelled by the immense gritty power of her vocals, it explores themes of gender dysphoria and expectations of AFAB people growing up in a small town with a stirring honesty and raw emotion. A band on the rise, and for good reason, we can’t wait to see what Queen Cult have in store for us next. (ML) 

Berries – ‘Watching Wax’
The latest single from long time faves Berries, ‘Watching Wax’ offers our first taste of the London-Brighton band’s new material ahead of the release of a new album, set for release in October. With the distinctive twang of the band’s trademark scuzzy riffs and front person Holly’s lush syrupy vocals, I just can’t get enough of its racing fierce energy and gritty allure. (ML)

Um, Jennifer? – ‘Went On T’
‘Went On T’ is the latest single from New York trans-punk duo Um, Jennifer? It’s another refreshing blend of the band’s quirky humour and personal reflections on gender politics. Speaking about the track, the band explain: “‘Went On T’ is the indie rock anthem calling you back home to yourself. It’s about taking your own body back from those that claim to love you. It’s a reminder not to take on anybody else’s shit.” (KC)

Fightmilk -‘No Souvenirs’
To say I’m excited about the new album from total faves and all round great humans Fightmilk may be an understatement. Set for release on 15th November via Fika Recordings / INH Records, it’s been three years in the making and promises to showcase how the band are consistently evolving their unique sound. To celebrate the album announcement, the band have now shared its title track, ‘No Souvenirs’. A beautifully poignant reflection on loss, it oozes an anthemic raw emotion and exquisite shimmering splendour. Losing a friend to suicide just over a decade ago, it’s taken songwriter Lily until now to be able to put her feelings into words: “It’s finally exactly what I wanted to say, and I think he’d have thought my band sucked, but that’s alright.” Pre-order No Souvenirs here, and book tickets to the launch show at Paper Dress Vintage here. (ML)

Jemma Freeman – ‘Hoping For A Miracle’
An unexpected new single from immense songwriter and performer Jemma Freeman, ‘Hoping For A Miracle’ was written, recorded and mixed in their bedroom, causing them to be apprehensive about sharing it with the world. But we’re so glad they did! “The queer, sad, banger you need to blast through any unexpected summer break up.”, it’s propelled by fuzzy hooks as the raw, gritty power of Jem’s distinctive vocals soar. A fizzing psych-rock anthem showcasing their ability to weave together a rich musicality with their trademark frenzied energy. ‘Hoping For A Miracle’ is the b-side to fellow surprise, and beautifully vulnerable, single ‘Alien’. (ML)

Pretty Bitter – ‘Never Better’
Washington D.C based indie-pop group Pretty Bitter teamed up with fellow indie rockers Flowerbomb to release a split EP, titled Take Me Out, at the beginning of August. ‘Never Better’ is the opening track on the record and it’s buoyant mix of indie guitar twangs, catchy melodies and bittersweet vocals. (KC)

Soccer Mommy – ‘M’
Nashville indie artist Sophie Allison aka Soccer Mommy is back with this lush single and news about her upcoming album, Evergreen. Set for release on 25th October via Loma Vista, Allison has used her innately raw songwriting techniques to move through the lingering effects of deep personal loss that affected her before she began writing this new record. (KC)

Emily Wurramara – ‘STFAFM’
Having just released her new album Nara – a celebration of rebirth -, multi-award-winning lutruwita/Tasmania-based artist, activist, author and proud Warnindhilyagwa woman Emily Wurramara has now shared new single ‘STFAFM’ (stay the fuck away from me!). Propelled by her lush, soulful vocals, it offers a fiercely empowering energy; an uplifting ode to finding inner peace and motivation. (ML)

Joanna Sternberg – ‘A Country Dance’
One of my most listened-to artists of the last couple of years, Brooklyn artist Joanna Sternberg has now shared a stirring new stand-alone single. Featured in upcoming film, Between The Temples, ‘A Country Dance’ was inspired by Joanna’s close friend Sami Bronowski, who was the first person to encourage Joanna to sing in public. Showcasing the exquisite vulnerability and raw emotion of their vocals, it flows with beautifully lilting melodies, shimmering with an uplifting, heartfelt grace. (ML)

Rubie – ‘Death By Catgirl’
Following her beautifully heartfelt last single, ‘To Change’, GIHE fave Rubie has now shared ‘Death By Catgirl’ – written from the perspective of a “hot, on the rise trans woman microcelebrity, throwing off her furs and meaning business”, it’s propelled by a colourful funk-fused groove as swirling, jazz-tinged melodies ripple alongside the majestic captivating allure of Rubie’s distinctive vocals. ‘Death By Catgirl’ is taken from Rubie’s upcoming second album, Seek Sisters, which is due out on 22nd September via Pressing Up Club. (ML)

Husk – ‘Open Waters’
Very different in sound from what we might remember of Husk’s previous releases, this new single sees the Manchester based artist experiment with traditional Irish folk music, adding their own distinctive queer electronic edge. Reflecting on their first experience of swimming in the Irish sea with a sparkling energy, and switching between English and Gaelic throughout the track, they explain: “There’s some things that I needed to say, but English couldn’t do it justice, so I switch between the two; it’s a creative choice… I’m saying that the whole world is with us in that moment, a whole world was connected to us through the water. And, with, sea swimming, it’s so cold that you can only think about your fundamental instincts, and it felt elemental.” (ML)

Gossip – ‘Move In The Right Direction’
Finally getting to see Gossip at All Points East last week really did exceed all expectations. The empowering energy and fiercely immersive charisma of Beth Ditto is unmatched, and it was an experience filled with tonnes of queer joy and overwhelming emotion. “I’ll hold back tears / Move in the right direction / Face my fears / Move in the right direction” – and hearing this song live just hit particularly hard. (ML)

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PLAYLIST: March 2024

The Get In Her Ears team have put together another eclectic mix of alt pop tunes, alternative & shoegaze anthems, unusual electronic sounds, and indie & folk musings for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

ARXX – ‘Crying In The Carwash’
The latest single from Brighton duo ARXX, ‘Crying In The Carwash’ is a celebration of when the duo found out they were supporting one of their musical heroes, Muna, and the happy tears that followed. Oozing tonnes of synth-driven anthemic energy and an emotion-strewn uplifting power, it’s impossible to listen to it and not feel all the feels. It may be their poppiest track yet, and that’s no bad thing. We love ARXX so much and so incredibly happy to see them doing so well and living their dreams. They’re off on tour next month supporting American artist Fletcher, and we know that Hanni has recently had a polyp removed from their throat, so we’re wishing them all the best vibes and quick recovery.
(Mari Lane – Co-Founder & Managing Editor)

Tiiva – ‘Tornados’
I love this euphoric anthem from GIHE fave Tiiva. Full of sweeping melodies, jagged synths and soaring vocals, Tiiva explains “‘Tornados’ is about possibility and hope through hedonism and thinking about the different directions you can take. It’s inspired from spiritual ideals of using intuition instead of influence, listening to primal voices and leaning into self trust and belief to keep going when things are difficult or confusing in life.”
(Kate Crudgington – Co-Founder & Features Editor)

Circe – ‘Blue Love’
I am OBSESSED with this song from dark-pop artist and GIHE fave Circe. ‘Blue Love’ is so romantic, so melancholic, so candid, so sultry; it’s a BIG FEELINGS pop anthem. Circe described it as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent new album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. So gloomy, so sultry, I love it. (KC)

Wisp – ‘Enough For You’
I’ve been soaking up the lush shoegaze sounds of 19 year-old San Francisco-based musician Wisp for a little while now. This single is lifted from her upcoming debut EP, Pandora, which is due on 5th April. Inspired by feelings of self-loathing and false perceptions of ones self, ‘Enough For You’ is another mesmerising blend of her hushed vocals, heavy riffs and driving beats. (KC)

Fräulein – ‘Feels Like Flying’ (Day and Night)
Ahead of the release of their debut mini album in June, GIHE faves Fräulein have released a pair of sister singles, the opening and closing tracks of the collection. With the ‘Day’ version of ‘Feels Like Flying’, the duo express all the swirling excitement and fierce emotions that can come with being in love, showcasing their trademark gritty energy and the immense soaring splendour of Joni’s vocals. The ‘Night’ version, on the other hand, offering a more melancholy reflection as twinkling hooks and subdued beats accompany a more delicate side to Joni’s heartfelt lyricism. Fräulein really are one of the most exciting bands on the scene at the moment, and it’s so wonderful to follow their journey as they go from strength to strength; continuing to hone their sound, not afraid to experiment whilst maintaining their distinctive fierce allure, as these two tracks side-by-side perfectly illustrate. Sink Or Swim, the debut mini album from Fräulein, is out on 14th June via Submarine Cat Records. (ML)

Pixie Cut Rhythm Orchestra – ‘Problem Child’
This is the latest sigle from Dublin-based alt-shoegazers Pixie Cut Rhythm Orchestra, released via Anon Records. I’m always so impressed by vocalist & guitarist Sarah Deegan’s observational lyrics and her clear voice, which genuinely took my breath away the first time I heard it live when the band headlined our GIHE gig at The Shacklewell Arms last in October last year. PCRO are currently working on their debut album, which I look forward to hearing in the near future. (KC)

Fresh – ‘Merch Girl’
Ahead of the release of a new EP next month, London indie-pop legends have now shared the title track. Fizzing with all the jangly hooks that we’ve come to know and love from the band, ‘Merch Girl’ reflects on the struggle that women can face to get to where they want to be within the music industry as it builds with a swirling, shimmering energy. Of the track, vocalist Kathryn Woods explains: “It’s a bit tongue-in-cheek, drawing from clichés of the wallflower, the sidekick, but ultimately it’s empowering and a reflection on the ways that we come into our own as women artists.” Merch Girl, the upcoming new EP from Fresh, is out 19th April via Specialist Subject. (ML)

Gouge Away – ‘Spaced Out’
If you want a dose of dynamic, commanding noise led by a knockout lead vocal – look no further than Gouge Away. ‘Spaced Out’ is one of many antagonistic, impressive anthems on their most recent album, Deep Sage, a record which I have been furiously spinning since it was released earlier this month. (KC)

Pageant Mum – ‘All My Life’
An absolute rager from Bolton based teenagers Pageant Mum here! Izzy Ingham’s powerful vocals soar over the band’s frenzied beats and heavy riffs, providing a cathartic rush of angst and a “plea to all of us here together on a divided rock” to unite against apathy. (KC)

The Menstrual Cramps – ‘Class War’
The latest single from some of our favourite punks, Bristol’s The Menstrual Cramps, ‘Class War’ offers a scathing commentary on the current state of British society as seething hooks are blasted out with a raging energy. A fierce, rallying cry, inciting us to join a union and support workers’ rights, it showcases the band’s immense impassioned drive and ferocious spirit. Of the track, front person Emilia comments: “Women’s rights are workers rights. Always support strikers, and never cross a picket line!” Ahead of their set at Manchester Punk Festival this week, this track cements The Menstrual Cramps as one of the most important bands around at the moment; consistently able to create a perfect balance of explosive, cathartic rage, alongside an empowering sense of unity. To celebrate the single’s release, The Menstrual Cramps have collaborated with Courier Brewing Company to bring out their very own pale ale – punk and beer, two of our favourite things! And 50p per pint will be donated to vital charity akt. (ML)

pink suits – ‘Are You Gay Yet?’
Ahead of the release of their new album next month, Margate duo pink suits have shared fierce new single, ‘Are You Gay Yet?’ Reflecting on numerous interactions that Lennie’s had throughout their life when people have questioned or confronted them about their sexuality, it’s a seething celebration of queerness delivered with the raw, fierce energy we’ve come to know and love from the band. Lennie explains: “This song was us wanting to be aggressively confident in being noticeably gay. A reclamation of many moments like this when I wanted to yell, ‘Am I gay yet? Fuck yes!’ To tell everyone that they need to get over this shit already. People are gay. I am gay. We are gay. You might be gay too… and that is ok.” Dystopian Hellscape, the new album from pink suits, is out on 1st April. They’re out on tour at the moment, and will be stopping by at Cro Cro Land at Stanley Arts in Norwood on 13th April – we’ll be there DJing, and can’t wait for the epic line-up of faves including Fraulein, Fightmilk, Dogviolet, Whitelands and lots more. Hopefully see you there! (ML)

BCOS RSNS – ‘(First On At The) Buffalo Bar’
Having always hung out with bands, but only ever fantasised about being in one, London scene queen Abi Brady has now made that dream a reality with new band BCOS RSNS. Ahead of the release of their debut album in May, they’ve now shared the first taste of what to expect. Reflecting on the somewhat depressing reality of the large number of music venues that are closing, and the accompanying existential anxiety, it’s an instant indie earworm. Propelled by uptempo beats, fuzzy hooks jangle throughout as tales of London nightlife are recounted with a wonky charm and subtle wit. BCOS RSNS, the eponymous debut album, is set for release on 22nd May. (ML)

The Baby Seals- ‘ID’d At Aldi’
Another taster from their upcoming new album, the latest single from The Baby Seals reflects on the smug joy that comes with being told that you look younger than you are. Propelled by the their trademark catchy yet gritty energy, and a raging sense of fun, ‘ID’d At Aldi’ once again showcases The Baby Seals’ ability to deliver witty-yet-necessary, gloriously danceable punk anthems. And you should definitely watch the ‘shot on location’, action-packed accompanying video. Chaos, the new album from The Baby Seals, is out on 19th April via Trapped Animal Records, and you can catch Kerry from the band chatting about it on our next show on Soho Radio next Monday 1st April! (ML)

Mammoth Penguins – ‘Everything That I Write’
I’ve had such a soft spot for Cambridgeshire band Mammoth Penguins for years now – their 2019 album, There’s No Fight We Both Can’t Win, is probably one of my most played records, and it was such a joy to have them play for us that year too. Ahead of the release of a new album in May, new single ‘Everything That I Write’ examines the dynamics of trust and intimacy in a long term relationship, whilst flowing with all the lilting scuzzy energy and distinctive raw emotion of Emma Kupa’s vocals that I love so much. Here, the upcoming new album from Mammoth Penguins is set for release on 3rd May via Fika Records. (ML)

Brennan Wedl – ‘Fake Cowboy’
A heartfelt ode to East Nashville’s infamous Honky Tonk, ‘Fake Cowboy’ is the new single from Kill Rock Stars signed artist Brennan Wedl (aka my new favourite singer). Rippling with a glistening raw emotion, it showcases the raw emotion of Wedl’s luscious vocals as Americana-tinged stripped-back strumming builds to a gritty, fuzz-filled anthem, with shades of the legendary Sheryl Crow. I think it’s pretty exquisite and – being quite late to the Brennan Wedl party – I can’t wait to hear more from this awesome artist. You can watch a beautiful live rendition of the track here. (ML)

Grace Petrie – ‘Meanwhile In Texas’
I was lucky enough to catch Grace Petrie live at Islington Assembly Hall earlier this month, and it was a truly wonderful and unifying evening celebrating her fantastic latest album, Build Something Better. The whole album is a really beautiful collection, probably her most politically-charged yet, but delivered with her trademark lilting folk-strewn musicality. This is probably my favourite track; reflecting on the increasing wave of misogynist laws that are putting the lives of women, LGBTQ+ and trans folk in danger, it’s a poignant and necessary listen, inciting us to unite and fight against the forces that seek to oppress us. (ML)

Brides – ‘Eat Dirt’
‘Eat Dirt’ is a swaggering dose of queer Southern Gothic Rock from East London band Brides. Inspired by Gabriel Picolo’s graphic novel, Icarus and the Sun, the track is a gritty reflection on what vocalist Hannie McBride describes as a “love that burns too hot and leaves you in the dust.” It’s a brooding anti-love anthem, full of heavy riffs and permeated by a deep sense of lust and longing. (KC)

Nuha Ruby Ra – ‘Fetish 2 Forget’
We’ve been big fans of East London artist Nuha Ruby Ra for a while now, and I love the glitchy cinematic sound of this new single. Her soaring vocals alongside the the industrial, tension building soundscape ooze shades of something that the legendary Trent Reznor might create, which is always welcome here at GIHE! (ML)

NikNak – ‘You Were Supposed To Be Good’
Leeds-based DJ and producer NikNak blends experimental synths, jazz sounds and jungle beats on this eclectic and infectiously good track, which also features Grifton Forbes-Amos and Cassie Kinoshi. Taken from her upcoming album, Ireti, which is set for release on 21st May via Accidental Records, NikNak will be playing live in April at venues in Plymouth, Manchester, Bristol and Glasgow, all tickets are available online now. (KC)

LUCI – ‘Thunder Calling’
This track from US artist LUCI is taken from her upcoming debut album, They Say They Love You, which is set for release on 19th April via Don’t Sleep. I love LUCI’s clear vocals and eclectic instrumentation here. I tried to catch her live at The Great Escape Festival last year but I missed her show – regretting that now! (KC)

Noé Solange – ‘Rise’
I’m super glad I discovered this track from London-based, Dutch-Indonesian producer Noé Solange in my inbox.’Rise’ is the title track from her recent EP, and it’s a dreamy piece of downtempo electronica, inspired by the processes of nature, healing and self discovery. (KC)

Blonde Maze – ‘Beside You’
Any of our regular followers will be familiar with just how much I love Blonde Maze, and so it should come as no surprise that I’m currently completely addicted to her new single. Another blissful offering, ‘Beside You’ shimmers with hazy electronics and heartfelt vocals, as an immersive twinkling soundscape builds. As with everything else that the New York artist creates, this track just provides a perfect soothing antidote to life’s stresses; a truly euphoric sonic catharsis. (ML)

Hinako Omori – ‘cyanotype memories’ (Joe Goddard Remix)
Loving this Hot Chip remix of ‘cyanotype memories’, originally released by GIHE fave Hinako Omori via Houndstooth Records. Joe Goddard has put a playful spin on Hinako’s more tender, slow-building original piece. Hinako’s most recent album, stillness, softness…, is a real treat for the ears. Soothing, intuitive and graceful electronica – totally worth a listen. (KC)

Elsa Hewitt – ‘Wash The Sea’
Another intricate blend of lo-fi synth loops and vocal improvisations from the wonderful Elsa Hewitt here. ‘Wash The Sea’ is taken from her upcoming eighth album, Chaos Emeralds, which is set for release on 12th April. Chaos Emeralds is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark magnetic electronica. (KC)

AVR – ‘Etude No.2’ (Philip Glass Rework)
This is a beautiful re-working of a Phili Glass piece by the incredibly talented multi-instrumentalist and producer AVR. Released via Philip Glass’ own label Orange Mountain Music, AVR’s atmospheric re-imagining is also accompanied by a video that was shot in collaboration with French fashion house Mugler. Sonically and visually, this is a total delight. Watch the video here. (KC)

Zemlya – ‘Ether’
I was so pleased to find this experimental soundscape from Brussels-based duo Zemlya in my inbox. Taken from their self-titled EP, this track ‘Ether’ is one of three extended pieces on the record that are inspired by the sounds and rhythms of their inner bodies and surroundings. It’s a truly haunting, hypnotising and disarming listen. (KC)

Birthday Problem ft. Róisín Nic Ghearailt – ‘An Maighdean Mhara’
This is the second track from Birthday Problem, a collaborative electronica project from Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly. “As a proud Gaeilgeoir, it’s extremely important to me to show that gaeilge is for gach duine (everyone)”, explains guest lyricist and vocalist Róisín Nic Ghearailt, former member of post-punk band M(h)aol. Written entirely in Irish, Róisín penned the track when she moved back home, and the result is a sultry, brooding soundscape inspired by the tumultuous, alluring nature of the sea. (KC)

Anenome – ‘Fascinate Me’
This is the second single from Dublin post-folk four piece Anenome, lifted from their upcoming EP, Human Remains, which is set for release later this year. I love their dynamic instrumentation; eerie string sounds, brooding bass lines and yearning vocals combine to tantalise and antagonise the senses. (KC)

Kee Avil – ‘Felt’
‘Felt’ is an un-nerving blend of brittle synth textures, aching vocals, twangy strings and erratic beats from Montréal-based experimental artist and producer Kee Avil. Taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation, the way in which she expertly fuses gritty and gentle elements into her music always impresses me. (KC)

Kira McSpice – ‘Evaporate’
Taken from her beautifully titled upcoming album, The Compartmentalization of Decay, this track from Kira McSpice is a haunting reflection on trauma. Her new record is a deeply personal exploration of life after sexual assault, which the artist personifies through the natural processes of the maple tree. Her exquisite voice and dynamic string arrangements make for striking and hypnotic listening. (KC)

Mere Child – ‘Storms’
‘Storms’ is the latest single from independent artist Aimee Herbert aka Mere Child. Her soft vocals and shimmering instrumentation blend harmoniously together on ‘Storms’ to create a gentle, atmospheric rumination on emotional resilience. (KC)

Holly Munro – ‘Dead Ends’
This latest single from Irish songwriter Holly Munro is a thoughtful reflection on the way in which we choose our paths in life. Inspired by seeing her physical footprints in the sand after finishing a meditation, ‘Dead Ends’ is an emotive and considered exploration “questioning the choices you make and reflecting on how they shape your future in ways you can’t always predict or control.” (KC)

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PLAYLIST: January 2024

The Get In Her Ears team have put together another eclectic mix of post punk anthems, grunge & shoegaze musings, indie & alternative tunes and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

HAVVK – ‘You Say You Won’t’
Ahead of the release of their upcoming new album in March, GIHE faves HAVVK have shared another spellbinding taste of what’s to come. As front person Julie’s celestial vocals emanate throughout, ‘You Say You Won’t’ showcases the Dublin trio’s ability to create a shimmering immersive grace whilst touching on poignant subject matter. I really can’t wait for them to come and headline for us at The Shacklewell Arms on 28th March, especially as they headlined the first ever gig we hosted back in 2016 – it’s going to be a pretty special evening, with support from Athabaska and Rats-Tails. Grab a ticket here! To Fall Asleep, the upcoming album from HAVVK, is out on 15th March via VETA Records.
(Mari Lane – Managing Editor)

Fraulein – ‘Wait and See’
Unsurprisingly, the GIHE team all love this latest single from Northern Irish/Dutch duo Fräulein. ‘Wait and See’ focuses on the contradictory nature of anxiety, and how we clench our teeth through it, rather than treating the issue underneath it. It’s another seamless blend of the band’s trademark gritty-yet-melodic riffs and considered, hard-hitting beats. I can’t wait to see Fräulein play live at Scala supporting art punks JOHN on 29th Feb.
(Kate Crudgington – Features Editor)

SPRINTS – ‘Heavy’
We’re big fans of SPRINTS here at GIHE, so watching their stellar debut album, Letter To Self, receive so much love and acclaim when it was released at the beginning of this month was a real joy. The Dublin-based band are a formidable force on the stage, and this track in particular showcases their intense, dynamic songwriting talents. (KC)

Gouge Away – ‘Stuck In A Dream’
This angst-ridden anthem from Florida-based five piece Gouge Away has been stuck in my head for an entire month. Visceral vocals, heavy riffs and relentless beats – I’m obsessed. ‘Stuck In A Dream’ is taken from Gouge Away’s upcoming third album, Deep Sage, which is set for release on 15th March via Deathwish. (KC)

The Baby Seals – ‘Mild Misogynist’
Cambridgeshire punk trio The Baby Seals are back, and I could not be happier about it. Following a little hiatus for life stuff, they have now announced the release of their debut full length album and shared a typically catchy, witty and gently raging tune that’ll lodge itself firmly in your ears on first listen. Reflecting on those men we all (sadly) come across on a daily basis who claim to be feminists because they happen to have a wife/daughter/mother, but are actually a huge part of the problem with their damaging micro-aggressions and embedded sexist views, with its gritty energy and danceable hooks, ‘Mild Misogynist’ is the perfect re-introduction to The Baby Seals’ ability to deliver their all-too-necessary message with a fizzing sense of fun. (ML)

Self Torque – ‘No Rest’
I’m so impressed that Brighton-based Self-Torque has managed to transform feelings of desperation and inadequacy into a frenzied, vibrant anthem on ‘No Rest’. Taken from their recent EP, No Rest For The Depressed, it’s a potent reminder that there are always better days on the horizon, and that you are more capable than you think you are. (KC)

Ski Lift – ‘Double Yellow’
Following last year’s catchy ‘Living The Dream’, London trio Ski Lift are back with a stirring new single. With bassist Lizzie Walsh taking the lead on vocals, ‘Double Yellow’ flows with a whirring splendour as lush harmonies intertwine with a sparkling energy. Inviting us all to take a step back and absorb the often overlooked beauty of our surroundings with a lilting warmth, it showcases songwriter Benji Tranter’s ability to turn even the most everyday of situations into genuinely heartfelt, and instantly catchy, indie-pop anthems. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps have now shared this raging, honest and utterly necessary pro-choice anthem at a time when we need it more than ever. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, the track seethes with a fierce angst, whilst showcasing front person Emilia’s trademark stark wit and ferocious energy. With their return, The Menstrual Cramps continue to create a perfect balance of unifying joy and rage that has never felt more urgent. I can’t wait to hear more of their cathartic, empowering anthems over the next few months. Find out more here. (Also, some welcome slightly positive news regarding abortion in the UK here.) (ML)

pink suits – ‘C.O.F.F.E.E.’
Following last year’s riotous single ‘Refuse The Rules’, total faves pink suits have now shared another taster of their upcoming second album in the form of a new tongue-twisting punk anthem. Although seemingly less politically charged than some of the Margate duo’s previous offerings, ‘C.O.F.F.E.E.’ touches on themes of addiction and exhaustion but with a racing, fun-fuelled energy, oozing the band’s playful charisma. Whilst essentially Lennie and Ray’s soundcheck song, it showcases all there is to love about the immense formidable force that is pink suits. Watch the caffeinated new video for ‘C.O.F.F.E.E.’ here. Dystopian Hellscape, the upcoming second album from pink suits, is set for release on 1st April. (ML)

Dermabrasion – ‘Magic Missile’
Another brooding, ominous cacophony from Toronto-based duo Dermabrasion. The band have just shared their superb debut album, Pain Behaviour, via Hand Drawn Dracula and it is well worth your attention. Industrial-tinged post punk noise: 100% a bit of me. (KC)

GHLOW – ‘Big City’
Stockholm alternative duo GHLOW are back with a brand new album, Levitate, which is set for release on 8th March via PNK SLM. This track, ‘Big City’ is the first exciting, intense glimpse of what listeners can expect from the new record. (KC)

The Fauns – ‘Shake Your Hair’
Following a decade-long hiatus, Bristol based shoegaze ensemble The Fauns have now returned to charm our ears, releasing their new album this month. Showcasing the sweeping ethereal soundscapes that we’ve come to know and love from the band, whilst dipping into newer, electro-driven sounds, the album as a whole oozes a mystical allure as glistening instrumentals provide a backdrop for Alison Garner’s exquisite emotion-rich vocals. I’ve had it on repeat since first hearing it, immersed in its captivating blissful haze. Read about the five songs that have inspired Garner’s vocal style the most here. How Lost, the new album from The Fauns, is out now via Invada. (ML)

Heart Rot – ‘Anchors To Elsa’
Inspired by the quiet-loud dynamics of the ‘90s grunge scene, New York band Heart Rot deliver their ethereal yet gritty creations with a fierce allure. A completely DIY project, the band draw influence from their experience as girls and connection to the natural world in their songwriting, and pride themselves as artists honing their craft; not just in creating their music, but in their merch too, hand-making it all from second-hand clothes. With just two songs out so far, they’re a new favourite for sure; I can’t wait to hear more of their raw, bewitching soundscapes. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her upcoming album, Gold, which is set for release on 12th April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the album is a dynamic, intricate musing on the shifting nature of love, time and change. I look forward to hearing it in full. (KC)

Fears – ‘4th of the 1st’
I’m so glad that Dublin-born, London-based interdisciplinary artist Constance Keane aka Fears is back! Taken from her upcoming second album, affinity, which is set for release on 22nd March via TULLE, this single ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. It’s a poignant reflection on emotional resilience and self-soothing. Watch the accompanying video for it here. (KC)

Birthday Problem ft. Ailbhe Reddy – ‘E.L.E’
‘E.L.E’ is the atmospheric debut release from Birthday Problem, a collaborative electronica project between Irish musicians and producers Matt Harris (HAVVK) and Rocky O’Reilly. Released via VETA Records, ‘E.L.E’ – which stands for ‘Extinction Level Event’ – follows the narrative of a fictional character who is in an underground post-apocalyptic world. The track also features vocals from GIHE fave Ailbhe Reddy. (KC)

KÁRYYN – ‘Anthem For Those Who Know’
Marking her first new music release in four years, ‘Anthem For Those Who Know’ is a defiant return to form for Armenian-American songwriter, composer & producer KÁRYYN. It’s a poignant statement about self autonomy and the significance of advocating for yourself and others in the face of adversity. Co-produced with Hudson Mohawke and released via Mute, ‘Anthem For Those Who Know’ is a rumination on the importance of protest in all its forms. (KC)

Schande – ‘Relevant Campaigns’
I can’t seem to stop listening to this song and crying. A thing of pure beauty. Its twinkling grace. The whirring to-ing and fro-ing, like the constant rippling of the tide that keeps going even when everything else seems like it’s stopped. The shimmering hooks that rise and fall. Jen’s whispering vocals fading in and out with an understated melancholy. Written while her mother was terminally ill, it’s an exquisite rumination on the fragility of life and the strength of love. Watch the beautiful accompanying video here, and keep you eyes peeled for Schande’s upcoming new album, Once Around, set for release this year via Thurston Moore’s The Daydream Library Series. (ML)

Moor Mother – ‘Guilty’
Following critical acclaim for her 2021 album Black Encyclopedia Of The Air, innovative artist Camae Ayewa – aka Moor Mother – has now announced the release of her 9th studio album. Our first taste of the album comes in the form of ‘Guilty‘, a collaboration with Lonnie Holley, Mary Lattimore and Raia Was. Oozing a mystical energy, it encapsulates the sentiment of the album – a poignant and necessary message, bringing to our attention crimes committed by our ‘fair isle’. As the glistening musicality provides a backdrop to lists of ‘great’ Britain’s injustices against humanity and the harsh realities of colonialism, the juxtaposition of the horror of ‘Guilty’s message with the beauty of its musicality is stark. A hauntingly beautiful offering; an urgent message encased in an evocative sonic grace. The Great Bailout, the ninth album from Moor Mother, is set for release on 8th March via ANTI-. (ML)

Allison Lorenzen – ‘Words’ (Low Cover)
Taken from the upcoming album, Your Voice Is Not Enough – a tribute to the band Low – Allison Lorenzen’s cover of ‘Words’ made the hairs on the back of my neck stand up when I first listened to it. The album was born from a conversation between Planning For Burial’s Thom Wasluck and record label The Flenser, who were inspired by the “nuanced beauty” of Low’s discography. Whether you’re a fan of Low or not, Allison’s cover and the renditions on the record are well worth your attention. The album features contributions from Midwife, Amulets, Planning for Burial and more. (KC)

Katy Kirby – ‘Hand To Hand’
Flowing with lilting melodies and rich, sumptuous vocals, Brooklyn artist Katy Kirby’s new single reflects on what she calls ‘heteropessimism’ and the gory collapse of several relationships, with a twinkling, yet gritty, allure. The single comes ahead of the release of Kirby’s second album, Blue Raspberry, later this month, which sees her delving into her sexuality and the ways we present ourselves during the quest for love. The album’s out on 26th January via ANTI, and I can’t wait to hear more of Kirby’s beautifully honest creations. (ML)

bedbug – ‘halo on the interstate’
Originally a solo project from non-binary artist Dylan Gamez Citron, LA-based bedbug has now expanded its lineup to include Owen Harrelson, Minerva Rodriguez, Meilyn Huq and Drew Cunningham. Together, the band are preparing to release their fourth album, pack your bags, the sun is growing, on 15th March via Boston’s Disposable America label. This single ‘halo on the interstate’ showcases their fully fleshed out new sound perfectly. (KC)

Grace Petrie – ‘Start Again’
Having been a big fan of Grace Petrie for a number of years now, and being lucky enough to interview her back in 2021, I’m super excited to hear that she’ll be releasing her third album in March. With its chiming piano alongside Petrie’s heartfelt vocals, new single ‘Start Again’ offers a stirring first taste of the album; a rousing ode to the power of solidarity. Building with a gentle emotive spirit, it showcases her ability to create beautifully catchy folk-strewn anthems that ripple with an undercurrent of politically-charged urgency. Build Something Better, the upcoming album from Grace Petrie, is out on 8th March on The Robot Needs Home Collective. (ML)

Waxahatchee ft. MJ Lenderman – ‘Right Back To It’
Kansas based artist Katie Crutchfield aka Waxahatchee’s been one of my most played artists of the last few years – her heartfelt Americana-tinged ballads just get me every time. And latest single ‘Right Back To It’, is no different. Featuring MJ Lenderman on backing vocals, their voices intertwine to create blissful heartfelt harmonies alongside lilting banjo melodies; my favourite combination of sounds. It’s just exquisite and I can’t wait to hear more on the upcoming new album, Tiger’s Blood, set for release on 22nd March via ANTI-. (ML)

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PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)

 

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