LISTEN: GIHE on Soho Radio with DEWEY 18.11.22

Tash was back on Soho Radio’s airwaves playing loads of new music from an eclectic mix of female, non-binary and LGBTQIA+ artists, with tracks picked by fellow GIHE pals Kate and Mari too.

Co-host India Latham also joined Tash live in the studio to discuss the recent gigs of Okay Kaya, Julia Jacklin, Tempers, Curses and Double Helix. India also revealed that the first album she bought was by Ronan Keating, and that she used to co-host Brighton Hospital’s radio show back in the day – life truly is a rollercoaster, just gotta ride it.

Tash spoke to new music artist DEWEY about the inspiration behind their recent release ‘Another Woman’, accepting and processing emotional and physical pain, as well as conversations about the power of electricity, pylons and connection within their music. Music highlights include Priya Ragu, Big Joanie, Etella, LibraLibra, Dayydream, Human Interest, STAINWASHER, Jadu Heart, HOLDA SEK and more.

Listen back below:

 

Make sure you tune into Soho Radio on Wednesday 14th of December for the final Get In Her Ears show of 2022!

Tracklist
Big Joanie – Sainted
Andrew Bird & Phoebe Bridgers – I Felt A Funeral In My Brain
Okay Kaya – Dance Like U
Julia Jacklin – Body
Jadu Heart – I Shimmer
Ideal Host – The Conflict
Dawn Richard and Spencer Zahn – Crimson
STAINWASHER – I Hate Backpackers
Tempers – Unfamiliar
Miss Grit – Follow The Cyborg
Priya Ragu – Santhosam
Babyfather, Tirzah – 1471
Moonchild Sanelly – Demon
HOLDA SEK – At Twenty
DOUBLE HELIX – Rat Rave
The Pearl Harts – More
DEWEY – Another Woman
**Interview with DEWEY**
Export Import – On Scene
Midwife – I Don’t Want To Love
Etella – Nomad
Dayydream – Wasn’t
Human Interest – Mixing Paint
Queen Colobus – 5/9
LibraLibra – Frenemies
Panic Shack – Meal Deal
Sweet Harmony – Liquid

INTERVIEW: Softcult

Inspired by their love of 90s alternative music icons Bikini Kill and Smashing Pumpkins, Ontario-based duo Softcult blend atmospheric guitars, energetic percussion and bittersweet vocals to create their hazy, antagonistic sounds. Formed of twin sisters Phoenix and Mercedes Arn Horn, Softcult cut their teeth playing live shows in their local town of Kitchener, before moving on to bigger audiences on the North American tour circuit.

Their experiences of playing and working within a male-dominated music industry formed the foundation for their current sound, which is born from the desire to resist and relieve the pressures of existing in a patriarchal world. We caught up with Mercedes (guitars, vocals) and Phoenix (drums, production) to talk about their debut single ‘Another Bish’, their last gig before covid-19 hit, and what their dream festival line-up might be…

Hello girls, how are you both doing? Are you in lockdown in Canada at the moment?

Mercedes: We’re doing alright, we’re locked down like you guys are in the UK. It’s a lot of time to focus on music and writing and recording, so we’re very lucky that we have a home studio right now. I feel very blessed right now, because for some people I know, being in lockdown has meant they’ve been very unmotivated and unable to write, whereas that hasn’t been our experience at all. We’ve been writing and recoding loads and it’s been a God send to us, it’s kept us sane and active and motivated.

That’s good news! Let’s start at the beginning, who or what originally inspired you to start making your own music?

Mercedes: We’re twin sisters and we’ve been making music together forever. We’ve been in different bands over the years playing and getting some experience, but for this project we felt motivated by everything that’s going on right now. Having been in the music industry already for some time, we’ve experienced misogyny and sexism. At this point, I feel like this band has been put on this planet as a voice against abuse, or for people who don’t feel seen or feel like they don’t have a voice. A lot of our songs are about that.

We speak to lots of women who have unfortunately experienced misogyny in the music industry. Do you think your experience of it is somewhat heightened because you’re twin sisters? I only ask because I have younger sisters who are twins, and when we’ve been on nights out together before people have made inappropriate or creepy comments towards them without any hesitation…

Phoenix: Only another person who really knows twins would ask that, and it is so true. There’s a weird fetish around twins and it’s very creepy.

Mercedes: We find a lot of the time there’s insinuations about incest and weird stuff like that. I know a lot of women in bands who aren’t even related who have experienced that. Heart are a good example actually. The sisters in that band are constantly being pitted against each other and I think that happens a lot with women and siblings in the industry and it’s just so weird. It’s a definite downside to being a twin, but there’s also an up side too.

Phoenix and I have such a close connection and that helps a lot with our music. She’s always a step ahead of me, or finishing my sentences creatively for me. She handles all of the production side – everything we make is recorded and produced from our home studio. Then I handle all the stuff on the video/visual side of things and it just makes for a good team. There’s a closeness and and understanding and an empathy that we have from being twins, it’s not all just creepy dudes!

That’s true! Talk to me about your debut single ‘Another Bish’. What’s it about? How did you put the video for it together etc.?

Mercedes: The song is about misogyny. Phoenix and I hate the word “bitch” so we couldn’t even put it in the title, we literally felt skeeved out writing it down! The lyric “I’m just another bish that you’ll never tame” was supposed to be aimed at that typical misogynist dude who thinks all women are the same, and they’re there to be controlled and conquered. The song is from the perspective of the woman who’s sick of it and feels like the dog who’s finally going to bite its owner. It’s about fighting against that but also owning it. We noticed the type of guys who often say “she’s such a bitch” are just saying that about women who they think are outspoken. They just label them as “aggressive.”

For the video, we used paper cut-out clips of different women’s facial features – eyes, lips, nose – which we replaced with dog mouths. The dog mouths reflect the feelings of those guys who think that when you speak out about sexism you’re just some yappy dog who never shuts up. They’re also supposed to be a comment on how there’s so many double standards for women, not just in music but in the beauty industry as well. Women are having to basically try and be something that’s unattainable and if you’re not that thing, then they make out like you’re not trying hard enough. So we took those themes and put them into the video.

Are there any women in music at the moment who you admire who are standing up for themselves and not taking any sexist bullshit?

Phoenix: Laura Jane Grace from Against Me! – big time. We were just little teeny boppers when we first found out about Against Me! and we were obsessed. She’s a huge icon for a lot of reasons, but something I’ve always admired about her is that she is really outspoken about who she is. It’s so brave to go through the transgender transformation when you’re in a very male dominated space in a very male dominated music genre, and just rebelling against all expectations and being yourself. That’s a huge inspiration.

Do you remember the last gig you went to before Covid-19 hit?

M & P: Yes!

Mercedes: It was another music project that we in at the time and it was at this dive bar. It was in March (2020), right after the stay-at-home orders happened and we were trying to play our way home, but we realised we had to cancel everything because it was just not responsible to have shows. So it was our very last gig and the vibe was very depressing.

Phoenix: People obviously didn’t show up, quite rightly, and we just wanted to go home.

Mercedes: We actually ended up staying over at a girls house. Up until then we were just crashing on floors on the tour, we didn’t have hotels booked or anything like that. So this girl kindly let us stay at her place and made us pizzas.

Phoenix: We were like “are you sure you still want us to stay? It’s totally cool if you don’t, we can sleep in the van!” but she still let us crash.

Mercedes: Her Dad had all these cool guitars so we just had a jam session with her. So after a kind of depressing show, we had this jam session in her living room and it was probably the most uplifting thing ever. That was probably the last real hang time we had with anyone outside of our house since lockdown started.

When we can all hang out properly at a festival again, who would be on your dream line-up?

Mercedes: I keep watching all these old videos from Reading & Leeds festival and wishing we could play that somehow…one day!

Phoenix: We’ve watched the Reading & Leeds Veruca Salt set a million times!

Mercedes: We love the UK. Every time we’ve been there we’ve had such an amazing time. I think the scene for music in the UK is sort of unlike anywhere else I’ve ever been. The fans are so in to the music. They know the lyrics, they know about the meaning behind the little pieces of art on your albums covers – I feel like they’re really into it and that’s really cool. Our dream line-up would be a dope festival somewhere in the UK and we’d have Bikini Kill, Veruca Salt, Against Me! playing…

Phoenix: …and Radiohead, they’re one of my all time favourite bands.

Mercedes: We’ll play the opening slot at 11am so that we can watch all the other bands.

Good decision! Finally, if you had to describe your music in three words, what would they be?

Mercedes: Rebellious would be one, empathetic might be another. It’s not all just angry stuff though, sometimes it gets pretty feelsy and sad.

Phoenix: Fuzzy? (laughs). On the production side, people always think that distortion and fuzz are for loud music, which typically they are, but you can also make super dreamy, fuzzy distorted music and we try to do that as best as we can.

Huge thanks to Mercedes & Phoenix for answering our questions!

Follow Softcult on SpotifyInstagramFacebook & Twitter for more updates

Kate Crudgington
@KCBobCut

INTERVIEW: Miss Grit

A genre-defying artist who has spent much of her life feeling out of place in rooms full of people, multi-instrumentalist Miss Grit has a sound that ricochets between atmospheric, angular and anthemic. The Korean-American musician has shared two tracks from her upcoming EP, the title track ‘Impostor’ and previous single ‘Dark Side Of The Party‘ and both offer a refreshing insight into her talent as a songwriter and producer. 

We had a quick catch up with Miss Grit (aka Margaret Sohn) to talk about her new record, how she’s managed to overcome feelings of intense self-doubt to create her captivating music, and her brand new single ‘Impostor’ which you can listen to below.

 

How are you Margaret? How are you coping during the on-going pandemic?
Good! I can’t complain. Watching a lot of anime and trying to stay away from the news.

Impostor syndrome is something that your new EP addresses on many levels, including class, race and gender. You said you felt like you were “impersonating a musician” on your previous EP, so has this new project given you more confidence in your abilities as a songwriter?

Definitely! I think that was my main take away from the previous EP. It gave me the push to keep writing and that’s how the Impostor EP started.

You produced the new EP yourself so you could have full creative control. Did you try new techniques? What did you learn from the process?

With this EP, I wrote and produced it with a band in mind compared to the previous EP. I tried to not go too crazy on the production end because I wanted the energy and momentum in the songs to do a lot of the heavy lifting. But I think for the next project I’ll try a less moulded approach and start with a blank space.

Any advice for new musicians who are looking to do the same thing?

Just remember there are no rules! It took me really long to unlearn that and I’m still unlearning all the stupid made up rules I have in my mind about how to be a “songwriter” or a “producer”.

Do you have a favourite track on the EP? If so, why?

I think the first track on the EP called ‘Don’t Wander’ has a special place in my heart, because the creation process for that was as organic as it had felt for me and just kind of spilled out of me. It was really refreshing to write and came to be by itself.

You’ve just shared the EP’s title track ‘Impostor’ today (Jan 13th). Talk us through your writing process for this track and what you love most about it.

It was a song that just felt so good to play and the lyrics kind of got to the bottom of my feelings at the time. It started with the guitar riff and was built from there. My favorite part is the ending. It felt like a nice atmosphere to wrap up the EP with a cozy blanket.

As a new music blog, we always ask artists to recommend a new band or artist that they’ve been listening to recently. Any suggestions for us?

Definitely Pearla, Closebye, Kate Davis, and Pom Pom Squad. They’re all really fucking cool. And I’ve been listening to Nilüfer Yanya’s new EP on repeat.

Finally, if you had to explain your music in three words, what would they be?
Organized bleep bloops.

Thanks to Margaret for answering our questions.

Follow Miss Grit on bandcampSpotifyInstagram & Facebook for more updates.

Photo Credit: Natasha Willson

Kate Crudgington
@KCBobCut