International Women’s Day 2022

Happy International Women’s Day!

IWD is a time to celebrate the achievements of women and a time to reflect on and evaluate the work that still needs to be done to achieve equality. As you already know, these are some of the core values of GIHE. We champion women & non-binary folk who make the music that we love daily!

So, this IWD, we’re asking everyone to continue supporting the artists that we promote on GIHE and to take a look at some of the incredible organisations who work tirelessly to make local music scenes and the wider music industry a safer, more enjoyable place for women to create their art. We’ve also included links to some UK based charities who stand up for women’s rights too.

If you need an IWD Playlist, feel free to visit our Spotify – there’s plenty of good music waiting to get in your ears there!

 

Decolonise Fest

“A London-based festival created by an for punx of colour.” Visit their website

First Timers Fest

A DIY music festival encouraging people to pick up instruments for the first time and learn how to play in a low pressure, friendly environment. Visit their website

Girls Rock London

A charity based in Hackney who focus on increasing access to music for young and adult women, trans and non-binary people. Visit their website

LOUD WOMEN

London-based promoter “putting women on stage and turning up the volume!” Visit their website

Girls Against

Organisation fighting against sexual assault at live music events. Visit their website

Safe Gigs 4 Women

“An initiative established by regular gig goers with the aim of creating a safer environment for women at gigs. Visit their website

OMNII Sound Collective

A London-based collective ” aiming to inspire women, trans and non-binary sound enthusiasts to operate in all aspects of audio production.” Visit their website

Music Production For Women

“A global movement, community and online education platform which aims to encourage and empower women who are taking their first steps into music production.” Visit their website

Ladies Music Pub

A London-based community open to all women, non-binary and gender variant people in music. Visit their website

WXMB 2

A “community of womxn connecting and coming together with a shared mission: to take on inequality within the music industry.” Visit their website

WITCiH

“An inclusive platform supporting Women in Tech. WITCiH is an online and real world platform for research, creation, performance and networking.” Visit their website

Content Is Queen

A “podcasting agency and community that’s been amplifying minority voices since day dot.” Visit their website

The Log Books

An award-winning podcast telling the untold stories from Britain’s LGBTQ+ History. Founded by fellow GIHE babe Tash Walker. Listen here

We Wear Black

A podcast that focuses on what it’s like for women & non-binary people living an alternative lifestyle, talking about everything from “sex, racism and gigs to Myspace and emo fashion.” Listen here

Girls Twiddling Knobs

A podcast “for female identifying musicians eager to start self-recording their music” hosted by Isobel Anderson. They’re launching their third series on 24th March 2022, featuring interviews with Gazelle Twin, Jessica Paz and Emily Nash. Listen here

Sisters Uncut

UK based charity “taking direct action for domestic violence services.” Visit their website

Level Up!

“A growing community of UK feminists whose mission is to interrupt all forms of gender injustice.” Visit their website

#ThrowbackThursday: GIHE w/ Gold Baby 17.01.19

Due to the ongoing Covid-19 pandemic & new lockdown in London, we’re unable to make it into the Hoxton Radio studio to broadcast our weekly live new music show from 7-9pm. Instead, we’re sharing previous GIHE radio show recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music tunes & chats with some of our favourite artists each week.

Today, we’ve picked our January 2019 show with the wonderful Gold Baby. Sian and former bandmate Ian joined Kate and Mari in the studio to play singles ‘Maggots’ and ‘500/1’ live, to talk about how the band first got together, and how the feeling of “starting things too late” has influenced Sian’s song-writing.

Listen back to the show here:

Tracklist
Bikini Kill – Rebel Girl
The Coathangers – Bimbo
Ex Hex – Cosmic Cave
Amahla – Dorothy’s Verses
Princess Nokia – Kitana
Feels – Awful Need
Cosey Fanni Tutti – Orenda
Maria Kelly – July
Nadia Sheikh – Toxic
Foxgluvv – Fries
BOUTS – Loves Lost Landings (Part 1)
Young Romance – Dark Of My Shadow
Novelties – Pillow Talk
Gazel – Mina’s Hymn
Panic Pocket – Mr Big
Tender – Bottled Up
**Gold Baby – Live Session & Interview**
Swallow Cave – Oceanside
Junodef – Heights
FKA Twigs – Good To Love
Bikini Kill – Feels Blind

Photo credit: Jon Mo

Get In Her Ears w/ Anteros

This week Tash and Kate were joined in the studio by guest co-host MIRI! The show was jam packed with new music from AyOwA, Beckie Margaret and Dott. MIRI chipped in with several shout outs for Xylaroo, Patti Smith and Nia Wyn.

Get In Her Ears also had the pleasure of hosting Anteros for a chat and a seamless live acoustic session.

Listen back to the show here:

Be sure to tune in next week when we will be back in the studio with Naz & Ella.

@AnterosOfficial
@MIRIofficialUK
@getinherears

INTERVIEW: Queen Zee

“I could do a Morrissey…” threatens Queen Zee, as we sit outside of Hackney’s Sebright Arms chatting before the band’s headline gig at the venue that evening (April 26th). Zee’s referring to The Smiths’ front-man’s recent controversial interview in which he makes more of his weird and divisive statements for seemingly no reason. I know it’s an idle threat, but Zee’s dry wit puts me at ease. I begin by asking Zee about what they’re expecting from the show that evening.

“The great thing with Queen Zee gigs is that you never really know what’s going to happen. Sometimes we turn up and it’s absolute mayhem, and sometimes we turn up and people are ballroom dancing. You can’t predict it, and that’s what I love about it”

It’s this unpredictability that drew me to the band in the first place. I saw them support Marmozets on their 2017 UK tour at The Garage, and I was blown away by their ability to get the crowd stirred up in to a mosh pit with their songs ‘Boy’ and ‘Fly The Pink Flag’. Their combination of punk anthems and activist attitude has laid the foundations for a community of fans to unite and celebrate in style – and safety – when they attend Queen Zee gigs. I ask Zee whether fans approach them after shows about this.

“We do have some fans who prefer to message us after the gig on Twitter which is always nice, but I make a point when I’m on stage of saying ‘come and say hello’, because I love sharing and I see Queen Zee as a collective, not just as an extension of my ego or as my project. I like people getting involved. People have been customising their clothes and getting tattoos…”

I tell Zee that I saw that a fan had posted a picture of the “sass or die” tattoo that they’d had inked in honour of the band on Queen Zee’s social media accounts. But for every loyal fan, there seems to be a troll. I ask about the trolling Zee experienced on the band’s posts about International Transgender Day Of Visibility (31st March). I ask if shouting back – which Zee always does – takes its toll, or do posts like the one about the tattoo make things easier to deal with?

“Cis people will see these things online and be really shocked by that, but one of the main things for trans people is that you go through things like that every day anyway, it’s just not always online. I actually love people trolling, it’s my favourite thing. I know that I have offended them, and that my existence offends them – and I think that’s brilliant. I don’t want those people to like me, I don’t want them to come to our shows if they’re that bigoted.

Going back to the tattoo though, I absolutely love that. I think it’s bizarre that people would do that. It blows my mind. We played this huge punk show in Liverpool last year, where all the DIY punks get together as a collective and play to about 300 people. We played that and my guitar broke, so we just had to play cover songs, and after that the fan came up to me and showed me the “sass or die” tattoo – and that was the way we ended 2017: it was absolutely amazing. I loved it”.

I broach the subject of mental health too, as this is also an issue Zee speaks openly about online. I ask if they have any advice for other bands who find themselves feeling mentally drained whilst on tour.

“The big thing for me was that I was originally really anti-meds. But actually, just starting on meds has totally changed my life and I feel so much better for it. I don’t want to be ‘pro-meds’ – whatever your stance is, it’s your stance and that’s totally fine – but I would advise people to come to their own decisions, and don’t close your mind off to it. Especially if it’s something that could potentially help you.

General advice and stuff for bands is to eat well, sleep well, and look after each other. It’s dead simple. When we first started touring it was like ‘Yeah! We’re on tour, let’s go out every night!’ and you end up being destroyed by day ten. You get physically ill too.

The thing that made me really ill whilst touring though was that the band consumes your life, so it takes away your social life and even though you’re with your best friends in a band, you don’t see your family, or your other friends, or your partner. And on top of that you’re constantly tired, so it all adds up. I would advise keeping in contact with friends as much as you can. Get your friends to come to shows in the different cities that you’re touring, which is what I’ve done on this tour. A bit of life outside of the band whilst you’re all on tour is great, and it will stop you killing each other.

Our band is formed of five of the most annoying individuals ever. Our bassist is obsessed with meme songs, so on the way here we were listening to Toto – just Toto. It’s funny to start with, you’re like ‘you’ve played ‘Africa’ a few times, okay’ and then he played another Toto song, and another one, and another. He played them for the entire journey – which was an hour. He’s lucky to still be alive. So yeah, no Toto songs on tour…

After establishing a strong “No Toto” rule, I ask if Zee can remember the first time they crowd-surfed or got involved in a mosh pit at a gig, as both of these things always occur at Queen Zee shows.

“The first time I crowd-surfed was as Queen Zee. I never had the guts as a little queer kid to get down to the front and do it. I can’t remember the first time I moshed really, but I was always in to punk and thrash bands so I definitely moshed at those gigs. It was very macho though, so I didn’t feel very welcome in to any of that and there was never really any girls in the pit. So it’s great now when we play shows that I see a mix of girls and guys in the mosh.”

I highlight what a great achievement that is, to have created the safe space that Zee felt was initially lacking at gigs.

“That’s what it’s all about. People know at our gigs that we won’t tolerate any nonsense either. We stopped a show in Nottingham on this tour because our bassist Frankie’s Mum got punched in the face. It was the last song of the set, so I was like ‘if you want to move about, this is your chance to do it!’ and this guy thought it was a great idea to just to swing round in to me, hitting Frankie’s Mum in the face in the process.”

I point out that of all the people that could’ve happened to, what are the chances it would be the Bassist’s Mum…

“I know! I was like ‘you need to leave, now’. Luckily she was okay, she actually loved it! Mosh pits are weird though. We had a gig in Birmingham the other day, and the crowd for the support bands were quite young, maybe seventeen year olds? So they were really kicking off, and I thought I’d jump in because you know, it’s only kids – but I just got beaten up! I’m too old. I’m twenty-four this year, and I came out of that mosh bruised and feeling like a fifty year old”.

I ask Zee what new music they’ve been listening too, as GIHEs are always interested in new music recommendations from our favourite bands.

“There’s so many on this tour that we’ve played with. A band from Cardiff called CHROMA are amazing. We shared a stage with them at Reading & Leeds last year and then we’ve played with them on this tour, and they always blow me away. Their songs have a really cool Death From Above type vibes to them. There’s a band from Nottingham called Babe Punch who play Riot Grrrl-esque punk stuff, and they do a really good cover of ABBA’s ‘SOS’. Salt Bath are another Cardiff band who play really cool queer punk stuff. They’re my big three”.

Now it’s time to talk about plans for the summer. I ask what festivals Queen Zee will be playing at, and if there are any festivals Zee would like to attend just as a fan.

“I hate music…”

It takes me a moment to work out whether Zee’s joking or not…

“No seriously, when we play a gig or we’re watching support bands I’m like “Ah music is great, I love it!” but when I’m at home I never listen to music. I’m chilling the fuck out and watching Netflix, I’m not going to any festivals as a fan! After seeing the inner-workings of festivals as well, it changes your perspective on things. It’s always so stressful trying to get from point A to point B in a field, which you think would be simple but it’s the most difficult thing.

But, having said that, we’re playing quite a few festivals in May. We’re playing The Great Escape, Sound City, Live At Leeds, Neighbourhood and there’s more on the horizon too. We’ve got some time off on June & July to do some more recording though.

To make the idea of Festivals more bearable, I ask Zee what their dream Festival line-up would be.

“Dream headliner would be Me, with a support of Me and just before that it would be Me. Doing slightly different stuff though, maybe even a ‘Toto’ covers set? I dunno, I’d probably give the headline slot to someone who really deserves it.

I have really bad music taste, I love classic rock like Twisted Sister. I’m obsessed with them, and I know I shouldn’t be, and I know it’s bad. Everyone else in the band has really cool music taste like Pixies and Neutral Milk Hotel and I’m like ‘okay, does anyone like Scorpions?’ I’d like to see The B52s, I don’t even know if they’re still going?’

I mention that Cindy Wilson of the B52s is doing her own solo stuff now, so that might have to wait.

“I’d resurrect ABBA! To be honest, it’d probably just be loads of little bands in a sweat-box venue. Oh wait – I’ve got my dream headliner – Judas Priest…I’m obsessed with them.”

Little did we know at this point that the next day ABBA would announce they’re releasing new music. It’s as if Zee has a sixth sense. To end our chat, I ask Zee what three words they’d used to describe Queen Zee – aside from “sass or die”…

“Tortured Scissor Sisters…”

Fingers crossed that’s what Zee calls the band’s debut album.

Catch Queen Zee at The Great Escape at The Hope & Ruin (10:45pm -Thursday 17th May)

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut