FIVE FAVOURITES: Sophie Hutchings

A talented composer who produces mindful piano-led music, Australian artist Sophie Hutchings uses sound to ease the anxieties of everyday life. She recorded her recent EP, Love & Keep, between the hours of 12-4am, embracing her insomnia and offering her listeners a moment of stillness and serenity amidst her restlessness.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Sophie to ask her about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and scroll down to watch her video for recent single ‘Light Over The Moor’ at the end of this post.

Sophie: “I find it almost impossible to choose 5 favourite pieces, so I’ve chosen 5 of my favourites that had a significant impact on my formative years. Even though they are all quite different from each other, there’s a common ground of repetition in these pieces which I’ve always found quite hypnotising in music.”

1. Brain Eno – ‘Discreet Music’
I love Erik Satie’s invention and coining of the term “Furniture music” – sounds that were designed to be heard, but not listened to. Brian Eno fans will know this is the whole aim with ‘Discreet music’. It’s intended to blend into the ambient atmosphere of the room rather than be directly focused upon. This, to me, has got to be one of the most soothing ambient pieces I’ve ever heard and has always been one of my favourite go to late night listens. I grew up listening to a lot of Brian Eno but this one really stirred me. It always felt like a musical bedtime story. There’s a dreamy placid beauty about it that allows you to float and drift outside yourself without you even realising.

With a very simple organic layering of melody the piece never really changes which is what I love about it, yet it constantly and subtly evolves with the accession of various decay as the piece gradually and quietly repeats its motifs with all the sounds remaining continually tranquil and peaceful. It’s one of those pieces that feels like it could go on for infinity. It’s music that doesn’t demand your attention though still evokes a delicate sense of emotion.

2. Arvo Part – ‘Spiegel im Spiegel’
The first time I heard ‘Spiegel im Spiegel’ it put a massive lump in my throat. I’ve listened to it countless times and there’s not a moment when it still doesn’t raise the same stirring response. Again, this is one of those hypnotising pieces due to the unchanging nature of recurring motifs in the piece and beautifully long sustained notes. I love how the minimalism relies on atmosphere and not on building towards a climax like a lot of classical music does.

Arvo Part is a true example of introspective music. It’s not how many notes are played but how they are played. It’s also about the space in between. Silence in music speaks and I find there’s almost as much strength in the pauses and space in music as there are notes. ‘Spiegel im Spiegel’ hangs on the edges, yet there’s a restlessness over the quietness that balances the fragility in this piece of music and I guess being a sentimental person you don’t tire of this kind of beauty in music.

3. Susumu Yokota – ‘Traveller In The Wonderland’
Discovering Susumu Yokota was like discovering Alice In Wonderland as a child all over again (which I’m slightly obsessed with). I find him the true master of ambient electronica. Sadly, I only discovered him just before he died and I would love to collect all his albums on vinyl, which are few and far between. There’s a lush fanciful playfulness to this piece. It’s almost like nature talking to each other.

Yokota taps into the senses through melodic remnants taken from historical old classical pieces on his album Symbol, and in this instance on ‘Traveller In The Wonderland’ there’s some beautiful Camille Saint-Saens and a little Luigi Boccherini which gives it this mystic whimsical edge – still he reveals it in this almost anonymous way – placing a sense of nostalgia of some long lost place weaved throughout his dreamy melodic textural synths, wordless dreamy vocals and drum loops with romantic musical pathways of middle eastern tonality resonating around the circumference. To me, it’s like being under the trance of a magical child-like spell which takes me back to my Walt Disney imaginative heydays.

4. DJ Shadow – ‘Building Steam With A Grain Of Salt’
DJ Shadow was a revelation in my early adult years. He enthusiastically rocked my world. There’s this clever combination of moody and intense rhythmic melodious energy that just brings everything so alive in this piece. The haunting atmosphere that’s accentuated by the repetitive hypnotic group vocals, rich off beat bass and the urgency and drive of the eerie piano riff. I’ve always affiliated with a certain amount of intensity in music and hearing this song for the first time was like hearing an unexplored wilderness of dynamic addictive melody. I love how he brings to life all these old vinyl treasures and re-creates layers and collages of sound. It’s enticing, energetic, ethereal and ambient all in one – where happy and melancholy are competently one – it’s an intoxicating and timeless listen.

5. My Bloody Valentine – ‘Soon’
I grew up being surrounded by a lot of noisy indie rock and shoegaze music and as much as I don’t listen to this kind of music as much as used to, this piece stuck with me and was one of my favourites that bounced off the family household walls at high decibels thanks to my older brothers. I would always have a good dance to it!

If there’s ever a blurred latitude of noisy dreamy sound with a rhythmic propulsion, I say this is an iconic one. It’s one of those songs that feels like you’re lost in a sonic labyrinth which one will either grapple with or be enlightened by. I just listened to it again for the first time in years and it took me back to days of going for walks and blaring it in my headphones. When embraced, it’s like entering a woozy euphoric daze that you can get totally lost in and it taught me that you don’t necessarily have to always interpret music as long as you feel it – then to me, you understand it. Not everything in music needs an explanation to be felt.

Thanks so much to Sophie for sharing her favourites with us!

Watch her video for ‘Light Over The Moor’ below.

Photo Credit: Luke Dubbelde

Re-Covered: Sally-Anne’s Illustrated Favourite Albums

If you’re anything like us, throughout Lockdown you may have been seeking refuge in some of your favourite records, perhaps rediscovering some old classics along the way. So, for this new feature, illustrator Sally-Anne Hickman re-imagines her favourite ten albums of all time by painting their covers in her own unique style, using watercolours.

Check out the fifth of Sally-Anne’s choices below, and keep your eyes peeled for the rest over the next few weeks…

My Bloody Valentine – Loveless
The pioneers of shoegaze, MBV created such an original and unique sound that nothing has come close to replicating it since. Kevin Shields is an innovator of ethereal atmospherics, he introduced a palette of guitar textures that range from noise rock to undersea creatures. This album, a musical masterpiece, blends a blizzard of guitar noise with soft androgynous vocals from Bilinda Butcher and a trance-inducing tremolo to create a sonic carousel of sound.

 

Sally-Anne Hickman
@sallyshinystars

Track Of The Day: draag – ‘Trauma Kit’

Anxious thoughts melt away in a swirl of hazy guitars and uplifting electronics on ‘Trauma Kit’, the latest single from L.A. indie-shoegaze five-piece draag. Following on from their previous track ‘Ghost Leak’, ‘Trauma Kit’ continues to unravel the tensions that went in to creating the band’s upcoming EP, Clara Luz, which is set for release on 21st February.

Draag was originally a solo project fronted by Adrian Acosta, who was trained as a mariachi singer by his Father. After exploring the worlds of underground punk, no wave, and experimental jazz, Acosta soon met and added Jessica Huang, Nick Kelley, Ray Montes and Shane Graham to draag’s lineup. Together, the five piece create music that’s garnered comparisons to My Bloody Valentine and Sonic Youth.

The band have shared a dramatic set of visuals to accompany ‘Trauma Kit’, directed by Devonte Johnson, and co-directed by band members Acosta and Huang. They compliment the track’s cinematic, all-encompassing sound.

Having been tested by illness and personal turmoils throughout recording, draag’s new track and the collection of songs on their upcoming EP are about dealing with trauma, and how simultaneously difficult and empowering that can be.

Listen to ‘Trauma Kit’ below, and follow draag on Facebook & Spotify for more updates.

Photo Credit: Devonte Johnson

Kate Crudgington
@KCBobCut

Track Of The Day: draag – ‘Ghost Leak’

A hazy ode to feeling inconsequential; L.A, shoegaze outfit draag have crafted a strung out, dreamy soundscape on their latest single ‘Ghost Leak’. The track is lifted from their upcoming EP Clara Luz, which is set for release on 21st February.

draag was originally a solo project, fronted by Adrian Acosta who was trained as a mariachi singer by his Father. After exploring the worlds of underground punk, no wave, and experimental jazz, Acosta soon met and added Jessica Huang, Nick Kelley, Ray Montes and Shane Graham to draag’s lineup. Together, the five piece create music that’s  garnered comparisons to My Bloody Valentine and Sonic Youth.

Speaking about their latest single, Jessica Huang explains: “‘Ghost Leak’ is the feeling of being completely invisible and inconsequential. It is also a message to someone we lost — to let them know they weren’t invisible.” draag’s new EP has been underscored by personal hardships, illness and isolation, but there’s a sense of hope that filters through their muddy soundscapes, making it easy to escape into their music.

Watch the video for ‘Ghost Leak’ below, and follow draag on Facebook for more updates.

Photo Credit: Devonte Johnson

Kate Crudgington
@KCBobCut