Track Of The Day: Softcult – ‘Gaslight’

An urgent, shadowy guitar tune exploring the “sinking feeling” of self doubt in an unbalanced relationship, Canadian duo Softcult have shared their latest single ‘Gaslight’. Taken from their forthcoming EP Year of the Snake, which is set for release on 4th February via Easy Life Records, the track is a melodic caution to listeners, gently encouraging them to recognise the unacceptable patterns of behaviour described as “gaslighting.”

Formed of Ontario-based twins Phoenix and Mercedes Arn Horn, Softcult cut their teeth playing live shows in their local town of Kitchener, before moving on to bigger audiences on the North American tour circuit. Their experiences of playing and working within a male-dominated industry formed the foundation for their current sound, which is born from the desire to reject toxic standards of femininity, challenge misogynistic behaviour and embrace a more equal world. Latest single ‘Gaslight’ continues this narrative, with its poignant lyrics, yearning dual vocals and swirling guitar riffs.

“We wrote this song about gaslighting and how it really messes with your head and your perception of reality,” guitarist & vocalist Mercedes explains. “Being in a relationship that constantly makes you question your decisions and actions, your feelings and emotions, even your soundness of mind. It’s a tactic that many abusers and groomers will use to tear down your defences and make you easier to manipulate. We wanted to raise awareness of this manipulation technique, so that whoever hears the song will be able to recognize those red flags if they encounter that kind of behaviour.”

Watch the video for ‘Gaslight’ below.

Follow Softcult on Spotify, Instagram, Facebook & Twitter

Softcult UK Tour Dates 2022
Thursday, February 17th – Crofters – Bristol
Friday, February 18th – The Victoria – Birmingham
Saturday, February 19th – Heartbreakers – Southampton
Sunday, February 20th – The Key Club – Leeds
Tuesday, February 22nd – The Garage (Attic Bar) – Glasgow
Wednesday, February 23rd – The Deaf Institute – Manchester
Thursday, February 24th – Camden Assembly – London

Kate Crudgington
@KCBobCut

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Track Of The Day: Aderyn – ‘Scotty’

Following the lo-fi fuzz of ‘Silver Screen’, Welsh artist Aderyn returns with a chipper pop anthem, ‘Scotty‘, released on Phwoar & Peace Records. After playing drums for years in other grunge rock and indie pop projects, Aderyn was introduced to music from a “backseat perspective”, until she was inspired by the fun of what being a front person may bring…

Filled with jangly guitars and a sweet curiosity in her disposition, ‘Scotty’ offers a quirky sing-along that suggests plenty of potential in Aderyn’s songwriting. Minimal, charming guitar delivers a warmth, setting the scene whilst her vocals sweeten the insightful lyrics that ponder the disappointment and reflection that comes with heartbreak. Speaking on the power that people can hold, Aderyn alludes to different loves across the span of a life. Although melancholic, her awareness of the speed and healing of time is what propels ‘Scotty’ and weaves humility into the entirety of the track.

“And I’ll forget you…” – ‘Scotty’ feels like laying in your bed and missing someone, while serving as a track to help you shake it off. Thumping ’80s drums and dreamy indie guitars brew tastefully throughout as ‘Scotty’ thrives in its choruses to eventually come to a boil in the immersive, euphoric outro. A jaunty guitar solo and invigorating gang vocals chant ‘Scotty’ in what feels like a coming of age for Aderyn. Of the track, the songwriter reflects:

“The phrase ‘beam me up Scotty’ is one my Dad uses whenever something goes wrong, and I wanted to use it to represent that feeling of wanting to be taken totally out of a situation. This song was influenced by the alien-esque imagery of Bowie, and I had fun bringing in different musical influences”

Aderyn’s ‘Scotty’ is a manifestation of dynamic, feel-good pop – surely an intriguing invite for what is to come from the project’s future.

Watch the vibrant, extra-terrestrial inspired video for ‘Scotty’ here:

‘Scotty’ is out now via Phwoar and Peace Records.

Jill Goyeau
@jillybxxn

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Track Of The Day: The Kut – ‘AMINO’

The perfect rock’n’roll tonic to motivate you out of bed on a dreary winter’s morning, The Kut gives us a flavour of her upcoming second album with fierce latest single ‘ANIMO’. 

Meaning ‘spirit’ or ‘courage’, the energetic track strikes hard with chugging power chords and a catchy electronic motif. ‘ANIMO’ is tight and compelling throughout, capturing a classic rock sound with a modern edge, as the lyrics speak of the bravery of recent women’s rights protests across the UK. Driven by The Kut’s signature dynamic vocals, the tune also features Alison Wood on soaring guitar riffs, Jennifer Sanin providing pounding bass, and Diana Bartmann solid on drums – a formidable unit demonstrated perfectly by ‘ANIMO’’s rousing accompanying video.


Released as a taster of her anticipated second album, due June 2022, The Kut also has plans stateside, with a great new US distribution deal under her belt. If ‘ANIMO’s infectious energy and hard-hitting rock power are anything to go by, she has exciting things in store for us.

Leonie Bellini
@teenpeachmovie

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GIHE: Ones To Watch 2022

It’s safe to say 2021 has been a tough one… But if there’s one positive to take away from this year, it’s the immense amount of incredible new music that’s been released, and the hope of even more sublime offerings from some wonderful new bands in 2022.

For our final annual end of year round-up, we’re sharing our ‘Ones To Watch’ for 2022… Just a few of the amazing bands and artists who have impressed us throughout 2021, and that we predict will be reaching ears far and wide next year… Have a read of our choices, and make sure you give them all a follow to keep track of their unmissable achievements over the next 12 months.

Cherym
Derry trio Cherym are one of my favourite discoveries of the year. Having had their EP Hey Tori pretty much on repeat over the last few months, seeing their gig at Paper Dress Vintage in October left me buzzing with a joyous sense of nostalgic euphoria – not only because it was my first gig since Covid, but because of the band’s unmatched exuberant energy and fiery spirit. Each of their songs is a perfect ​​master class in pure, perfect punk-pop – instant singalong anthems. I just can’t get enough of their empowering energy and bubbling, sugar-coated scuzz. And, having now been featured in Kerrang!, and with plans to play at SXSW this Spring, it seems they’re definitely ones to keep your eyes and ears out for in 2022! 
(Mari Lane – Co-Founder)


Pretty Happy 
I still crack up when I think of Pretty Happy guitarist Abbey Blake commenting “you’re the first person to say we have genuine talent” when I told them how great I thought their music was back in September. Together, Pretty Happy – aka art-punk trio Abbey, Arann Blake and Andy Killian – create riotous, tongue-in-cheek offerings often centred around their observations and experiences of living in their home county of Cork, Ireland. I had their EP Sluggers Bridge on heavy rotation during 2021, chanting along to ‘Sea Sea Sea’ and ‘Sudocrem’ as loudly and obnoxious-ly as possible. The band should hopefully be supporting Gilla Band on NYE if restrictions in Ireland allow, and I’m keeping my fingers crossed that they’ll make it over to the UK in 2022 so I can see them live for the first time.
(Kate Crudgington – Co-Founder)


BAXTR
Blasting out the pink, fuzzy energy we’ve so needed this year, and having received acclaim from the likes of BBC Introducing, London trio Floss, Bash and Keiko – aka BAXTR – have fast become one of my favourite bands of 2021. With sunny, uplifting singles such as ‘In Pop We Trust’ and ‘Grace On Fire’, the band showcase their knack for combining a kitsch, honey-sweet pop allure with a fierce, frenzied rock spirit, consistently delivering an effervescent, euphoric power with each frenzied, fun-filled floor-filler. A band on the rise for sure, I can’t wait to host BAXTR playing live for us at The Shacklewell Arms on 24th February, along with headliners Jenny Moore’s Mystic Business and Sheffield band Potpourri. Get your tickets on DICE now. 
(ML)


Grandmas House
Since I heard the opening riff of ‘Always Happy’ by Bristol trio Grandmas House, I have been hooked on their sardonic, thumping post-punk sounds. Formed of Yasmin Berndt, Poppy Dodgson and Zoë Zinsmeister, the band combine gritty guitars, powerhouse percussion and visceral vocals to create intensely relatable anthems. Watching them live at The WIndmill in Brixton was a real joy this year and I look forward to insisting Mari buy their last tote bag at the merch stand at more of their gigs in the future.
(KC)


Queen Cult
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger‘, and support for explosive recent offerings ‘Show & Tell’ and ‘A Song About Consent’ from big names such as Bang Bang Romeo, Cheshire band Queen Cult have been fast making a name for themselves this year. Consisting of front person Maisie Johnson and bassist Leila Jacklin, as well as Brodie Carson on drums and Piers Jarvis on guitar, the band pride themselves on their LGBTQ+ identity and sharing their queer, politically-charged messages with the masses, and I cannot get enough of their seething, gritty energy and riotous, angst-driven power. And, with a tour with GIHE faves LibraLibra set for January, it seems as though many more people will be being lured to the band’s fierce colossal spirit and instantly catchy musicality very soon. 
(ML)


Brimheim
I have Mari to thank for bringing Danish artist Brimheim to my attention this year, after she played her shadowy, sublime single ‘poison fizzing on a tongue’ on our radio show. Brimheim’s buoyant second single ‘hey amanda’ is a gentler, but equally as emotive track that showcases her talent for capturing a moment in its purest form. I’m so excited to hear her new album, the magnificently titled can’t hate myself into a different shape, when it’s released in January 2022.
(KC)


45ACIDBABIES
Dutch garage-pop punks 45ACIDBABIES have been providing a welcome quirky, fizzing soundtrack throughout 2021. Having previously shared stages with the likes of Sleigh Bells and Blood Red Shoes, with singles such as ‘Mommy’s Favourite 1’ and ‘Only Class6 From Now On’, they have showcased their ability to create perfectly catchy, danceable anthems. With each single offering a wonderfully obscure cacophony propelled by a swirling energy and vibrant honey-sweet allure, the band have already gathered a huge fan-base in their native Holland (with over 685k streams of their music on Spotify this year), but I predict that 2022 sees them headed for world domination… Watch this space! 
(ML)

Lilith Ai
Self-described as “a singer-songwriter who performs poignant tales of modern city life,” Lilith Ai writes relatable guitar tunes exploring turbulent emotions in a humble and engaging way. She was modest, self-deprecating but incredibly warm and open to talking about all aspects of her life and art when I spoke to her about her album, Folk You Hard, earlier in the year. Loud Women also awarded her their prestigious Hercury Prize Award for the record, which is further proof she’s definitely one to watch in 2022.
(KC)


The Menstrual Cramps
Having been massive fans of raging queer punks The Menstrual Cramps since 2017’s debut album We’re Not Ovaryacting, and had the honour of hosting an epic night of them playing live for us at The Finsbury back in 2018 as well as having them as guests on our radio show, we have been wallowing in a Menstrual Cramps-less void for the last couple of years as the band were on a little hiatus. But, at the beginning of this week, just when we thought all was lost and we’d given up any hope of 2022 being better than the last two years… The Menstrual Cramps announced their return! Joining front person Emilia and drummer AJ, the band introduced two new members, Abi and Zam, and have promised new music for us. I cannot wait for more of their politically-charged, immensely empowering anthems! 
(ML)

Check out our Tracks Of 2021, Albums & EPs of 2021 and Personal Highlights now. Massive thanks to all who’ve supported GIHE this year, it really means the world. And huge thanks too to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack 2022!

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