VIDEO PREMIERE: LibraLibra – ‘Fancy Car’

Having released their epic second EP, Modern Millennial, earlier this year, and fresh from wowing crowds at TGE and receiving acclaim from the likes of Jack Saunders at BBC Radio 1, GIHE total faves LibraLibra have now shared a brand new video for album track ‘Fancy Car‘.

With the vibrancy of the retro, Grease-inspired hand-crafted visuals matching the colourful charisma and frenzied energy of the track perfectly, ‘Fancy Car’ is propelled forwards with a sizzling, empowering spirit. Fizzing with a swirling, psych-infused chaos, it oozes a fierce, immense power as the raging magnificence of front woman Beth’s colossal vocals are interwoven into the track’s gritty, anthemic musicality.

With the visual and lyrical narrative so wonderfully aligned, we’re fully immersed into the story of ‘Fancy Car’ – the highs and lows of intense young love, and the rollercoaster of feelings that can accompany it. Fluctuating between a riotous angst-driven force and glistening soulful majesty, the glorious dynamic splendour of Beth’s vocals lends itself perfectly to the vivid cinematic allure of the animated illustrations.

The video for ‘Fancy Car’ was created by Holly Deanna from previous GIHE headliners and faves CURRLS – and I think you’ll agree that she has encapsulated the fiery essence of LibraLibra perfectly! See more of her art at @heavenlystudio_ .

Watch the new video, for the first time, here:

Mari Lane
@marimindles

LIVE: Lunar Vacation @ Moth Club, 11.05.2022

Having been completely addicted to last year’s debut album from Lunar Vacation – listening to it pretty much non-stop for the last six months – I was excited to finally see the Atlanta-based band live at Moth Club last Wednesday.

The night opens with the shimmering, uplifting grace of German band Roller Derby, and – as they treat the crowd to a mesmerising cover from their “favourite UK band”, I shimmy along to ‘Friday, I’m In Love’, and come to the realisation that I may have just discovered my new favourite band.

After introducing themselves – explaining that they had to get the ‘Chunnel’ to come over to the UK – Lunar Vacation begin their set with the blissful tones of ‘Peddler’, instantly captivating the crowd of adoring fans, as an endearing sense of excitement and joy radiates throughout the sparkling interior of Moth Club. Following the jangly musicality and swirling surf-pop energy of ‘The Basement’, Lunar Vacation ask “someone they met earlier today” to join them on stage – and so we’re introduced to Ella, a mega fan who seems to have learnt ‘Unlucky’ note-for-note and seems completely at ease joining the band on guitar for the entirety of the track’s twinkling romanticism.

Discussing the title of their album, Inside Every Fig Is A Dead Wasp, front person Grace explains that it is indeed a true fact – despite being a fruit, figs are not vegan, due to the amount of dead wasps you may accidentally come across when eating them. So, no more figs for me… Continuing to charm the crowd with both insightful knowledge and a dreamy musicality, the band ease into ‘Where Is Everyone?’ and ‘Mold’, flowing into each song with their trademark lilting hooks and stirring, sparkling emotion.

As Grace’s luscious crystalline vocals ripple alongside the cinematic instrumentation, I notice someone in the crowd literally do a little jump for joy… And it’s poignant just what a truly joyous atmosphere has been created. The front couple of rows are pretty much entirely made up of smiling femmes and queers; all swaying along, beaming, singing along to each and every word of Lunar Vacation’s glistening offerings. The kind of euphoric sense of unity I hope to create at the gigs I host for Get In Her Ears.

Following the gentle ethereal splendour of ‘No Offerings’, guitarist Maggie continues the endearing witty banter, revealing that Grace has always wished she was British, and was hoping that Alex Turner may have made an appearance tonight…

As the sweeping, mystical allure of tracks such as ‘Anna’ and ‘Gears’ floats through the venue with an exquisite heartfelt charm, I remain utterly immersed in Lunar Vacation’s knack for perfectly fusing together a beautiful, stirring melancholy with an uplifting, rapturous energy.

As the set draws to a close, the disappointment doesn’t last long as the band sneakily reappear a moment later to treat us to a little encore and – as the whimsical majesty of ‘Swimming’ glides into our ears – I’m left feeling utterly elated. Any worries or stresses I may have had on arriving at Moth Club tonight have floated away on the truly dreamy, radiant grace and heartwarming sense of unity that Lunar Vacation have created.


Mari Lane
@marimindles

LIVE: Bad Waitress @ Moth Club, 09.05.2022

I’ve been wanting to see Toronto band Bad Waitress live ever since first falling in love with the riotous power of last year’s single ‘Strawberry Milkshake’, followed by weeks of listening to epic debut album No Taste on repeat. So, it was with much excitement that I was able to catch Kali, Moon, Katelyn and Nicole opening for Brooklyn band Gustaf at Hackney’s Moth Club on Monday.

Kicking off the rather sweaty night, Bad Waitress immediately blast into the seething discordant splendour of ‘Rabbit Hole’ with an immense, gritty energy – no introduction needed. As frenzied, relentless riffs ricochet off the sparkling interior, I become instantly utterly immersed in their scuzzy, angst-driven power. As a ferocious energy propels ‘Lacerate’, Kali’s raw, impassioned vocals ring out with a fierce emotion, reminiscent of the legendary Brody Dalle. 

Continuing the set with racing, chaotic vigour, the band treat us to more hell-raisingly raucous – yet fuzzily catchy – offerings, such as wonderfully sinister punk anthem ‘Strawberry Milkshake’ and the eerily seductive allure of ‘Manners’. 

As Kali leads the band with an immense, raging drive, the rest of Bad Waitress captivate the crowd; whether it’s the quirky charisma of guitarist Katelyn as they deliver the most impressive of riffs, Moon pummelling the kit with an infectious shimmering energy, or the ethereal charm of bassist Nicole.

Nearing the end of the set, Bad Waitress treat us to one of their earliest singles ‘That Sedative’, before showcasing their versatility with the sweeping, sultry ferocity of ‘Delusions of Grandeur’ and fierce latest single ‘Spit It Out’.

After a year of being desperate to see this Toronto band live, they do not disappoint. I remain utterly spellbound by their seething, empowering cacophonies throughout. A truly epic experience.

(Kills Birds – with their colossal grunge-fuelled fuzz and immersive stage presence – were also incredible!)

Mari Lane
@marimindles

Track Of The Day: Tan Cologne – ‘Topaz Wave’

A captivating, soothing reflection on a memory of “surfing in a red tide algea bloom”, New Mexico based duo Tan Cologne have shared their latest single ‘Topaz Wave’. Taken from their upcoming new album which is set for release later this year via Labrador Records, the track is a peaceful, hazy musing on the natural phenomenon of phosphorescent algae, explored through atmospheric guitar twangs, gentle percussion and lullaby-esque vocals.

Formed of interdisciplinary artists Lauren Green and Marissa Macias, Tan Cologne are deeply influenced by the “sonic modalities…of earthly and otherworldly landscapes.” They create sounds that are inspired by their natural surroundings in New Mexico, and in 2020, the duo released their debut album Cave Vaults on the Moon in New Mexico, a collection of beguiling, experimental soundscapes that focused on the theme of growth.

With their latest single ‘Topaz Wave’, the band continue to reflect on the power of nature, with a sound that shimmers and meanders like the natural phenomena it’s based on. “The song carries a memory of surfing in a red tide algea bloom with the waves flickering and illuminating the ocean energy,” Tan Cologne explain. “We wrote the song beside an arroyo, a dry river bed, in Ranchos de Taos, New Mexico. The sides of the arroyo walls are shaped like curved waves – reflecting the experience of tidal and earth transformation, and how the desert land was once ocean.” The arroyo can be seen in the track’s accompanying video, directed by Carly Short.

Watch the video for ‘Topaz Wave’ below.

Follow Tan Cologne on bandcamp, Spotify, TwitterInstagram

Photo credit: Marissa Macias

Kate Crudgington
@KCBobCut