WATCH: She Drew The Gun – ‘Class War (How Much)’

Liverpool’s She Drew The Gun continue to storm out the blocks with the announcement of their upcoming new album Behave Myself, set for release in September. And now they have treated us to a poetic middle finger to the Tory government, seething with corruption, on the second single to be taken from the album – ‘Class War (How Much)’. 

The track gets rolling with a catchy bassline before the languid rhetorical refrain of “how much did you get paid for that?” kicks in – questioning the ethics of high-level nepotism in military contracts and PPE deals. Shiny synths cut through perfectly, pairing well with the accompanying animated ’80s arcade music video and humorously contrasting ‘Class War’s morose subject matter. She Drew The Gun’s singular half-spoken half-sung vocals are centre stage here alongside some playful electric guitar licks, boosting the witty wordplay of lyrics like “I’m a weapon of mass distraction”.

The Merseyside-based musician explains of the track:

“It’s about how much we let corruption go in plain sight and accept a politician’s answer when these people are at the front of a ruthless class war being waged against those of us who live on the wrong side of Capital.” 

‘Class War (How Much)’ joins the excellent ‘Cut Me Down’ as fiery, politically-minded tasters of She Drew The Gun’s increasingly exciting upcoming album – Behave Myself – set for release on 24th September via Submarine Cat Records. Pre-order here.

Leonie Bellini
@teenpeachmovie

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Track Of The Day: Anna Vincent – ‘Naxos’

Having previously charmed us fronting indie-pop outfit Heavy Heart (who headlined a dream of a gig for us at The Windmill a while back), and as a touring member of Happyness, after two decades making music London based Anna Vincent has now launched her first solo venture. With her debut album set for release in October on Max Bloom (Yuck)’s new label Ultimate Blends, she has now shared a dreamy new single.

Reminiscing about a sunny trip to Greece with Bloom in the early stages of their relationship, ‘Naxos’ flows with twinkling, folk-strewn hooks and glistening chiming chords alongside Vincent’s smooth, luscious vocals. Rippling with a captivating charm and lilting, sun-kissed energy, with shades of the likes of Angus & Julia Stone, it’s a beautifully shimmering ode to falling in love, oozing a euphoric sense of romanticism and hope. So, prepare to sit back and immerse yourself in ‘Naxos’ spellbinding majestic grace and blissful vibes; an exquisite, sparkling soundscape that perfectly captures the feelings of comfort and serenity that only come with spending time with your favourite person – “With you, I’m finally home”.

Of the track, Vincent expands:

“There was also something dreamlike and magical about travelling to the island by boat and being marooned there, but happily so.  I had this feeling of being home, even though it was the first time I’d been there, and I realised it was the feeling you get being with someone you love: anywhere could be home if we were together.”

Watch the blissed-out new video for ‘Naxos’ here:

Under The Glass, the upcoming debut solo album from Anna Vincent, is set for release on 29th October via Ulimate Blends. Pre-order here.

Mari Lane
@marimindles

Photo Credit: Max Bloom

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ALBUM: Nun Habit – ‘hedge fun’

There is nothing about Nun Habit’s debut album hedge fun that would suggest it was recorded in a single hasty weekend between lockdowns. The band describe it as “a rejection of the corporate and mundane and a celebration of everything there is to love about queer DIY music”. They have absolutely lived up to that description in every beat of this record.

The album opens with the smooth, relaxed ‘Slip N Slide’. Deep, gentle notes ease you into the track, with burbling synths and warm vocals dancing around a rich bass line. This sets the scene for the rest of the album, which is constructed expertly out of the band’s signature synth and string combo playing over that rumbling bass. ‘Slip N Slide’ builds into a powerful climax, launching effortlessly into the high energy of ‘Marigolds’.

hedge fun fluctuates in terms of pace and energy. The tracks fit together comfortably, creating a vibe that ebbs and flows with a natural rhythm. Some tracks slow right down so that they feel more like beat poetry, with a gentle pace and cool beats. Others match the fast pace and high energy of ‘Marigolds’, with that raw screaming sound that sweeps you up into a chaotically wonderful whirlwind of synths and drums.

The real magic of this album is how much emotion is packed into every note sang – every vocal note is heavy with expression, whether it’s one of the more nonchalant tracks or the roaring impactful ones.

‘TinderHingeHer’ in particular takes you on an emotional rollercoaster just through its energy. It begins cool and laid-back, as you swipe aimlessly through dating app profiles, at first casual. But it soon ramps up into a raw, emotional cry as you go through the motions getting increasingly desperate to find someone to connect with.

Lyrically, the album touches on so many aspects of contemporary life and the feelings they inspire, both the happy and difficult. hedge fun captures that rare place where emotions intersect – where they clash and where they reach a fleeting sense of harmony, before you’re plunged back into the overwhelming cacophony of reality.

Finally, the collection ends on one of the more relaxed-sounding tracks – the poignant, short-but-sweet ‘One More’ – reflecting on the ups and downs of relationships with the band’s trademark honesty and wit.

hedge fun showcases all there is to love about Nun Habit and their knack for fusing together an eclectic mix of both musical genres and lyrical subject matter in the most uplifting of ways. A cheering sonic exploration that demands multiple listens, and will leave you looking forward with uncertainty but optimism for what this band are going to do next.

Listen to, and buy, hedge fun on bandcamp here.

Kirstie Summers
@ActuallyKurt

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WATCH: Lunar Vacation – ‘Mold’

With a twinkling new excursion, Atlanta-based band Lunar Vacation share their new single ‘Mold’ in anticipation of their debut album Inside Every Fig Is A Dead Wasp, which is set for release in October.

Setting the scene with choral vocals and synth pads that hold the power to stretch for days, ‘Mold’ is captivating from its start, casting off into a dream sequence breathing honest lyrics on the art of balance. Catchy riffs nudge the track into its snappy rhythm and develop Lunar Vacation’s indie-rock disposition into irresistible, danceable dream-pop. Modest, detail oriented drums keep the track swirling, sustaining ‘Mold’s luscious yet driving guitars and honey-sweet vocals. However, it is the chemistry between players that seals the effortless breeze and nonchalant feel of Lunar Vacation. 

A sense of closeness seeps through every crack of ‘Mold’s mix. Its world remains “changing with the seasons” as the track unravels through warm sing-along choruses, and signs off with a sonic shift that hits like winter in slow motion. Reminiscent of the dreamy soundscapes of Snail Mail or Alvvays, Lunar Vacation elegantly share a melancholic experience packaged in a lush, sparkling soundscape.

‘Mold’ is accompanied by a quirkily psychedelic, Wes Anderson-inspired new video. Watch it here:


Inside Every Fig Is A Dead Wasp, the upcoming new album from Lunar Vacation, is set for release on 29th October via Keeled Scales.

Jill Goyeau
@jillybxxn

Photo Credit: Violet Teegardin

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