Track Of The Day: Hussy – ‘I Tried’

A swirling guitar tune about self-assertion and facing adversity head on, Sophie Nicole Ellison aka Hussy has shared her latest single ‘I Tried’. Describing her style as “DIY with high ambitions,” the South London-based songwriter & producer performed drums, guitars, synth and bass entirely by herself on this track, which is lifted from her debut EP due later this year.

“I feel like people will instantly think this is a love song but it’s actually not,” Ellison explains about the single. “This song is more me standing up for myself and who I am and maintaining that through adversity. I wrote this pretty instantaneously in the moment, so it definitely has a dramatic ‘take it or leave it’ sentiment whilst landing on an acceptance over it.”

With her talent as a multi-instrumentalist and knowledge as a producer and professional sound engineer, Ellison has an incredibly self-sufficient approach to creating music under her Hussy moniker, which she adopted from a T-shirt slogan. On ‘I Tried’, her guitar sounds are polished, her vocal delivery is charming and the effortless way that she blends these two elements reflects the skill, confidence and resilience it must have took to self-record & produce her upcoming EP.

Listen to ‘I Tried’ below.

 

Follow HUSSY on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Pooneh Ghana

Kate Crudgington
@KCBobCut

Five Favourites: Ci Majr

Having just released her debut EP Side Effects, upcoming Atlanta artist Ci Majr creates uplifting, emotion-filled pop anthems. A specially curated five track project, the EP sparkles with a heartfelt sense of hope alongside a scintillating energy and twinkling hooks.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ci Majr to ask about her “Five Favourites” – five albums that have shaped her as a musician. Check out her choices below and scroll down to watch the recent video for ‘Guillotine’ at the end of the feature.

Daft Punk – Discovery
Discovery was such an important album in my evolution as a music lover and also as a future singer/songwriter/producer. This was one of six CDs in my dad’s car that I’d get to choose from on my morning rides to middle school. There was something incredibly infectious about this album from the beginning. At the root of it, it just felt so new and fresh. I hadn’t heard anything so purely “electronic”. Usually, I’d be able to pick out a multitude of instruments but with Daft Punk it was like a symphony of synths and my young brain was just infatuated. Plus, even reflecting now, the songwriting is so simple in a way but also so catchy, and now as a songwriter myself I can really appreciate how much harder it is to make a simple song that gets your point across. ‘Something About Us’ is a perfect example of that. A lot of repetition, very simple vocabulary, and it’s just so moving and catchy. It is something I aspire towards.


Yanni – Yanni Live At The Acropolis
Yanni is a Greek-American instrumental composer. I actually know this “album” as a live concert DVD (yay DVDs are old school now lol) that my parents had. I grew up playing classical music, so (as a kid) I only saw instrumental/orchestral music as being quite boring and old-fashioned. Yanni, on the other hand, was conducting an orchestra, while playing the bongos, piano and more, and the music was just so lively and contemporary. It was like listening to the soundtrack of a movie but the music is so good you don’t even need or want to see the movie. You can just imagine your own storylines. It was so filled with emotion and passion, and his charisma is just so palpable. I remember going through a phase where I was creating/producing incredibly intricate instrumental arrangements because of my obsession with this performance. Additionally, I loved this album/performance so much that when I was a gymnast as a child I made one of the songs ‘Nostalgia’ my floor routine music.


Christine and the Queens – La Vita Nuova
If you know anything about me, you should know that I’m a bit obsessed with Christine and the Queens. She’s like the queer pop queen I’ve needed for so long. This latest EP La Vita Nuova absolutely blew my mind and what makes it even better is the visual that goes along with it. I watch the visual for it at least monthly and it’s just as good each time. Christine is an artist across the board: musically, visually, her abilities as a dancer. She’s an icon aesthetically and in practice. She’s such an inspiration to me that when she used different configurations of colourful rhinestones on her face in the visual album, it was the inspiration for my use of colourful rhinestones in my music video for Guillotine.


Justin Timberlake – The 20/20 Experience
So even before this album, I was a huge fan of Justin Timberlake, but what makes this album special for me is that it really feels like such an incredibly cohesive and intentional body of work. First off, each of the songs are between 4.5-8 minutes, which is unheard of for a pop album. So many of the songs start with the “radio edit” and then have an outro of sorts, and I was just so easily hooked to each of these songs despite the length. It was similar to hearing Discovery where I felt like the “style” that was captured in this album just felt so new and fresh that I was addicted to this album. I think what I loved most about this album is that it felt to me that Justin and everyone else involved weren’t trying to sound like anyone, it was just like whatever he created, whatever came out, he just went with it and that’s how I’d like to conduct myself as a creative. Not using others as guidelines but just trusting the art that emerges authentically.


Kanye – Life Of Pablo
What I love most about this album is that I wasn’t super into Kanye before this album (like I knew his popular stuff but probably never listened to an album from front to back). Kanye is a rapper but this album is so much more than a rap/hip hop album. It’s similar to The 20/20 Experience where you can just tell that there were just no creative guide-rails and the authenticity becomes the star of the show. It’s just a work of art.

Massive thanks to Ci Majr for sharing her Five Favourites!

Side Effects, the debut EP from Ci Majr, is out now. Watch the recent video for ‘Guillotine’ here:

Track Of The Day: Death Valley Girls – ‘Little Things’

Death Valley Girls’ new video for ‘Little Things’, a track from their recent album Under the Spell of Joy, provides a determinedly optimistic slant on life’s difficulties. The track was inspired by a friend of the LA band’s response to living with chronic pain and the lyrics emphasise allowing ourselves to take respite and pleasure where we can – a theme with particular resonance at the moment. The accompanying video recalls the work of Michel Gondry: charming, DIY, and pleasingly absurd – a dreamscape of homemade clouds and singing moons. Director Kelsey Hart has clearly succeeded in the stated aim of “reflect[ing] the unbridled hope and joy” of the track.

Musically, the track recalls some of the band’s West Coast contemporaries. The lead guitar line, a shimmering surf melody, is reminiscent of Seattle’s La Luz while the rhythm section drives the song along like a sunnier Chastity Belt. And sunny is certainly the word for a song like this; everything from the lyrics to the chord progression – even the lightly up-tempo rhythm – seem specifically designed to put a smile on the listener’s face and a spring in their step. The chorus, where the rest of the band join lead singer Bonnie Bloomgarden on vocals, is nothing short of delightful.

On this basis, the band’s cosmically inspired album, Under The Spell Of Joy, released last year on Suicide Squeeze Records, is certainly worth delving further into. 

Gregory Metcalfe
@GregorysParty

Photo Credit: David Fearn

LISTEN: Phia Sky – ‘fosn’

A fluctuating piece of ballad-tronica inspired by the un-nerving nature of a lucid dream, Manchester-based electronic artist Phia Sky has shared her latest single ‘fosn’. Inspired by video game soundtracks, human nature, toy instruments and field recordings, Phia’s self-produced new single is a fun slice of nightmare-pop exploring the strangeness of our subconscious thoughts via elasticated synths and erratic beats.

“‘fosn’ is a nightmare about waiting rooms and mysterious doorways,” Phia explains about the single. “It’s about trying to drop subtle hints of social discomfort (i.e knocking on the door, looking for the right key) but to everyone on the outside that clattering just sounds like normal speech. I tried to make the production match this, contrasting simple, hooky vocals with tangled synths and large beats.”

By fusing together an upbeat tempo with their ditzy synth textures, Phia has crafted an eccentric electro-pop soundscape that shimmers with unpredictability, reflecting the unusual nature of the dreams that informed it.

Listen to ‘fosn’ below.

 

Follow PHIA SKY on bandcamp, SpotifyInstagram

Kate Crudgington
kate_getinherears