Track Of The Day: daze – ‘yourself’

According to daze, the writing of ‘yourself’ only began towards the end of last year. Mind you, even by the standards of most DIY artists, their recent output verges on the prolific, with this single following two self-released EPs and a single, all since July 2020. Having met in college in 2017, their later releases reflect a second stage for the pair; a shift into dreamy indie-pop, and away from singer-songwriter fare. It’s possible that this recent prolific spree is due in part to lockdown, which probably suits the creative process of a self-described “bedroom pop” act, and daze – who are comprised of duo Daisy and Scott – seem to have mastered the sub-genre even by this early stage of their career.

For starters, ‘yourself’ comes packaged in what, judging by their Bandcamp, is something of a signature style for the duo, with its kawaii-leanings in coloured pencil evoking ’90s tech and kids’ cartoons. That return into youth typifies the best of indie-pop, right back to the Sarah Records days, although the piano loop that whirls through ‘yourself’ arguably has more in common with a house record. Between the piano and the drum machine hits, there’s a little of the pop-dance that dominated the charts some fifteen years ago in the track, but intermixed here is dream-pop guitar that shimmers in layers and layers, gently building with emotion amidst flecks of picked out notes, and echoing around Daisy’s impressively honeyed voice.

With a neat line in richly emotional lyrics, ‘yourself’ tells the story of a friend of Daisy’s, and their struggles with their mental health. “Do you know what I’m on about?”, Daisy sings, “I haven’t seen your colour lately” – a neat nod to the near dayglo imagery of the single’s cover sleeve, with the percussive nature of each line dangled delicately around the lilt of the track’s melody. Loosely structured, the song’s lyrics repeat whilst building with subtle changes, drawing the listener in, before, at the song’s close, they drape over each other and then fade out.

Featuring the pair running in slo-mo towards the camera, in a colour-saturated version of the woods, the self-directed video is oddly reminiscent of Pixies’ ‘Velouria’, although with a somewhat less demented bent and slightly more vintage sportswear. That said, the video shows a couple of people who are creatively in-sync, and happy to deal in an aesthetic that prizes honesty and expression over cool, sleek production values.  And the truth is, that what the band lack in budget, they more than make up for in musical ability. ‘yourself’ belies both the duo’s age, and their origin story, and suggests that while they might soon make it out of the bedroom, staying in has helped them show their colours.

‘yourself’ is out now. Download via bandcamp and listen on Spotify.

John McGovern
@etinsuburbiaego

Video Premiere: GracieSouz – ‘Before, An Apparition’

Following the sweeping sounds of ‘Brian Cox’, and having been charming our ears for sometime as front woman of GIHE faves KIN, Grace Strickland de Souza – aka GracieSouz – has been establishing her reputation over the last few months, with over 200k streams on Spotify, and has now shared a poignant new single.

Propelled by a soaring, haunting majesty, ‘Before, An Apparition’ explores themes of memory, transient moments and perseverance with a glistening, emotion-strewn splendour. As pulsating beats build with an industrial, glitchy energy to a frenzied, cinematic climax, the stirring celestial grace of the vocals create a truly captivating shimmering allure. An exquisite slice of electro-driven brooding alt-pop, this latest offering showcases GracieSouz as an innovative artist on the rise.

‘Before, An Apparition’ is accompanied by a beautifully handcrafted new video offering a stirring visual highlighting the poignancy of the track’s lyrical content and the sweeping majesty of its unique soundscape. Watch the video, for the first time, here:

‘Before, An Apparition’ is out tomorrow 5th March, ahead of the release of GracieSouz’s upcoming EP Better In Space – pre-order here. The track is produced and with additional music by experimental electronic producer Alexander Comana (Miedo Total, Casi Wyn) and mixed and mastered by Nicholas Alexander (Battles, Dead Slow Hoot).

Mari Lane
@marimindles

#ThrowbackThursday: GIHE w/ Brix Smith-Start (20.02.20)

Due to the ongoing Covid-19 pandemic and lockdown in the UK, we’re unable to make it into the Hoxton Radio studio to broadcast our weekly live new music show from 7-9pm. Instead, we’re sharing previous GIHE radio show recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music tunes & chats with some of our favourite artists each week.

Today, we’ve picked our February 2020 show with the incredible Brix Smith-Start. She joined Mari & Kate in the studio to talk about her last three albums with Brix & The Extricated, her love for Nadine Shah and her experiences over the years as a trailblazer in the music industry.

Listen back to the show below:

Tracklist
Lizzo – Juice
LegPuppy ft. Josefin Ohrn – Secret Friend
MAITA – A Beast
DRAMA – Years
MIRI – Girls Just Want To Have Fun
MEI – I Don’t Know What’s Next
Lido Pimienta – Eso Que Tu Haces
Bad Bones – Beg
Desire – Bizarre Love Triangle (New Order Cover)
Alessi’s Ark – Woman
Shoulder Season – Clean Lines
Brix & The Extricated – Wolves
**Interview with Brix Smith-Start**
RUNAH – Same Face
Li Yilei – A Star Without Guidance
HMS Morris – Babanod
Hilary Woods – Orange Tree
Girl Ray – Friend Like That
Am.i – Millenial
Chloe Foy – Callous Copper
Charlotte Spiral – Wide Eyed
Nirvana – Heart-Shaped Box
Kate Tempest – People’s Faces

Track Of The Day: Riotmiloo – ‘Vile Butterflies’

Abrasive beats, pulverizing electronics and seething vocals mesh together on ‘Vile Butterflies’, the latest single from London-based industrial riot grrrl Riotmiloo. Released as part of Chaos Theory’s fundraising compilation album 11 Years Of Chaos, the track bristles with intense unease, mimicking the nervous twitches of the wings of the titular insect.

“The idea behind this song is to not to let negative thoughts suppress your potential. Don’t listen to your vile butterflies,” Riotmiloo explains. Due to the on-going Covid-19 pandemic, Riotmiloo and London-based music promoters Chaos Theory have been unable to perform live shows at one of their favourite venues, The Black Heart in Camden, for over a year. ‘Vile Butterflies’ is one of twenty-six tracks on 11 Years Of Chaos, a compilation album that aims to raise much-needed funds for the venue, as well as promoting many of the artists Chaos Theory have worked with too.

Currently available on bandcamp, 10% of the profits made before 22nd March will be donated to the #SaveTheBlackHeart campaign, with other profits being shared fairly between artists and Chaos Theory so they can invest in more livestreaming equipment. The alternative, genre-defying collection features tracks from heavy rockers Vodun, a beguiling Cocteau Twins cover by Maud The Moth, as well as contributions from Brigitte Handley, Kate Arnold, Prisa Mata, Årabrot, Black Orchids and more.

The album is a fierce, cathartic soundtrack for escapism, but it’s also a heartening reminder that the DIY music community provides a crucial support network for artists, venues and promoters during this unpredictable and difficult time.

Listen to Riotmiloo’s ‘Vile Butterflies’ below.

Download your copy of 11 Years Of Chaos from bandcamp.

 

Follow Riotmiloo on bandcamp, Spotify, Twitter, Facebook & Instagram

Follow Chaos Theory on bandcampTwitter, Facebook & Instagram

Kate Crudgington
@KCBobCut