Five Favourites: RAHH

Having previously provided backing vocals for Liam Gallagher and shared stages with the likes of Nile Rogers, Emili Sande and Beverley Knight, Manchester born London-based artist RAHH has now shared a euphoric new single.

A blissful slice of soul-strewn alt-pop, ‘Overkill’ showcases the impassioned soaring splendour of Rahh’s vocals alongside a house-inspired enraptured groove.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with RAHH to ask about her ‘Five Favourites’– five albums that have inspired her songwriting techniques. Check out her choices below, and scroll down to watch the video for her latest single ‘Overkill at the end of this post.

TLC – Crazy Sexy Cool
This was my first album, bought for me by my big brother. I think it just opened up my eyes to what was possible as a music artist. I was a little mixed-race girl in a white area and the media and charts reflected that massively. All of a sudden I was introduced to TLC, the coolest girls I’d ever seen in my life and they kinda looked like me. It was massive! Plus I adored the music, I loved that Lisa Left-Eye Lopez rapped and that T-Boz sang so incredibly low – it was totally unusual. I remember learning every word of the rap from ‘Waterfalls’, playing it on repeat in my room and having to turn the volume down when she said “my only bleeding hope..” because I thought my Dad would go mad at me for swearing!

Michael Jackson – History
A different big brother moved out to go travelling in Australia and left me with this album and the VHS to go with it. It was pretty life changing for me. I fell head over heels in love with Michael Jackson’s genius, I was completely captivated. I think his influence can be heard in most music that came after him. The way he created a feel, a groove, and the infectious need to dance is magic. It’s something I think we all aspire towards as songwriters.  

Simon and Garfunkel – Bookends
I think before I’d heard this album I was big on RnB and soul, I was focused on the sound and technique of the vocal and hadn’t opened up to the possibility of liking artists that didn’t champion the voice in that way. After this album, all of that went out of the window and I fell in love with the lyrics and poetry of artists like Paul Simon and Bob Dylan. Track 2, ‘America’, remains one of my favourite songs of all time. I’ve had incredible bonding experiences with other people who adore the song and who know about that one lyric where he addresses his wife who’s sleeping next to him to tell her he’s empty and aching and doesn’t know why.  It is my favourite lyric ever and the way its placed in this song will forever inspire me as a writer. 

Lauryn Hill – The Miseducation of Lauryn Hill
Every song and every note just seems like effortless genius. I can’t remember when I first heard this album but it is timeless. It inspired me to be a better musician and to care less about perfecting vocals and more about the depth of the song. ‘Ex-factor’ makes me melt!

Solange – A Seat at the Table
As a huge Destiny Child and Beyonce fan growing up, I think I just never imagined I could possibly get into Beyonce’s sisters music more than Beyonce’s herself until this album. It seemed to come out of nowhere. I listened to it over and over, I love the whole concept of it, the fashion and contemporary dance of the videos and artwork. The interludes, the interviews. The running theme of race and Black beauty. I really think it’s a piece of artwork from start to finish. The depth of the music in its content and musicality is inspiring and I strive to instil that in my own writing.

Massive thanks to RAHH for sharing her Five Favourites with us!

Watch the new video for ‘Overkill’ here and listen on Spotify now:

Track Of The Day: snake eyes – ‘skeletons’

A brooding, guitar driven observation on inappropriate behaviours and how we try to deal with them, snake eyes have shared their latest single ‘skeletons’. Lifted from their upcoming debut EP of the same name, which is set for release on 9th October via Failure By Design, the track is an abrasive recognition of how despite our differing opinions, we’re all really made of the same flesh and bone.

Formed of Jim Heffy (vocals/guitar), Nicole Gill (bass/vocals) and Thomas Coe-Brooker (drums), snake eyes are three friends who write songs together to avoid over-thinking or over-complicating things. The trio recorded their debut EP between Heffy’s bedroom and Coe-Brooker’s attic, giving it that all important authentic DIY sound.

Heffy penned ‘skeletons’ after seeing first hand the “questionable” behaviour of an ex-colleague. “A guy at my old work would make these ‘jokes’. I didn’t wanna make a scene as I was leaving the job so I’d just bite my lip, which looking back I feel was the wrong move.” As Heffy points out in the song’s lyrics, “It’s hard to see what’s clear with a narrow mind”, so the band take down these “jokes” via clear cut vocals and crashing percussion instead.

Watch the video for ‘skeletons’ below and follow snake eyes on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Anna Wolf (ft. Pop Morrison) – ‘The Unfamiliar’

In an eerie-pop lullaby, Anna Wolf and Pop Morrison (Stereophonics) combine forces to create a captivating backdrop for independent horror film ‘The Unfamiliar’. Drawing on the simplicity of folk and the intriguing dynamics of art-rock, they have blended a tasteful concoction of genres to paint a bewitching track that shares an insightful whisper to its accompanying movie. 

Vocal delicacy reminiscent of Ingrid Michealson dances across silky acoustic guitar for fluttering majestic moments. By dispersing and leaving the velvety instrumental to hold its own, Anna and Pop make room for mystery and a quietness that seems to echo down a shadowed hallway. Winding is the track and stoic indie-pop is the vehicle driving this dark tune. 

Soft, cushioned percussion holds ‘The Unfamiliar’ afloat and steady in its progress even when tension builds lyrically through Anna’s ethereal images – “A cat caught their tongue” – but the silence is telling its own tale through Anna and Pop’s pulsing musicality.

‘The Unfamiliar’ is steeped in an eerie, murky shadow and magnificent sense of suspense, offering its own cinematic soundscape of apprehension and horror. 

‘The Unfamiliar’ is out now. Listen on Spotify.

Jillian Goyeau
@jillybxxn

Track Of The Day: Francis Of Delirium – ‘Equality Song’

**TRIGGER WARNING: DISCUSSION OF RAPE AND SEXUAL ASSAULT**

A candid, necessary dismantling of the ingrained sexism and toxic masculinity that permeates society, Luxembourg-based, Canadian-American duo Francis Of Delirium have shared their latest single ‘Equality Song’. Funded by Luxembourg’s Ministry of Equality to celebrate 100 years of women’s right to vote, vocalist & guitarist Jana Bahrich penned the poignant track in the wake of the Brett Kavanaugh hearings.

“Sometimes it feels like a fact of life / You’re born, get your period and you’ll get raped some time,” Bahrich states in the song’s cutting opening lyrics. Her message is made all the more startling by the strength and sincerity in her vocals, highlighting the systems that are “hindering our change” when it comes to openly discussing the inequality that women face on a daily basis.

“The song was written mainly out of anger, at how absurd it is that sexual abuse is so normalised, and the systems that are in place just essentially shit on anyone that comes forward with their story”, explains the 19 year old songwriter. “The Brett Kavanaugh hearings had just happened and then every week it felt like another story came out and it seemed like no-one cared. You grow up learning to be sceptical of other people and spend a lot of time in fear of the people around you. So, the song is meant to be lashing out about how broken structures and systems are”.

Bahrich’s anger is underscored by a desire to support those who speak up about abuse, which is why all proceeds generated from the first week of downloads of the single on Francis Of Delirium’s bandcamp page will go to Femmes en Detresse, a Luxembourg domestic abuse charity that provides protection and therapy.

Listen to ‘Equality Song’ below and follow Francis Of Delirium on Facebook & Spotify for more updates.

Photo Credit: Lynn Theisen

Kate Crudgington
@KCBobCut