Track Of The Day: Noga Erez – ‘NO News on TV’

A deceptively simple, buoyant exploration of how it might feel to disconnect from reality; Noga Erez has shared her latest single, ‘NO News on TV’. Erez penned the track during the covid-19 pandemic with her partner Ori Rousso, whilst continuing to work on her second album which is set for release later this year.

Polished production, catchy beats, and relatable lyrics combine to make ‘NO News on TV’ one of Erez’s most memorable tracks to date. She completed it without the usual distraction of emails, news and phone calls; and was therefore able to imagine a world with no access to “politics, money, grit, racism or violence.”

“I don’t wanna look at my phone anymore” she muses in the track’s opening line, fatigued by the constant flow of bad news. But rather than encouraging listeners to switch off from the world, Erez highlights that this apathy is an unhealthy privilege, and one that many communities do not have.

The Tel-Aviv based artist articulates why it’s so crucial not to turn away when we see injustice: “As I write these words people in America and all over the world are fighting for justice for the black community. It’s tragic and saddening that in this day and age we still have to deal with racism. But this fight is so extremely important, not just for the black community in the US but for any person who suffers from oppression and mistreatment.”

“I call this song ‘a children’s song for adults’ because it shows a naive, Utopian reflection of reality. I just needed to have a song like that. An escape song. [But] this isn’t time for escaping, it’s a time for confronting. Singing about how ‘everybody’s free’ right now is such an incredible dissonance for me. It says exactly what it needs to say: not everyone is free. Actually most of us aren’t, but some of us are literally, physically not free. And that has to change fast.”

Erez explores these themes in the beautifully shot video that accompanies the track, featuring an exquisitely decorated mansion and a devious bear playing drums. She elaborates on her characterisation and the visual metaphors she used: “I wanted to play a character that is very different from how I see myself, and the feeling of boredom playing a big part in a subconscious way throughout the video. The bear here is an intruder, a threat coming from the outside world and messing up the Utopia, and also salvaging the character from the underwhelming feeling of having no worries or trouble. Once she gets friendly and intimate with the intruder she instantly realises the outside world is too scary, too intense and she decides to get rid of it and go back to closing herself off from anything outside her beautiful, perfect boredom.”

Check out the video for ‘NO News on TV’ below and follow Noga Erez on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: BAXTR – ‘Bloom’

With an explosively fresh energy and tight, popping instrumentals, London trio BAXTR unveil indie greatness in their debut single ‘Bloom’.

Inspired by ’80s retro-pop, BAXTR bring a fiery energy to the modern dance canvas and paint it with a melody that will immediately leave you reaching for repeat. The rich history of the trio’s closeness is evident throughout ‘Bloom’ –  a natural chemistry spins in circles and forms its own unique sonic charisma. This joyful tone is the glue of BAXTR’s witty sound and supports the band’s feel-good drums, sunny guitar riffs and sing-along vocals.

The bounce of ‘Bloom’ is undeniable, and embodies the spirit of a best friend pulling you into the sun “in the middle of June.” It is both the pick-me-up easy car ride and the quiet summer night in a backyard with your favourite people. BAXTR have removed anything melancholy about nostalgia in ‘Bloom’ and delivered us nothing but the good memories and the lightness of noughties pop music. It’s a reassuring boost in the form of a song – reminiscent, hopeful and contagious. 

 

‘Bloom’ is out now. Listen on Spotify.

Jillian Goyeau
@jillybxxn

Introducing Interview: The Frisbys

Having received praise from the likes of Amazing Radio, Gigwise and For Folk’s Sake, South London folk collective The Frisbys create twinkling, emotion-strewn offerings, oozing a sweeping musicality and celestial splendour.

With a new EP set for release this week, we caught up with Nicola Frisby from the band to find out more…

Hi, welcome to Get In Her Ears! Can you tell us a bit about The Frisbys? 
Hi! We are an alternative folk/country band from South London. Our band consists of myself (Helen – vocals, flute), my twin sister Nicola (vocals – guitar), my husband Sam Keer (electric guitar) and three of our friends from university/college – Sal Palekar (piano and violin), Will Cattermole  (bass) and Tom Finigan (dums). We will be releasing our third EP, My Wicked Mind this week and we’re looking forward to hopefully playing live again as soon as we possibly can!  

How did you initially all get together and start creating music?
Although Nicola and I have been writing music together since we were teenagers, our line up as a band has changed massively over the last few years. When Nicola and I started creating music, we were an acoustic duo playing locally around South London with just harmonies, guitar and a flute. Gradually as the years have gone by, we’ve recruited some amazing musicians who also happen to be some of our best friends. Every member of our band is a friend that we’ve met through studying music at college or university. The most wonderful thing is that making music together has helped to reunite us again and I know that both Nicola and I feel incredibly lucky for that.

Your new EP My Wicked Mind is out on Friday – can you tell us what it’s all about? Are there any themes running throughout the EP?
The title of My Wicked Mind stems from the idea that the human mind is just bonkers. I suppose I just find it strange how the mind can create such wonder and beauty, whilst at the same time be capable of causing so much anxiety and suffering. I wouldn’t say that this EP is thematic in its concept, but it is a collection of songs that explore both the inner turmoil and the resolute strength of the human mind. So, for example, the songs ‘I Heard’ and ‘Print’ are almost opposite viewpoints based on the same theme. ‘I Heard’ is a fighting song about pushing through even when everyone is telling you what you are trying to achieve is impossible, whereas ‘Print’ highlights the insecurity that lies beneath. Even if you believe in yourself and the path you’ve chosen, it can be very hard not to let those doubts overwhelm you. Everybody wants to be accepted. 

You’ve been compared to the likes of First Aid Kit and The Lumineers, but who would you say are your main musical influences?
Unsurprisingly, Nicola and I have very similar musical influences. Our early days listening to my mum’s Simon and Garfunkel records or my brother’s Nirvana collection has meant that we have a pretty varied taste in music; which would maybe explain why our music can be so hard to fit into one genre. We like everything. As individuals, we all have quite different musical tastes. I recently asked the band to compile some of their favourite artists for a Spotify playlist and it was pretty amazing how diverse some of the artists were. Nonetheless,  there are always points where our influences cross. I would say that, collectively, we are inspired by artists such as Carole King, Eagles, Fleetwood Mac, Bruce Springsteen and The Beatles. 

How is your local music scene (in ‘normal’ times!)? Do you go to see lots of live music?
I actually moved very recently and so Covid has prevented me from getting out and about and testing out the local music scene, but before that we gigged a lot in the Croydon and South London area. Some of our very first gigs were gigging in South Croydon and we have a real soft spot for it in our hearts. What we’ve noticed as the years have gone by is that more and more of the venues that we used to play in have closed down and so now it can be quite difficult to find a venue that has a capacity for a band of our size. The good news is that there are some local musicians and venues who are constantly fighting this and putting on some excellent nights of music. I adore seeing live music and I try to see as much of it as I can. I prefer more intimate gigs to big arenas as I sometimes feel a little stifled by the environment. I need to move around and hate being restricted to a seat! One of the best gigs I’ve been to recently was watching Skunk Anansie in Brighton. The energy they created was just incredible and Skin’s stage presence is second to none.

And what can fans expect from your live shows?
I think our aim as a band is to make you feel something. Tom (our drummer) has a particular talent for creating set-lists and he always puts a lot of thought into making the set into a bit of a journey. We definitely don’t just have one style that we sit with, we try to mix it up. I love the fact that we can build the crowd’s energy with songs like our recent single ‘I Heard’, only to drop them back down again and make them almost silent with songs like ‘Give in to the Dark’. As horrible as it sounds, I quite like it when people tell me we made them cry! For me it means that we connected with them.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
One of my favourite bands I have found over the last few years is an American band called Joseph. They are a band of three sisters who create the most incredible live sound I’ve ever heard. Other upcoming bands we’d recommend are Theo Katzman (a multi-instrumentalist from California) and FlagTwister, John Lovell, Scott McFarnon, Chloe Ray and Dave Sears who are all local musicians we love to listen to.

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think there are lots of really wonderful opportunities for new bands at the moments. For example, anyone can submit their music to be played on BBC Introducing and there are some fantastic blogs (like yourself) who are out there promoting new music. More affordable music software has meant that it is cheaper for people to create music themselves which is so wonderful, but it does mean that the music industry is very over-saturated. Most bands now realise that they can make music without record companies funding them and so that has meant that it is a much more level playing field. I think it has meant that bands have to work harder to get their music heard and maybe they have to be more creative about how they promote their music, but I don’t think that is necessarily a bad thing!

Finally, what does the rest of 2020 have in store for The Frisbys?
We recorded a live lock-down version of our new single, ‘I Heard’, in May and we are currently in the process of creating some more videos for our fans. We were hoping to be playing an EP release party this year and some festivals, but who knows what will be happening on the ‘live’ music front. Hopefully, we will find a way of playing an ‘online’ gig to help celebrate the release, so fingers crossed we can make something happen!

Massive thanks to Helen for answering our questions!

 

My Wicked Mind, the upcoming EP from The Frisbys, is out this Friday 26th June.

Track Of The Day: Healthy Junkies – ‘Some Kind of Girl’

**Trigger Warning: Discussion of sexual harassment in the workplace**

A riotous exploration of the multiple microaggressions that women endure on a daily basis while trying to stay focused in the workplace; Healthy Junkies have shared their latest single, ‘Some Kind Of Girl’. Lifted from the band’s fourth album, Delirious Dream, the track is informed by personal experience.

“I can hear the scream inside your eyes” seethes Healthy Junkies vocalist Nina Courson over crashing percussion and heavy riffs. ‘Some Kind Of Girl’ is based on Courson’s own experience of sexual harassment which she endured when she moved from France to London as a young woman. “There is very much a call for change in today’s society” she explains. “Truth, justice and non-acceptance of inappropriate behaviour are very much at the fore-front of this.”

The London-based band have shared an accompanying video for the track (directed by John Clay) that highlights the pervasive nature of sexual harassment, and how the effects last long after women leave the office. Watch the visuals below and follow Healthy Junkies on Facebook & Spotify for more updates.

If you need support or advice about sexual harassment please click here.

Kate Crudgington
@KCBobCut